An internal succession war within House Targaryen at the height of its power, 172 years before the birth of Daenerys Targaryen.An internal succession war within House Targaryen at the height of its power, 172 years before the birth of Daenerys Targaryen.An internal succession war within House Targaryen at the height of its power, 172 years before the birth of Daenerys Targaryen.
- Won 1 Primetime Emmy
- 18 wins & 89 nominations total
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Summary
Reviewers say 'House of the Dragon' is acclaimed for its storytelling, political intrigue, and Targaryen saga. Exceptional performances by Paddy Considine, Emma D'Arcy, and Matt Smith are highlighted. Stunning production design, elaborate costumes, and CGI dragons are praised. The show balances epic scale with intimate drama and stays true to George R. R. Martin's lore. However, some note pacing issues and lack of emotional connection.
Featured reviews
Season 1 had such a great pace. We moved through years in 2 or 3 episodes, which allowed for the story to move along and milestones to be achieved. This season we are 4 episodes in and the story has only moved a few weeks. This show is eerily slow and nothing is happening. The Dameon story line is boring and useless. Rhanerya has been absent in most of the episodes and not making any decisions. The show writers listened to wasteful criticism from some of last year's audience members, who complained the pace was too fast and now they have destroyed the show!!!! You can't take everyone's critique too serious. This show is way tooo slow and it has lost it magic from last year.
Despite the high anticipation surrounding the series, it's unfortunate that the only captivating element is the presence of dragons. The actors lack charisma, failing to bring their characters to life in a way that engages the audience. This deficiency in performance makes it nearly impossible to form any emotional connections with the characters. The narrative, which could have been enriched by strong, memorable personalities, instead falls flat, leaving viewers disinterested and detached. The dragons, while visually impressive, aren't enough to carry the entire show and redeem its shortcomings.
No emotional connection whatsoever with characters, and this is why it is not working. In 'House of the Dragon,' the narrative struggles to engage viewers on a deeper level. The characters, while visually striking and well-portrayed, lack the development needed to foster genuine attachment. Unlike 'Game of Thrones,' where complex backstories and evolving relationships drew audiences in, 'House of the Dragon' fails to provide sufficient depth. Without this emotional investment, viewers find it challenging to care about the fates and motivations of the characters. The intricate political plots and spectacular battles cannot compensate for the absence of heartfelt connections. Consequently, the show risks becoming a mere spectacle, losing the compelling human element that once captivated fans. For 'House of the Dragon' to succeed, it must cultivate richer character arcs and more intimate storytelling. Adding more personal stakes and emotional dilemmas could help bridge this gap, making the audience genuinely care about the characters' journeys.
This work has reached an unparalleled level of awfulness, the worst episodes are in the second season.
I'm tired and angry at this work and the stupid games the writers are playing. I didn't expect the series to reach such a level of triviality and disgust that has reached its peak. In reality, this is the price of GRRM selling the rights to his world after spending a long period of his life on it. You write and leave, and it ends up in the hands of a network that doesn't care about quality, and they team up with some bad writers, who I'm too embarrassed to call them writers, and then HBO put them in an animal barn instead of a writing room.
This ugly quality only comes from an animal barn, and I believe even if you were in an animal barn, you would be able to produce better ideas and writings, better than the work of the writers of House of the Dragons who think they can write innovative and new lines better than the original source... Unfortunately, this is the painful result.
I'm tired and angry at this work and the stupid games the writers are playing. I didn't expect the series to reach such a level of triviality and disgust that has reached its peak. In reality, this is the price of GRRM selling the rights to his world after spending a long period of his life on it. You write and leave, and it ends up in the hands of a network that doesn't care about quality, and they team up with some bad writers, who I'm too embarrassed to call them writers, and then HBO put them in an animal barn instead of a writing room.
This ugly quality only comes from an animal barn, and I believe even if you were in an animal barn, you would be able to produce better ideas and writings, better than the work of the writers of House of the Dragons who think they can write innovative and new lines better than the original source... Unfortunately, this is the painful result.
10Rob1331
Game of Thrones was one of my favorite shows of all-time so I couldn't wait for House of the Dragon. After just finishing it I can tell you it's fantastic! While it's not as good as Game of Thrones it's still very good in its own right. It's already another hit in a long line of them for HBO. I've never read the books to these shows so I had no expectations when it came to that but I wouldn't care if it varied from the source material even if I did. I don't get why so many people care if a movie/show is different from the source material. As long as it's entertaining...who cares? They have to adapt these books for the screen. The first few episodes may start a little slow for some as they build these characters and the world they live in but stick with it because it definitely pays off. This is definitely one of the best new shows of the last few years and I'm looking forward to more seasons in the future.
Did you know
- TriviaThe Iron Throne has been greatly redesigned from Game of Thrones (2011). It is larger and more asymmetrical to more closely match the description in George R.R. Martin's novels, although it is still nowhere near that big: the throne in the books is a 40-foot, immovable, asymmetrical behemoth made from 1000 swords welded together, with the seat 20 feet above the ground, and only accessible by a flight of stairs; the person sitting on it addresses people down below from 40 feet away.
- Crazy creditsThe first season's title sequence is centered on a model of the Old Valyria citadel, with blood trails running across the land and marked by symbols of the Targeryn family.
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- Runtime50 minutes
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