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  • Please check out Valen's Shadows review here: http://www.amazon.com/review/R28DSJSHY64RA2)

    The above review sums it up best. I'm a Martial Arts trainee myself (Tae Kwon Do and Capoeira) and after watching this flick I feel Iko Uwais will add to the world of MA styles and techniques and become a rather recognizable star if only given a chance. A big mistake is to compare Uwais to Jaa which I see many fans of this genre do. Although its true that the films plot was very much like Ong Baks, the fighting however, was way more real than the ones done in Ong Bak. The film did not portray Uwais's role as a 'master' in Silat - it portrayed him as a 'young', 'innocent' newbie exposed to the dangers outside his village, and because he was lightly skilled in the arts of fighting and defending - he managed to stand up against the villains. It was believable in the end. Those that regard this film a lame martial arts film - are not into martial arts at all, and last but not least they don't understand it. In reality, exercising martial arts in a real upfront combat is far from appealing like depicted in any of Van Damme, Jason Statham, Scott Adkins and/or Michael J. Whites movies. This film was so realistic that it's hard for me to believe that they used any special effects or stunt-men at all in any of the fighting scenes.

    I give Merentau plot 5/10 - while the fighting scenes and especially the new star an 8/10.

    In other words - a great film for martial arts lovers (introduces a new style of fighting to the International audience which always is a thumbs up), while not so good for those into 'storylines' and 'acting' etc.

    Watch it by removing any prejudices beforehand, don't compare it to something else, and I will guarantee you that those almost two hours of your time will not be disappointing.
  • For The Past ten years or so ever since the matrix came out and dazzle our eyes with fancy moves and dashing kicks, all MA movies tried to copy it out from small punches to the high kicks but they forgot that MA is more than CGI ,Flying and impossible jumps. Mernatu came after 25years or so dry spell from Indonesia and you might be thankful for that.

    The movie plot and story simple in alota ways with subplot about life,parenthood,love and the underworld. what makes this movie so good is that the action is action no fakes or flaps, when they slug out they do slug it out, they use every kind of weapon near by, the hero get hit and hit back (that's what seems to allude others as the hero is untouchable even the Chinese and Asian movies falls in this pit recently)

    In the end Merantau is A solid film, I enjoy and am sure others will enjoy it MA fan or not. I've never heard of Silat before this film but I can feel it's little more than a form of fighting rather than a way to explore one soul.
  • adhipar20 November 2009
    As my comment's title says "exceed my expectation", first, here's my expectation : It's been more than 15 years that no martial arts movie is made in Indonesia. Especially the one that bring traditional 'pencak silat' style. So, my expectation in this movie is to see some good fights along the story plot. Same expectation when I go to watch Tony Jaa's Ong Bak 1/2 or the Protector.

    However, this film deliver more then expected. Iko Uwais is good fighter and really can act. Well-pace (a bit slow at start), solid action, nice camera work, brave-stunts, and the hero is just a human after all.

    The director surely know a lot about pencak silat and how to show it's beauty to audience. The 'street fight' style really gives new air to this martial art. Since pencak silat choreography I have ever seen is more like a group dance.

    Of course there are some flaws, but I was surprise that it was way less than expected. So, I give it 8/10 for a martial art film. If you want to see a fresh martial arts move with quite decent story and acting, go see this one.
  • I'm Indonesian and I'm super proud of this movie. It's the first to showcase a young Indonesian action hero, with unique Silat martial arts, and top quality movie making among problematic Indonesian cinema.

    Having said that, there are things where it can be better. And I will try to be fair.

    The pacing of the film gets slow at some points. Some shots could've been cut shorter and scenes can flow snappier, some dialogues more to the point (there isn't much dialogue, but when there is some, they lag), even some fighting scenes could be shorter.

    The establishing scene of Yuda leaving his home is well presented, although a bit unnecessarily long. Stories about his brother (which we never actually see interact with Yuda other than a meal montage and a throw at city girls) seems a bit.. useless? Stereotypical roles of westerners as bad guys with not much motives.. (a scene did try to explain their motives, but vaguely.. and I have no idea why the western brothers seem.. gay-ish?) and maid in distress needing help from the protagonist hero. And the typical story of a guy from a village finding trouble in the city.

    I'd very much like to see more romantic side of the story, and more funnier/relaxing moments just to take a breathe. This is not to say that there isn't any (ie. wallet stealing scene, towel scene) but not enough. The chemistry is there between the male and female lead and the kid, but it seemed not utilized enough. I guess if this was a straight forward fight film (like The Raid, I'm assuming) then the lack of chemistry/comic relief is fine. But with this it seems a bit more of either would add value to the movie.

