Brave

There's quite a bit about Brave that has marked it as a departure from Pixar's typical fare. The most memorable trailer was one of the best scenes from the movie, with Merida protesting her marriage by shooting for her own hand. That scene alone showcases the detail and quality of animation we've come to expect from Pixar. No other studio has managed to come near what they do. The motion of the characters is natural. Merida's gorgeous curly red hair is distracting in its details only at the perfect times. And, most impressively, when Merida holds her breath to shoot her last arrow the audience holds its collective breath as we watch her arrow shoot away in slow motion and in a beautiful use of depth of field that reminds us why 2D is still highly preferred to 3D.

That's not to say Brave is quite as visually astonishing as Sully's fur in Monsters Inc., the magical underwater world of Finding Nemo, or a landfill laden Earth in Wall-E. But, in some ways, it's not meant to be. We're dealing with a primarily human cast for once, and ones meant to look very different than the ones in Up.

Beyond the animation, the story is somewhat flat. The trailers do an excellent job of concealing the twists, but the twists are all easy to see well ahead of time. The story revolves around Princess Merida who is continually at odds with her Mother, Elinor. At the center of their arguments: marriage. Merida is to be married to the first born of one of the leaders of the other three clans. She'll have none of it as she'd much rather ride off on her own and perfect her archery skills than sit at home and be a proper Princess. In her more childish qualities, she's like her father: an overgrown warrior child who also happens to be King. It's not a bad story, but it's certainly a little too basic. Most people will most likely find the lack of creativity in the script's details the biggest disappointment in Brave. There's no moments where we marvel "how did these guys come up with this?"

It's a pity because Merida is one of the best protagonists Pixar has been blessed with. She's likable and hate-able in all the right ways. She has quite a bit of bratty teenager in her - as evidenced by the lack of morality she displays in trying to change her mother's mind about her upcoming betrothal - and yet heaps of bravery - as she shows when confronted with what she's done to her Mother. The best part about Merida and the story is that she's the one continually driving it forward and making the choices. That proves vital as the film doesn't really have a villain. This isn't a good vs. evil battle like all their other movies not named Finding Nemo.

Brave falls somewhere in the middle for Pixar. It's great that it's original (especially with Pixar selling out and giving us Monster's Inc. 2 and Toy Story 4 shortly), it's great the protagonist is female and so well rounded, and it's great the animation is somewhat subdued for once. I can't help but feel that Brave lacks some of the magic and creativity that really separate the upper echelon of Pixar's best work from the rest of it. Of course, that'll still probably be enough to make it the best animated movie of the year.

For more reviews like this one as well as other movie musings, go to http://thethreeacts.wordpress.com/

Everything about Brave is different from the Pixar norm, save the unequaled attention to detail and quality.

The Disney-Pixar animated feature focuses on Princess Merida as she searches for a way to change her fate. In a journey of magic, adventure and family, the fiery Scot is launched into the ranks of the elite Disney princesses.

As odd and understandably foreign as the accents felt watching the early previews for the movie, the voice acting was executed following, creating very real characters that fit their animated molds perfectly. By the end of the movie, what once sounded foreign blended into the scenery and visuals to create a completely immersing environment.

In fact, amid the magic spells and tall tales of times gone by, it's the historical, Scottish feeling that made Marida's journey and transformation (and that of her mother) that much more tangible and familiar.

Underneath the folk-tale storyline lies the same life lessons that ring true for young and old. Though the movie heavily focuses on a mother- daughter relationship, it's not just for girls anymore than Mulan was. Merida is a true Disney princess, with gumption, heart and an uncanny connection with nature, but the story could have been told from a male perspective and rung just as true, making it easy to empathize with Pixar's first female lead.

As has been the case with almost every other one of their movies, the company has reinvented the standard for animated visuals. The environments are based on real Scottish landmarks, adding real depth to the story, and the colors are as bright as they are grounded, creating a wonderfully real world. Such visuals lend credence to the upcoming 3D re-release of Finding Nemo, though not much, but also show just how far the studio has come.

