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  • The Angriest Man In Brooklyn isn't the most perfect film. A slight copycat on the amazing Stranger Than Fiction, but not as gripping or funny!

    That said, considering what the late great Robin Williams goes through as his character, one can only watch in sadness and with tear-filled eyes in thinking that his passionately delivered dialogue really came from the heart as a cry for help.

    It is only with this unfortunate event, that you watch TAMIB with a completely different view.

    As a film, it passes the time and makes you think about life. It has entertaining moments, some laughs and some great performances. Its simple and worth a watch.

    We miss you Robin Williams.
  • I wish I would have seen this before Robin died. I think a lot of my feelings about this movie were colored by his untimely death. I tried very hard to watch it with an open mind, looking at it from the perspective that he was still alive. I failed miserably.

    The concept of the movie was an interesting take on an old question: what would you do if you knew you only had so much time to live? This put a whole new spin on the question, but the outcome was relatively the same.

    The cast was an unusual choice, in my opinion. Robin Williams was well known for being able to play a wide array of characters, from the brilliantly funny to the downright broken. This character was oddly complex. But again, maybe that's just me reading into it because of Robin's death.

    Ironically, one of the funniest scenes in the movie is the last scene, in which Robin's character is absent. In all, it was a fairly good movie that made me laugh and cry, and not necessarily at the points where you're supposed to laugh or cry. And it really made me miss the genius actor even more.
  • So.... the demographic for this movie is adult , probably over forty, has had to deal with ungrateful kids. works a grinding job they do not love, to support a family that has taken them for granted.

    If you fit any of that , this movie will entertain the crap out of you.

    I read the reviews , was not expecting much , i picked it because i am kinda angry most of the time... from said above.

    I laughed at the opening scene. and the next scene. i identified with both of the lead characters.

    overall, really, this movie is a roller coaster of emotion. If you get into it , it will make you laugh , and cry , it will make you hug your other and the rotten kids

    I found it amazingly entertaining, even the end .

    It is hard to write a review without spoilers , so all i really want to say is -- don't listen to the reviews on IMDb re; this movie. I don't know how this site attracts so many sour lemons, but thats the best way to describe these reviews. sour lemons.

    At first mila was annoying but that was the character, and she warms up. by the end you will be loving her.

    I don't know how anyone who watched this could call robins character boring, not that he needed to , but robin really carried this movie. from start to finish he fills the screen with unadulterated robin. in character form for the movie. he was great , and his brother , it was great acting .

    Very enjoyable . very moving . very funny.
  • I don't understand why this film only grossed 500k and practically went straight to video. I also wonder if the under appreciation for Robin's performance didn't contribute to his depression and ultimately his untimely demise.

    One trait of a movie that I would rate a 3.5 out of ten like this one averaged is poor acting and no suspension of disbelief. Other traits might be: Unbelievable unsympathetic characters, poor plot, shoddy filming, lousy music score.

    This film had none of these characteristics. Robin's acting was superb, as was that of his attractive co-star. Both characters were perfectly believable and affable (if flawed). Their eccentric behavior is based on understandable life events in their past. Despite the dark topic of the movie, it still manages to raise a variety of emotions including laughter, insight, relief, joy, thoughtfulness, love, reflection and many more.

    I guess for a film to have any appeal to the Hollywood crowd or insightful "critics" these days it has to be written for teenagers or by (yawn) Woody Allen. The rest, no matter how endearing or how many redeeming qualities they have, wind up in the straight to video dumpster. Anyway, if it isn't apparent, this is a worthwhile movie I recommend, even though the car crashes and special effects are limited in number. Robin Williams could be proud of his performance despite the horrible reception and reviews the movie received.
  • Warning: Spoilers
    It is very sad to watch this movie after Robin Williams' recent passing. I could not stop thinking that the actor played himself with a limited short time to live: it was an old depressed man, not a funny great comedian we used to see. The actor's character says that he was born in 1951 and died in 2014 and it is exactly Robin Williams' life span. Another (not quite coincidental) strange thing is remaining 90 minutes of the character's life turned into almost 90 days of remaining Robin's life from the date of the film's release in May.

