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  • Although it's becoming more common to show the darker side of the American frontier, I don't know if there's a genre that people are habitually more romantic about than westerns. I don't think anyone will come away from The English pining to have lived in the late 19th century. People are robbed and murdered so casually, people get sick from preventable diseases and are horribly disfigured, the law is bought and paid for etc. But The English presents it in all it's glory and there's a frankness to it that I appreciated. These characters live a world where day-to-day choices could mean the difference between life and death and it grounds the show in some pretty serious stakes. The English doesn't pull punches or paint a more rosy coloured picture of the setting and trouble lies around the corner for Cornelia and Eli in every waking moment.

    Despite the shows bleak tone, I want to echo a lot of other reviewers here in saying that the cinematography, the costuming, the set dressing are all fantastic. The beauty of this harsh terrain is captured in every single frame and it's easy to be swept up in the awe of it. The open grasslands are brimming with potential if you forget about all the territorial massacres and unforgiving terrain, you can see why people still made the journey there.

    The English centres around Cornelia and Eli who find themselves travelling companions after some very coincidental yet trying circumstances. Both protagonists are compelling and very well drawn. Cornelia's resiliency is inspiring, she is forced to change so drastically over the course of the series but she rises to the occasion time after time. She arrives as an unassuming aristocrat but she's barely recognizable by the time the series concludes. She's had to face so much but she is forthright and her bond with Eli is so strong that they can overcome almost anything together. Eli is just as interesting, he's a former native soldier who can't escape the preconceived biases around his race. He's been around the bend in every sense of the word and he's trying to make peace with his past when his chance encounter with Cornelia opens the door to a possible future that he might never had considered. Their partnership grows out of a mutual respect and a shared grief as they have both experienced terrible loss and hardship. It's one of the best displays of a fledgling relationship I've seen in any genre and it's another area in which The English stands out.

    The show primarily revolves around Emily Blunt and Chaske Spencer, you'd be surprised how many of the bigger names in the cast vanish and reappear after long stretches. Blunt is pitch perfect as Cornelia, she portrays Cornelia with all her mixed emotions. She really has to run the emotional gauntlet with this character. But she does so with aplomb, it's a performance with many layers and I think she deserves some awards consideration along with her costar. Their shared rapport is amazing, they are great together and apart and I couldn't help but root for both of their characters because of their work. Chaske is absolutely her equal, he's perfect as the strong but reserved Eli. Chaske exudes toughness and as strange as it sounds, you can believe in Eli's traumatic past through Chaske's delivery of a few but very meaningful words. I liked his character best and he never stops being magnetic even when he's having to give Emily's character some tough talk to help her realize what she has to do. The other performance I want to highlight is Rafe Spall as the villainous David Melmont. I vastly preferred Rafe's work in The English to stuff like Jurassic World: Fallen Kingdom, he does a marvellous job as the depraved yet calculating killer. His character would have fit perfectly in something like Red Dead Redemption right down to the hat and the moustache. This performance completely reversed my opinion of him as an actor and I look forward to seeing him in other things.

    I'm not someone who seeks out a western, people tend to be almost fanatical about them and other than a few one offs (Tombstone was great), it's just an occasional viewing for me. The English is awesome in almost every category across the board and I was blown away by it. The pace can be a little methodical but it can't run at a mile a minute and it was never too slow for too long. I want to wholeheartedly recommend this to anyone that's interested and even to people who aren't. I expect it to garner some consideration and it would be well deserved. Check The English out if you have the chance.
  • I have to admit, I wasn't going to buy into Emily Blunt as a lead in a western. But it turned out to be thoroughly enjoyable show you didn't know you had to watch. The cinematography is beautiful, as is the theme music. It feels like it's been a while since a western was made of this quality (I'm thinking, maybe Unforgiven?). Like great westerns in the past, the story need not be overly complicated. And it's got sweeping panoramas of the West, capturing the freedom, cruelty and brutality that was the Wild West.

