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  • I had never heard of Raja Ravi Varma, and after seeing the movie I got to know much about the lost literature and piece of history unknown to me. Since I was unaware of any fact regarding the character, hence I can't criticize on any point or misleading detail. And the speeches were really well delivered both by talented actor Randeep and gorgeous Nandana.

    I enjoyed the movie and I wish to see the standards of Indian cinema more alleviated and up to the mark. Because in recent years the quality of movies is degrading at a accelerating rate and this movie provided some of the healing aid to the classical cinema lovers.
  • Warning: Spoilers
    Story: Based on Desai's novel on Raja Ravi Varma (Randeep Hooda), the film deals with the court case slapped on the iconic artist for painting nude images of women and giving face to Indian Goddesses. Religious gurus filed him for propagating vulgarity and hurting religious sentiments. The film traces his story through his childhood, his marriage, his muses, his love and inspiration from Sugandha (Nandana Sen) who pushed him to deliver his best work and of course about how the fate of that case changed the face of law's perception towards art and censorship.

    A case whose ruling is relevant even today; despite science taking over, logical and wide thinking hasn't prevailed clearly. The film is an eye opener for many who think limited and judge art from a moralistic point of view.

    Performances: Randeep Hooda was used in his nascent best. The actor gives his rustic swag a look uncannily different from what we recognize him from. From playing a frivolous flirt in scenes to a heartbroken painter whose muse was socially humiliated because of him, he brings an ethereal quality in his performance delivering undoubtedly his best.

    Nandana Sen looks radiant in every frame, bringing poignancy to her performance. Vulnerable in love, drawing strength from the same, it's her heartbreak and breakdown of faith that makes the climax so surreal.

    Paresh Rawal as the the scheming Seth was great. Sachin Khedekar was again good in his part. Even the naive, young and equally stellar Ferena Wazair has done a memorable job.

    Direction & Screenplay: Rang Rasiya is Ketan Mehta's victory alone. While all may feel his story, it is he alone who has truly empathized with his fellow filmmakers and artists all over the world, who are still suffering the wrath of fake societal norms. In very few terms, Mehta takes on the system and poses pertinent questions – should the views of all govern the views of an artist and why doesn't the common man open himself up from fundamentalist thinking; a critical take on religious leaders whose charisma is borne out of unscientific, often regressive thinking. Mehta wastes little energy on what doesn't fit with the film's theme, focusing solely on Ravi Varma's life and all that pertains to him and his battle in revolutionizing the Indian thinking.

    The director's delight in conveying cinema is evident in that one scene where Ravi and his friends witness the screening of 'L'Arrivée d'un train en gare de La Ciotat'. The ecstasy in the shot of the moving train is unmissable. Based on a rich tapestry, the film's valiant approach towards art and how Ravi Varma wins the case is significant and the last scene where a gorgeous nude painting of Raja Ravi Varma is destroyed all speaks volumes about how art in democratic India still doesn't have the freedom to remain alive and breathe. A complex and diverse country dominated by people who cannot think freely, Ketan's baseline remains at How free are we?

    The last word: Smeared in color, vibrancy and sensuality, Rang Rasiya revels in its operatic, dramatic beauty and narrates a liberating tale of love, passion and freedom of vision. Ketan Mehta brings out the best from his actors Randeep and Nandana; especially the latter who unleashes on screen much beyond her sublime beauty, the vulnerability of her character. The inspirational story tells an uninhibited tale of a man who will always remain eternal through his art. I am going with 8/10.
  • Rang Rasiya - first of all, Hats off!! to the team for persisting with the final print. It takes courage for the cast, especially Nandana Sen, to deliver content as bold as this. The frontal nudity was handled perfectly and given just the right amount of attention it deserves. Nothing more. Nothing less.

    Just like Sunny Leone coming to Bollywood, this movie is a very very bold move and am glad that the movie hall full of grown ups handled it maturely.

    Good to see India progressing!!!

    Coming back to the movie, too much content to be covered in too short a time. Would have been great if the movie focused on Raja Ravi Verma and his protagonist as the story felt too boring at times.
  • Hindi Cinema has never been keen on making enlightening biographies, especially of any talented creative artists born in our part of the world in the last century. In the beginning we made movies on all mythological characters and then the focus shifted on to the life of key historical figures, freedom fighters, rebels and occasionally a sportsman or a business tycoon too as seen in the recent times. But very rarely we have made a film (not documentaries) on any creative artist of our country who had an exceptionally god gifted talent in any particular artistic stream and celebrated his entire life with the blessed art right till the last days.

