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  • "Hidden Fortress: The Last Princess" (2008) (aka "New HF") is a remake of "Hidden Fortress" (1958) (aka "Old HF"), which was directed by Akira Kurosawa (aka "AK"). I was interested in watching this movie for three reasons: (1) it stars Masami Nagasawa; (2) it stars Hiroshi Abe; and (3) it had the potential to improve upon a mediocre original. To be fair I rewatched Old HF the night before watching New HF to see if I would enjoy it more after a second viewing. Not a bad film by any means, but Old HF has a lot of flaws. Therefore, I watched New HF with quiet anticipation and it turned out to be moderately enjoyable and a general improvement over the original. Let me compare them by area.

    CINEMATOGRAPHY: Old HF had solid visuals. That characteristic was probably the strongest positive of the entire film. I specifically liked the white gravel that was showcased near the beginning. New HF is generally nice to look at, but few (if any) shots leave a lasting impression. Score a point for AK on this one.

    ACTING: It's obvious that Masami Nagasawa is a HUGE upgrade from Misa Uehara, whose performance in Old HF was wooden and irritating. Anyone who has seen "Touch" (2005) and "Tears for You" (2006) should recognize that Uehara isn't even close to being in Nagasawa's class. Hiroshi Abe had the most difficult task in attempting to fill Toshiro Mifune's shoes. (I personally think that Abe has greater acting range than Mifune because Abe's comedic timing is brilliant. See the "Trick" (2000) television series if you don't believe me.) However, the filmmakers make a wise choice in downplaying Abe's performance so that he never even attempts to duplicate the scenery-chewing that Mifune loved to do so much. Outside of Nagasawa and Abe, the supporting actors are merely decent.

    CHARACTERS: The filmmakers knew what they were doing in New HF, because they decided to shift the focus away from the Rokurota character so that constant comparisons to Mifune would be almost entirely diffused. Instead, princess Yuki carries the film and in some ways this shift in focus shines a spotlight on the key character flaws in Old HF. Yuki was a wafer thin side character that got the scraps left over from the constant, annoying bickering between the two dimwits as well as Mifune's constant scowling. She was a whiny little wench who displayed almost no leadership qualities whatsoever, which is ironic because one completely unconvincing plot twist near the end was entirely reliant on her nonexistent charisma. In New HF princess Yuki receives a lot more development and is allowed to showcase some credible leadership qualities. She shows strength when faced with danger, she expresses humility to her people, and she contributes a brilliant plan to smuggle the gold to its intended destination. It's no surprise that two of New HFs better moments are hers. The two peasants are kinda dull, but at least you won't feel like reaching through your television and smacking them like in Old HF.

    PLOT: For the opening 45 minutes, New HF mimics Old HF step by step in "remake mode" – even to the point of using lines of dialogue that are exactly the same. However, New HF shifts to "spin off" mode after that point and introduces a number of completely different plot developments. I found it fun to spot the moments where New HF takes the script of Old HF and turns it on its head. The viewer is strongly advised to rewatch Old HF before watching New HF to pick up on these changes, some of which are very amusing.

    ACTION: I was expecting more action in New HF, but it has roughly the same amount as what Old HF had, which isn't much. That's a bit of a disappointment for me personally because there was plenty of opportunity in that area. One positive of New HF is that it does not have significant amounts of CGI like other modern movies. There are a few brief shots that use it, but they're few and far between.

    TONE: New HF is a more serious adventure film than Old HF. There are pros and cons to this. One negative is that New HF gives off a generic, clichéd feel at times. More humor would have helped, especially with the presence of Abe. One positive is that the antagonists are less goofy and more difficult to deceive. They immediately pick up on the stand-in princess and put up more of a hassle at the border gate.

    RUNTIME: Old HF was a good 30 minutes too long, like most of AK's movies. New HF carved off 20 minutes of filler, but could have clipped another 10 with no problem. I have a lot of patience when it comes to long movies, but in general we need more films with shorter runtimes. Cut the fat people.

    In conclusion, New HF is a good movie that has the potential to satisfy the average viewer. It's certainly better than some recent Chinese historical epics like "Red Cliff" (2008) and "The Warlords" (2007). The more rabid fans of Old HF might want to skip it though, so if you're offended that this movie even exists then you should just walk away.
  • Warning: Spoilers
    If you have seen Kurosawa's brilliant Kakushi-toride no san-akunin, known as The Hidden Fortress in the West, you may find this super-charged remake a lifeless bore, as it replaces humor with gory violence and brilliant characterizations with shallow "types." In updating the story, director Higuchi abandoned the ensemble feel of the original and created an enhanced role for boy idol Matsumoto as the peasant Takezo. Takezo is uncommonly brilliant, resourceful and socially aware for a 16th century Japanese farm boy, so the film quickly lurches into self-righteousness and holds this improbable line until the last frame. The wacky duo of peasants who brought such warmth and comic wit to the original, and inspired George Lucas in the creation of R2-D2 and C-3PO, are gone to facilitate a highly unlikely romance, and the remarkable general created by Toshiro Mifune is transformed into an ordinary samurai who can barely keep up with his little princess in physical prowess.

    One aspect of the original film's genius is it's lack of class consciousness. By keeping the true identity of the general and the princess concealed for most of the film, Kurosawa could emphasize the interpersonal relationships of the characters, as well as their individual quirks. In this remake, the identities are revealed early on, making way for a pretentious and preachy class consciousness that robs the film of many laughs.

    I won't bore you with more examples of other charms missing from this film. If, like me, you are a rabid fan of Akira Kurosawa, The Last Princess will be a disappointment, but, also like me, you'll probably suffer through this remake with the same curiosity that causes you to stare at train wrecks. If, however, you are a fan of CGI and seeing bodies slashed in two, you'll love this movie, which likely plays much better to people unfamiliar with the original.
  • pathofthesword15 July 2018
    Warning: Spoilers
    Too cliched and corny for a jidaigeki fan.

    Watch the original if you want samurai drama without the corny love angles and whatnot.
  • Warning: Spoilers
    Let's face it, Kurosawa's masterpieces are dated. The movies, though brilliant, must seem slow and overlong to so many of today's younger audiences. The majority of the audience today would not be able to appreciate the nuances of any foreign movie produced in the 1950s. But that is a poor excuse to "modernize" a classic in this fashion.

    "The Hidden Fortress" became an inspiration for "Star Wars". "The Last Princess" looks like a second rate ripoff of "The Phantom Menace". Watch for the bad guy duplicating one of Darth Vader's lines.

    Misa Uehara's princess Yuki in the original movie had an ethereal quality that made her seem like a unicorn among human characters. Masami Nagasawa's updated princess Yuki channels Princess Leia and fights with the boys weapon in hand. This means that she can display more emotional range but it reduces the character to a cliché.

    The two peasants are given more screen time and fleshed out more, but not to any productive effect. In the original they were the model for R2D2 and C3PO. In the updated version, they become Jar Jar Binks with sappy emotions.

    Hiroshi Abe is given the impossible task of filling in for Toshiro Mifune. He gives it an admirable try, but one is left with the feeling that he might have done better if the script had been better written. The film notably under utilizes his comedic talent.

    Kippei Shiina, usually a reliable bad guy, seems straight jacketed in his samurai armor and scarface makeup.

    It is a shame because in the hands of a more competent screen writer and director, this could have been a better film. I just caters to the market too much. Movie producers should realize that the viewers also want to be surprised. They want to see something they have never seen before. Not just something that market research says they do.