Murder in a Small Town

I was pleasantly surprised to see Molly's Reach from the old Canadian TV show The Beachcombers. Although I haven't seen any other through-lines beside the town itself yet like with the characters from the old show, it brought me right back! Although i kind of wish they acknowledged this in some way. It does appear that they are trying to make it seem like an American town vs. Canadian. It's a little weird there is no nod to the prior inception of the town of Gibson but whatever.

Now that is out of the way, the show itself has a wonderful cast and am hooked after the first episode. It is a bit of a darker hallmarkesque show as others have stated. However, i dont find it as sacchrine as those shows/movies and I can't wait to watch the rest!

Big city detective moves across the country and becomes chief of police in a small Oceanside town with a small number of interesting subordinates under his command. . Doesn't this make anyone else think of Jesse Stone amd Paradise. I loved all of those Selleck movies, and hope this effort pans out as successful. It seems to have all the makings and so far I am enjoying this show very much. If the writers can come up with the necessary intriguing stories, I expect this series will be successful. Makes me wonder if those writers, as well as all the actors, are watching all those Jesse Stone movies.

I can think of worse things they might do.

Review: Murder in a Small Town - A Missed Opportunity

I wanted Murder in a Small Town to be a great series. The premise had so much potential-a gripping murder mystery set in a quiet town where nothing ever happens, until it does. But after watching it, I couldn't help but feel that the writers missed a crucial opportunity to make this show truly engaging.

The biggest flaw? The pacing and believability of the murders. Instead of crafting a season-long, intricate mystery that keeps viewers hooked, the show opts for a new murder every other week. The result? A small town with an absurdly high crime rate that completely undermines the show's realism. How can we be invested in a "small-town murder mystery" when bodies are dropping at an unnatural rate? It starts feeling more like Murder, She Wrote on steroids rather than a compelling, believable drama.

What Murder in a Small Town should have done is build a single, well-developed murder case over the entire season. This would have allowed for deeper character development, better suspense, and a more immersive storytelling experience. Imagine the tension of slowly uncovering layers of a mystery, the red herrings, the twists, and the final shocking reveal-all building to something truly satisfying. Instead, we get a new case wrapped up every other episode, which makes it hard to care about any of them.

The show has potential, and it could be so much better. The writers need to step back and rethink their approach. A great mystery isn't just about the number of dead bodies-it's about making the audience care about solving the crime. Hopefully, they course-correct in the future, because there's a great show hidden somewhere in here.

I feel like this show has a lot of potential! It already feels pretty solid at the start. I love the characters (& actors), the setting, and the premise. It's got charm, and plenty of heart.

I've read a lot of people saying that this show reminds them of a hallmark movie. I'm not someone who watches hallmark movies - too cheesy, not my thing. This show doesn't feel hallmark-y to me. It feels optimistic, but also honest. It sprinkles in some lovely humorous moments throughout the episodes as well.

I really hope we get more of this show because I am already invested in seeing where these characters take us. It's a show that makes me feel good while watching - makes me smile. And in the end, I think that's probably what a lot of us need in a show right now. I know I do.

Murder in a Small Town piqued my interest due to Kristin Kreuk, and lo and behold, she is paired with another Sutherland lad. I love small-town settings, and a murder mystery makes for a great combination. The first episode started out nicely: there's a murder, and the next-door elderly neighbor seems to be the culprit, but how and why? I liked that they elaborated on the characters and gave them a good backstory. I also liked that the show doesn't feel like the usual flashy, slick murder-mystery theme. But what intrigued me the most is the chemistry of the two leads: two 40-somethings with past experiences and baggage, trying love for the second time. Kreuk's Cassandra is feisty and bubbly, while Sutherland's Karl is this two-shirt type of detective. Together, they turn this small-town mystery into a slow-burn romance that's worth every twist.