While stranded at a rural Arizona rest stop, a traveling salesman is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard ... Read allWhile stranded at a rural Arizona rest stop, a traveling salesman is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.While stranded at a rural Arizona rest stop, a traveling salesman is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.
- Awards
- 3 wins & 3 nominations total
Matt McVay
- Radio Host
- (voice)
Alexandra Essoe
- Sarah
- (as Alex Essoe)
- Director
- Writer
- All cast & crew
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Featured reviews
...I was really surprised the movie was this good. Its premise is simple. Small diner in middle of nowhere. Where nothing really happens. Life is a cup of coffee and you live on.
The assemblance of character cast was interesting. No big names, just simple people that made it work. They are good at what they do. They entertain us, that made the difference. It gave the moments grit from all sides of life. Crooks, geeks, elderly, blue collars..etc.
Directer did great job, keeping us idling along just right. It never got boring. Kept us waiting for what could or would happen next.
Ambiance worked great. Dry, hot, desolate weather. How can anyone live here? But they do.
Very enjoyable, flick.
The assemblance of character cast was interesting. No big names, just simple people that made it work. They are good at what they do. They entertain us, that made the difference. It gave the moments grit from all sides of life. Crooks, geeks, elderly, blue collars..etc.
Directer did great job, keeping us idling along just right. It never got boring. Kept us waiting for what could or would happen next.
Ambiance worked great. Dry, hot, desolate weather. How can anyone live here? But they do.
Very enjoyable, flick.
Summary:
The movie is entertaining with a theme of western slow burner. But does not go beyond a good one time watch.
Details:
Details:
- The western vibe with desert, dust, heat, guns, bad guys, is all spot-on and gets you hooked into the story
- In the beginning the slow-burn is good but soon the movie picks up pace and there are lot of small twists and turns
- But you dont really feel bad for any character or emotionally moved/attached(except maybe for the scenes with baby) or have deep philosophical state of mind at any point in the movie or in the end.
- it has traces of Tarantino style western, coenesque theme of idiocy meeting evil with surprising coincidences/accidents but fails to match up to their level.
- Basically its a movie about greed which keeps you glued when its on but after watching the movie you are underwhelmed and forget this movie quickly.
You've seen this movie before, this doesn't really do anything new that those haven't done. It's well acted, tightly and competently written, and rather predictable. They try to throw a wrench at the end, but eh, I've seen enough of these types of movies before. The "sweater unraveling movie".
You start out with a loose thread, and the initial pull on it; "No Gas at the Gas Station, since they're in a super remote area, and no gas for the next 100 Miles." Then more and more people come to pull on that loose thread speeding up the destruction of that sweater, 'til it's a pile of yarn. There's your movie.
Its strength is in the acting, and doing CRISP, CLEAN, BELIEVABLE DIALOG and ACTIONS. No one really behaves in a way that doesn't make sense, all actions taken in this movie makes sense and the results of those choices also makes sense. It's a tight and clean script. Which also what makes it mediocre. It's a little too by the books and safe. They realize that by the end and TRY, but fail, TRY to throw a slight curve ball, but you as a wise audience member calls it from a mile away.
You watch this once, and you're good. You won't feel like you were robbed of your time, but ONCE is more than enough. There aren't clever clues foreshadowing the next move in the series of events, hidden in the scenery. It bears everything out in the open.
You start out with a loose thread, and the initial pull on it; "No Gas at the Gas Station, since they're in a super remote area, and no gas for the next 100 Miles." Then more and more people come to pull on that loose thread speeding up the destruction of that sweater, 'til it's a pile of yarn. There's your movie.
Its strength is in the acting, and doing CRISP, CLEAN, BELIEVABLE DIALOG and ACTIONS. No one really behaves in a way that doesn't make sense, all actions taken in this movie makes sense and the results of those choices also makes sense. It's a tight and clean script. Which also what makes it mediocre. It's a little too by the books and safe. They realize that by the end and TRY, but fail, TRY to throw a slight curve ball, but you as a wise audience member calls it from a mile away.
You watch this once, and you're good. You won't feel like you were robbed of your time, but ONCE is more than enough. There aren't clever clues foreshadowing the next move in the series of events, hidden in the scenery. It bears everything out in the open.