    The movie is not perfect but it teaches us not hesitate to show our love to the loved ones and not in the last minutes of our life but each and every day. I guess Robin Williams would stay with us if he was surrounded with the same love his character demonstrated in the movie.
  • This film was one of robins last film and had some similarities to his real life battling with illness. This was a more serous role for him but not one of his best.
  • A remake of the 1997 Israeli film, The 92 Minutes of Mr. Baum, 'The Angriest Man in Brooklyn' is a fairly entertaining film, that doesn't eat your brains.

    'The Angriest Man in Brooklyn' Synopsis: A curmudgeonly man is mistakenly told that he has 90 minutes to live by his doctor and promptly sets out to reconcile with his wife, brother and friends in the short time he believes he has left.

    'The Angriest Man in Brooklyn' begins well & maintains a certain pace till the end. Its never spectacular, but its never too bad, either. Quite simply put -- Some of it works, some of it doesn't.

    Daniel Taplitz's Screenplay balances between comedy & drama, ably. Phil Alden Robinson's Direction is passable. Cinematography is good. Editing is also crisp.

    Performance-Wise: Robin Williams enacts 'The Angriest Man in Brooklyn', with effortless ease. The Oscar-Winning Actor doesn't miss a single beat. Mila Kunis is impressive. Peter Dinklage is superb, while Melissa Leo is her usual self. The Great James Earl Jones is hilarious in a cameo.

    On the whole, 'The Angriest Man in Brooklyn' is a safe bet for a one-time viewing.
  • The Angriest Man in Brooklyn (2014)

    Almost the last movie with Robin Williams, and it changed slightly how I looked at it. For one thing, the character he plays is dying. And the anger he has (from the title) reveals a harder, sadder edge to the comedian.

    To say he isn't very funny here isn't really helpful—it's a serious role. Though he does pull out a couple zingers that may or may not have been scripted. Mostly he's an actor, and a pretty good one, but there is nothing brilliant happening here from him, or from the surrounding cast. A bigger problem still is the script, a kind of canned problem film where two unlikely people clash and have to make some situation correct itself for everyone's sake. It's forced, and not very well written.

    The co-star, the young woman doctor who ends up in the middle of the crisis through bad luck, is Mila Kunis, and she struggles to be convincing both as a doctor and as the leading counterweight to Williams (who if nothing else is Robin Williams, which has screen heft).

    Director Phil Alden Robinson is clearly out of his waters here—he's more of a steady screenwriter with one so-so movie in the can before this one—and so all the pieces in this romantic tragi-comedy are a bit out of square. The first of these is a decision (I assume the director's) to use voice over narration by the two leads, and if Williams is passable at best, Kunis sounds like a child learning to read her script. Weirdly avoidable stuff.

    Okay, it's fun, I'm sure, and if you want a diversion from heavier stuff, and you like Williams, and you like New York City, you might just have a good time. Without all of that, be wary.
  • "If you knew how much time you had what would you do?" Henry Altmann (Williams) is a very angry man who hates everything. He has pushed his family away and isn't liked by anyone. Dr. Sharon Gill (Kunis) isn't having a good day. She is covering for someone and working with patients she doesn't know, and all that the day after her cat jumped out a window. When Henry comes in to see her he pushes her too far and she blurts out that he has 90 min to live. Henry leaves angry but quickly changes and tries to make everything right with his family before time runs out. Before I started this I was expecting something along the lines of Falling Down. While it was a little similar this one was different. Robin Williams did a good job in this but it isn't one of his better performances. He did however pull off the hard aspect of making a character that isn't nice to anyone but still had enough heart that you root for him. There is some very funny stuff in this but it doesn't make too much light of the serious situation. Overall, a good movie that is worth watching but it isn't one of Willams' best. I give it a B.
  • Stupendously bad. I have never seen so much talent in such a dreadful movie. One reviewer said it was like a video, badly shot with hung over actors at a rehearsal going wrong! I could not believe my eyes as talented actor after actor showed up in scenes and they were all so bad. It makes me truly think that directors, writers, and producers are the real stars in movies. This movie so so badly done on so many levels. who to blame? That is what I was thinking. Sometimes bad movies are fun to watch to see how bad they are, but this one was just cringe-worthy. There was not one moment where you were not very aware that you were watching a movie gone very wrong, and they all felt like they were "acting". The film looks cheap on all levels too. If you want to watch it just to see why it has so many bad reviews on Rotten Tomatoes, have a go. You want to have your FF handy though to buzz through it fast. I wonder if they all knew how bad it was while they were making it?
  • If ever there was a film destined for significant reappraisal due to real life events, this one is it. It stars Robin Williams as a dying man, given 90 minutes to live, running around acting like a crazy nut, trying, with varying degrees of success, to make amends for some of life's big mistakes.

