Agent Strahm is dead, and FBI agent Erickson draws nearer to Hoffman. Meanwhile, a pair of insurance executives find themselves in another game set by Jigsaw.Agent Strahm is dead, and FBI agent Erickson draws nearer to Hoffman. Meanwhile, a pair of insurance executives find themselves in another game set by Jigsaw.Agent Strahm is dead, and FBI agent Erickson draws nearer to Hoffman. Meanwhile, a pair of insurance executives find themselves in another game set by Jigsaw.
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The films as an overall series are a very mixed bag. The original 'Saw' had a great premise and while it was problematic it was still pretty good and one of the best in the series. 'Saw II' was one of the few sequels to be just as good and while flawed in its own way it had most of what made the first work. Sadly the novelty wore off in the next three sequels (though the fourth did have elements of what made the first two films work), the fifth especially being a let down. 'Saw VI' is one of the best of the series and the best sequel since the second.
'Saw VI' is not a great film by all means. The dialogue continues to be weak, was never a strength in the previous films and still isn't, being cheesy, half-baked, rambling and contrived. Of the performances, only a chilling Tobin Bell, with (a much better used this time round) Jigsaw continuing to fascinate in how the series does so well in setting him apart from most characters of his type, fares well. The others are saddled with characters that are either bland filler or resort to illogical decisions and are fairly perfunctory.
Ridiculousness was all over the previous films too, even in the first. 'Saw VI' doesn't escape that sadly either, the credibility and logic lapses are numerous and big.
However, although the editing is not exactly refined (some of it should come as a health warning for epileptics), 'Saw VI' is visually one of the most atmospheric, most elaborate and effectively claustrophobic films in the series. The music is suitably eerie and 'Saw VI' for me is the best directed since the second film, with things being tightened and steadied and things that were excessively done in instalments III-V toned down while still making impact.
For what it may lack in logic, 'Saw VI' makes up for it vastly in satiric bite, suspense and atmosphere, it is more taut in pace and is far easier to follow than the third and especially fifth films. Even with the gore, though it is not as excessive, there is a pleasing return to the most inventive traps, tortures and demises since the second film. The Russian Roulette carousel sequence is wonderfully executed and for me the best individual scene since that unforgettable twist ending of the first 'Saw'. There haven't been twists this devilishly clever or bold since the first either.
Unlike 'Saw V', which seemed only to exist to set this one up, 'Saw VI' actually did feel necessary despite fears. As seen with the contents of the letter from 'Saw III' being revealed much needed questions are answered, mysteries left unresolved are solved like with the box and Jigsaw's motives are clearer. The ending is easily the most satisfying one since the first 'Saw', the only sequel ending to not be obvious, incoherent or contrived, actually it's pretty disturbing and by the series' standards it makes sense. Bell continues to send chills down the spine.
Overall, one of the better 'Saw' sequels and one of the best of the series. 6/10 Bethany Cox
Saw VI starts with a bang. You know right off the bat that this isn't the same dead serious almost somber type of Saw film you're used to. I'm going to give Greutert and company the benefit of the doubt here and assume that this is by design. You know when Jigsaw is putting people in traps for smoking too much that your tongue should be firmly planted in cheek. This film is also much more open and colorful than previous films. After the claustrophobic Saw V that seemed to take place in only three different rooms this is a welcome change of pace. Also the traps here are much more inventive than V and maybe even IV (nothing will best III in my mind for sheer over the top-ness). The amount of twists and surprises is also plentiful and really do help bring the game full circle. This is definitely not the transition film that the last one was and it really left me to wonder where exactly they can go from here. The twists and turns of the plot are not something I want to give away as its part of the fun but suffice to say if you've stuck with the series up until now you won't feel gipped as you walk out of the theater. The film follows Hoffman as he tries to stay one step ahead of the FBI while conducting a game involving John Kramer's insurance broker William who is put through a series of tests involving his co-workers. The film moves at a breakneck pace cutting back and forth between the two main plot threads while also throwing in the now famous Saw flashbacks to fill in the gaps of all the past movies. I was never bored and special mention has to be given to Greutert for really keeping this thing from getting bogged down in the procedural aspects that really plagued the last few films. This is balls to the wall entertainment and it delivers while also winking and nodding along the way. Saw also gets extremely topical here for the first time and the main thrust and theme of this film will hit home to anyone who even has a passing knowledge of current affairs in this country.
The only negatives I can really point out in the film is some of the suspect acting but again this might be done on purpose through the director's eyes to inject some humor without resorting to having Jigsaw or Hoffman crack jokes Freddy Krueger style while they dispense moral justice. We haven't gotten there yet, maybe Saw X. The other problem I had was that some of the back story really pushed the suspension of disbelief but I guess I shouldn't nit-pick because that has been a problem as far back as Saw II and is needed to stretch out this far anyway.
All in all this is easily the best Saw since the 2nd one and I am glad to see the series get back on track after the CSI elements of the last two films. This is Saw how I like it: down and dirty and over the top. Bring on Saw VII!
There were a couple of great twists and turns, the gore was jacked up to a fantastic level of brutal extremity (easily beating the rather tame 5th installment), and most importantly, I, plus everyone in the theatre had a ball with it.
