The Curse

The Curse is a slow, long, and uncomfortable watch. There is not much of a through-plot in the series (the story is coherent, but does not have consistent, clear direction). If you go into this show for a story, you will be greatly disappointed.

The aspect of the show with the largest draw is the complex dynamics of the characters. Each lead character is deeply flawed, and the events of the show are primarily a way to explore these flaws. My viewing experience consisted of one part watching the episode followed by an equal part sitting and trying decode the characters' behaviors, helped along in many cases by the heavy use of metaphors and symbolism in the show.

The show is perplexing, in a way I happened to find entertaining. I would not expected it to be a particularly entertaining or enjoyable watch for a viewer whose brain isn't tickled in a similar way. I understand why people dislike the show, and most of their criticisms are perfectly valid.

I would recommend giving it a shot. If you do not connect with the first two or three episodes, you should know it will not improve. But if you connect with the style of the show, it is a fantastic experience.

Nathan Fielder is a generational talent. He looks to have hit another cultural home run with the Curse. He has come up with a plan thanks to his really good business knowledge, which allows him to film himself being intimate with Emma Stone, I have a feeling we will see multiple versions of this.

I for one am here for it, if you are a Nathan for you fan or a Rehearsal fan, or a fan of his old spots from that Canadian news show, you absolutely owe it to yourself to check out anything he has done you haven't seen.

I look forward very greedily for upcoming episodes, if all 10 would have dropped I have no doubt I'd still be watching.

This is absolutely NOT a normal TV show, but if you love A24 and Safdie Brothers stuff (and who doesn't?), you're in for a treat. 'Curse' thrusts you into the uneasy world of Whitney and Asher Siegel, a newlywed couple attempting to pioneer eco-conscious housing in the quaint community of Española, New Mexico. The narrative takes a bizarre turn when the eccentrically flawed reality TV producer, Dougie, sniffs out an opportunity in their story. Brace yourself for discomfort; 'Curse excels in cringe-inducing moments, crafting a dark comedy that deliberately pushes boundaries.

The show boldly ventures into social satire, navigating a maze of ethical and moral gray zones that leave you squirming. It's a total gender bender, blending drama and thriller elements into an intensely uncomfortable yet captivating experience. Emma Stone and Benny Safdie deliver outstanding performances, adding depth to the characters entangled in this gripping narrative. "Curse has set a high bar for dark comedies, and so far, it's great. I can't wait to see where it goes-eagerly anticipating the twists and turns ahead in this daring exploration of relationships, ethics, and the unexpected consequences of eco-conscious dreams.

From what i know, The Curse is supposed to be intentionally 'cringe' or 'uncomfortable' but in a funny goofy way. It's just cringe. I don't think i laughed at all. The jokes must've flew over my head. Though Nathan and Emma acted really well, i can't say that their character are likeable enough for the audience to care.

It shot decently, i like the focus on the 'grey area' of a satire charity reality show. But it's too slow paced with barely anything happened. The major plot points are very unrealistic. It's a far stretched, to somehow makes it relate to the title (i know it's a bit ambiguous, I'm trying not to spoil anything)

6/10.

---just don't apply when it's dark satire is about just those desciptors. A slow burn of cringe by the awkward, yet brilliant acting and anti-chemistry are what gives this series it's ignition point. If a young Kubrick made a neo dark satire series, it might just feel like this. Never mind the might, it would feel JUST like this.

It's definitely not for everyone and being a big fan of Fielder's work coupled with the Safdie's, this was catnip for the weirdo humor in me. It's takes patience and full understanding the delivery and pitch back humor is stylistic satirical genius.

The pretention and over the top 3 layer storyline is reminiscent of the very prentiously delicious (though found it a bit of a self indulgent slog in the third act) Ruben Östlund's "Triangle of Sadness"

This is brilliant to those that like this sort of offkilter independent filmmaking, and the flipside being people that go apeshit for a more "obvious" approach to humor might find this unwatchable.

And thats okay...its all subjective, and I'll take this all day.