Struggling with his dual identity, failed comedian Arthur Fleck meets the love of his life, Harley Quinn, while incarcerated at Arkham State Hospital.Struggling with his dual identity, failed comedian Arthur Fleck meets the love of his life, Harley Quinn, while incarcerated at Arkham State Hospital.Struggling with his dual identity, failed comedian Arthur Fleck meets the love of his life, Harley Quinn, while incarcerated at Arkham State Hospital.
- Awards
- 7 wins & 18 nominations total
Summary
Reviewers say Joker: Folie à Deux received mixed reactions, highlighting Joaquin Phoenix's and Lady Gaga's performances. The musical transformation was criticized for disrupting the original's dark tone. The plot was seen as aimless and lacking emotional depth, though some appreciated the exploration of Arthur Fleck's mental state and the Joker-Harley relationship. Pacing and predictability were frequent criticisms, yet a few reviewers valued the film's bold, unique approach.
Featured reviews
Joker: Folie à Deux, a sequel that disappoints, Joaquin Phoenix and Lady Gaga offer a good performance giving life to two tormented and complex characters. However, it is the story that is full of holes.
While the first film had won us over with its psychological depth and its powerful social criticism, this second chapter seems to struggle to find its own identity. The plot, at times fragmented and predictable, cannot hold its own against its predecessor. The characters, although interesting, remain in the background compared to an action that gets lost in useless digressions.
In conclusion, Joker: Folie à Deux is a film that leaves a bitter taste in the mouth, it is often even boring. Despite the technical merits and the excellent performances, the story is weak.
A sequel that disappoints expectations, with a poor plot and a much lower emotional impact than the first film.
While the first film had won us over with its psychological depth and its powerful social criticism, this second chapter seems to struggle to find its own identity. The plot, at times fragmented and predictable, cannot hold its own against its predecessor. The characters, although interesting, remain in the background compared to an action that gets lost in useless digressions.
In conclusion, Joker: Folie à Deux is a film that leaves a bitter taste in the mouth, it is often even boring. Despite the technical merits and the excellent performances, the story is weak.
A sequel that disappoints expectations, with a poor plot and a much lower emotional impact than the first film.
The sequel to "Joker" promised a lot, but the final result fell short of expectations, also a bad movie. The ambitious choice to transform the film into a musical, although bold, was not interesting.
The story does not add anything truly new or original. The relationship between Joker and Harley Quinn, although central to the plot, fails to convince, lacking that emotional depth that could have made it memorable.
Joaquin Phoenix confirms his talent, but his interpretation is also a bit repetitive compared to the first film. Lady Gaga, in the role of Harley Quinn, offers a solid performance, but the character seems crushed by the dominant figure of the Joker.
Ultimately, "Joker: Folie à Deux" is a film that leaves a sense of incompleteness, I did not like it. A bad film overall.
The story does not add anything truly new or original. The relationship between Joker and Harley Quinn, although central to the plot, fails to convince, lacking that emotional depth that could have made it memorable.
Joaquin Phoenix confirms his talent, but his interpretation is also a bit repetitive compared to the first film. Lady Gaga, in the role of Harley Quinn, offers a solid performance, but the character seems crushed by the dominant figure of the Joker.
Ultimately, "Joker: Folie à Deux" is a film that leaves a sense of incompleteness, I did not like it. A bad film overall.
This feels more like a spin-off than a true sequel, spending most of its runtime rehashing the original through court scenes and interviews, rather than pushing the story forward. The writing is serviceable at best, often relying on thin threads to loosely tie one musical dream sequence to the next. Joaquin Phoenix's performance is fine, but it lacks the raw intensity that defined his portrayal in the original. Lady Gaga, on the other hand, seemed to intentionally tone down her usual flamboyance, likely to avoid overshadowing him, which, while understandable, feels like a missed opportunity for a more dynamic performance.
The musical numbers, full of energy and spectacle, are easily the highlight of the film, with the singing and dancing offering moments of reprieve from the otherwise sluggish narrative. Unfortunately, these sequences can't sustain the film's momentum. The lack of a substantial plot causes the movie to feel overlong, dragging on for more than two hours, making it feel unnecessarily stretched. Without the gripping psychological tension of its predecessor, the film struggles to find its footing, leaving it more of an indulgent showcase for musical theatrics than a coherent, engaging continuation of the story.