    Thankfully, RANG RASIYA is one of those rare and important biographical dramas based on the life of 19th century painter RAJA RAVI VARMA, who was the pioneer artist, painting the divine Indian GODS and GODESSES on his canvas with an exceptional grace and beauty. Directed by Ketan Mehta the period drama stars Randeep Hooda and Nandana Senin the lead but unfortunately remained in the cans for six long years since its completion in 2008.

    Now where a few blame the internal disputes of the makers as the cause of this long delay in its release, others mention its extremely bold scenes as the key reason for getting stuck in the censors, in order to avoid any communal unrest among the people. Anyway, whatever the reason might be, the sad irony remains that despite being a rare, courageous film made on one of the most famous Indian painters (who earned a world acclaim too), the project could found no takers till recently, when Randeep Hooda became a part of some highly successful films at the box office making a name of his own. Hence where the censors & controversies can be termed as the front side of the coin, the completely business minded & cruel exhibition norms of the industry form its other hidden side, never giving the much needed support to such artistic films since last many decades of our film-history to say the bitter truth.

    Moving ahead, the film has now reached the theatres and is available for all the lovers of such meaningful or enlightening cinema waiting desperately. But if in case it fails to find a decent number of viewers in the theatres post this prolonged wait, then it will declare we the audience too as a part of this questionable partial system ruining such great attempts made, on a constant basis.

    Recalling my experience of watching RANG RASIYA, I luckily saw it in a Film festival last year and was simply enthralled by the life experiences of the celebrated painter RAJA RAVI VARMA and the hardships he had to face leading him to the court of law on the charges of spreading vulgarity. Based on the biographical novel by Ranjit Desai the film passionately talks about Varma's obsessive art and the struggle to practice his free artistic expressions depicting the mythological characters creatively. And many would be stunned to know that though his exquisite paintings were getting famous all over the world in that particular era, the artist was arrested in his own country on the charge of obscenity and offending religious & cultural sentiments of the public by painting in an indecent manner.

    Frankly, RANG RASIYA was an eye opener for me too as I was also not aware of such astonishing facts about one of the greatest Indian painters of my own country. And that is exactly why bio-pics need to be made like an effective means of spreading awareness in the present generation to be precise. Yes, technically it can easily be called an artistically inclined film made with a sincere motive accompanied by a decent cinematography, average soundtrack (which could be much better) and impressive performances by the entire cast led by Randeep Hooda and the gorgeous Nandana Sen.

    However it's not the technical qualities for which the film is being included here in the list of must watch movies, but it's the informative value of its shocking as well as educative content which essentially needs to be told to our younger generation and not to be slipped under the carpet as some forgettable part of our history. So ignoring all the controversies and unnecessary delay over its release, I would like to recommend watching RANG RASIYA as a must, since its a film which would straight away remind you of a sharp contradictory truth of the recent times related with another legendary artist M. F. Hussain.

    Putting it more clearly, what we did with M. F. Hussain is nothing new as the same had been done with Raja Ravi Varma too way back in the 19th century. So its only the calendar changing its dates, whereas our thinking patterns still remain the same insulting the creative minds of the nation, giving them awards posthumously and refusing their respected dues in their lifetimes following a shameful pattern.

    With a hope that the future India would learn this important lesson of giving that 'artistic freedom' to its creators through this brave, thoughtful and honest depiction by Ketan Mehta, do watch this at the earliest and know more about your history with a different perspective.
  • Warning: Spoilers
    Colors of Passion, original Hindi title "Rang Rasiya" Directed by Ketan Mehta - 2008, 2015

    Viewed at Innsbruck Film Festival, June 2015

    By Alex Farba Deleon

    The Message of the movie is "Down with Artistic Freedom of Expression" --very timely in the year of the Charlie Hebdo massacre in Paris only six months ago, but the Medium is unfortunately weak. Rang Rasiya was actually made in 2008, and even premiered at Cannes Festival, but was not released in India, because of certain bold scenes. The film was finally given a theatrical release after six years in 2014.

