Forced to confront her past, Cassandra Webb, a Manhattan paramedic that may have clairvoyant abilities, forms a relationship with three young women destined for powerful futures, if they can... Read allForced to confront her past, Cassandra Webb, a Manhattan paramedic that may have clairvoyant abilities, forms a relationship with three young women destined for powerful futures, if they can survive their threatening present.Forced to confront her past, Cassandra Webb, a Manhattan paramedic that may have clairvoyant abilities, forms a relationship with three young women destined for powerful futures, if they can survive their threatening present.
- Awards
- 6 wins & 7 nominations total
Featured reviews
The story revolves around Cassie Webb attempting to save three young women from Ezekiel Sims, who is determined to kill them before they become Spider-Women in the future and ultimately end his life.
The writing could have been significantly better, and the poor editing was a major drawback. The transitions between scenes were jarring and disrupted the flow of the film. Dakota Johnson's performance was decent, and she looked stunning as always. However, Tahar Rahim's lackluster acting and poor dubbing severely impacted the movie's overall quality. Adam Scott and Emma Roberts were underutilized in minimal roles, while Sydney Sweeney, Isabela Merced, and Celeste O'Connor were visually appealing but lacked strong performances.
S. J. Clarkson's direction was mediocre, although a few scenes, such as the chase sequences and train station moments, were executed well.
The background score and VFX were commendable, but overall, the movie failed to deliver a satisfying experience.
Final Rating: 4/10.
Basically, this movie plays out like the cut scenes from a budget Xbox 360 game. From the ground up this thing just feels designed to fail. It feels almost Producersesque in its approach in just how every aspect is seemingly intentionally mangled, yet no one seems to care. How have we come so full circle to go through the glory of Infinity War/Logan/The Dark Knight to arrive all the way back to Batman and Robin and Catwoman levels of superhero flicks? (Bam!, Pow!, Gosh yes Batman!)
How did this movie make it so far that it has an actual release, and no one stopped it? How did this idea get green lit? Why did Sony give 80 million and turn over their valuable IP to the people that wrote Morbius, Gods of Egypt, Dracula Untold and The Last Witch Hunter? How did this get past the writing process and again have that script greenlit? How could no one on the set at any point stop things? How did no one in the editing room point out how bad it looked and how much of a mess it was?
But to the suits it's not about art and story. Instead it's about business, and people are just a commodity. It's cheaper to recycle known quantities, and practice nepotism and involve maybe less than talented friends, people you've worked with before, than go out and find artists with worthy stories. They don't care about art, they don't care about stories, they care about making this work for them financially, regardless of loss of reputation with audiences as a whole.
Youtuber Chris Stuckmann did a deep dive on the topic of big studios being generally run by folks who came up through management rather than the creative rungs such as writing and directing when he discussed this film. His take is worth watching. For some reason, Chris doesn't do critical movie reviews since he has become a filmmaker, but I can tell by his tone that, like me, he was completely displeased watching this one. I'd avoid it.
From the advertisements, I knew this movie wasn't going to be great but still, it surprised me how bad and boring it was. Everything about the direction, writing, characters, technical aspects, and designs are really awful. The writing is poor as there are many concepts, ideas and aspects that are messy and bland. The messy script creates poor dialogue from the cast and the characters are not interesting. The special effects looked even worse than the marketing and all of the performances were pretty bad. I honestly do feel bad for Dakota Johnson cause she is a good actress but she deserves to have better roles then this. It can be said for the same for the rest of the cast members.
The uses of product placements are annoying, action moments are dull, and and all in all, it was boring. Superhero movies shouldn't be boring but this really dragged on. It's unfortunate cause female superhero leads are something I love to see more like Wonder Woman and The Old Guard which are pretty fun. But unfortunately, it seemed that it likely isn't going to happen anytime soon.
There really isn't anything else to say.
Bad.
Madame Web is god awful! Very difficult to sit through. None of the main characters are likeable. Even the villain is lame. It seems like the entire movie was written to set up a sequel. But why would people spend money to see the sequel of a movie that is one of the worst movies ever written? I'm shocked at how bad this movie is and if there is a sequel I certainly wont bother watching it.
Stop hiring bad writers, Hollywood!
Storyline
Did you know
- TriviaThe first Marvel movie based on a character that did not have their own self-titled comic series.
- GoofsThere are multiple scenes where Ezekiel's lip movement does not match with what he's saying.
- Quotes
Julia Carpenter: [checks a photo of a man] So, who is he?
Cassandra Webb: That man is Ezekiel Sims, he was in the Amazon with my mom when she was researching spiders right before she died.
- ConnectionsEdited from Spider-Man 2 (2004)
- SoundtracksMiles Away
Written by Brian Chase, Karen O (Karen Lee Orzolek) and Nick Zinner (as Nicholas Joseph Zinner)
Performed by Yeah Yeah Yeahs
Courtesy of Touch and Go Records
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Madame Web!
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $80,000,000 (estimated)
- Gross US & Canada
- $43,817,106
- Opening weekend US & Canada
- $15,335,860
- Feb 18, 2024
- Gross worldwide
- $100,498,764
- Runtime1 hour 56 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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