    Fighting scenes were actually good! They hit strong, they fall hard, and they fight ferociously. Again, the last fight scene could've been shorter.

    I guess my problem lies mainly with the pacing. I wish it was snappier and instead of waiting for the fight scenes to begin/end it would just naturally lead the audience. So.. a 6.7 out of 10 for me.

    Great start to a new style of martial art movies. Can't wait to see The Raid!
  • i can divide this movie into two parts first 15 minutes, the drama part, here we see the background story of the movie. we'll be introduce to the main character, too bad i can understand "bahasa Padang" but there is an English subtitle ( which sometime is not accurate)

    second part the FIGHT part this what i like..... fight, fight, and more fight the martial art choreography is pretty much similar to tony jaa but....i don't care, this Iko can really kick ass

    though this movie is not perfect, but i recommend this movie to all of action martial art movie mania

    7/8
  • jp25926 July 2014
    The main actor is legit. Which in the martial arts cinema is rarity. I actually saw his movie the Raid 1&2, which I liked so much because the whole movie is just so good from the fight scenes to the action choreography, its just insane. Some credit goes out tot he director too. Now this movie, seems like it has a lower budget as you can tell when watching, but the fight screens and camera work are there. The story needed to be a bit more developed but the fight screen between the silat friend in the elevator was pretty intense. I wished it was a bit longer but what he did at the end will have you rooting for him.

    As for the 2 white bad guys at the end. Their style of fighting was kind of non believing. They could of done better. IDK, seems like something was very lacking.
  • There are definitely problems with the pacing of the movie. But overall, I would call this one a success. We have a director that found the lead actor while shooting a documentary about the Indonesian martial art of Pencak Silat. The director scores some major props just by introducing this fighting style that I, and many others probably, have never even heard of. The director is also taking a chance by actually setting up shop in Indonesia. This to me shows he isn't trying to make big budget Hollywood movies but is instead trying something new. The movie could have been better sure, but lets give it up for some originality and freshness I say. The Raid: Redemption and The Raid 2 are both excellent films by the same director and cast of this movie. I for one am looking forward to some new approaches by this squad from Indonesia!
  • Elite movies about martial arts (pencak silat). The plot and the story maybe seems cliche, cheesy or something but surprisingly i considered that this is a good movie because the work of all the cast and the director. I watched this at 20/08/2020 after my crush from highschool rejected and ignore me lmao and suddenly i wanna be iko uwais character because of how good and kind hearted he was pictured.. and ofc yea he wasn't a simp.
  • At first, looking at the way the managed the poster and all..I thought this would just be another copy-cat movie (well, we had to admit, neighboring countries cinema are way earlier in successfully creating such motion pictures)

    But...

    All the fighting scheme, supporting casts, location, technicalities...this movie is surely one helluva fresh breeze into Indonesian Cinema.

    Last night, I was literally stunned and amazed by especially the actions and plot this movie had brought.

    The spirit of Nationalism, Humanism and Martial Artistry is carried out at its best!!

    Can't believe my own two hands when I clapped them together with the whole theater last night...

    Surely, one step toward a better cinema for Indonesia..

    Bravo!!
  • MERANTAU is the first teaming between Welsh director Gareth Evans and Indonesian action star Iko Uwais. It's a lot lower-budgeted than their better known follow-up, THE RAID, but at the same time it has plenty of the blistering, well-choreographed action that made THE RAID such an international smash hit. I found myself loving it, even though the origins of the narrative are quite humble.

    It's clear that the thought behind this film was to make an Indonesian version of the Thai smash, WARRIOR KING. Uwais is even made up to look like Tony Jaa (same haircut, etc.) and some of the scenes are too similar for it to be mere coincidence; particularly the bone-breaking fight towards the end and the one-man-enters-building-to-kick-ass set-piece. That's not a problem for me, because WARRIOR KING is one of my all-time favourites and MERANTAU comes close to the same quality in places.