The musical numbers, full of energy and spectacle, are easily the highlight of the film, with the singing and dancing offering moments of reprieve from the otherwise sluggish narrative. Unfortunately, these sequences can't sustain the film's momentum. The lack of a substantial plot causes the movie to feel overlong, dragging on for more than two hours, making it feel unnecessarily stretched. Without the gripping psychological tension of its predecessor, the film struggles to find its footing, leaving it more of an indulgent showcase for musical theatrics than a coherent, engaging continuation of the story.
- Rating is 6.5/10
- Watched on Sept. 30 2024 @ Fan First Premiere (First Watch)
- Format: (Digital) IMAX
Todd Phillips repeats exactly what he did to The Hangover trilogy with Joker 2. The director goes on to make a sequel that is unfortunately empty and has no character development.
Phillips outdone himself in directing a film that has an outstanding cinematography/visuals that portrays every feeling and emotion that it wants to tell and express. BUT, he failed in creating an engaging storyline. From a part one to a part two, usually the characters of the film change. Their arc either declines or inclines. Their personalities change. Events/obstacles come along their way to shift their lives. OR new character/s enter their life which opens the door for more interesting events to come along their way resulting in a "Folie à Deux". In this film, Joker's/Arthur Fleck's life doesn't seem to change much as Gaga's character, Lee, is added. Instead, the film keeps repeating its events by REvisiting the past (the first Joker film) or reacting some of its scenes. It also keeps coming back and forth to the same locations and events within this film itself. Resulting in an overall dull film that is ONLY visually entertaining.
This film introduces two major characters within the Gotham world, Harvey Dent, who is played terribly by Harry Lawtey and written even worse. By the end of the film, I felt like he was useless and is taken advantage of because of his 'name' within the comic books fandom. Same goes to Lady Gaga's Lee that simply felt like it wasn't even in this film.
I enjoyed how this film uses music/songs to showcase that it's an ESCAPE for our inner selves. But, the song choices weren't on point. On the other hand, their performance was well done by Gaga or Joaquin Phoenix and Lawrence Sher's cinematography skills.
The story falls flat due to weak writing. While a few scenes are dramatically well-executed, they fail to captivate the audience, making the movie feel tedious from the start. The progression in both writing and direction is lacking, raising the question of whether a sequel was necessary in the first place.
Joaquin Phoenix once again delivers a remarkable performance, but it is difficult to fully appreciate or enjoy it given the film's flaws.
Lady Gaga's portrayal of Harley Quinn is underwhelming.
Even Todd Phillips' competent direction does little to elevate the movie.
I don't recommend watching this film. Instead, revisit the original "Joker."
Joaquin Phoenix once again delivers a remarkable performance, but it is difficult to fully appreciate or enjoy it given the film's flaws.
Lady Gaga's portrayal of Harley Quinn is underwhelming.
Even Todd Phillips' competent direction does little to elevate the movie.
I don't recommend watching this film. Instead, revisit the original "Joker."
Storyline
Did you know
- TriviaThe film's subtitle "Folie a Deux" means "Madness of Two" in French. This initially led to speculation about Harley Quinn's appearance in the film, which was shortly thereafter confirmed. The name Folie a Deux comes from the 19th century French psychiatrists Charles Lasègue and Jules Falret. The term was coined to refer to two or more people that share the same madness or delusion. It is also known as Lasègue-Falret syndrome.
- GoofsThe jury foreperson speaks of the "People of New York" instead of Gotham City. This is because the State of New York is the plaintiff in a criminal trial, and this version of Gotham City is evidently located in New York state (most versions place Gotham in New Jersey).
- Quotes
Arthur Fleck: [Written as a spiteful autograph with a sad smiley face] I HOPE YOU GET CANCER
- Crazy creditsThe film opens with a Looney Tunes title sequence, featuring the Warner Bros logo surrounded by rings and the Joker's face.
- ConnectionsFeatured in AniMat's Crazy Cartoon Cast: The Wicked Discovery of a Lifetime (2022)
- SoundtracksMerrily We Roll Along
Written by Eddie Cantor, Murray Mencher and Charles Tobias
Performed by The Warner Bros. Studio Orchestra
Courtesy of Warner Bros. Entertainment Inc.
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Juliet
- Filming locations
- Soho Hospital - 520 Belleville Avenue, Belleville, New Jersey, USA(Arkham Asylum exteriors)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $190,000,000 (estimated)
- Gross US & Canada
- $58,300,287
- Opening weekend US & Canada
- $37,678,467
- Oct 6, 2024
- Gross worldwide
- $207,500,287
- Runtime2 hours 18 minutes
- Color
- Sound mix
Contribute to this page
Suggest an edit or add missing content