    Blunt and Spencer dazzles. What may have sounded like a contrived story to place some Brits in late 19th century American West, ends up weaving a deep, moving tale of a woman who risks it all to seek vengeance upon a man who wronged her, whom she blames for the death of her son. In the beginning scenes, you may think it makes little sense, but there is much more to her journey and objective. Blunt does a superb job as the story develops and reveals its secrets.

    Spencer, whom I've never seen on screen before, really impresses. Although he portrays a Pawnee who was raised by a white man and served in the Union army, his seemingly indifferent attitude to the plight of the people of other tribes is but a façade that eventually gives way to the long suppressed pain, anger and pride of native Americans. Spencer does an amazing job of giving his character good depth, when more often than not, native American actors tend to play to one-dimensional stereotypes.

    Perhaps a small nit is that the climax feels a little rushed; some may find it a tiny bit anti-climatic. An extra episode or two might have tidied up a few things here and there.

    Very sad it's a mini-series and ends after a short but satisfying six episodes, but it's better to think of it as a very long movie!
  • rich-mac24 December 2022
    The first thing that occurred to me when I finished the six episodes of The English was to watch them again.

    This show is an absolute tour de force and works on every level. A fabulous script (Hugo Blick) with deft ducking and weaving and some clever conceals and reveals, a great sound-track and music (Federico Jusid), phenomenal cinematography (Arnau Valls Colomer), and some extraordinarily sensitive and carefully paced acting from a great cast of actors, with Emily Blunt and Chaske Spencer taking the lead. The supporting cast also offers real depth and some delightful performances. Every word spoken and minor action adds to the dramatic tension and exposition - and the camera catches a lot of subtlety along the way. It all adds up to truly top shelf direction and production (Blick and Blick & Blunt respectively).

    Having said all of that, the story will be difficult for some people to stomach. It has found a poetics (which is heart wrenching) in its difficult subject matter and much of the violence occurs off-screen, but it is still covering matters that are uncomfortable and confronting to think about and witness.. On the other hand The English offers a realistic and pragmatic encounter with these harsh realities - realities that the native American Indian population are still struggling with to this day - a tragedy when one considers their deep wisdom and connection with the land. The stories also make it clear that for settlers in the new land the reality was also harsh and brutal - but it's much harder to find sympathy there.

    The English leaves one in no doubt that America was founded and built upon blood and violence and life threatening struggle - and that 'the land of the free' is a sentiment that some citizens are probably yet to experience.

    On the other hand, The English is not sentimental. Its main characters endure their 'lot' with a resigned pragmatism and with little resentment - saving their revenge for those who truly deserve it, and otherwise only handing out justice when left with little other choice.

    I can't quite believe this is a TV show as opposed to a movie such is its depth and quality.

    2022 has been a treat full of some really good television shows and The English deserves to be right up there amongst those judged as the very best of the crop.

    It's a very solid 9.5 stars, and I can see why some reviewers have given 10.

    Exceptional TV!
  • Instantly The English has made my top ten. I have seen a lot of movies and series over the many many years I've walked this earth. And seldom have I been struck so profoundly. Every scene, every word, each gesture, to a person reaches out aiming for the heart. Relentlessly uncovering a story that weaves beauty and horror in equal measure. It never waits for you to catch up. But rather pulls you along as you follow- never really knowing what will happen and carefully doling out was has happened.

    The chemistry between Emily Blunt and Chaske Spencer is real and tender. I'm torn between whom to call out as Blunt is viscous in her portrayal. But Spencer is not out done with a brutality of his own and a wit to match. Which is a round about way of saying the writing is amazing. Nor is it fair to leave any of the cast out as each takes a turn at brilliance. Which is a round about way of saying the Direction is genius.

    Add to that a cinematographic panorama that reminds us of the beauty of this great nation and makes us yearn for what we lost in settling the vast continent.

