The Nazisploitation sub-genre was briefly hot in the 70's. Perhaps most famously represented by Don Edmonds' legendary sickie "Ilsa: She Wolf of the SS," other examples include such similarly twisted sleaze as "SS Girls," "The Gestapo's Last Orgy," and "Deported Women of the SS Special Section." Alas, this fabulously vile and offensive sub-genre has been dormant for thirty years. Well, Nazisploitation returns with a vengeance with this insanely raw, gruesome and vicious, yet always entertaining and even occasionally quite funny belated entry.
1945: Sadistic Commandant Helmut Schultz (superbly essayed with hearty demented aplomb by Charles Esser) and his equally brutal assistant Wolfgang (a terrific performance by Steve Montague) grossly mistreat the prisoners in their war camp. Fed up with being severely manhandled by their ruthless captors, the motley assortment of multi-international prisoners set aside their differences and join forces to stage a revolt.
Director/co-writer Keith Crocker loads this trashy tale with all the tasty nudity (not just the expected luscious bared distaff skin, but also a couple of guys even go full frontal!), sordid sex, graphic gore, hardcore nasty torture, and unflinching depravity any self-respecting fan of unapologetically rough'n'ready low-grade exploitation fare could possibly want and hope for. Among the nifty and exciting outrageous highlights are a beautiful buck-naked lady running through the woods and blowing away Nazi dirtbags with a machine gun, the greatest bathtub castration scene since "I Spit on Your Grave," some truly wince-inducing genital mutilation, and the rousing climactic jailbreak riot. Moreover, Crocker adds plenty of surprising humor into the already heady mix and acquits himself well in a sizable supporting part as an American soldier prisoner. Kudos are also in order for the uniformly sound acting from a bang-up cast: Edward Yankus as take-charge American Jack, Brenda Cooney as the tough Scottish lass Lucille, Marjie Kelly as the sassy black Marjie, Gordanna Jenell as Helmet's wicked sister Frieda, Tammy Dalton as ditsy Southern gal USO stripper Candice ("Hail Hitler, y'all"), Wayne Chang as vicious visiting Japanese General Yugosami, Steph Van Vlack as the cruel Dr. Zuber, Paul Richichi as a priest with a secret, and Natasa Warasch as the perverted Helga. While all these folks do stellar work, I still have to single out for special appraisal ravishing redhead stunner Tatyana Kot, who delivers an impressively fierce performance as fiery'n'ferocious Russian soldier Natasha. In addition, Jim Knusch's polished cinematography offers a few striking images, the neatly eclectic score hits the groovy spot, and production designer Keith Matturro works wonders with a modest budget. Why, this unbeatable winner comes complete with a provocative central message about how war brings out the worst in human beings and the only way to defeat your enemies is to be even more base and barbaric than they are. Great stuff.