Jack Sparrow and Barbossa embark on a quest to find the elusive fountain of youth, only to discover that Blackbeard and his daughter are after it too.Jack Sparrow and Barbossa embark on a quest to find the elusive fountain of youth, only to discover that Blackbeard and his daughter are after it too.Jack Sparrow and Barbossa embark on a quest to find the elusive fountain of youth, only to discover that Blackbeard and his daughter are after it too.
- Awards
- 3 wins & 31 nominations total
Kevin McNally
- Gibbs
- (as Kevin R. McNally)
Óscar Jaenada
- The Spaniard
- (as Oscar Jaenada)
Featured reviews
The franchise has shifted. The 'first trilogy' was visually-centered. It was quite literally a ride, allowing Depp room to creatively be silly. Some of the cinematic stretch was significant, and I still remember the Shackleford reference fondly.
This is something entirely different. Sure, it has busy sequences and characters from the same universe. But now we have something story- centric. Images are pasted onto the story rather than the other way around.
There's even an excess of story and excess within story with the excess being a character itself.
There are at least three love stories, one of them tender and conventional, all of them centered on Catalonian women.
There is something of an overarching battle between Christianity and the supernatural. The extreme irony is that the Spaniards are the token of the faith. In actual life, they were the ones who invented the notions of supernatural evil, the first continental faith-based genocide and New World slavery.
There is a nice little revenge story that references Moby Dick. And at the end two Peter Pan like affirmations of the (pirate's) life of adventure.
I liked it. I liked the gush and mix of narrative. I liked the appropriation of Almodovarian values. But I have to say that no one knew how to leverage Penelope the way Pedro can. She is not inventive like Johnny and Geoffrey. She is a vessel, a vulnerable vessel that can be filled with female assets. But she has to gather that from the environment. Making her into something even Geena Davis and her lover could not do is a sacrilege.
This is something entirely different. Sure, it has busy sequences and characters from the same universe. But now we have something story- centric. Images are pasted onto the story rather than the other way around.
There's even an excess of story and excess within story with the excess being a character itself.
There are at least three love stories, one of them tender and conventional, all of them centered on Catalonian women.
There is something of an overarching battle between Christianity and the supernatural. The extreme irony is that the Spaniards are the token of the faith. In actual life, they were the ones who invented the notions of supernatural evil, the first continental faith-based genocide and New World slavery.
There is a nice little revenge story that references Moby Dick. And at the end two Peter Pan like affirmations of the (pirate's) life of adventure.
I liked it. I liked the gush and mix of narrative. I liked the appropriation of Almodovarian values. But I have to say that no one knew how to leverage Penelope the way Pedro can. She is not inventive like Johnny and Geoffrey. She is a vessel, a vulnerable vessel that can be filled with female assets. But she has to gather that from the environment. Making her into something even Geena Davis and her lover could not do is a sacrilege.
These Pirates films are all about entertainment and thankfully this latest adventure with Captain Jack Sparrow at the helm is back to basics, reminding me of the formula that made the very first one, Curse of the Black pearl so great. Don't worry I won't give anything away here but be aware that the opening 20 minutes is one funny sequence and quirky one liner after another. There is also a couple of hilarious cameos, one may be familiar but the other was a right royal shock. Depp walks through his lethargic swaying pirate character with ultimate ease, while new high seas bad boy Blackbeard is exceptional, but not as cool as Sparrows former flame played by Cruz. She is foxy, feisty and funny. The action is elevated by some wonderful 3D effects but I am sure the film would be just as rocking without it. Finally, the highlight is the Mermaid scenes. As dark as they are, they take the viewer into their web of intrigue. Australian Gemma Ward even sings during an evocative moment. Remember to stay on after the credits for an EXTRA scene. After the last two installments left me crying with disappointment, I Loved it.
Greetings again from the darkness. I will make no apology for being a fan of the "Pirates" series. This is the fourth film and the best since the first. Though I liked them enough, I felt the second and third depended too much on special effects and the need to overwhelm, whereas this one concentrates more on the colorful characters. This latest entry is also directed by Rob Marshall ("Chicago") rather than Gore Verbinski, who directed the first three.
