The dwarves, along with Bilbo Baggins and Gandalf the Grey, continue their quest to reclaim the Lonely Mountain, their homeland, from the dragon Smaug.The dwarves, along with Bilbo Baggins and Gandalf the Grey, continue their quest to reclaim the Lonely Mountain, their homeland, from the dragon Smaug.The dwarves, along with Bilbo Baggins and Gandalf the Grey, continue their quest to reclaim the Lonely Mountain, their homeland, from the dragon Smaug.
- Nominated for 3 Oscars
- 19 wins & 90 nominations total
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Besides Richard Armitage leading the way as the King under the Mountain with his great chemistry with fellow castmates, there are three actors who give specially noteworthy live-action performances. Lee Pace is one of the true highlights as Thranduil, who is an Elf King that deals with foreboding in a way that is different from Elrond. Ian McKellen's acting is comparable to him in The Lord of the Rings trilogy, as he takes advantage of Gandalf getting his own storyline and heart-pounding action scene. Martin Freeman is good once again as the brave titular character, and actually slightly better.
The confrontation with Smaug is very enjoyable. It is a long movie, but the finale is the high point. Benedict Cumberbatch does an excellent job with the arrogant beast's voice, and the dragon looks really cool in 3D. I personally think that they ended it at the perfect place. When they divide a book up, it will inevitably result in a cliffhanger feeling. But, I am satisfied with how they handled it.
The Hobbit: The Desolation of Smaug is the second chapter of The Hobbit film series & picks the story right from where it was left off in An Unexpected Journey. Continuing the adventures of Bilbo Baggins who's accompanying thirteen dwarfs on their quest to reclaim the kingdom of Erebor, the film covers the journey ahead for these fellows which is full of dangers and even if they manage to get away with it & reach the Lonely Mountain safely, they have a stupendous dragon to deal with.
One thing I have always admired about this Middle-Earth franchise is the filmmaker's strong intent to keep the story very much within the realms of Tolkien's spirit. But this latest chapter marks a significant departure from such faithfulness & ends up being an immensely frustrating experience. There are a few things The Desolation of Smaug gets right but there are also way too many things that are wrong with it. Let's start with the things it gets right first.
Since the previous chapter was criticized for its sluggish pace, the filmmakers have vastly improved the pacing in this middle chapter with addition of many more action sequences to keep the entertainment going throughout its runtime. Production design continues to amaze. Cinematography encapsulates the picture with a darker layer which suits its tone. Visual effects has its share of highs n lows & Howard Shore's score is good but it also stumbles a little for the very first time.
Now coming to what's wrong with it... First, it slaughters the book in a manner that's plainly insulting to Tolkien. Second, the absurdly introduced love triangle, overindulgence of Elves & eye-rollingly cheesy dialogues are poor filler substitutes. Third, this film had a great opportunity to further develop its characters but thanks to its rushed pace & more emphasis on over-the-top action over a riveting narration, we still have difficulty in recalling the correct names of all the Dwarfs.
And that's not all. Martin Freeman is brilliant as Bilbo Baggins but his character is demoted into a secondary role for the centre stage is taken by Richard Armitage's Thorin. The remaining Dwarfs get only as much screen time as they did in the last chapter. Elves have never been as annoying as they are in this film for Legolas wasn't even needed in this adventure & Tauriel, who doesn't even exist in the novel but was created to bring a feminine energy to the series, is given a stupid love story to work with instead.
At last, I would like to talk about Smaug. Exquisitely designed, remarkably portrayed & meticulously detailed, this splendid beast of CGI is a jaw-dropping wonder to look at & the painstaking work that went into bringing this magnificent dragon to life truly deserves a bow. But thanks to its inefficient handling by the filmmakers, the cunning, proud & intelligent dragon of the novel is turned into a foolish creature here which is a shame because Smaug could've been as memorable to this trilogy as Gollum was to The Lord of the Rings.
On an overall scale, The Hobbit: The Desolation of Smaug is an emotionally unappealing but visually spectacular sequel which features a much more exciting, fiercely paced & action-packed entertainment that'll satisfy most filmgoers but for the devoted fans of Middle-Earth, it's a heartbreaking disappointment that adds even more insult to injury by abruptly ending at one of the most frustrating cliffhangers in cinema history, thus leaving the experience very much incomplete in the end.
