In 1961, an unknown 19-year-old Bob Dylan arrives in New York City with his guitar and forges relationships with musical icons on his meteoric rise, culminating in a groundbreaking performan... Read allIn 1961, an unknown 19-year-old Bob Dylan arrives in New York City with his guitar and forges relationships with musical icons on his meteoric rise, culminating in a groundbreaking performance that reverberates around the world.In 1961, an unknown 19-year-old Bob Dylan arrives in New York City with his guitar and forges relationships with musical icons on his meteoric rise, culminating in a groundbreaking performance that reverberates around the world.
- Director
- Writers
- Stars
- Nominated for 8 Oscars
- 24 wins & 127 nominations total
- Federal Court Clerk
- (as Leonard Grossman)
- Director
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- Production, box office & more at IMDbPro
Summary
Featured reviews
The visuals, captured with Sony Venice cameras at an ISO of 12800, create a stunning New York composition.
Those who, like me, have seen Todd Haynes' I'm Not There (2007) won't be claiming that Timothée Chalamet "became Bob Dylan," despite his undeniably strong performance.
However, Monica Barbaro truly embodies Joan Baez.
Certain shots in the film so closely resemble Bob Dylan's photographic archive that I found myself exclaiming "I've seen this photo!" over thirty times throughout the viewing. It's as if there was no script, and an AI was simply tasked with creating a film using chronologically arranged Bob Dylan photographs. Bob Dylan collectors like myself might particularly enjoy seeing the photographs from the album sleeves come to life.
Yes, this is an excellent biopic, but that's largely due to the dearth of well-made biographical films that aren't filled with decontextualized anecdotes.
And yes, this is a superb New York film. The technical achievements I mentioned earlier contribute to a magnificent depiction of the era's New York. I suspect the film's Oscar prospects might lie in these categories.
Incidentally, while Chalamet claims to have performed many of the songs himself, there's a clear technical enhancement in the vocal delivery.
The truth is, the Coen Brothers' Inside Llewyn Davis (2013), despite its understated narrative, captures the era, the people, and the New York depicted in this film far more effectively, and in monochrome. I hadn't realized how deeply Inside Llewyn Davis (2013) had resonated with me until I saw this film.
The film seemed a little "clean" and in the midst of the mid 60's onward, drugs seem to be limited to cigarettes! Even Bob himself has talked about drugs issues related to opioids and psychedelics, so it did seem an important admission, maybe related to Bob still being with us.
However still an entertaining biopic with great music which was the focus (as it should bet) for the Nobel prize winning icon.
Driving home from the cinema happily singing along to Bob which clearly had the desired effect. 7/10.
The movie is over two hours long, but I didn't even notice how the time flew by. It felt like I was witnessing a part of someone's remarkable and incredible life on screen, and I didn't want it to end. The performances by the cast were absolutely brilliant-beyond praise. Edward Norton surprised me for the first time in a long while, as did Elle Fanning. Timothée Chalamet portrayed Bob Dylan in an incredibly captivating way. What impressed me the most was that he sang continuously without any noticeable flaws. The way he performed was so convincing that, for me, even Rami Malek didn't portray Freddie Mercury as well as Chalamet portrayed Dylan.
The cinematography was solid, though there's not much more to say about it. The plot was engaging and atmospheric, capturing the emotions of the era and the characters' experiences, how they changed, and what influenced them. The music, of course, was magnificent-it's Bob Dylan, after all. Timothée Chalamet's efforts to speak and sing like Dylan were astonishing.
I haven't seen a great film in a year, not since the release of Dune: Part Two, where Chalamet also played the lead. What an amazing coincidence. I hope Timothée becomes one of the greatest actors of the new generation, avoiding the trap of becoming a "plastic" performer. Instead, I hope he continues to improvise and strive for excellence in his roles. Good actors are becoming rare, just like good films.
I'm giving my rating right after watching it, though I might adjust it later when my emotions settle. I definitely plan to rewatch the movie to notice things I may have missed the first time. This is undoubtedly one of the best films of the year. I'm so glad I saw it in theaters and highly recommend it to everyone. 9/10.
Monica Barbaro playing Joan was a breath of fresh air! I hope she gets the praise she deserves for this and more opportunities in the future.
Elle Fanning was a slightly disappointing choice for a character based on Suze Rotolo who according to Bob was this breathtaking and striking woman. I didn't feel like Elle did her best work, she was too much Elle Fanning.
However my favorite part must have been Edward Norton as Pete Seeger. I am unfamiliar with the real Pete Seeger so I cannot compare but Edward Norton did a fantastic job in the film.
I will not likely see this film again, but walking out of the theater I had a nice aftertaste of the honor to legacy that Bob Dylan will leave (and already has) in this world. Timmy deserves an Oscar nomination and recognition for this role. I'm very curious to compare this to the Bruce Springsteen biopic with Jeremy Allen White when it comes out.
The film also depicts how Pete Seeger is captivated by Bob Dylan's talent and his easygoing personality that he decides to promote his music career. Like your typical musician, Dylan finds himself caught in a love triangle with Sylvie Russo (Elle Fanning) - the one that encourages his song writing and supports him financially, and Joan Baez (Monica Barbaro) - the one that introduces Dylan to her audience and boosts his music career. Monica Barbaro's singing was beyond impressive and heavenly. She hit those high notes so delicately and precise.
Huge praise to Director and Writer James Mangold in successfully illustrating Bob Dylan's journey in becoming one of the greatest songwriters of all time. James Mangold, known for Walk the Line, included Johnny Cash (Boyd Holbrook) as Dylan's motivation for not becoming a novelty act and encouraged him to make a statement and bring out his rebel side regarding change - Civil Rights Movements, which can be heard throughout the lyrics in the songs, The Times They Are a-Changin' and Like a Rolling Stone - where he performed it at the Newport Folk Festival with an electric musical instruments, and history was made.
Timothée Chalamet certainly had some big shoes to fill taking on the challenge of portraying the young enigmatic Bob Dylan. Chalamet truly stuns the audience radiating that Bob Dylan 60s folk rock vibe with the symbolic harmonica and those fashion iconic sunglasses. A Complete Unknown will leave you wanting an encore.
Storyline
Did you know
- TriviaEdward Norton was the first cast member to muster up the courage to reach out to the real Joan Baez for advice, interested in what the real Pete Seeger was like and her friendship with him. He then passed on word to Monica Barbaro that Baez was willing to speak with her.
- GoofsAt Newport 1965, stage monitors are visible when Bob and his electric band are performing. But no monitors were actually used at Newport that year, and they did not become common for performing musicians until a few years later.
- Quotes
Bob Dylan: I don't think they want to hear what I want to play.
Johnny Cash: Who's they?
Bob Dylan: You know, the people who decide what folk music is or isn't.
Johnny Cash: Fuck them, I wanna hear you. Go track some mud on somebody's carpet. Make some noise, B.D.
- SoundtracksDusty Old Dust (So Long It's Been Good to Know Yuh)
Written and Performed by Woody Guthrie
Courtesy of RCA Records
By arrangement with Sony Music Entertainment
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Going Electric
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $70,000,000 (estimated)
- Gross US & Canada
- $75,001,720
- Opening weekend US & Canada
- $11,655,553
- Dec 29, 2024
- Gross worldwide
- $140,508,652
- Runtime2 hours 21 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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