At an isolated rest stop in Yuma County, Arizona in the 1970s, several characters are forced to wait at the nearby diner after the resupply truck for the gas station is running late including two bank robbers who stole $700,000.
The Last Stop in Yuma County is the feature debut of writer director Francis Galluppi who began his career in music before transitioning to film with short films High Desert Hell and The Gemini Project. A passion project for Galluppi, he spent years trying to get the film made with a larger studio only for disagreements between the financiers and Galluppi over the direction of the material to stonewall progress. After that point Galluppi accepted the offer of his executive producer, James Claeys, who sold his home in order to acquire the film's estimated $1 million budget. Using a roster of smaller names and character actors to fill out the cast, the film was a true independent project with the cast mainly coming together through goodwill and shared passion. The film has received a lot of considerable acclaim with director Sam Raimi so impressed with the film he personally hired Galluppi to direct a film in the Evil Dead series. The Last Stop in Yuma County is a solid showcase of Galluppi's strengths as a writer director who creates an engaging thriller with a limited location, talented cast, and guerilla ingenuity.
The Last Stop in Yuma County's premise is simple in that it takes a bunch of different characters with big personalities and builds tension in a small location using the old standard of the "money in a bag". Galluppi does a nice job of establishing his characters who range from overworked waitresses and hard luck traveling salesman to bank robbers on a hair trigger or youthful crooks who fancy themselves as romanticized versions of Charles Starkweather and Caril Ann Fugate while ignoring what happened to them. The cast made up mostly of smaller character actors do well with the mateiral including Jim Cummings' unnamed knife salesman who's very much a wrong man at the wrong place at the wrong time or Richard Brake and Nicholas Logan as the bank robbing duo who start on simmer until building to an explosive release. The film stays great for 70 minutes but once it reaches its conclusion it does kind of feel like Galluppi struggled to wrap the film up in a way that was up to the level of its first two thirds. There's nothing really wrong with the film's ending as it's more or less the old ironic standard that's been the basis for this kind of story seen as far back as The Treasure of Sierra Madre, but it does feel like a case where it's kind of stretching itself in order to get to that point.
The Last Stop in Yuma County is an effective small scale thriller that uses its limited resources and location to strong effect using characters with strong personalities to create a tense thriller that works its way up from simmer to a boil. I personally wasn't a fan of the third act as I felt it paled in comparison to the first two thirds, but it's a strong and effective showcase of Galluppi's abilities as a writer and director.
The Last Stop in Yuma County is the feature debut of writer director Francis Galluppi who began his career in music before transitioning to film with short films High Desert Hell and The Gemini Project. A passion project for Galluppi, he spent years trying to get the film made with a larger studio only for disagreements between the financiers and Galluppi over the direction of the material to stonewall progress. After that point Galluppi accepted the offer of his executive producer, James Claeys, who sold his home in order to acquire the film's estimated $1 million budget. Using a roster of smaller names and character actors to fill out the cast, the film was a true independent project with the cast mainly coming together through goodwill and shared passion. The film has received a lot of considerable acclaim with director Sam Raimi so impressed with the film he personally hired Galluppi to direct a film in the Evil Dead series. The Last Stop in Yuma County is a solid showcase of Galluppi's strengths as a writer director who creates an engaging thriller with a limited location, talented cast, and guerilla ingenuity.
The Last Stop in Yuma County's premise is simple in that it takes a bunch of different characters with big personalities and builds tension in a small location using the old standard of the "money in a bag". Galluppi does a nice job of establishing his characters who range from overworked waitresses and hard luck traveling salesman to bank robbers on a hair trigger or youthful crooks who fancy themselves as romanticized versions of Charles Starkweather and Caril Ann Fugate while ignoring what happened to them. The cast made up mostly of smaller character actors do well with the mateiral including Jim Cummings' unnamed knife salesman who's very much a wrong man at the wrong place at the wrong time or Richard Brake and Nicholas Logan as the bank robbing duo who start on simmer until building to an explosive release. The film stays great for 70 minutes but once it reaches its conclusion it does kind of feel like Galluppi struggled to wrap the film up in a way that was up to the level of its first two thirds. There's nothing really wrong with the film's ending as it's more or less the old ironic standard that's been the basis for this kind of story seen as far back as The Treasure of Sierra Madre, but it does feel like a case where it's kind of stretching itself in order to get to that point.