    That's a lot. One cannot ask for more. If it doesn't make your list, I don't know what would.
  • This is not a series for those who want a fast moving plot and lots of action. The English is a slow burn, beautifully shot and wonderfully acted, with a story that develops gradually over the six episodes. Chaske Spencer is absolutely spellbinding as Eli Whipp, the Indian scout who accompanies the always excellent Emily Blunt as she traverses the American Midwest on her revenge mission. I expect to see much, much more of him after this. Rafe Spall is also outstanding playing a particularly awful character, while I feel Tom Hughes - who is also very good - is perhaps let down a little by the only part that lacked a proper resolution. This is not a happy series, quite miserable at times and often very nasty, but it still uplifting in its own way. A Western series (ironically, shot in Spain) that, while very different, compares to Unforgiven for its feeling of reality.
  • Starts off real slow so requires patience; only 6 episodes but you're in for a long ride and it's a show that needs to be watched in it's entirety so if you're not going to finish it, don't bother starting.

    It's a western, feels a lot like 1883 so if you enjoyed that, this is down the same street. I loved that they didn't change the lighting to that dusty shade of yellow just to show it's desert, the green plants actually look green, small detail but a lot of western or movies based in the middle east or Mexico always feel like you're watching it with the night light or reading mode setting on.

    You can say Emily blunt and Chaske Spencer were bound to carry the show since they're the only omnipresent characters, but they actually did a great job while at it. They also had this "will they, won't they?" chemistry, wasn't annoying although it is the second time Emily blunt has had such a role after Salmon Fishing in the Yemen, also in the desert but completely different movie, just thought of mentioning it.

    This is an elegantly made western, yeah sure it's the land with no law, survival in the wild Wild West with constant conflicts between cowboys, outlaws and Indians; but it's not just mindless bullets and arrows flying. The plot isn't that long really, similar to 1883 you could summarize it as the characters move from one part of America to another with things happening in-between. In this case it's Cornelia(Emily blunt) looking to revenge her son.

    It isn't dialogue heavy for the most part, but it puts the little it has to great use. Also makes it feel like every scene serves purpose, there aren't any fillers. However I still think some of the side plot stories felt off, I didn't know were they were heading yet a decent amount of time is spent on them. Several graphic scenes and characters, some even horror-esque, most notably black-eyed mog with her nightmarish stare.

    The ending is well thought out, I never saw it coming. There's a big reveal moment in the finale that I thought was a wrap on the show, but it's then followed by another. They made sense, there were subtle inklings throughout that you only realize their significance at the end when stories come together.

    I suggest binge watching it; if you can't just pay attention. At first glance it's a series that doesn't seem to require it but it does need attention to fully grapple everything. There were several moments in the last episode were I thought 'oh now that scene/that detail makes sense now'. Great miniseries but could've easily been a movie as well.
  • Its a revenge tale that forces together a native American ex-cavalry scout and an aristocratic Englishwoman in an unlikely partnership. I liked the premise and there's a wonderful and talented ensemble cast ably led by principals Emily Blunt and Chaske Spencer.

    Writer/Director Hugo Blick has created a stylish revisionist Western that ranks with the best of Hollywood's efforts. The cinematography by Arnau Valls Colomer was beautiful and the classical score by Federico Jusid complemented it perfectly.

    The script was fantastic and deserves special mention, I was hooked by the story, the dialogue was brilliant and I enjoyed every twist and turn right through to the end, which had a great pay-off.

    One of the UK's best drama serials of 2022, a highly recommended watch and congrats to all involved in making it.
  • Emily Blunt is magnificent and she carries this show, adding sense and grace to a series that has a bit too much nonsense dialogue (shades of Deadwood?) and disgraceful white males who are at times cartoonish in their villainous bigotry and psychopathy. Chaske Spencer also cuts a fine hero as the noble Pawnee who is astride two worlds having served in the US Army and bystander to some of their atrocities.

    There were a number of parallels to 'Godless' which I rated a 10 such as the romantic duo that are thrust together on a Western adventure fighting injustice, and the heroine's skill with horses and weaponry. Unfortunately there were a few drawbacks to this one as well, starting with the aforementioned dialogue that got a bit too poetic for my taste, and the seemingly endless supply of Snidely Whiplash types without an ounce of empathy for natives that just seemed a bit over the top in the effort to drive home the race relations point.