Of course, what really matters is that Johnny Depp is back as Captain Jack Sparrow. And in fine form, I might add. He comes across more clever, witty and less buffoonish than in the previous two. His character is much better as a worthy adversary than a clown prince. In this one, he alternates between matching wits and swords with no less than three characters. First, Geoffrey Rush is back as Barbossa. Only this time, he seems to have gone legit with the King's navy. Next we have Sparrow's long-lost love from Seville played by Penelope Cruz. They also match wits and swords (and facial hair). Lastly, we have the legendary pirate Blackbeard, played with full force by Ian McShane. Were it not a Disney movie, McShane could have made his Blackbeard one of the most frightening characters ever seen on screen. Even with the limitations, he performs exceedingly well.
The "plot" of the film involves the search for Ponce de Leon's ship and the much desired Fountain of Youth. The race is on between Sparrow, Blackbeard, the Spainiards and Barbossa who is acting on behalf of King George (a wonderful Richard Griffiths). As always, it's not always easy to tell which characters are partners and which are adversaries. That's half the fun! An interesting twist is that in order to have the desired results from the infamous fountain, one must drink from a specific chalice and include a single mermaid tear. Of course, everlasting youth shouldn't be too easy to achieve. The mermaid sequences are fascinating, though we really only get to know one of them - Syrena played with soulful eyes by Astrid Berges-Frisbey.
Thankfully, two long time characters are absent from this film - Orlando Bloom and Keira Knightley. Both were dead-weight that caused major drag in the two most recent Pirates films. Cruz and McShane are infinitely more interesting and entertaining and play off of Captain Jack much better.
Speaking of Depp's Jack Sparrow, I would make the argument that this character has entered the rarefied air of film comedy icon. I would put him at or near the level of the all-time best recurring comic characters: Inspector Clouseau (Peter Sellers, NOT Steve Martin), Austin Powers (Mike Myers) and the Little Tramp (Charlie Chaplin). Of course, there are loads of others that have made a name for themselves but are a step below: Ernest (Jim Varney), Fletch (Chevy Chase), Wayne and Garth (Wayne's World), Riggs and Murtaugh (Lethal Weapon), etc. I could go on and on, but you get the idea.
As I have stated many times, comedy is such a personal choice that it's always difficult to review. What sets the Pirate's films apart (especially one and four) are the characters combined with action and witty banter. No, it's not for everyone, but if you like this style, it's difficult to beat.
Of course, what really matters is that Johnny Depp is back as Captain Jack Sparrow. And in fine form, I might add. He comes across more clever, witty and less buffoonish than in the previous two. His character is much better as a worthy adversary than a clown prince. In this one, he alternates between matching wits and swords with no less than three characters. First, Geoffrey Rush is back as Barbossa. Only this time, he seems to have gone legit with the King's navy. Next we have Sparrow's long-lost love from Seville played by Penelope Cruz. They also match wits and swords (and facial hair). Lastly, we have the legendary pirate Blackbeard, played with full force by Ian McShane. Were it not a Disney movie, McShane could have made his Blackbeard one of the most frightening characters ever seen on screen. Even with the limitations, he performs exceedingly well.
The "plot" of the film involves the search for Ponce de Leon's ship and the much desired Fountain of Youth. The race is on between Sparrow, Blackbeard, the Spainiards and Barbossa who is acting on behalf of King George (a wonderful Richard Griffiths). As always, it's not always easy to tell which characters are partners and which are adversaries. That's half the fun! An interesting twist is that in order to have the desired results from the infamous fountain, one must drink from a specific chalice and include a single mermaid tear. Of course, everlasting youth shouldn't be too easy to achieve. The mermaid sequences are fascinating, though we really only get to know one of them - Syrena played with soulful eyes by Astrid Berges-Frisbey.
Thankfully, two long time characters are absent from this film - Orlando Bloom and Keira Knightley. Both were dead-weight that caused major drag in the two most recent Pirates films. Cruz and McShane are infinitely more interesting and entertaining and play off of Captain Jack much better.
Speaking of Depp's Jack Sparrow, I would make the argument that this character has entered the rarefied air of film comedy icon. I would put him at or near the level of the all-time best recurring comic characters: Inspector Clouseau (Peter Sellers, NOT Steve Martin), Austin Powers (Mike Myers) and the Little Tramp (Charlie Chaplin). Of course, there are loads of others that have made a name for themselves but are a step below: Ernest (Jim Varney), Fletch (Chevy Chase), Wayne and Garth (Wayne's World), Riggs and Murtaugh (Lethal Weapon), etc. I could go on and on, but you get the idea.
