The Unbearable Weight of Massive Talent

Over the course of the last decade, Nicolas Cage's career has taken a weird turn. The former Oscar winner seemed to be back on top, making the National Treasure movies and seemingly on his way to movie star status. And then all of the drama. Money was tight, he had terrible spending habits and had to keep the bread baking. Questionable choices on top of questionable choices. The only thing that seemed to be consistent was every few films, we get a pretty good performance. And then the revolution on social media of commenting on terrible films and appreciating there awfulness became a trend, and people started noticing that even Cage's "bad" films exuded a certain energy. People rightfully gave him credit for giving it his all even for the straight to video fare he did because he had a couple weeks off between other projects. The summation of this bizarre trajectory comes to a peak in this role.

Needless to say, this was the role Cage was meant to play...that being himself. It's always brilliant to see just how far someone will take their art and even lampoon themselves in the process. In the past, we saw Jean-Claude Van Damme do it with JCVD, which caused a bit of an eruption because it was a film about him, but the film was openly mocking him. If not for the heartfelt scene where Van Damme laid everything out and gave insight into his motivations, we understand just how difficult such self reflection can be. Michael Keaton also did this in Birdman, taking a swipe at his most famous character in an attempt to rid himself of his past and take on a new persona for his future. It worked, for he is back in big productions again and even won an Oscar. With Nicolas Cage, what is the commentary going to be?

For a Nicolas Cage super fan like me, this movie was a joy to watch. They whipped out some deep references in this film, and Cage seemed to take joy in lampooning his own performances. I forgot how much Cage goes "full Cage" in Guarding Tess, which is a helpful reminder that he was pretty much the guy that was in offbeat comedies for the longest time. And of course, Cage's inability to handle accents is lampooned hilariously, especially when the characters openly love Captain Corelli's Mandolin, an absolute train wreck of bad accents and over the top mannerisms.

What I especially love is how well Pedro Pascal and Cage interact with each other. You can tell they enjoyed the experience and had a boatload of fun with the material. Also, the bizarre interactions that Cage has with himself (you heard that correctly) are amazing.

Many will say his was a just an ego trip for Cage, but when you see his recent body of work you get the feeling that was the intent. The man loves to perform, regardless of the project. As long as he gets some top billing and as long as people keep watching, why wouldn't he get a little big headed? Cage has definitely walked a strange route and seems fully committed to that journey, and as long as he has the chance to keep making unique projects and bring his "nouveau shamanic" acting method to the forefront, I will continue to enjoy many of the strange outings he participates in.

Nic Cage plays a fictionalized version of himself in an enjoyable action-comedy that also stars a brilliant Pedro Pascal. Writers Tom Gormican and Kevin Etten strike a solid balance between fanboy moments and telling a fairly engaging story. While Cage excels in his dialogue-based humor, Pedro Pascal (who gets nearly equal emotional footing in the story) plays perfect foil to him. The underlying kidnapping plot is something that typically works in a Nic Cage action film, though Cage playing (a version of) himself makes all the difference here. The Easter eggs are organically placed, and the beautiful Spanish locales and production design present themselves as positives. The supporting cast also pitch in when needed, but Cage and Pascal do most of the heavy-lifting from a dramatic and comedic standpoint.

The Unbearable Weight of Massive Talent is a standard action comedy elevated by meta aspects. Particularly, Nicolas Cage as himself is a great gimmick since he's embraced his meme status. Still, Massive Talent is a missed opportunity because it's otherwise generic. The self-awareness is fun, the self-deprecation works, the Cage/Pascal chemistry is endearing, and the ending is heartfelt. However, the plot is lacking. Massive Talent admits that talky comedy and shoehorned action are lowbrow, yet plays into those tropes. The climax especially devolves into forgettable modern formulas. Therefore, Massive Talent combines wit with mediocrity, making it a mixed bag.

Meanwhile, Massive Talent's technicals are minor. There's fitting music, believable production, and blending sound transitions. The editing is noticeable because it serves punchlines and maintains a tight runtime. However, the cinematography isn't proactive, the effects are sparse (besides a young Nick alter ego), and the direction is basic. The tone takes itself just seriously enough, but the presentation of this material is bland. Ultimately, Nicolas Cage's commitment, Pascal's innocence, and the vulnerable family drama drive Massive Talent, but only so far. It's a fun movie that Cage fans should enjoy, but don't expect much else.

Writing: 6/10 Direction: 5/10 Cinematography: 5/10 Acting: 7/10 Editing: 6/10 Sound: 6/10 Score/Soundtrack: 6/10 Production Design: 6/10 Casting: 8/10 Effects: 7/10

Overall Score: 6.2/10.

To give you insight into my relationship with Nicolas Cage, I will quote the end of my review for his movie Jiu Jitsu, which I gave 1 star:

"This is just a straight-garbage movie. Damn you Nick Cage!

... I wonder what movie of his I'll watch next."

I've been a fan of his for so long. I think he's very talented and has a certain crazy appeal that you don't see from other actors. And I keep watching most of his movies even as they plummet in quality and rarely make it to cinemas. He still makes them entertaining, even if they are awful. This is a huge contrast to other former A-list actors who have gone down the same path but with unwatchable movies. Like fellow Face/Off star John Travolta or Bruce Willis (we will miss you!).

So when they decide to make a movie that's essentially all about Nick Cage, of course I'm 100% in. And I have to say, this is his best movie in years. It's levels above the quality of his recent direct-to-video movies and is definitely cinema-worthy.

I laughed a lot. A couple parts had me crying from laughter. And when I wasn't laughing I was generally amused. It felt so refreshing to laugh with his movie rather than at it. And with the lack of comedy movies lately, this came at a perfect time.

Other than the comedy, this is a mostly well-made movie with a story and characters that kept me invested. I love the meta aspect. Nick Cage's performance in this role is perfect. It has a good supporting cast with the standout being Pedro Pascal. He's so likeable and has great chemistry with Nick Cage. Their relationship drives the movie. Pedro Pascal is a star.

I had a great time with this movie. I think most will enjoy it, but the ones who will appreciate it the most are the fans who are familiar with his work. (2 viewings, early screening 4/13/2022, 3/26/2023)

My favorite Nick Cage movies:

(1) Face/Off

(2) Kick-Ass

(3) Matchstick Men

(4) The Rock

(5) The Unbearable Weight of Massive Talent

(6) Con Air

(7) National Treasure

(8) Next

(9) Knowing

(10) Lord of War

I didn't know if I should count Spider-Man: Into the Spider-Verse since his role is so small.

Very cheesy, but self aware. It was good to laugh at the movies again. Pedro Pascal and Nick Cage somehow made magic together. An unlikely but very effective duo. Even the action scenes were well done. Awesome cast and stunning location. A hilarious and fun ride.