As well as being a valid continuation of the 'Saw' story, it worked well as a standalone film. The main twist actually had nothing do to with the previous movies... but don't get me wrong, you'll get plenty of answers for questions left open from the other films at the same time.
As you'd expect, the acting and production values weren't to flash, but the good screenplay and balls-out sadistic torture made this a vast improvement over the last couple of sequels. Apart from the first, I'm happy to say this is definitely one of my favorites from the series. 7.5/10.
Check it out. I found it to be a pleasant surprise.
But Thank... GOD... Saw 6 is not only just a good sequel but its actual a great movie on its own. The moral dilemma William faces as part of "his" game throughout the movie... real powerful choices. The traps (as always..) gory as all hell.. but the emotion behind the decisions and ending of all the traps.. sends a shiver down my spine. And the ending twist AND scene... I wont spoil it but my GOD.. You thought agent Straham had a powerful will to live in that intro scene to 5, You ain't seen nothing yet.
Mainly though.. The story.. One thing this chronicle of the series does nicely as well, is tie up SO many questions that have been still hanging from way back to even Saw 3 (with a couple of new ones added just for the next ones..). I found that even though i thought 4 and 5 were average on their own... After seeing this one, it amplified and made them.. i don't know.. make sense.
Just like a jigsaw.. as each piece is layed down... the entire picture starts to make sense. Bring on Saw 7!!!!!
Did you know
- TriviaDirector Kevin Greutert mentioned in the commentary track that the twitching and shivering Amanda (Shawnee Smith) does in her scenes with Cecil (Billy Otis) was real due to low temperatures and rain in Toronto at the time of filming. Shawnee couldn't stop shivering because she was cold and they were shooting outdoors.
- Goofs(at around 19 mins) When the coroner, Dr. Adam Heffner, is talking to Hoffman and Agent Dan Erickson and Agent Lindsey Perez, he says that the knife used to remove the jigsaw piece from Eddie had a partially serrated edge. Dr. Heffner then claims that same knife was used to cut the jigsaw piece from Seth Baxter. However, in Saw V (2008) the knife used to remove the jigsaw piece from Seth Baxter is a non-serrated scalpel, not the "knife with a partially-serrated edge" that Dr. Heffner claims was used.
- Quotes
Jigsaw: [flashback scene when John questions William about being denied coverage for his cancer treatment] I came to talk to you Will, because I've found a treatment for my cancer that I think holds a lot of promise, but my requests for coverage have all been turned down.
William: Yeah...
Jigsaw: So, I was hoping that if I came and explained it to you that you might be able to get that overturned for me.
William: [smiles doubtfully] Well, the buck stops here, John. Fire away.
Jigsaw: Okay.
[John hands William a brochure]
Jigsaw: This is a doctor in Norway. He's got a 30 to 40% success rate with gene therapy. He injects what he calls suicide genes into cancerous tumor cells; then an inactive form of a toxic drug is administered...
William: Yes. I'm familiar with the therapy you're talking about.
Jigsaw: Right. And a new trial's starting. He's looking for new patients and he seems to think that I'm the perfect candidate...
William: John, if your primary physician, Dr. Gordon, thought you were a suitable candidate, he would have pursued it.
Jigsaw: No. Dr. Gordon is a specialist. You know, he's making money on his specialty. He's not a thinker. I mean, the man has his hand on the doorknob half the time that I'm there.
William: I'm gonna be straight with you. At your age and with the development of your cancer, it's simply not feasible for Umbrella Health...
Jigsaw: Wait, wait, wait, wait. What's not feasible? By whose mathematical equation is this not feasible?
William: It's policy, John. It's policy.
[pause]
William: And if you go outside the system and seek out this treatment, which has been deemed ineffective, you will be in breach of policy and you will be dropped from coverage completely.
[pause]
William: I'm sorry.
Jigsaw: [gets up from his chair and paces around William's office] Did you know that in the Far East, people pay their doctors when they're healthy? When they're sick, they don't have to pay them. So basically, they end up paying for what they want, not what they don't want.
[pause]
Jigsaw: We got it all ass-backwards here. These politicians, they say the same thing over and over and over again; "Healthcare decisions should be made by doctors and their patients, not by the government." Well, now I know they're not made by doctors and their patients or by the government. They're made by the fucking insurance companies.
- Crazy creditsSPOILER: In the Unrated Edition, there's an extra scene after the end credits: Amanda comes to the door of the place holding Corbett Denlon (Jeff Denlon's daughter, who Hoffman "saves" at the beginning of Saw V (2008)) and warns her "not to trust the one who saves her".
- Alternate versionsAlso available in an unrated director's cut version, which restores deleted scenes and the violence originally cut for an "R" rating. A new scene after the end credits is also added.
- ConnectionsEdited from Saw V (2008)
- SoundtracksMore Than a Sin
Written and Performed by The James Brothers
Courtesy of James Bro. Music
Copyright 2008
Details
Box office
- Budget
- $11,000,000 (estimated)
- Gross US & Canada
- $27,693,292
- Opening weekend US & Canada
- $14,118,444
- Oct 25, 2009
- Gross worldwide
- $68,234,154
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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