    It's not an ideal film, because the beginning and ending are far too slow. The first half hour could easily have been excised while Evans seems unable to end his movie, a bit like Peter Jackson in LORD OF THE RINGS: RETURN OF THE KING. The middle section is great fun though and Uwais's fighting ability is breathtaking in places. Sure, the acting is nothing to write home about and the storyline is very slim, but none of this matters when the action's good and trust me, MERANTAU has lots of great martial arts action. I recommend it.
  • "Merantau Warrior" is a fantastic action Thriller drama & Martial arts extravaganza!!! The fantastic true life warrior "Iko Uwais" stars in his first ever movie, a debut performance that is intense, powerful & full of emotion, Iko is an excellent intense screen presence!!! He has a sweet soul good guy quality about him, he's like an ancient warrior full of morals & heart, I'm so glad he became a big star after this film & moved onto the instant CLASSIC "The Raid", I'm a big fan of his after seeseeing his outstanding action packed performance in "The Raid" so i had to check his first film out, so here i am. This is an action packed movie that has a stunning & BEAUTIFUL use of bright colours, the colour is vibrant & pops off the screen against the dreary greys of the urban setting, this is a story about a young man sent on a journey of discovery, the journey of "Maranteu" to become a man in the real world of big city living, Iko Uwais plays a quiet guy who grew up on a small country village & is a martial arts master, but the city of "Jakarta" is full of crime & sex traffickers. "YUDA" (iko Uwais) meets a girl & her little brother on the tough streets & fron then on he is there to help them like a mysterious hero, it's all action packed from there with amazing fight scenes & brutal bloody fights it all looks incredible!!! But....... The ending of this excellent movie ruins it for me, i loved the movie i thought it's one of the best Action films I've seen but the end put a big downer on it for me!!! It could've been completely different if "Yuda" just snapped the main villain's neck!!! He could have & He should have!!! A great movie but a bad ending in my opinion but Iko Uwais is Excellent.
  • Rejoice action fans over this region! South-east Asia has a new action hero hailing from Indonesia, and his name is Iko Uwais. We've already got Tony Jaa showcasing Thailand's Muay Thai, and now we've got Uwais to introduce a different brand of Silat which we have been exposed to thus far, thanks to the SEA Games but that's more like a Wushu event, which is more exhibition. It's still quite amazing to see what is usually seen on TV as executed in exhibition pace, to take on an entirely different form when in combat mode. Merantau - and Singapore has to add a "Warrior" to the title so that we know it's an action film, duh - is a well executed, entertaining film as far as actioners are concerned.

    Uwais stars as Yuda, a coming of age young adult who has to leave his village and go through a rites of passage in a Merantau, which is something equivalent of an Australian aboriginal walkabout. He sets his sights on Jakarta and has plans to set up a Silat school, only for his contact to go missing with nary a trace. Bumming around while figuring out his next course of action, he chanced upon the siblings of Adit (Yusuf Aulia) and Astri (Sisca Jessica), the latter whom is picked up by gangsters to be part of a sex trafficking ring, and thus begin his discovery of his destiny and calling as the unofficial protector against the meek and weak.

    Yes the storyline isn't much to behold naturally, though as far as action films go, this one satisfies its own cursory, flimsy tale to hold all the spectacular action sequences together, giving it some reason to have Uwais go on a rampage, showcasing personal prowess, and to add Silat as a martial arts of choice amongst so many that have its fair share of a cinematic outing, from Ip Man's Wing Chun, to Ong Bak's Muay Thai. It's hard hitting silat harimau here, which has its distinctive low centre of gravity positioning, sweeping leg motions to unbalance the opposition, and very direct and hard hitting palming aimed squarely at the opponent's chest to literally knock the wind out of.

    What also worked here is the action cinematography. We all remember how Jaa smashed into the scene with its repetitive action sequences cut from different camera angles, done ad nausem. Here, the filmmakers had good sense in working a very wonderfully designed, and common sensical presentation in not relying on quick edits and jump cuts, allowing the action to flow naturally, and presented in its full glory. I particularly enjoyed moments where a revolving 360 degree view gets employed, especially when Yuda has to tackle opponents all round.

    And Yuda is no one man superman too, which worked well for the story, having to see his fair share of failures, as well as shortcomings in his rookie fish-out-of-water situation. While there are moments inserted for dramatic breathing space, the action sequences aren't forgotten and got interspersed adequately within the first few acts, until the last one which became a non-stop, adrenaline pumping finale that was reminiscence of old Hong Kong action flicks, or even Bruce Lee ones, where the protagonist go up against incredible odds, and one on one (or two) situations against Caucasian villains, who are portrayed here in quite over-the-top fashion in need of a good hard kick up the arse.

    Granted this is no perfect film with a number of continuity errors spotted, the set action pieces were a sight to behold despite some moments being wire-obvious, mixing things up with components other than Silat all the way, with a few which stood out as campy fun. Keep your eye out for that towel scene, and one of my personal favourites was one that involved a bamboo pole which the trailer included. Uwais also proves that he's quite comfortable with the sickle and metallic staff / batons which got used quite frequently here by hero and villains alike.

    Action junkies will do yourselves no favour if you miss Iko Uwais maiden cinematic outing on the big screen. It may not be perfect, but it mattered for what it set out to do – establish a new action hero from our region, and to promote the form of martial arts in Silat.
  • Warning: Spoilers
    Hearing from a friend about how much they had enjoyed watching Gareth Evans 2011 film The Raid on DVD,I decided to take a look at Evans IMDb page,where I was thrilled to discover,that before directing The Raid,Evans had teamed up with future Raid star Iko Uwais in 2009 to make,what is now called the first ever " Silat Harimau" (a martial arts style) movie.

