Orphan

You either love it or you hate it. That's really the effect of any great twist. I was one of those who absolutely loved it and found this creepy, disturbing movie even more terrifying with the reveal. Vera Farmiga (Conjuring) stars as a mother whose just gone through a miscarriage and with her husband played by Peter Sarsgaard (Skeleton Key) decides to adopt a mysterious young girl played by a very creepy Isabel Fuhrman (Hunger Games). At first Esther seems a little off but it's mostly acceptable until people begin having horrific accidents and some go missing. There is a palpable sense of dread that builds throughout the film and so many setpieces are expertly executed. The scene in the playground is an especially effective one. The film culminates in a surprising and edge of your seat fashion and all though there's a small loop hole here and there. Its completely successful at being a stylish, unique, intense piece of genre.

4/5

Dark, edgy, twisted, effective, clever, intense, and blackly comic - one of the best "evil child" films I've seen. It's brilliantly cast - Vera Farmiga and Peter Sarsgaard are top-notch as usual, but what really stood out where the natural performances director Jaume Collet- Serra was able to get from the child actors. Usually child actors are painful to watch, but 12- year-old Isabelle Fuhrman gives a terrifying, chilling performance that is worthy of praise. Aryana Engineer in her screen debut as the deaf little sister Max is adorable and almost steals the show in every scene. The stylish cinematography, editing, and sound are fantastic as well.

I saw Orphan at a packed advance screening and the audience had a blast. Collet-Serra knows how to pull the strings and engage the audience, as they were screaming and laughing at all the right moments. There are plenty of fun and playful tension-relieving scenes, and several cathartic moments when the audience erupted into cheers. When the credits rolled the audience even applauded.

The second showing I went to was just as receptive - the audience went nuts. They were collectively screaming, cheering, yelling at the screen, cringing, applauding, and enthusiastically welcoming the comic relief. One guy commented afterwards: "I never get scared by movies but that was the scariest movie I've ever seen." Audience participation for both screenings I went to were very high.

The film improves upon second viewing, with the knowledge of the twist. I was able to focus more on details and clues, and the anticipation of my favorite scenes made for a much more rewarding experience. It's even more chilling and cathartic the second time around.

It's far from perfect though - there are way too many predictable jump/false scares, with the soundtrack blaring to try to startle the viewer. The last part of the movie becomes a slasher flick replete with clichés and a one-liner. There is a talky scene where Esther reveals herself to her adoptive mother that is totally unneeded, as well as a crucial line regarding Danny, the older son, which really should've been cut. It's also a bit long at 2 hours - for an exploitative "B" movie this is unusual, although time is devoted to character development. Esther is multi-dimensional and even sympathetic at times - I would love to see a prequel based on her character.

Orphan is definitely not for kids - aside from the "anti-adoption" angle, there is plenty of dangerous imitable behavior. The violence committed by and toward children is shocking, realistic, and brutal. This is a ballsy film that throws kids into horrific ordeals.

It may be a "B" movie, but it's a damn good one that knows its audience. The basic idea is nothing new (except for the unexpected twist), but you knew that from the trailer and synopsis. If you were still interested or if you're a horror fan that is able to look past some clichés and logical jumps in exchange for horrific chills, you'll have a fun time. The phenomenal child performances alone are enough to recommend Orphan.

"Orphan" was a movie that truly did surprised me. I mean I came into this movie honestly not having any idea which direction it would take me, I mean sure it looked good, but then again the 30 second previews made it seem a bit mediocre. When the movie went off I was very pleased by what I had seen. The things I love most about Orphan is how they present and introduce these characters so well. The minute I saw the main couple I couldn't help but take a liking to them, and Esther who very easily steals the show, is incredibly likable. As a matter of fact the thing I do love a lot about the film is how they take their time in the story, I loved how for the first half or so you see Esther adapting to her new surroundings, and I became extremely indulged into this. I also think they balanced out the character of Esther well. I mean this performance, and character, could have easily been portrayed as this over-the-top, annoying, non-intimidating, and non-believable character, but not once do you ever feel that. Also it is very entertaining, and you're hooked from the moment you see this little girl Esther. It was also clever at times, to where you feel a sense of danger as far as the story goes because it's literally like anything can happen. Even if does begin to make you mad for whatever reason, you still can't help but keep watching and wondering. At times it may feel predictable, but they've already presented these characters so well, that you can't but feel that maybe you haven't predicted it. I will say I wished "Orphan" HAD paced itself a little better, I mean they don't immediately jump into the story, but when they do it feels rushed and as if they fear the audience won't care about the characters, when it's not true. Also towards the end the characters start to lose liking, so much so that I couldn't help but look at these characters(in particular the mom and dad) and say "Who are you, and why are you being such an unlikable stereotype!" As a result of the characters acting stupid and stereotypical at this point in the film it just became predictable to an extent where you knew what was going to happen. Last you know I don't know how I felt about the twist, it was done well enough to where it would fit the storyline, but I feel it defeats the shocking, brutal, and thrilling nature of the film. Anyways, overall "Orphan" is one of the better thrillers you'll probably see this year, and even if you're not too big on these kind of films, I still recommend "Orphan"

The movie is overall good but the husband in this movie is stupid

Every once in a while a film seems destined to slip under the radar either by poor promotion or a trailer that makes the viewer go "meh". Orphan is one of those flicks that, while benefiting from a decent studio push, simply didn't impart any compelling reason to check it out based on the trailer, which is too bad because this is actually one tight little thriller.

Directed by Spain's Jaume Collet-Serra (House of Wax), it tells the story of Esther (Isabelle Fuhrman), a 9-year old Russian orphan who is adopted by Kate and John Coleman (Vera Farmiga and Peter Sarsgaard) , a decision motivated in part by the stillborn birth of their third child.

An oddball from the start, Esther at first charms the Colemans with her personality, artistic flair, and independence, however it's apparent that there's more going on with Esther than meets the eye. She quickly forms a bond with Max (Aryana Engineer), the couple's deaf daughter, by learning sign language, but is resented by their son Daniel (Jimmy Bennett) who views her with contempt. All of which forms a basis for familial tension, further compounded by the skeletons of Kate's history of alcoholism and John's past infidelity.

Telling a surprisingly layered story that strays into uncomfortable territory given how it deals with children in peril, the shiniest gem in this entertaining nugget is that of Isabelle Fuhrman, upon whose performance the movie succeeds or fails. While acting is uniformly top notch throughout, Fuhrman spectacularly establishes herself as one of the most remarkable young talents currently working in cinema, and that's a statement not to be taken lightly. This 12-year-old, who had only one prior film credit on her resume, simply blazes her way across the screen in a performance that ranges from sweet to seductive to psychotic. This is her movie and she makes the most of it, and if she doesn't mature into one of Hollywood's premier stars, I'll be most surprised.

Orphan won't win any awards (despite Fuhrman's impressive performance) and might well get passed over by many based on the trailer, all of which is too bad because this is one stray that movie audiences would do well to adopt.