As I have stated many times, comedy is such a personal choice that it's always difficult to review. What sets the Pirate's films apart (especially one and four) are the characters combined with action and witty banter. No, it's not for everyone, but if you like this style, it's difficult to beat.
7tavm
I had previously enjoyed the first and third of the Johnny Depp pirate movies though I was confused by some of the sequences. This one that I just watched with my movie theatre-working friend, I understood a bit more and, as a result, I enjoyed a little more especially with the addition of the beautiful Penelope Cruz as a former paramour who may or may not be on his side. There's also some good sequences with some mermaids that positively floored me with how they operate here. And the return of Geoffrey Rush as the one-legged crew member was also a treat here. Plenty of witty lines from Depp and some good swashbuckling sequences here and there were also good under new director Rob Marshall. So on that note, Pirates of the Caribbean: On Stranger Tides is highly recommended.
Law and Order: Special Victims Unit is one of my favorite television shows, even though its gone a bit downhill lately. Is it the cast? No, because they are mostly intact. What is actually happening is that each of the main characters, known for their superb chemistry amongst each other, are suddenly spending less screen time with each other and more time to themselves. This story actually has a point. On Stranger Tides suffers the same fate: fantastic cast that don't spend as much time with each other as we hope. Add some pointless plot lines, a calmer first-third of the flick, and you have yourself the fourth installment of Pirates of the Caribbean.
That being said, its still quite entertaining. On Stranger Tides follows a variety of people searching for the fabled Fountain of Youth. Unfortunately for us, its not just Jack Sparrow. We have Blackbeard, the Spanish, the British (led by Barbossa), Angelica, and more doing the same thing. Subplots pertaining to this quest include Jack's past with Angelica, Barbossa's questionable change in character, some random guy falling for some random girl (I am serious, this part was totally pointless), and the pointless Spanish people that flock in and out of the movie.
This is by far the weakest part of the movie, the script. For some odd reason, they borrowed far too much from the novel (whose pacing and themes far differ that of the Pirates brand) and forgot that sometimes simplicity is best---which is what made Curse of the Black Pearl such a great film. It was the easiest to follow, and On Stranger Tides didn't learn from the previous two installments. To add to that, the script utterly separated everyone, even those with the best on-screen chemistry. Barbossa was barely with Jack Sparrow, Sparrow was rarely with his ex-lover, and worst of all reliable Gibbs spent minimal time with Sparrow. When they are together, the humor, the banter, tension, and the charm works well. When they aren't, well, the movie drags a bit.
Thank goodness the cast is still on their game. Johnny Depp once again breathes life into the pirate movie with his smart, unpredictable, and hilarious portrayal of Jack Sparrow. Despite what the reviews say, Jack Sparrow's shtick isn't getting old as he is still a delight to watch. Geoffrey Rush once again shines as Jack's best rival Barbossa, as his quiet intentions resemble that of Sparrow in earlier films. Penelope Cruz adds a layer of sexuality that we definitely did not have with the other Pirates of the Caribbeans--it's just a shame she didn't have much time with Sparrow. Director Rob Marshall was able to shell out good performances from everyone in the cast, but he definitely wasn't the man for this job.
Almost all the chase scenes or action sequences were done with very low-lighting and poor camera angles. With the exception of the mesmerizing and chilling mermaid sequence and the opening chase, all the action moments were missing that special touch. While the bizarreness of Gore Verbinski will not be totally missed (although his style worked perfectly in Rango), his ability to crank out excellent stuntwork and fights was sorely missing here. At least we got to see plenty of it, from the opening chase to the final dramatic (and short) showdown. Say whatever you want, but there has yet to be anything that can top the infamous three-way sword fight/old mill showdown from Dead Man's Chest.
Bottom Line: Pirates of the Caribbean: On Stranger Tides is a mix of frustration and fun. There was plenty of potential that wasn't met because of questionable plot lines, pointless moments, lack of chemistry (once again: writer's fault. Good going Ted Elliot and Terry Rossio), and uneven direction. All that banter aside, Pirates is also plenty fun with several delightful moments, funny lines, and much more action than the last Pirates flick. Johnny Depp, Penelope Cruz and company keep the movie afloat, and prevent it from being a pure bore. But I think the franchise works better when Verbinski is behind the camera. On Stranger Tides is decent summer entertainment, but doesn't have the inescapable magic and charm of the first two.