    Beyond that there were some truly awful uses of green screen that seemed terribly out of place when so much of it was shot with beautiful on-location vistas (shot in Spain, but you'd never know it wasn't the American West). There were a lot of characters that came and went that got to be confusing at times, and one in particular that seemed crucial to the story that died off-screen with a very random explanation that made it seem like they left his real ending on the cutting room floor.

    The plot twist reveal in the final episode was certainly a surprise yet earned through some clues along the way, but also felt like it really changed the type of story being told and required a bunch of audience exposition that seemed out of place that late in the game.

    Even with all that it was a compelling show that I enjoyed watching for the most part so I gave it a 7. It seems most reviewers thought more highly of it than I did which I respect. They can make another Western with Emily Blunt anytime and I will surely watch it.
  • Rob133117 November 2022
    The English is a pretty good western that's absolutely worth watching. It does start a little slow but by the end of episode 2 it picks up. Each episode just gets better and better. You really come to care for these characters by how well written and acted they are. I'd be shocked if Emily Blunt wasn't nominated for some awards for her job in this. She's that good in this. As is the vastly underrated Chaske Spencer, who's good in just about everything I've ever seen him in. It's a beautifully shot series that captures the reality of the old West. It's a mini series that's only six episodes long so it won't take long to binge it and it's worth every second?
  • It's a revenge spaghetti western gussied up with beautiful scenery. It's set from 1875 to 1903, but mostly in 1890 in the American west, with some scenes in England. It follows two persons seeking justice who join forces in their search.

    Eli Whipp (Chaske Spencer) is from the Pawnee People but has served as a military scout in the U. S. army. In 1875 he witnessed a massacre led by three renegade soldiers, Jerome McClintock (Julian Bleach), Billy Myers (Nicholas Aaron), and Timothy Flynn (Miguel Alvarez). Cornelia Locke (Emily Blunt) is an aristocratic English woman who follows her fiancée, Thomas Trafford (Tom Hughes), to the American west, where he invests British money to establish a large cattle operation. His assistant, David Melmont (Rafe Spall), is an unscrupulous, strong-willed man who dominates and then separates from Trafford.

    The series introduces many other characters, but the main story follows Whipp's pursuit of the renegade soldiers who know he witnessed the massacre and Locke's return in 1890 to the American west in the quest of David Melmont, who she says is responsible for her son's death.

    The series features a clipped conversational style, lots of violence, and many beautiful sunsets in which the characters move against the sun's backdrop. The first five episodes have confusing jumps in characters and time, leaving many gaps to be filled in by the last episode. That episode finally introduces a wrinkle new to a western that features several strong women and the strong man who plays the Clint Eastwood role.

    A supplemental interest for me was the inclusion in episodes two and three cameo appearances of Pennsylvania Mennonites heading west to settle. The name mentioned was Brubacher, though surprisingly, they were bringing a small amount of Turkey Red wheat, which historically didn't come from Pennsylvania. By 1890 I think most Mennonite men were clean-shaven; these men looked more like Amish. They also seemed uncomfortable in English, which would not have been the case.

    This series could have been a good story if it had been half as long. It included too many irrelevant side stories (like the Mennonites). The final episode raises it to the rating I give it.
  • bagpussjazz12 November 2022
    I watched all the episodes back to back. It was compelling and as my title says, utterly absorbing. The characters were three dimensional, the script was pithy and believable. The acting, Emily Blunt and Chaske Spencer, as the main protagonists was completely marvellous. And Rafe Spall has a chance to show how good an actor he really is. (Incidentally, someone else's comment about Blunt's accent being all over the place, is insane. This is her normal English voice!)

    The cinematography was beautiful. Arnau Valls Colomer is an inspiring artist. Hugo Blick has produced such a marvellous event. This series will stay with me for a long, long time.

    I found the music completely fascinating. Federico Jusid's music fit the series perfectly; weaving impressions of American folk songs from the period and more recent with more impressions of Rachmaninov and Dvorak.