    In the wake of Williams' suicide, the film takes on a life and meaning that no one involved could have imagined. There is a pre attached melancholy to proceedings as we watch Williams, playing Henry Altmann, indulge in the type of profanity laden, over the top, angry insults that we will remember him for, all with the certain knowledge that Henry's actions, like William's performance, are amongst the last things this man will do.

    This is more than likely the last time we will see Williams playing Williams in a film, and it is a fitting last hurrah. A performance laced with the humanity we are used to from Wiliams, but tempered by an evident weariness and more than a hint of regret, and ending on a note of melancholy.

    The support cast are all capable, and the third person narrative works well. the script is not quite as clever as it thinks it is, but does combine minor plot strands reasonably coherently. The film could have been helped from more time being given to Kunis' back story. Instead, the audience is given enough information about her to follow what's happening, and that's it.

    At the end of the film, Henry's loved ones are left, as we are, in a state of mourning, when all we can do is pay tribute, share memories, and remember with laughter a life that ended far sooner and more abruptly than we had time to process. A life that touched us in a way not evident until it was over. Angriest Man in Brooklyn, unwittingly captures what all of us were feeling on August 11 2014. And for that reason, if no other, needs to be watched.
  • The movie is just okay, kind of slow and not any great performances other than Williams, but he is great as a man with severe anger issues who is told by a doctor he has 90 minutes left to live and decides to tell everyone what he needs to before that happens. Meanwhile the doctor tries to track him down to tell him the truth. It's not hilarious but has some great dark comedy, and Williams does a great job as an angry man with a heart and a lot of pain deep down.
  • Toward the end of his life, his star having significantly dimmed, Robin Williams made a lot of curious independent features that served to pay the bills and keep him in the public eye.

    Some, such as the almost impossibly dark black comedy "World's Greatest Dad," were bold, if nonetheless desperate choices. Others, like "The Big White" and the film adaptation of Armistead Maupin's novel "The Night Listener," were minor, meandering curiosities.

    But there's nothing even remotely positive to say about "The Angriest Man in Brooklyn," which provided Williams his final starring film role.

    Its Debby-Downer of a plot centers on a once happy-go-lucky man descended into seething rage and self-loathing after one of his two sons dies tragically.

    Diagnosed with an inoperable brain aneurysm and lied to by a frustrated doctor that he has only 90 minutes to live, he decides to make every minute count by repairing his estranged relationships with his wife and remaining son.

    You will like or sympathize with no one in this film, especially Williams, who tragically appears to be struggling just to get through it, and most especially overrated actress Mila Kunis as the terrible, terrible doctor who gives the Williams character his fake diagnosis out of sheer selfishness and conceit, and whose quest to find him and make it right is rooted in those two characteristics alone. The film wants you to root for her. You will root for the revoking of her license to practice medicine, and perhaps jail time.

    This all builds to a schmaltzy climax on the Brooklyn Bridge, for no good reason, and the awfully unconvincing green-screen composite shot has to be seen to be believed.

    The great Peter Dinklage, as the Williams character's brother, is brilliant as usual, but utterly wasted. Seriously, you'll wish for a sequel or TV series featuring his devout Jewish little person lawyer.

    He's the only good thing about this movie, which is otherwise about as entertaining as reading the obituary of an old high school chum.
  • mcmicmj13 September 2020
    The story is a simple one, which can make people look at themselves. The acting was great for the most part, however there were points where it feels the comedy is being forced and feels a little off the mark. Don't let that put you off this emotional, funny and simplistic story
  • kosmasp7 December 2014
    But you never know what your final movies are going to be ... the same goes for Robin Williams. It's almost cynical, considering what his character has to go through in this one. And while the movie itself is not really deserving the 7/10 I give him, it's the actors that make this and elevate this higher than it's supposed to be. Williams giving it his best shot, supported by everyone else.