    TRIVIA:This Indian film by a highly respected veteran director, Ketan Mehta, when completed five years ago in 2008 and revealed at the River to River Indian Film festival in Italy at that time, but was quickly banned from circulation in India and shelved until now. The reason for the ban at the time was not for political reasons but rather because Mehta dared to tweak the long standing Indian taboo against female nudity and mouth to mouth osculation on screen -- involving actress Nandana Sen, the daughter of an Indian Nobel Prize winner, no less! That restriction has now been openly challenged in a number of other films since, so a somewhat modified version of Rang Rasiya has been approved for general release. At Innsbruck two versions were actually shown, a full length original director's cut, and the somewhat trimmed and shortened version currently on release. Lead actress Nandana Sen, an official guest of the festival, was on hand to introduce the film and field audience questions at both screenings.

    Basically Rang Rasiya is a classic biopic focusing on the life of 19th century Indian Painter Raja Ravi Varma, who was and is India's most famous painter, contemporary with the French Impressionists, but who became quite a controversial figure because he painted the gods and goddesses of Indian tradition as down to earth humans, often partially nude in erotic compositions. So compelling was his painterly skill that many people worshiped his tableaux on their knees seeing them as divinely inspired sacred iconography. At one point Varma was arrested and put on trial for offending public decency but eventually acquitted by a sympathetic judge and jury. Director Mehta has made a handsomely crafted picture rich in color, period detail, and voluptuous imagery, but strangely lacking in passion. One big problem is that lead actor Randeep Hooda is too macho-handsome and 21st century contempo to convince as a sensitive 19th century artist from the Dravidian south. Which is not to say that he doesn't give what the script asks of him -- just that he was the wrong man for the job -- a tricky case of miscasting probably aimed at attracting the mass audience to a touchy subject. What comes out is a preachy dissertation on censorship of sexiness rather than a moving condemnation of artistic repression in general.

    Because of the surface glossiness and compromises made in order to reach the unwashed masses the sincerely intended message(s) become muddled in a colorful but dispassionate biopic that could have and should have been much more gripping. Bottom Line, nice try but no Cigar ~ better luck next time
  • Warning: Spoilers
    Rang Rasiya as many other reviews say, might not be the perfect piece of art or the perfect commercial film. It is in fact a balanced product which allows even the most common man of India to understand the importance and the relevance of the story. Even though you feel the film maker could have done much better, you cannot deny the fact that there are only a handful of film makers today who even have the guts and desire to make such a film.

    Rang Rasiya is for the people who are tired of getting fooled at the box office by the likes of HNY, Kick, Shaukeens etc. (the list goes on and on) Rang Rasiya is for the people who are proud of India and its culture, Rang Rasiya is for the people who want to see a new story every time they go to the theaters. Rang Rasiya is revolutionary and inspiring.

    If you are a Item songs and Diamond heist film fan, If you like your hero who farts and 20 goons go flying in all directions, then this movie is not for you.
  • Rang Rasiya or Colours of passion revolves around the life of the painter, Raja Ravi Verma of Travancore. The painter is married to a queen who does not have high regard for his work. But in places where art stinks is also the same where it finds inspiration.He finds his muse in Sugandha, Nandana Sen.While she's dressing up one morning, he asks her to stay and paints her. A new subject rekindles his interest and he begins to paint. But there are also protests from a section of society, which the film tries to depict. The accusations are mostly on grounds of 'immorality'. .The painter is frequently pulled into courts, where questions "Do you live at your wife's house and do you squander your time at the palace " are put to him.

    Nandana Sen has carved a role for herself in the film and Randeep Hooda has played an artist-who-is-not-dazed role to an applaud. Tom Alter, as an English judge, appeared as an understanding-British- judge. The film imbues the pre-independence setting at a local level pretty well on the screen. The moments where the painter and the muse make love, is so beautifully painted, is like aesthetic health to the audience.

    Rang Rasiya is an unorthodox treatment of an artist -fighting- society-and-back-theme in the celluloid world. And to treat it with the maturity of an Indian audience is quite a feat. The music grows well into the film. The film reminded me of "Frida" by the American Broadway and film director, Julie Taymor. A question arises, is it unfair to a woman, who's a subject to a painter, to feel neglected on account of the painter's interest in many subjects during his development process. Do go and experience colours of passion!
  • kichdi17 May 2015
    Rang Rasiya is a movie everybody should watch, the lead played by Randeep Hooda & the talented beauty Nandana Sen. The movie takes you through the late 18th century & early 19th century when religious vandals ruled freedom of speech, art & expression. Raja Ravi Verma championed this cause & eventually won the battle. Rang Rasiya is a masterpiece which is on par with the greatest of world cinema or even better than most. The narration is so smooth, acting is superb, sets dating back over a century is also so immaculate & sex is refreshing to see in Indian cinema. Randeep & Paresh have done superbly well. Nandana looks stunning throughout the movie so is the Scottish girl. Hope there are more movies like this coming which are true to the script.
  • I wanted to see Rang Rasiya but never got around to it till today.