The Last Stop in Yuma County is an effective small scale thriller that uses its limited resources and location to strong effect using characters with strong personalities to create a tense thriller that works its way up from simmer to a boil. I personally wasn't a fan of the third act as I felt it paled in comparison to the first two thirds, but it's a strong and effective showcase of Galluppi's abilities as a writer and director.
With each new narrative development, the film's game of cat and mouse grows more complex...
Some people lay on to the danger they're in, while others are blissfully unaware. The diner becomes a pressure cooker, and you never know who's going to make the move, either accidentally or on purpose, that sets the whole thing off...
You can feel Quentin Tarantino's artistic DNA coursing through this story... There are little moments of blackhearted comedy among the bloodshed, but through it all, The Last Stop in Yuma County makes sure that those gunshots resonate. It isn't about the violence overall as we're watching people die messy, unnecessary deaths that come about for no good reason. They just happened to run out of gas at the worst possible time...
Galluppi isn't afraid to kill any of his darlings. Who's left standing by the day's end becomes just as surprising as the insanely entertaining journey getting there... The single location setting is richly textured, with production designer Charlie Textor ensuring the rest stop has as much personality as the elite group stuck there. The vibrant color grading further enriches the production value. Despite the desolate setting...
Also the primary thing that stands tall is the camera work gorgeous enough that reflects the mood of the desert...Also the score combines with what's in the frame in such a way that it satisfies the haunting minds of the atmosphere...While the sound design helps to design or to establish the tension that the least or minute barren desert too contributes...
And finally what to say about the casting everybody did their job in perfection that you can't move the eyes off the screen & therefore keeping our adrenaline pumping until the last act...One can't forget "FARGO" or even " THE HATEFUL EIGHT" Where the director honors the G. O. A. T...
Overall it's everybody's cup of coffee to rejuvenate consuming the medium called Cinema...
You can feel Quentin Tarantino's artistic DNA coursing through this story... There are little moments of blackhearted comedy among the bloodshed, but through it all, The Last Stop in Yuma County makes sure that those gunshots resonate. It isn't about the violence overall as we're watching people die messy, unnecessary deaths that come about for no good reason. They just happened to run out of gas at the worst possible time...
Galluppi isn't afraid to kill any of his darlings. Who's left standing by the day's end becomes just as surprising as the insanely entertaining journey getting there... The single location setting is richly textured, with production designer Charlie Textor ensuring the rest stop has as much personality as the elite group stuck there. The vibrant color grading further enriches the production value. Despite the desolate setting...
Also the primary thing that stands tall is the camera work gorgeous enough that reflects the mood of the desert...Also the score combines with what's in the frame in such a way that it satisfies the haunting minds of the atmosphere...While the sound design helps to design or to establish the tension that the least or minute barren desert too contributes...
And finally what to say about the casting everybody did their job in perfection that you can't move the eyes off the screen & therefore keeping our adrenaline pumping until the last act...One can't forget "FARGO" or even " THE HATEFUL EIGHT" Where the director honors the G. O. A. T...
Overall it's everybody's cup of coffee to rejuvenate consuming the medium called Cinema...
Did you know
- TriviaThe waitress adds lots of sugar to a cup of coffee to get the attention of her police officer husband. This is the same thing the waitress did to alert Harry Callahan to a robbery in progress in Sudden Impact (1983)
- Crazy creditsA radio advert for the knives Jim Cummings character is selling plays during the credits
- ConnectionsFeatured in Half in the Bag: 2024 Mid-year Catch-up (part 2 of 2) (2024)
- SoundtracksL'Amour est Bleu
Music by André Popp
Performed by Paul Mauriat
Courtesy of Mercury France Ltd. under license from Universal Music Enterprises
- How long is The Last Stop in Yuma County?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Остання зупинка в окрузі Юма
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $94,344
- Opening weekend US & Canada
- $41,520
- May 12, 2024
- Gross worldwide
- $94,344
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 2.39 : 1
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Top Gap
What is the Canadian French language plot outline for The Last Stop in Yuma County (2023)?
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