    Is it almost unbelievable and unreal? Yes indeed it is. And even on a worst day (doctor or patient), you couldn't imagine something like that happening. Even if, the ensuing madness would never occur. But that is why this is a movie. It heightens things that are probable in real life and takes them to a whole new level.
  • SPOILER: The grumpy Henry Altmann (Robin Williams) has been a man full of hatred since his older son died. He goes to the hospital for a medical consultation but his doctor is not in the office and the intern Dr. Sharon Gill (Mila Kunis) comes to see him. She brings his tomography and discloses to him that he has a brain aneurysm. The angry Henry cries out loud at Dr. Gill, who is having a bad day, demanding to know how much time he still has left. Dr. Gill reacts and tells him that he has only 90 minutes. Henry leaves the hospital and decides to make amends with his wife Bette (Melissa Leo), with his brother Aaron (Peter Dinklage) and with his estranged son Tommy (Hamish Linklater). Meanwhile Dr. Gill realizes that she made a huge mistake but soon she is informed how serious Henry's aneurysm is. She decides to seek Henry out on the streets of New York. Will Henry have time to fix his life?

    With the sad news Robin Williams was found dead in his home in possible suicide, I decided to see his last feature. "The Angriest Man in Brooklyn" ironically shows the last days of an unpleasant character performed by Robin Williams. Unfortunately it is not a good movie, alternating a few insane moments that become funny and make laugh with a heavy and corny family drama wasting a great cast with Robin Williams, Mila Kunis, Melissa Leo and Peter Dinklage. My vote is four.

    Title (Brazil): "O Que Fazer?" ("What to Do?")
  • Warning: Spoilers
    Williams, and Kunis take us on a decent little trip through New York as we journey with Henry who has just learned he is dying, and there is little time. Because he is such a patient, and considerate fellow in dealing with his over worked, and over stimulated Dr played by Kunis, she snaps at him, and gives him the only number she can come up with, and Henry's 90 minute to settle his life, and wrap up all his loose ends is begun. Too bad there is just not a little something more to this movie, though the cast are excellent, and the production is very good, there is just a bit of polish missing from the final product. The entire movie has a feeling of the old Steve Martin lost in New York movies, more focus to the story might have helped this a lot, and the final scene is actually painful to watch as though it is the test shot that they discovered was all that remained when the film returned from processing. I know I go on, but so does this movie. Basically I Enjoyed this movie, and do recommend it for a weekend waster. You do not get anything really special here, and you will not be shedding a great deal of tears, they just don't quite get you there.
  • And what's desperate in this movie is every actor but one. Actually the story starts off interesting but then about 15 minutes into the movie it falls flat and just gets worse.

    It's no need to get into the plot because it's pretty silly and Robin Williams over acting and grinning just makes the movie sink that much faster. Peter Dinklage is the only light in this mess of a movie and his time on screen is brief and spotty.

    Mila Kunis as Dr. Gill is just laughable, and I can only assume James Earl Jones was used as a bandade to try to salvage this flop movie - it didn't work!
  • This will be the first time I review a Robin Williams film since his passing and I notice that he has several projects yet to be released. Each one will be a painful reminder of how much we lost, Williams was a never ending spring of zany talent.

    Sad to say also that in this film though Williams delivers a superb performance the guy who really should have done this film has not been with us for 14 years. Walter Matthau was born to play the lead in this film and he's passed also.

    If Robin Williams isn't mad at something he'd have to invent a reason. In The Angriest Man In Brooklyn Williams is a 60 something man who lost one of his two sons a few years back and now remains in a permanent state of agitation.

    But this is a day that he gets the worst news of all, but he doesn't break his stride one bit. Unfortunately he gets a substitute doctor to read him his diagnosis of a brain aneurysm and Mila Kunis is having a bad day herself. As Williams starts pressing her buttons Kunis blurts out you have 90 minutes.

    So for the rest of the film Kunis is chasing Williams trying to rectify her time error. And Williams is out painfully finding out that he's pushed friends and family so far away that the only one who really cares it seems is this doctor who was a total stranger this morning.

    Terminal diagnosis is not usually a subject for humor, but we're dealing with Robin Williams here. The best comedy in the film centers around Williams and Kunis with an Uzbek cabdriver whom he opened the film with before. I have to say Kunis really gets into the spirit of Williams character when he meets the Uzbek again. Williams also as a nice scene with James Earl Jones who takes a small role as a stuttering salesman in a camera shop.

