Conviction

Wow conviction is definitely a deeply moving film and very well acted by Hilary Swank, Minnie Driver and Juliette Lewis. However Sam Rockwell is the one who really shines in Conviction. He plays his role as this man who got wrongfully convicted of murder, really raw and powerful. His character had many different emotions in this film. He had to express many different emotional feelings in the role. He had to be angry, sad, and happy and he portrayed it very well. If he doesn't get an Oscar nomination for this film, I'd be truly surprised if he doesn't get his recognition, he is severely underrated, so much so that it actually angers me, that the Academy doesn't recognize Sam Rockwell because he is definitely overdue for an Oscar nomination or win.

10/10

I've been wanting to watch Tony Goldwyn's 'Conviction' for a long time. Now movies like this have been done before. While there is the story of 'guilty until proved innocent' but what makes this one stand out is the authenticity with which the brother-sister relationship is portrayed. One doesn't see many Hollywood movies explore sibling relationships unless it's in the form of mockery like 'Stepbrothers'. There are but a very few exceptions like Kenneth Lonergan's beautiful 'You Can Count On Me'.

Swank and Rockwell are very convincing as sister and brother. Their on screen interlude appears very natural and this only makes Betty Anne's determination to prove her brother's innocence all the more believable. Needless to say, both actors are at their best and they are supported wonderfully by Melissa Leo (who plays a bent copper), Juliette Lewis (she seems to have mastered playing trailer-trash characters), Clea Duvall (the lying wife), Minnie Driver (the charming friend) and Peter Gallagher.

One can easily relate to Swank's Betty Anne struggling with the bureaucratic legal system and her drive to free her brother. Unless one has money or the right contacts, one can recognize the situations where Betty Anne is passed over from one administration to another.

'Conviction' is a compelling watch. It involves the viewer right from the very beginning and even though you can predict the ending, it's Betty Anne and Kenny's faith in each other that keeps you hooked.

Conviction finds Hilary Swank trying to overturn the conviction for murder of her brother Sam Rockwell who was tried and convicted of robbing a neighbor woman of cash and jewelry. In her effort Swank goes several extra miles to achieve her end.

The key in this film is the relationship of Swank and Rockwell. In a pinch they really feel they've got only each other. The film lays that out quite clearly with several flashback episodes showing their childhood and the neglect they had from their mother who was more interested in having a good time. The two kids learned to rely on each other.

Swank has her problems, she gets married and has two sons, and later is divorced from her husband and they share custody of the kids. Rockwell however is in and out of trouble for all kinds of petty crimes. And it's well known he did not get along with the victim. Later he's arrested and released for the murder/robbery and he earns the special interest of arresting officer Melissa Leo. Two years later she arrests him again because of additional evidence. Rockwell is tried and convicted and given a life sentence.

All of which does not faze Swank in the least. Few would do what she did, she put herself through law school just so Rockwell could be her first client. She even gets Barry Scheck of the Innocence Project to aid in her effort, but the leg work she has to do herself. Scheck is played here by Peter Gallagher.

In a year where Melissa Leo won an Oscar for Best Supporting Actress for The Fighter, she might well have gotten some consideration for her portrayal of Officer Nancy Perry. Quite frankly Rockwell is a complete jerk in this film, especially with his sexist remarks to Leo. But all it does is fuel her desire to see him in jail. Let's say Leo cuts quite a few corners and if it weren't for the new use of DNA evidence, Rockwell would still be in jail. At that it's still a long way from exoneration.

However the best scenes are between Swank and Rockwell. Swank is unshakably convinced of her brother's innocence and goes the extra light year to prove it. The two really do come across as brother and sister.

Conviction is quite the commercial for The Innocence Project and for Barry Scheck's legal talents. But most of all it's a story about family loyalty and blood bonds.

"Conviction" is a simple, dramatic story, told well. Betty Anne (Hilary Swank) puts herself through law school for the sole effort of freeing her innocent brother Kenny (Sam Rockwell) from a life-sentence in prison for murder. Swank and Rockwell both carry this emotional film on their very strong shoulders.

There are very few courtroom scenes, very few law school scenes, but it is filled with emotional connections between brother and sister as she visits him in prison, and as she tries living her own life. The characters dominate the beginning of the film, and the steps Swank has to take to free Rockwell keeps the film going towards the end.

It is shot well, as this is clearly Massachusetts and it set the right feelings for the film without overpowering it. The highlights are Swank and Rockwell as they both play characters with elements that we have seen before that have given Swank Oscar wins and have given Rockwell popularity. Here, he has toned down his comic antics just enough for his performance to remain popular but should also give him his first Oscar nomination.

The story may be missing a few elements that would have given it more substance to make it more interesting, but it seems to me, that's because the film-makers had a few restrictions in keeping to the true story. This may actually be a true story and not just based on one.

I recommend "Conviction" for its emotional performances and for telling its simple story well.

After making decidedly wrong turns into rom-com in 2007's "P.S. I Love You" and historical biopic in 2009's "Amelia", Hilary Swank is back in her element as Betty Ann Waters, a working-class single mother of two whose fierce loyalty to her troublemaking brother Kenny knows no bounds, in actor/director Tony Goldwyn's time-spanning, fact-based 2010 drama. Written by Pamela Gray (she and Goldwyn also collaborated on 1999's affecting "A Walk on the Moon"), the inspiring, potentially melodramatic plot line often borders on incredulity, but Swank's trademark iron-jawed tenacity is on full display here. At the same time, it's a primarily economic performance teetering on lunacy as her character is tightly bound to Kenny since they shared a painful childhood due to the neglect of a horrifying mother.

In 1983, Kenny is convicted of the bloody murder of an elderly neighbor largely on the basis of testimony from two former girlfriends, both of whom claimed he confessed his actions to them. Neither Kenny nor Betty Anne can afford a good attorney, so she decides to become a lawyer even though she's a high school dropout. Also serving as one of the film's executive producers, Swank come back securely to the against-all-odds territory of Clint Eastwood's "Million Dollar Baby" (2004) by following Betty Ann's sixteen-year journey from her GED through college, then law school, and finally passing the bar – all while she was raising two boys and working part-time at a local pub. The ending is predictable from a mile away, but the journey is not. The introduction of DNA evidence provides a linchpin that spins the story close to Lifetime-level dramatics, especially when Betty Ann solicits the assistance of the Innocence Project, a nonprofit organization devoted to overturning wrongful convictions. Gray's screenplay is solid enough, and Goldwyn's direction is assured within the back-and-forth treatment of the timeline.

However, it's really the acting that is aces here. Beyond Swank's sterling work, Sam Rockwell brings an unpredictable furor and a surprising vulnerability to the showier role of Kenny. His rapport with Swank never feels forced, and the devotion of their sibling relationship is what really grounds the threat of hysterics in the film. The periphery is populated by a powerful squad of actresses turning in sharply etched work - Minnie Driver as Betty Ann's law-school friend Abra, whose comic spark highlights how pivotal her character is in representing the audience viewpoint; Melissa Leo ("Frozen River") as the malevolent arresting cop, whose secretive hostility provides the impetus for Kenny's conviction; Juliette Lewis as Kenny's dentally-challenged ex-girlfriend with a drunken confession scene that reveals the actress's long-forgotten raw talent below her usual giddiness; Karen Young in a brief scene as the unforgivable Mrs. Waters; and Ari Graynor ("Nick and Norah's Infinite Playlist") as Kenny's embittered grown daughter. It's the cast's cumulative work that makes this movie intensely watchable.