Early on the producers decided to finish the film in Dolby Atmos and Dolby Vision. Some said it was unnecessary for a documentary, but already more and more output is appearing at that standard, and platforms are showcasing Dolby projects.
The post-production started just after COVID hit, and to this day director James Fletcher still has not met many of the creatives that worked remotely.
Edited in Adobe Premiere Pro on an Apple MacBook Pro by Noah Benezra.
Recorded on Sennheiser microphones to a MixPre3 recorder.
Shot on a Sony FS7 with Fujinon MK 18-55mm and 50-135mm T2.9 lenses.