    This was a tour-de-force. I loved it!
  • I've waded through 3 episodes, but I'm not sure I'll continue. One of my main objections: what could be told in half the time is stretched out, due to abundant production funds. The cast is good, and the plot concepts are worthwhile. That said, the segments revolving around a potential romance are more-than-predictable. I will say this, though: the set design and landscapes are quite beautiful.

    Certain scenes are a fond tribute to classic westerns, but many sections unnecessarily expand granular events. It's like writing a brief poem and using excess commas. When this happens, every moment becomes precious, and the overall rhythm drags down.

    Regarding the soundtrack, the moody vocals (placed at the end of the episodes) will strike certain viewers as bizarre. Others will not even notice the lyrics. The instrumental music is used generously, but like the script, the vibe is heavy-handed.
  • ... most all the written IMDb reviews are 8's, 9's, & 10's, with an overall viewer rating of "8"... is it THAT good, yes & no... at times it's wonderful, & Emily Blunt is well, Emily Blunt (probably a best reason behind all the high ratings)

    ... yet this is a production that really needs-requires-explanation, along-with a second-third-viewing to absorb all details missed the first time round... and there's just the fact that watching it again is not something to be truly looked forward to

    ... it was six episodes of a story would have benefited measurably being shot in four, with more concern to making it less convoluted in dialogue & time jumping.
  • The English starts very well with a beautifully shot and engrossing first episode. The cast is remarkable (Rafe Spall, terrifying), the photography stunning and the production design truly high level. Emily Blunt is fantastic as a Scarlett O'Hara type woman seeking revenge enhanced by her Vivien Leigh resemblance.

    But the editing is all wrong and for the sake of being stylish and mysterious ends up confusing. By choosing a non linear timeline and pacing randomly its key moments through out the multiple episodes, the show destroys any chance of coherence and momentum. The viewer is left with pieces of a puzzle, a long talky puzzle, endless intimate dialogues that should intrigue but just bore as they eliminate any tension. The intense fights are perfectly shot and the Far West hopelessness is greatly rendered but can't save an almost incomprehensible plot.

    The English would have probably worked better as a slick and character focused movie where a back-and-forth storyline is more digestible.

    By the time the plot starts to reveal itself in episode 4, I lost interest in Emily Blunt's character and that's really a shame because this had all the rights ingredients.
  • Me and my mom both enjoyed this series and watched it over the weekend. From the beginning you feel an attachment to the main characters and it is hard to put yourself in their shoes. I am a strong independent woman but could not imagine living in this era of America.

    I also have a close friend that is Native American and have compassion for their struggles still endured to this day.

    The way the story plays out is beautifully done and I am already rewatching it to catch things that I missed the first time. I am understanding things a bit clearer the second time around.

    I believe this is a exceptional piece of work.
  • I'm impressed by how good The English was, it's every bit as good as I had hoped it would be. As a huge fan of Westerns I was excited from the first moment I heard about this and then when I saw the trailers I was even more excited. This mini-series not only met my expectations but exceeded them. Emily Blunt was absolutely terrific. She plays Cornelia Locke, an English lady who's looking for revenge for the death of her son. She teams up with Eli Whipp (Chaske Spencer) who is a just retired calvary scout and also a member of the Pawnee Nation. It's a brutal series about revenge and one of the better westerns I've seen in a while.
  • cscott233125 November 2022
    Man, this had so many good characters, even if you only saw them a short time. They all added to the story. No extra filler that wasted time and added nothing. Every minute was called for and added what it needed to the story. Emily Blount is absolutely fu*king phenomenal. I've always liked her. To me, she's just one hell of an actress. I mean if you can't take an audience through every emotion without saying a word...bathtub scene in A Quiet Place...then you can do just about anything. I soooo enjoyed getting to see Chaske Spencer too. I don't think I know him from anything but man he was fabulous too. Some of this was so accurate it's hard to watch. Knowing it happened time and time again. Just a really good show, I wish there was more. I binged it and may go watch it again.
  • lmrk570513 November 2022
    10/10
    Superb
    Where to start with The English. There are so many layers to this intriguing and fascinating series. Twists and turns abound, which slowly and cleverly reveal themselves. Sometimes it's almost a spaghetti western in the tradition of Sergio Leone, at others it put me in mind of Michael Man's Last of the Mohicans.