    This is the story of Raja Ravi Varma the celebrated Indian artist, his work and his life. Randeep Hooda did an admirable job in the lead role.

    The period settings, the plot, the costumes, the rampaging Hindutva brigade then and now, it was beautifully done. Nandana Sen looked stunning throughout and enacted her role very well. Paresh Rawal as the astute businessman was excellent as always.

    The only flaw was that the film dragged in parts. I was watching a DVD so could fast forward, really this could have been made shorter without losing the essence.
  • Adoption of this film from the novel is not up to mark so most of the time you feel that you are just getting information rather than feelings the emotions. I was expecting more from this movie based on Raja Ravi Varma true life. Characterization is so crude that an English Judge (Tom Alter) uses more Urdu words in his sentence and with correct pronunciations of words with the Nukta sound. Raja Ravi Varma childhood was in south India but his Hindi had no dialect. I was unable to understand the main female protagonist Sugandha's profession till last. This film had need of huge budget but budget restrictions are clearly visible. Few scenes are really impressing. When Kamini touches feet of Raja Ravi Verma and tells her that he is the person who made God available for Dalits too by his painting of God. The colorful intimate scene between Raja Ravi Varma and Sugandha was beautiful and artistic. First half is very slow. Second half has some good moments. Performance wise Randeep Hooda and Nandana Sen are just OK. Paresh Rawal is impressive and surprisingly his dialogues are also good. Music is good.
  • Warning: Spoilers
    Biopics have been made in Bollywood, but on an artist is for the first time. Directed by Ketan Mehta, way back in 2008, 'Rang Rasiya' finally gets released in India.

    Ketan Mehta, the man behind films like 'Sardar', 'Mangal Pandey: The Rising', 'Mirch Masala' and so on, has made another biopic. After having a good time at The Times BFI London Film Festival, finally we get to see the movie. Let's analyze how good is it?

    Raja Ravi Varma (Randeep Hooda) is an artist for whom painting is worship. When he marries the princess of Kerala (Tripta Parashar), he decides to paint his wife as an inspiration. But when she demeans the art form and shoos him away, he decides to look for beauty beyond and finds it in Kamini (Rashanaa Shah), one of the servants in the palace. While she inspires him to paint one of the masterpieces that is responsible for him to win the title 'Raja' from the King of Travancore, the death of this old king leaves Ravi Varma shattered and he decides to shift base to Mumbai where he attempts to rediscover the love for art. So when he meets the gorgeous Suganda (Nandana Sen) in a temple, she becomes his inspiration for his future works. In an attempt to impress his biggest patron, the Raja of Baroda (Sameer Dharmadikari), Ravi Varma undertakes the task of showcasing Indian culture through the language of art with his paintings. While his paintings become available to the common man, the 'so called' guardians of the Hindu culture raise objection and Ravi Varma is arrested for using human face for God and also for portraying aesthetic art through nudity.

    The story-screenplay (Ranjit Desai (based on his novel, 'Raja Ravi Varma'), Ketan Mehta, Sanjeev Dutta) has the artistic aesthetics to it. The final print too looks arty but mostly targets the snooty- class of audience, which I belong to, and it does not appeal to everybody. Music (Sandesh Shandilya) is quite melodious, but forgettable. The BGM is noteworthy though. Cinematography (Christo Bakalov) is mesmerising. Each frame looks alive and artistic. Direction (Ketan Mehta) is quite good too, but the ending is quite abrupt. Editing (Yves Beloniak, Pratik Chitalia) is quite apt. Stunts (M. E. Nigade) are well-coordinated. But the best parts aspects of the film are the costumes (Anurag, Niharika Khan), art work and the paintings. All of these look authentic.

    Of the cast, Randeep Hooda steals the show. His chemistry with Nandana Sen is sensuous. Rest of the cast act with sincerity.

