The Midnight Club

I loved the setup! It's the right amount of grim (and not too over the top horror set ups that we generally see). I also loved the concept of midnight club - stories within the story.

I was hooked to the series for the first 2-3 episodes. Post that it just becomes confusing.

Here are my problems:

• The midnight club stories don't relate to the overall plot. Yeah, they have tried to include symbolism in it via connecting with the lives of main characters but it doesn't come off that well.

• The horror post 4-5 episodes just diminishes and the stories around love and friendship takes over (which is fine but this is supposed to be a good horror series so please!)

• Some characters are very irritating including the main one. You stop liking her as the episodes progress.

• The ending is blah!

If you aren't familiar with Christopher Pike books, this won't be a hit for you. It's unfortunate that they tried to make it a teen horror, as Pike's books aren't scary. I'm not upset with the changes to The Midnight Club book, as there is no way they could have made a series from that. Again nothing scary. It was a book about dying teens who told each other stories at midnight. There was no over arching mystery involved. So the parts about the symbol and the patient who was cured are all new for this series.

What I do like about this is that there have been no good film adaptations of Pike's books. At least here were get snippets in the short stories the characters tell.

If you are looking for something more along the lines of Hill House or Midnight Mass, this isn't it. This is more like a more mature version of Are You Afraid of the Dark. For me, that's not a bad thing.

Starting with the positives. The main actors, although young, are very good. The dialogue remains mainly intelligent. And as the story takes place in the 90s, there are good moments of nostalgia, especially with the use of music among other easter eggs. Like all of Flanaghan's shows, the horror is in the subtext rather than the focus of the story itself.

A group of terminally ill young people, who are guests in a place where they can be themselves while they wait to die, gather at night to tell horror stories. And while the idea is good, the execution loses some coherence as the season progresses.

Midnight Club tries to do many things at once, it's a drama about terminal teenagers dealing with death in a seemingly haunted place and it's also an anthology series with stories ranging from horror to science fiction. And until the last 3 episodes, it's easy for the viewer to get lost in this amalgamation of themes. Unlike Midnight Mass, this series lacks a clear narrative thread. And the experience can be "challenging" at times.

Overall, I would say I liked the series, but I didn't love it. And I have no doubt that many other people will love this series because it has much to enjoy. But personally, I found some episodes a difficult task to overcome. The positive aspects outweigh the negatives. But this isn't my favorite Flanaghan series by far.

I give it 7 stars out of 10.

The Midnight Club is not really horror. It has horror elements but it's mostly teen drama. If you're expecting a series along the lines of Mike Flanagan's previous Netflix horror series', you may be disappointed. But if you go into it knowing that it's based on young-adult rather than classic literature, perhaps you can appreciate it for what it is. The Midnight Club is based on material by highly successful YA author Christopher Pike, not on classic ghost stories by writers like Shirley Jackson or Henry James.

Since I knew going in what the source material is, I was expecting a teen drama with some horror elements, and that's exactly what this is. It started pretty strong, lots of mystery, and the characters drew me in. Most of the cast are very good, and the series is beautifully shot. There's no mistaking that this is 100% Mike Flanagan. And like everything Flanagan does, it's heavy with emotion (at times too heavy).

Unfortunately, it does get slow about halfway through the season, it's a bit hard to follow at times, and it just doesn't have the same magic that Hill House, Bly or Midnight Mass do. I still found it moving and entertaining, but I didn't love it. There are too many unanswered questions and disconnected ideas. Rather than moving slowly and leaving all those unanswered questions for a probable season 2, I would have preferred Flanagan had stuck to his formula of one-season stories that move quickly and wrap up nicely in the end.

I have great respect for Mike Flanagan and his vision and ability to tell a story with both horror and heart. Though by no means terrible, The Midnight Club is not his best. I still have high hopes for The Fall of the House of Usher. Flanagan has proven what he can do with classic horror. I can't wait to see what he does with the works of Poe.

**Unlike some others, this review was written after watching the whole season.

Not a bad series, some creepy "ghost" moments, but don't buy its boast of "most jump scares in a single episode" (that being the first episode, where I actually found myself saying, "oh, enough already"... my first legitimate jump wasn't until episode 3 or 4, and even that was mild.) Some of the stories the characters tell at their club meetings are good enough. And while their personal stories and issues lend themselves to some touching moments, the series is held back by its highly implausible premise and plot holes (terminally ill kids spending their last months living in a dorm where parents only show up once-a-whatever on Family Day, a grand total of two adults in the entire hospice, neither of whom apparently supervising or checking in on these medically fragile teens at night. A hospice where a teen is left to die in a deserted ward completely alone. And where on Earth are these kids getting bottles of wine every night?) Who knows, maybe too much eye-rolling made me miss all those jump-scares, but after five episodes, I'm passing on the rest.