    The acting is phenomenal. Rafe Spall steals the show as possibly one of the truely vilest characters I've seen on screen in a long time. I'm not a fan of Emily Blunt, but she's very good in this. Ciaran Hinds, Stephen Rea and Toby Jones put in their usual fantastic performances. And Chaske Spencer - what fabulous casting. He's totally captivating as Eli Whipp.

    Filmed mostly in Spain, the cinematography is truely beautiful. The colour saturation is so intense it add a surreal feel to the series, which just adds to its brilliance.

    The English is a rare win for the usually mundane Amazon Prime, and totally binge-worthy.
  • This series succeeds on many levels. It is beautifully shot and acted with a terrific score. Emily Blunt is wonderful as always, and Chaske Spencer is just as good if not better. Their characters are lovable and watchable individually and together. The supporting cast is very strong as well.

    So what's the problem? The script. The story. The premise is solid, a classic Western paradigm of an unlikely pair on a quest for revenge on the brutal frontier. There are many satisfying moments along the way. But somehow it doesn't gel.

    The structure and pacing of the story often fall short. It is painfully slow at times, meandering into philosophical voice-overs by Blunt's character and flashbacks that try to put the pieces together but never quite complete the picture.

    As the story unfolds at an almost languorous pace, it is punctuated by frequent moments and outbursts of violence. This wasn't a problem for me, given the subject, period and setting. Most of it makes sense, but some seems gratuitous and indulgent. And Blunt's character, admirable as she is, becomes adept at it just a little too easily.

    Overall, though, the best thing about the program is the depiction of the two main characters and their relationship. That, along with the top notch visuals and music, make it worth watching. It's hard not to fall in love with them as they fall in love with each other.

    On a final note, the writer of "The English" betrays some pretty strong bias in favor of....the English. Specifically, the English aristocracy. Most of the villains of the story seem to be Cockneys and Americans of Irish and Scottish descent. It's not even subtle.

    My country treated Native Americans horribly. I'm well aware of that, as are most people who have any awareness of our history. Trust me, we're not proud of it. I appreciate the show shining a light on it, but Blunt's character is pretty obtuse about the blood on the hands of her own country and class.

    Why are these villains of Scottish and Irish (and lower class English) in America in the first place? Because of England and its colonization of and rule over their countries and this one. They were famine victims, economic migrants, indentured servants. Their presence was meant to enrich England and its ruling classes, which it did.

    I'm not making excuses for what the US did to the people who were here long before any white European set foot on the continent. But it's pretty rich for a rich English Toff to be scolding anyone about how colonization decimates native cultures and people. Come on.
  • As recently as 150 years ago, Americans were attempting to wipe out the Native American peoples. It was an example of ethnic cleansing and mass extermination through hunger and murder. You don't see too many American made films or series that show this. It comes as no surprise then that The English is made by Europeans and filmed in Spain. Europe knows a bit about mass genocide and apochalyptic war, so maybe Europeans were the best people to show what, perhaps, Americans do not want to show themselves? That's just one of the many huge impressions The English left on me.

    Hard to review this without spoilers, and it's hard watching The English at times. It's powerful. The characters are EXTREMELY vulnerable - but as it goes along, we see that they are strong. They need to be. We wonder if WE could be that strong? We soon find ourselves rooting for them - hoping that they will succeed. The main action of the piece is in the tough unforgiving frontier American west. There is no help out here - no trusting anyone, no law. It's not clear that they will survive, let alone succeed.

    The English is beautifully filmed. Some of the locations are just breathtaking. This isn't Wyoming - but it's a fully convincing alternative. Blunt and her counterpart Spencer are just as convincing. This has good dialogue and interaction. The story twists and turns with plenty of plot lines. 6 episodes was almost not enough! Watch out for Spall. He gives a remarkable performance in his role. No spoilers.