Before I get to the good stuff, let me get my complaints out of the way. My biggest complaint are the unnecessary plot threads. There seems to be a big need for this series of films to tie into LotR, and I really don't understand why. A great deal of time is taken in this film to introduce us to things we already know the outcome of. We're, at points, taken away from the dwarfs and Bilbo to follow Gandalf as he goes off on his own adventure to uncover the growing evil of Sauron and his armies. Like the first film, it's completely unnecessary, but unlike that film, it's jarring. We're ripped from a fantastic adventure to a story that we don't really need to know and has no real relation to the dwarfs and their adventure. In fact, any time we're taken out of the company of the dwarfs, it almost feels cheap. The almost romance between Evangeline Lily's elf and the dwarf Kili feels something of the same, the whole lot of these stories coming off as filler in an effort to make time for three movies instead of just two. It feels like a stretch and brings a screeching halt to the momentum of the main story.
That said, the rest of the film is an excellent and expertly crafted adaptation. There is a definite sense of character growth, especially from Bilbo, who seems to struggle with the power of the ring and it's greed. We already know where this goes, but it is none the less fascinating considering who he was when we first met him. The dwarfs seem to almost take a back seat here. They are less prominent, with the exception of Thorin and Balin, who take front and center. That isn't to say they aren't entertaining, as they usually are every time they are on screen. Thorin is the real standout though, as he goes through similar changes as Bilbo, which lends them an interesting comparison in their mutual struggles. The actors are all excellent once again in their respective roles, with Freeman once again being the standout. Evangeline Lily is also a pleasant surprise in an original role as an elf created for the film. She adds a much needed feminine touch to an otherwise predominantly male cast. She proves herself to be a fine silver screen presence and hopefully this will net her some further film roles.
While the film does an excellent job of not simply being the middle film, something The Two Towers struggled with in the LotR trilogy, it is the action, set pieces, and effects which are the true stars. This may not be a LotR movie, but it's close. We almost immediately start out with a bang and it rarely lets up. Of course, much of what happens early on, as exciting as it may be, pales in comparison to it's explosive and lengthy climax. Smaug is quite possibly the best creation of any of the film, Hobbit or LotR. He is as awesome as you could have hoped for and Benedict Cumberbatch is excellent in the role. While effects have been applied to his voice to give it more boom, he does a fantastic job as the sneering, wise, and boastful dragon. Watching and listening to him face off against Bilbo is a delightful treat, and that is before we get to any fire breathing and chasing. What follows is a lengthy conclusion to the film that will excite and delight all. I have no qualms in saying that Smaug makes the entire film worth the admission of price. But don't go in expecting a solid conclusion. This is, after all, the second of a trilogy, so you can surely expect the film to leave you salivating for the next one.
While this new Hobbit film still doesn't reach LotR heights, it is superior to the previous film, especially when it comes to being an enjoyable adventure. It feels like it matters to the trilogy and delivers on being an epic. And I simply can't rave enough about Smaug. If you didn't enjoy the first film, you may find yourself feeling about the same here. But at least this one has a cool dragon.
The second Lord Of The Rings movie suffered from Middle Film Syndrome: Hobbit 2, despite occupying the same position in a trilogy, does not suffer to the same extent, and perhaps this is because it is exciting all the way through, yet follows on from a film which was pretty slow throughout its first half.
It also contains large chunks which do not come from the novel - I'm pretty sure Legolas wasn't in the book. He is great fun here, as a much angrier soldier in the Elf Army. And new creation Tauriel is hugely enjoyable, resembling nothing so much as Uma Thurman's character from Kill Bill, albeit attractively played with the hint of a smile by Evangeline Lilly.
Apart from being a more engaging movie than part 1, pretty much everything I thought about that movie still holds. I still have reservations about the dwarfs - their faces and hair feel obviously prosthetic and wigged, and it's still pretty difficult to tell them apart from each other except for the old one, the one wounded by the orc arrow, Thorin, and James Nesbitt's Irish one. I still have reservations about CGI orc faces - the prosthetic orc faces work noticeably better. I still have reservations about some of the action sequences, where more is not necessarily better (one sequence, in particular had the audience laughing because of the extent to which the Elvish derring-do was over-derring-done). And there are times when Bilbo looks cut out and pasted into a scene. And, once again, the 3D is indifferent.
Otherwise, this was great fun. Loads of action, some nice character work, an excellent and nasty spider fight, a well-voiced and visually realised Smaug, and not the slightest yen to look at my watch.
And a cliff-hanger. You swine, Jackson.
Storyline
Did you know
- TriviaThe only time Legolas blinks is when he realizes he has been wounded and when Thranduil beheads the orc he is interrogating. This is in keeping with the character, as the only time Legolas blinks in The Lord of the Rings trilogy is when he is strongly surprised.