    With a lot of Williams films you get a torrent of feelings some of them working at cross section in your mind. He's not a lovable man, but in the end you understand him sort of. Life can grind you down over the years and it certainly was true of him.

    This fortunately is not the swan song of Robin Williams. Let's hope that the unreleased work keeps up this standard.
  • "Reconciliation, in ninety minutes? Are you trying to kill yourself?"

    I really didn't have any expectations going into this film, but I decided to watch The Angriest Man in Brooklyn for several reasons. First of all, I like Robin Williams despite his poor choice for roles over the past decades and I usually find his antics sort of amusing. Second, I will practically watch any film Mila Kunis stars in. Third, since I just finished watching Season 4 of Game of Thrones a couple of weeks ago I was anxious to see the imp, Peter Dinklage, back in action. And finally because Phil Alden Robinson was back in the director's chair after 12 years. Despite not being a huge fan of his most well known films: FIeld of Dreams, Sneakers, and The Sum of All Fears I still enjoyed them and found them entertaining. The Angriest Man in Brooklyn however is well below the standards he set because this was just lazy film making. There were terrible performances, bad editing, and weak dialogues which all combined perfectly to make this a mess of a movie. Williams and Kunis seemed like they were reading their lines when they were narrating the story and they didn't even try to give decent performances. Williams went way over the top trying to play this angry man, but you never believe his outbursts for a second. The entire premise is ridiculous and there wasn't one funny scene in the entire film. This was much worse than I anticipated as I at least expected to enjoy the performances, but no one really seemed to even try to make this a better film. The screenplay was perhaps one of the worst of the year.

    This was just a pointless film that explores themes we've seen done much better in the past. The entire premise is ridiculous. First of all you have Robin Williams playing an angry man who is always complaining about everything and then when his doctor (played by Mila Kunis) tells him he has a brain aneurism he forces her to tell him how much time he has left. She is going through a depressive stage in her life as well so she simply utters the first thing that comes to her mind: 90 minutes. With this shocking revelation, Williams' character tries to make amends with everyone he has hurt beginning with his family. His wife (played by Melissa Leo), his brother (Peter Dinklage), and his estranged son (Hamish Linklater). Meanwhile the doctor realizes that she made a huge mistake and decides to run after him and tell him the truth so you have Williams on the one hand running across Brooklyn while Kunis is unsuccessfully chasing him. He tries to make amends with each one, but somehow anger gets in the way and pushes everyone away. That is until they realize he is dying and also begin chasing him across half of Brooklyn. The film tries to make us sympathize with these characters, but the script doesn't help and only gets us more annoyed with the entire situation.

    Unfortunately Williams fails to create a character we can sympathize with despite his behavior. He simply didn't pull off the role and that hurt the entire film because it tries to be sentimental at the end but it never manages too. The comedy is also a huge miss here with no funny moments whatsoever. Not even a cameo from James Earl Jones was enough to put a smile on my face.It was just a huge mess. The film is simply disconnected from reality and tries to force the drama down the audience's throat. It does raise one question though, why do we always have to wait for a person to die or be terminally ill to forgive? That question could be explored in other films, but this one simply never even tries to make an effort at analyzing anything. I think that this movie doesn't even know what it wants to be and therefor was doomed from the very opening scene.
  • An angry man (you will find out why) finds out he is dying. Robin Williams gives a rounded performance full of drama and humor. Mila Kunis plays his doctor who tries to get him to hospital. There is a journey around Brooklyn as the angry man tries to settle things with his family. It'squite touching and the humor comes unexpectedly. The performances are all good. Mila is endearing as the overwhelmed doctor.

    There are some laugh out loud moments especially with James Earl Jones.

    Ignore the bad reviews and that it had to go to Video on Demand quickly. This is a funny unusual dark and surprisingly meaningful comedy plus it's one of Robin William's last movies.
  • Warning: Spoilers
    We all know Robin Williams, suffering from depression, took his own life not long after this movie was made. I can't help wondering if his role here helped him make his ultimate decision.

    Robin Williams is Henry Altmann, a bit more serious and less slapstick than many of his roles. He is an angry and frustrated man, a bit at odds with his lone surviving son, and more at odds with his wife. But when he goes for a doctor's appointment, and is forced to see a substitute doctor instead, things get a bit worse for him.