    'Rang Rasiya', is a perfect example of a classy biopic on an artist, forgotten by the History. But the problem is it does not appeal to everyone's taste, unlike 'Jodhaa Akbar', directed by Ashutosh Gowariker. Go to your nearest theatre to witness this artistic movie.
  • Warning: Spoilers
    It has beautiful story line. Randeep Hooda's portrayal of the legendary Raja Ravi Varma is the best performance by him in a long time. Nandana Sen redefines beautify. The story will make you think with creativity. The setting of 19th century India is awesome. The sets in the movie is beautiful. The paintings in the movie looks very real. It has bold statement for today's society. Kudos for the censor board for clearing it. Rang Rasiya is a movie that will definitely change your thinking. An awesome performance with stellar cast and amazing visual. This is certainly a lesson in history that will make you believe. Go and watch it with your friends and family. Ketan Mehta has shared a story that needed to be shared. I give it 10 stars.
  • Warning: Spoilers
    A great Indian movie reflecting how India restored her historical temple of culture and civilization, gods and goddesses, people and rulers. The movie is filmed a century backwards, and it captures the social elements which has been the main reason why the Indian history has not been fostered by its people so long.

    The central character, who is an independent painter, gets inspired with Indian goddesses via a lady he meets in a temple. His talent of painting is his life. Being a human, he can not live with his talents spirited away by new technology of cinematography. He quits painting but gets trapped by law for spreading nudity and false image of gods, in words of a famous community leader. Airs get cleared when he explains his intentions behind these paintings which prove to be an unforgettable contribution in bringing back the nation's history and culture.

    The movie is plotted in Kerala, a south Indian state and it holds a very nice illustration of people and families living there. Visual effects have been successful in rendering the lifestyle those people enjoy. The movie shows how gods in India descended from temples to homes and everywhere, how the third class of society got access to public worshiping. It reflects existence and functioning of social division of 'varnas' which was very prominent in India a century ago.

    The movie ties up with chronological events like revolts in late 19th century, formation of Indian National Congress, spread of plague etc. It also shows France introducing cinema to India, leading to the formation of Indian film industry by Dada Saheb Phalke, a constant side-role in disguise.

    Overall, a great movie with almost no flaws, successful in its goal of introducing the viewers to early Indian culture.
  • alankarchauhan14 May 2021
    Art is beyond the realm of society, drawing gods in a canvas takes more than that The divine must have had painted through Ravi Varma, but the limited awareness of our civilization rebelled against the infinity of the supreme. It is a beautiful film which made me realize that you and I are limitless beings who cannot be contained.
  • This is such an artistic movie. All actors done justice with their role. Nandana Sen's performance is beautifully bold and Randeep Hooda is outstanding as Raja Ravi Verma. Background score is mind blowing. A masterpiece by Ketan Mehta. Loved it and I hope you'll also love it.
  • ajokerbs7 December 2019
    Thanks for making such wonderful portrait of real incidents
  • I'm a big fan of Rajaji since childhood. Love his artwork. When I came to know about the film, I watched it and in result, it made me more attracted towards his works. Great work done by actors and story makers...
  • nikree3 April 2020
    Well made movie. But lack much insight, about his complete life. Only focused on the 'painting' aspect of him. Which makes the movies less historical, less biographical and more theatrical.

    Also the movie lacked intricate details, about his art style, inspiration and more of his personality. Maybe not much is known as of modern painters.

    One should keep in mind the fictionalization and dramatization of Raja Ravi into a mordern free expressionist.

    The movie doesn't even mention his many important philanthropic views and parts of his life.
  • please must watch it.. this movie is bring me near to the Indian tradition... one sentence of Raja Ravi Varma says good about Indian tradition,'India is nation of Kamsutra,' i would like to say that India is first to give Kamsutras crafts.

    although ran deep's acting is marvelous, and i would like to see Nandana sen as DEVI..

    And we have to thank you to Ketan Mehta that man is bring it to us, a real tradition to real ARTIST.I don't care who's talking about this movie whatever but i would like to say awesome. And i wish Indian movie should get high over it and should be shown us what we have , what is Hindustani tradition, IT'S TIME.

    **IF ANYONE LIKE MY THINKING USUALLY SAY IT REVIEW THEN SAY ABOUT IT ON rupanidarshan@gmail.com *** thanks (i give ten vote because its start up)