- GoofsThe movies previously retained the idea from the books that sunlight renders Orcs non-functional. Gandalf remarked in The Lord of the Rings: The Fellowship of the Ring (2001) on how alarming it is that Saruman's breeding program has produced sun-resistant Orc soldiers. Yet in the barrel escape scene from Thranduil's caverns, the orcs are chasing the dwarfs down the River Running, and doing hard battle, in broad daylight without suffering any ill effects.
- Quotes
Balin: [sees a chamber full of dead dwarves, with their only means of escape blocked] The last of our kin. They must have come here hoping beyond hope. We could make for the mines. Might last a few days.
Thorin Oakenshield: No. I will not die like this, cowering, clawing for breath. We make for the forges.
Dwalin: He'll see us! Sure as death.
Thorin Oakenshield: Not if we split up.
Balin: Thorin, we'll never make it.
Thorin Oakenshield: Some of us might. Lead him to the forges. We kill the dragon. If this is to end in fire, then we will all burn together!
- Alternate versionsThe Extended Edition that was made for the home theater market adds 25 minutes of additional footage. These include the following new or extended scenes:
- At the Prancing Pony, Gandalf asks Thorin about his business in Bree. Thorin tells him that he is searching for Thrain, his father who was presumed dead after the Battle of Moria; Thrain has supposedly been seen again. Thorin also mentions that Thrain was wearing one of the seven Dwarf Lord rings when he disappeared.
- After having spent the night in Beorn's house, the Dwarves are discussing how they can get past Beorn unseen; however, Gandalf assures them they will need Beorn's help. Gandalf goes with Bilbo to carefully introduce the group to Beorn, and instructs the Dwarves come out of the house two at a time (except for Bombur who is instructed to come out alone) much to Beorn's unpleasant surprise.
- Upon leaving with Beorn's ponies, Beorn makes the group swear to free the horses before entering the forest. He then has a talk with Gandalf about Azog, the Necromancer at Dol Guldur, the tombs in the mountains (featuring a flashback with a voiceover by Galadriel) and a possible return of Sauron.
- Gandalf warns the Dwarves not to disturb the water in Mirkwood, use only bridges and be wary of illusions.
- The Dwarves find the bridge in Mirkwood destroyed, so they cross the river with the use of vines hanging above the water. Bombur falls in the water and is asleep, so the other Dwarves need to carry him. They see a white stag, which Thorin tries to shoot unsuccessfully. Bilbo states this will bring bad luck.
- The Master of Laketown and his aid Alfrid talk about Bard and their desire to get rid of his influence on the people of the town. As Alfrid serves the Master a plate of goat and ram's testicles to eat, they discuss a possibility to silence Bard.
- While being smuggled into Laketown, the Dwarves are discovered. They fight off the guards with the help of the townsfolk. Braga, the captain of the guards, enters, and Bard bribes him into leaving by offering him a fancy piece of underwear for his wife.
- The Master of Laketown and Alfrid are discussing an old prophecy that when the king of the mountain returns, the streets will run with gold.
- Alfrid asks whether Thorin can be trusted to keep his word, prompting Bilbo to vouch for him.
- The remaining Dwarves ask Alfrid to help the wounded Kili, but he coldly dismisses them.
- Balin describes how the desolation of Smaug was once a lush woodland.
- While at Dol Guldur, Gandalf is suddenly attacked by a Dwarf. After a brief scuffle, Gandalf recognizes his assailant as Thrain, and uses an enchantment to give him his memory back. Thrain mentions how he lost his finger and the Dwarf Lord ring during the Battle of Moria. He also warns Gandalf that no one should enter Erebor.
- Gandalf and Thrain are attacked by Azog at Dol Guldur. Azog's subtitle, "Run him down!" is changed to "Run them down!" in the Extended Edition. Gandalf fights him off and they run away, only to be caught by the Necromancer, who uses black smoke tendrils to grab and kill Thrain.
- ConnectionsEdited into The Hobbit: The Desolation of Smaug - Extended Edition Scenes (2014)
- SoundtracksTrumpet Fanfare
Composed by David Donaldson, David Long, Steve Roche & Janet Roddick
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Hobbit 2: La desolación de Smaug
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $225,000,000 (estimated)
- Gross US & Canada
- $258,387,334
- Opening weekend US & Canada
- $73,645,197
- Dec 15, 2013
- Gross worldwide
- $959,079,095
- Runtime2 hours 41 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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