All of the elements put together, Brave is a different sort of movie than many were expecting. More focused on a single pair and their quest together, not to mention darker by far, the story of Merida was a leap of faith for the once small studio.

Many will have their doubts, left wanting another heart wrenching love story from Up or creative take on a beat to death genre like The Incredibles. That was never the purpose. Just as with every one of their award-winning films (Cars 2 notwithstanding), a new movie means a new chapter, new story and new style of film.

Taken for what it is, Brave is a remarkable step into a whole new style of movie, proving the creative teams at Pixar will continue to write their own fate.

I watched this movie in 3D with my (very mature for his age) five year old grandson. He loved it and wanted to talk about the plot for most of the afternoon to anyone who would listen. However, other young children in the theatre were rather nervous and scared in certain parts of the film and a few very small (2 - 4 year old) children had to be escorted out of the cinema by their parents.

Personally, after the first five minutes, which were a bit slow, I became absorbed in the story and thoroughly enjoyed the movie. There was lots of action and the plot was attention grabbing and unique, with no soppy love story and little slang included.

A true best of both worlds for classic Disney and classic Pixar fans. It had already been many years since the acquisition, but for me this was the first time Disney's buyout felt like a positive direction for the animation pioneers. Filled with possibly Pixar's most attractive environments, character designs (Side note: Merida has my favorite character design of any animated human character. I mean seriously her hair alone is a thing of beauty.), and easily its best score, the studio does a deft send up of classic princess movies while instilling the pure feeling of magic they are known for though Scotland's rich Celtic lore and cryptic mysticism. Brave is a criminally underrated installment in the Pixar cannon that I hope grows in stature over the years. If Wreck It Ralph is Disney doing Pixar, Brave is Pixar doing Disney.

This should have been an easy review to write. Brave should have been a film that cemented itself as one of the all time greats, a necessary addition to any Top Films list. It should have been a film that claimed a place in our hearts as so many other Pixar films have in the past. But it's not. And writing this review is proving anything but easy. It's hard because I'm sitting at my Dell Latitude feeling bewildered at how a film from the best animation studio in the world left me feeling lukewarm at best.

A bit of background on the film first; this film went through two directors. After Brenda Chapman left the film for reasons I don't know, Mark Andrews was hired as a shoe in. This wasn't the first Pixar film to have multiple directors, just unplanned multiple directors. This is where my major problem with this film stems. Everything from Brenda Chapman is textbook Pixar class and charisma, but once Mark Andrews gets the reins (and you WILL know when it happens), the film takes an abrupt and uncomfortable shift towards the dark, and really challenges the boundaries of PG. It feels like two different films tacked on to one another with Gorilla Glue, it's as if the directors had no collaboration with each other. A real shame because up until it takes this dark turn, the rest of this film is a class act bursting with potential.

However to lament on the pitfalls is to ignore the positives. Pixar created two characters with copybook classic credentials in Princess Merida, and her father Fergus. Merida as the independent, self-confident, inurbane princess has a tongue-in-cheek charm and a personality that brings a genuine smile to your face. The other hero of character is Fergus, his character of a bumbling king with an overpowering queen is cliché, but he's executed brilliantly and is the provider of the majority of humor on Brave. Another immensely impressive aspect is its supremely dazzling animation aesthetics, the resplendent beauty of the Scottish countryside sometimes stealing scenes from its characters. Whether or not you agree that's brilliant is more subjective.

Now this may seem like the ranting of a spoilt wannabe movie critic weaned on delusions of grandeur, and hollow satisfaction from demeaning films with hype behind them, but I can assure you my size 10.5s remain firmly on the ground. This film is still a damn sight better than a majority of animated films out there, and it no doubt sets a new bar for animation quality other films won't be able to reach without a pole vault. I generally like this film and its good moments are plentiful and remind you why we love these films so much. Pixar films are utterly infectious when done correctly, Brave isn't up to the standards of their best, you won't fall in love with it, but forget the scale of its predecessors and you'll definitely be impressed by it.