That being said, its still quite entertaining. On Stranger Tides follows a variety of people searching for the fabled Fountain of Youth. Unfortunately for us, its not just Jack Sparrow. We have Blackbeard, the Spanish, the British (led by Barbossa), Angelica, and more doing the same thing. Subplots pertaining to this quest include Jack's past with Angelica, Barbossa's questionable change in character, some random guy falling for some random girl (I am serious, this part was totally pointless), and the pointless Spanish people that flock in and out of the movie.
This is by far the weakest part of the movie, the script. For some odd reason, they borrowed far too much from the novel (whose pacing and themes far differ that of the Pirates brand) and forgot that sometimes simplicity is best---which is what made Curse of the Black Pearl such a great film. It was the easiest to follow, and On Stranger Tides didn't learn from the previous two installments. To add to that, the script utterly separated everyone, even those with the best on-screen chemistry. Barbossa was barely with Jack Sparrow, Sparrow was rarely with his ex-lover, and worst of all reliable Gibbs spent minimal time with Sparrow. When they are together, the humor, the banter, tension, and the charm works well. When they aren't, well, the movie drags a bit.
Thank goodness the cast is still on their game. Johnny Depp once again breathes life into the pirate movie with his smart, unpredictable, and hilarious portrayal of Jack Sparrow. Despite what the reviews say, Jack Sparrow's shtick isn't getting old as he is still a delight to watch. Geoffrey Rush once again shines as Jack's best rival Barbossa, as his quiet intentions resemble that of Sparrow in earlier films. Penelope Cruz adds a layer of sexuality that we definitely did not have with the other Pirates of the Caribbeans--it's just a shame she didn't have much time with Sparrow. Director Rob Marshall was able to shell out good performances from everyone in the cast, but he definitely wasn't the man for this job.
Almost all the chase scenes or action sequences were done with very low-lighting and poor camera angles. With the exception of the mesmerizing and chilling mermaid sequence and the opening chase, all the action moments were missing that special touch. While the bizarreness of Gore Verbinski will not be totally missed (although his style worked perfectly in Rango), his ability to crank out excellent stuntwork and fights was sorely missing here. At least we got to see plenty of it, from the opening chase to the final dramatic (and short) showdown. Say whatever you want, but there has yet to be anything that can top the infamous three-way sword fight/old mill showdown from Dead Man's Chest.
Bottom Line: Pirates of the Caribbean: On Stranger Tides is a mix of frustration and fun. There was plenty of potential that wasn't met because of questionable plot lines, pointless moments, lack of chemistry (once again: writer's fault. Good going Ted Elliot and Terry Rossio), and uneven direction. All that banter aside, Pirates is also plenty fun with several delightful moments, funny lines, and much more action than the last Pirates flick. Johnny Depp, Penelope Cruz and company keep the movie afloat, and prevent it from being a pure bore. But I think the franchise works better when Verbinski is behind the camera. On Stranger Tides is decent summer entertainment, but doesn't have the inescapable magic and charm of the first two.
Storyline
Did you know
- TriviaWhile filming in London in October 2010, Johnny Depp received a letter from a local nine-year old schoolgirl, telling him her classmates needed help to "mutiny" against her teachers. He turned up with almost no warning at the school in full Captain Jack Sparrow outfit, but advised against mutiny.
- Goofs(at around 27 mins) Jack and Angelica jump into the Thames to escape King George's soldiers, and are shown swimming in clear water. The River Thames of the 1740s was a slurry of waste and a fall into the water could - and often did - kill.
- Quotes
Jack Sparrow: You know the feeling you get when standing in a high place, the sudden urge to jump...
[looks over the cliff, as if considering jumping, then comes back to reality]
Jack Sparrow: I don't have it.
- Crazy creditsThere is a scene at the end of the closing credits: Angelica acquires Jack Sparrow's voodoo doll.
- Alternate versionsThere are three versions available. Runtimes are "2h 17m (137 min), 2h 16m (136 min) (United States)" and "2h 17m (137 min) (Argentina)".
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #19.138 (2011)
- SoundtracksTripping up the Stairs
Traditional
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Piratas del Caribe: Navegando aguas misteriosas
- Filming locations
- Kilauea Falls, Kilauea, Kaua'i, Hawaii, USA(on location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $250,000,000 (estimated)
- Gross US & Canada
- $241,071,802
- Opening weekend US & Canada
- $90,151,958
- May 22, 2011
- Gross worldwide
- $1,046,721,266
- Runtime2 hours 16 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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