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  • Warning: Spoilers
    Besides having one of the best ensemble cast on television, "Law and Order: SVU" features award-worthy turns from its guest performers. "Babes" is no different with Debi Mazar starring as a mother-from-hell that seemingly becomes the catalyst for a young woman's suicide. Mazar's character has a vicious mouth and a crass demeanor that makes her the perfect suspect in a story that pulls from, not one, but three stories that have appeared in the news.

    Besides Mazar, there are other standout performances, including Jesse McCartney as a young high school that discovers his girlfriend's infidelity and Geoffrey Wigdor as a "homeboy wannabee," complete with attitude and attire. The latter's exchange with a stunned Detective Tutuola (Ice-T) is priceless.

    "Babes" is one of the best of the show's tenth season.
  • Warning: Spoilers
    The story here held together pretty well. For me the gem was the last scene, between Tina Bernardi and Tom Galli, as a new family formed. Michael Badalucco (Tom Galli) has demonstrated his acting versatility in other series, and it was good to see Britt Robertson (Tina) showing her capability so early in her career.
  • Warning: Spoilers
    The death by fire and castration of the same victim is the case the SVU squad catches in this episode of SVU. The victim was a homeless young man whose father lives in Little Italy. Michael Badalucco said that his late son suffered from schizophrenia and recently as of a few years ago graduated a Catholic High School in the same area.

    Where the squad finds a group of seriously warped young teenage girls who think it's somehow cool to be pregnant. The leader of the group is Britt Robertson who is later found hanging in her bedroom by Christopher Meloni.

    The mother of another of this set Debi Mazar whose daughter got pregnant by the homeless victim goes off on a tear. She sent a lot of threatening e-mails to the other girl daring her to off herself. Michaela McManus brings her up on a lot of misdemeanor charges as she didn't actually assist in the offing.

    As Richard Belzer says high school girls can be some of the cruelest people in the world. Also some of the stupidest as this episode shows.

    Mazar's not really guilty of either the murder of the homeless guy or of her daughter's friend. Two young men are guilty of those and their lives are irreparably ruined. But Mazar who's the one who really deserves to be punished finds a way for that to happen in the end.
  • Warning: Spoilers
    This episodes was all over the map trying for clever plot twists that eventualy missed their mark.

    After the suicide of the pregnant girl there was no clever ME as ussuall that pointed out that the ligature marks on her neck couldn't have come from the cloth she was hanged with and no notice of a broken hyoid bone, like in so many other episodes with staged hangings, that pointed to manual strangulation instead. Quite the goof by the forensic department wouldn't you say?
  • Season 10's sixth episode "Babes" always did leave me mixed. Admired that it tries to tackle a difficult and sadly still relevant subject, but other episodes of 'Law and Order: Special Victims Unit' episodes do a much better job with their handling of far more difficult and a lot more controversial issues. On first watch, it struck me as an episode that starts off well, but loses its way in the second half from trying to do too much and not handling the subject tactfully enough.

    On a few more subsequent rewatches over-time, my feelings on "Babes" are pretty much the same, meaning finding the same strengths and flaws, apart from disliking Greylek even more and feeling more strongly about its depiction of online media (while liking its depiction of cyber bullying). "Babes" is not an awful episode, none of the episodes of the generally underwhelming first quarter of Season 10 are, but it's also not really all that great either and it could easily have been.

    "Babes" does have things it does well. Is well made, intimately photographed and slick with no signs of under-budget or anything. The music didn't sound melodramatic or too constant and some of the direction has tautness. The episode does do a good job showing a chilling and "brought a lump to the throat"-worthy depiction of the evils of cyber-bullying. Munch as a crazed homeless man was very funny.

    Most of the performances are very good, that certainly applies to the regulars with one glaring exception. Also strong are the performances of Debi Mazar and Jesse McCartney, with Mazar playing a character that one roots for her to be sent down. The truth is a shock and very sad, the part with Tina at the end is also touching. The episode starts off very well too and does a good job at making one disturbed and left thinking.

    However, a lot of issues were here. The second half after a very dramatic change of events is not near as strong and was where "Babes" became heavy-handed and had too much of a too many cooks vibe. "Babes" would have fared quite a lot better with less characters and tried to do less, the story later on feeling like a patchwork of over-heated ripped from the headlines ideas that had a feeling of too much too soon. Like the previous episode, the dialogue feels dumbed down, overwrought and ham-handed.

    While it was admirable that "Babes" made a conscientous effort to tackle the issue of cyber-bullying and the dangers of online media, the portrayal of online media is too simplistic and one-sided. Giving the message that all online/social media is bad, which is not entirely true, cyber-bullying and trolling absolutely does exist but not everybody is guilty of it. Nearly all the supporting characters are unsympathetic and don't feel like real people, even the victims. Max is pretty much the only one one feels any kind of sympathy for (and Tina eventually at the end), due to the way he is treated. Greylek as a character has not in any way improved, a mess of over-exaggerated character flaws and one that is woodenly acted by Micaela McManus. Was mixed by what she says at the end, feeling that what she said and her wording was completely inappropriate for her job while finding too that she also had a very good point.

    In conclusion, conflicting feelings here. 5/10.
  • Warning: Spoilers
    Michaela McManus's character as ADA Greylek really had to have ruffled some feathers for the viewers who watched this show.Peggy Bernardi is arrested and accused of driving a pregnant teen girl to suicide by sending her hate mail disguised as someone else and ADA Greylek as Prosecutor has no problem trying to get her recognized as a murderer.But when Max Matarazzo finally comes clean about murdering the girl and staging it as a suicide,Bernardi is finally seen as innocent and the charges are dismissed.When Bernardi gloats about her innocence,Greylek continues to taunt the woman by telling her to make sure to wash the blood off when her daughter has her baby and letting her teen daughter get pregnant and her son lighting someone on fire as Bernardi is pushed and attacks Greylek when she doesn't even try to defend herself.When the guards drag Bernardi away and Stabler asks if Greylek's okay,she quickly responds,"Collar that bitch for assault.Most prosecutors on SVU become focused on the case's background and not the personality of the defendant but Greylek probably didn't think twice when Bernardi's pregnant teen daughter cried over the events that unfolded in court with her mother and brother in jail and being taken in by another one of the pregnant teen girls' father.