    The substitute doctor is Mila Kunis as Dr. Sharon Gill. She too is a bit frustrated and overwhelmed that the need always seems to outweigh the time available. She is trying to break it to Henry softly, telling him his tests need to be brought to a specialist, but he presses her so she has to tell him, he has a brain aneurysm and he needs to have it seen by a specialist. Pressed more by relentless Henry she tells him he has 90 minutes to live.

    So while Henry tries to say goodbye to everyone before 6:22 PM, Dr Gill and others try to round him up to get him to a hospital. The "90 minutes to live" had no basis in medical reality but Henry acted as if it did. And it includes jumping off the Brooklyn Bridge, but surviving after Dr Gill runs to shore and jumps in to save him.

    There is a funny cameo with James Earl Jones as camera shop owner Ruben. As time runs out, and Henry needs to buy a video camera to record his message to his son, Ruben is a bad stutterer and Henry almost loses it waiting for Ruben to answer his questions.

    Also good are Peter Dinklage as the brother and law partner, Aaron Altmann. As is Melissa Leo as the wife, Bette Altmann. And Hamish Linklater as the son, Tommy Altmann.

    This is a quirky comedy, a farce, and I enjoyed it. My wife didn't enjoy it as much. On Netflix streaming movies.
  • Warning: Spoilers
    Watching this movie back as one of the final films Robin Williams completed is absolutely tragic, and you have to wonder considering the context of the film and the failed suicide attempt later was this a cry for help in real life?

    Okay so the movie plots weren't fantastic in areas, it seems to dart between scenes with very little context between them. Peter dinklage whilst solid was completely wasted in this film and mila kunis was particularly underwhelming to say the least. The main plot you need to understand with this film though is a simple one. What would you do with 90 mins left to live? Its of course a moral dilemma of sorting any loose ends before your passing, making sure those that you may have wronged in the past you right those wrongs. Its easy enough for anyone to at least attempt to conceptualise this and Robin Williams does a fantastic job of portraying this particular character.

    It's not the best movie quality wise, the greenscreen on the bridge scene is laughably bad for a film so recent however I'm prepared to give it a pass just for how well Robin Williams portrays the character in this film.
  • What if Neil Simon were to write a story about a really ticked off guy but forgot to add any humor. This might be the answer. Stilted dialogue that doesn't resemble real life--made more for broad-gesturing stage actors, characters that kind of represent real people, but not really and a story to match. It's a shame because there are a lot of good actors here. Some like James Earl Jones and Mellissa Leo are just wasted in this. Robin Williams plays the angry man of the title and remains so throughout the film with a touch of remorse near the end, but by that point, you want him to die. Kunis is almost an emotional doppleganger of William's character, annoying but not quite to William's depth. I actually prefer Robin Williams as a serious actor more than his comedic roles but in this, he was just an unrelenting a-hole. We're supposed to feel sorry for the guy because of a past tragedy but, most people, even with a burden such as his, would be able to find a little humanity in others. The very end of the film is cringe-worthy. Some may like this film, mistaking it for powerful drama rather than contrived sausage.
  • Warning: Spoilers
    This is a film that stars Robin Williams as Henry Altman and Mila Kunis as Dr. Sharon Gill. Henry is a man that is wrongly diagnosed with only 90 minutes to live by Dr. Gill. He spends that time traveling all over New York City trying to make up for years of self-inflicted problems. Throughout the film we see Henry's character come of age and realize the importance of his personal relationships, as family is one of the only things that we can actually rely on in this life.

    As the title insinuates, Henry is a man that struggles with some anger issues. As he is traversing across New York, trying to make amends with his family, we hear many people talk about how much he has changed since the passing of his first son. They show many flashbacks of him throughout the film, many of which he is actually enjoying good times with his family. This is a stark difference from most of the time that we see him, as he hardly ever has a conversation without furiously barraging someone with insults. Henry's character remains the same until a failed suicide attempt, after which, we see a huge change in Henry's personality. Many of the reasons that we loved Robin Williams as an actor start to come out in the end as Henry has a very dynamic role that changes for the better by the end of the film.

    By the end of the film, Henry gets to meet up with all of his family and start to makeup for the past years that he has wasted. It is something that everyone can relate to, as it is very easy to get caught up in life and forget what is really important to all of us. In the end family is the only that we can rely on we should all be able to truly appreciate them.
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