    Watch The English, and see what impression it leaves on you.
  • This says it all, an excerpt from a FAWNING review from a critic who loved this series: "I have faith that were I to map all its parts it would make perfect sense but I would genuinely need to sit down with a paper and pencil, and possibly a cartographer, to do so." Does that tell you what a convoluted mess this story is? I love Emily Blunt, my favorite actress. But as I watched, enjoying some parts, I became increasing frustrated by all the seeming loose ends, knowing that the director, confusing incoherence with depth, made all the time, place and subplot shifts with the idea that it added up to "art." Contrast this with another recent take on the old West imbued with realism-"1883"-a great story depicting the harsh realities of the West and the struggle between native Americans and settlers, but in a way in which you could get involved in the story and not be compelled to hit pause every ten minutes to try and figure out whether you missed something or had accidentally skipped one of the episodes. The big reveal in the final episode is supposed to tie things together, I guess, but even though that's a common device, when you've been wandering around so lost for so long, it just makes you crazy. I watched it to the end because there was some good stuff between too-long set pieces with lots of dialogue, Tarantino-style without the Tarantino touch. I'll stop here. Proceed at your own risk.
  • Leave aside for a moment, the superb writing, casting, acting and direction. Other reviews deal with that. Take note that everything about this series, from the artwork of the opening credits, to the unique use of sound, to the tight closeups in the action scenes, is an homage to one of the greatest directors of all time, yet unfortunately a director almost lost to history. Because other auteurs love to copy him, but never credit him. Even Eastwood, who was rescued from obscurity (after Rawhide concluded) by Leone, never publicly acknowledged Leone's contributions to the medium. Leone is mentioned several times in my IMDb list of all time greatest films of the last century. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
  • murada196717 November 2022
    Often beautiful to look and painful to watch, this is at heart a simple tale of revenge. I enjoyed it but felt the whole thing could probably have been done in 3 episodes. Episodes 3-5 drag and meander into story arcs which are unclear (though all becomes clearer in the end). The cinematography is excellent though I think at times it is clear we are looking at the Spanish plains and not the American West. Acting is excellent all round though the storylines get a tad offbeat at times - many characters and introduced with great build up and then quickly dispatched without any real development. The end is excellent and really quite poignant. Good effort, though would have made a better movie with a more linear storyline.
  • ronn21414 November 2022
    I absolutely adore Emily Blunt which is one reason I stuck with this throughout. The story was said to be about an aristocratic English woman coming to America to track down the man that killed her son. There's way much more to this series, too much more. So many storylines that it just gets confusing. In short, this is not a good series. It has its moments but all in all, it is a waste of time. The cinematography is terrific but that doesn't really help the story. The story has so many elements that none of them are explored beyond just a few scenes. There are way too many speeches and long-drawn-out scenes where people simply drone on and on trying to be 'deep'. I wanted to like this series so much but I just can't. There are at least 20 scenes in the series that could have not been in the series and it wouldn't have made any difference. This series seems like they just made 200 scenes and then sort of connected them together. There is sort of a plot and it comes to a resolution in the final episode but it's a mess in between the first episode & the last. Don't waste your time.
  • I predict Emmys for best limited series, best actress (Emily Blunt), best actor (Chaske Spencer), maybe best supporting actor (Stephen Rea), writing, cinematography, and score. The story is poetically and artfully told. There is genius behind it. Horrible violence, and there is a lot of it, is off screen - you see the reaction of people hearing it, knowing it-or it is in silhouette or at a distance. There are good people to root for. Emily Blunt delivers a beautiful soliloquy about her baby, profound writing delivered by an exceptional actress. It is visually stunning, showcasing the expansiveness and vastness of the plains of the American West. The story unfolds delicately, and in the end left me with a sense of well being. Why? After all the badness, there is goodness--people making self-sacrificing decisions for others.

    Streaming on Amazon.
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