The Collapse

L'Effondrement is about collapse of the civilization. It isn't crystal clear what caused the collapse. There might be a few hints, but basically all supply chains fall apart and with them, everything.

What I love about this mini-series is that we might experience something exactly like this*. The show catches panic, desperation and denial very well.

Each episode is dedicated to a different person or a group that experiences collapse in a different way. Some of them end relatively well. Some are a tragedy. A few go sideways...

*except Ep. 05, there are safety systems designed for situations.

Abstract

Eight exciting chapters, eight moments and extreme situations derived from a sudden? crisis that leaves the planet without supplies.

Review

Starting on J-Day, there is a sudden global collapse whereby the supply of food, energy and other inputs is cut off.

This French miniseries addresses in each chapter distressing situations that arise from that event whose nature we ignore.

But it does not do it in any way: each one of its nervous chapters lasts only around 20 minutes and is filmed in real time with a handheld camera and in a single sequence shot. And it is not a quirk of style: the dramatic effect is prodigious and the technical expertise in the realization in some is astonishing.

The series does not fall into the usual Manichean nihilism of apocalyptic dystopias because, although human miseries appear in each chapter, the result of desperation for survival, gestures of solidarity and collaboration are not absent either.

The situations dealt with are individual or collective, often dilemmatic, with very different locations, different characters (with very few exceptions and few links between them) and with strong social and class notes, but without falling into the cliché. Overall the pacing is distressing but never hysterical, and the filmmakers have a knack for making chapters quite different and with room for surprise.

Filmed in 2019, this dystopia directed by Jérémy Bernard, Guillaume Desjardins and Bastien Ughetto (who stars in one of the most terrifying episodes) is prescient in some aspects of the global coronavirus crisis and undoubtedly related to the prevailing capitalist modes of production.

Pay attention to the final titles of each chapter. If you pay attention, you will see that they are revealing.

Ranging from episodes of fifteen minutes to twenty seven minutes this eight-parter told tales of disparate people and groups tenuously linked in some of the episodes.

The end was no longer nigh, it had happened. Capitalist society had broken down and the programmes explored various characters' reactions to survive the cataclysm.

Few of the episodes engaged me. However both the storyline and the acting in the episode set in the old folks home were a definite winner. I found the final episode the weakest of all as I could not believe either in the subversives nor in their acceptance by the television debate programme.

I also found the garage episode far fetched. A baseball bat would never have kept the ravening hordes away nor could it have stopped them sacking the place.

All in all an easy watch to fill in some time.

The highlight of this mini series is its realization. Each chapter is shot with a handheld camera and in a single continuous take without editing, which makes it a novel product and very difficult to film. Another feature of the series is that the last episode could be considered the first, since the final chapter tells the origin of how the collapse of the world began. Each episode is independent of the other and tells stories of ordinary people in an environment in which the planet has collapsed and there is a lack of food, energy services are scarce or failing and people try by all means to find a way to survive, as they As the episodes go by, there is a progressive count of the days that have passed since this collapse, so as the stories progress they are increasingly crude and violent. We can see how people are desperate to get food that is missing in a market, fuel to escape to a safer place or simply people with a lot of money who have hired special services that will take them to special bunkers so that they are safe. A very entertaining, innovative series, very well directed and acted, and with a message that will leave more than one viewer thinking about the real possibility that the day of the collapse can come true.

If you liked those epic long one shot's scenes brought to you by the combo Alfonso Cuarón + Emmanuel Lubezky, you will love this series. You also can notice their influence on the authors of L'Effondrement, because the plot of the movie also brings a postapocalyptical theme.

Don´t look up is another recent comparison regarding the topics covered in one of the chapters of this series. Bringing some uncomfortable truth to the table and having to deal with people's indifference.

Technically astounding, i dont know yet how they filmed some parts of the scenes, but I understand that they put a lot of work into preparing them.

The acting is amazing. Every character is depicted in great detail, and you connect and empathize with each of them.

One of the best series of recent times, and they didn´t need eight seasons for achieving that. Just eight 20min chapters.