    Being interested in seeing the beginnings of Evans and Uwais collaboration,I decided to join both of them in their journey through Merantau.

    The plot:

    Following is his brother and his late dad's footsteps,Yuda waves goodbye to his family as he leaves their small village behind,and sets off to a huge city so as to go through a rites of passage called Merantau,which will lead to him coming back to the village as a "man".

    Getting off the coach in the city of Jakarta,Yuda is shocked to discover that the place he was hoping to stay in has not actually been built yet!,which leads to him having to search round Jakarta, until he finds a closed down building site which has large pipes that he can sleep in for the night.

    The next day:

    Deciding to buy some breakfast with what little money he has brought with him,Yuda's meal is interrupted when a pickpocket called Adit) enters the café and steals the bag containing all of his money. Chasing after Adit,Yuda follows Adit into his street,where he finds that Adit's sister Astri is getting pushed around by a pimp named Johni,who tells Astri that she owes him "pay".

    Putting his stolen bag safely to the side,Yuda interrupts Johni's beating up of Astri by hitting him to the ground,and telling Johni to leave Astri alone. Seeing Johni run away,Yuda's expectation of being thanked for saving her are destroyed,when Astri tells him to get lost,due to him now having ruined her only source of income.

    Ringing up his mum later that night at a payphone to tell her that he is thinking of giving up on his Merantau,Yuda suddenly hears Astri screaming from near by,and discovers that she is being dragged into a building by Johni and a gang of fellow thugs/pimps. Quickly putting the phone down,Yuda realises that his Merantau is going to be doing everything he can to get Astri free from the pimps and the thugs,and to also take out the lead gangsters such as Johni who rule the cities underworld.

    View on the film:

    Starting the film off on a spiritual note by showing Yuda's rural town,the screenplay by co-writer/director Gareth Evans and Daiwanne Ralie uses Yuda's arrival to the city as a way to slam the viewers face to the ground of a seedy,neon-lit,Neo-Noir world.Giving Yuda the wake up call of his life,Evans and Ralie show the places where Yuda is expecting to find hope are actually filled with fear and control,with everyone desperate to grab even a single penny of the cash hidden in the ruthless underworld of the city.

    Twisting the rites of passage "Merantau" into a hard edge,Noir shape,Evans and Ralie subtly show that Yuda's quest to "become a man",has actually transformed into him trying to give Astri and Adit their childhood back,which was taken from them by the cities iron-grip gangsters.Along with the terrific screenplay,debuting actor Iko Uwais also displays the changing rites of passage route brilliantly,by showing the child-like innocence of Yuda's face fade,to be replaced by a harden face that is furious at the decaying city which he sees in front of him.

    Complimented by Fajar Yuskemal's smooth acoustic strings and brittle Industeral drums score,Evans and cinematography Matt Flannery show a real elegance in the film's rough and gripping "Silat" fighting scenes by allowing the camera to pull back so as to allow the viewer the chance to see each technically stunning,bone crunching Silat move.

    Contrasting the elegance shown in the fighting scenes,Evans and Flannery use tight,Neon-red corner streets to show the closed-in murky surroundings that Yuda finds himself drawn into,with the red intensifying as Evans delivers a hard Neo-Noir final punch,to declare that Yuda's blood-soaked Merantau has been completed.
  • thesar-223 August 2015
    Warning: Spoilers
    Admittedly, I just bought COLD this for three reasons: a recommendation, I liked The Raid and damnit, Iko Uwais is so hot. Unfortunately, though, like The Raid's incredibly inferior sequel, this movie was so light on action, heavy on attempts at heart – though the climax worked perfectly and uninteresting and clichéd plot points, I'm going to have to watch The Raid again just to get my Gareth Evans/Iko Uwais action fix. (Luckily, I bought this plus The Raid on Bluray simultaneously.) On the positive side, the movie's very well shot – this man, Evans, knows what he's doing and when the action's on screen, it's fun. Sadly, it just takes way too long to get there. Worth one viewing and then just jump back into The Raid.
  • jpenera24 July 2013
    I don't know if it is a glitch or a goof but for the hero Yuda, there is no change of clothing from almost the beginning to the end. Makes it a bit implausible since the whole movie takes the span of several days. Still I was mesmerized by the plot and action. I especially like the photography. I have never been to Jakarta but the movie showcased truly scenic and panoramic views of beauty. Music was great as well. Also I don't normally watch foreign movies with subtitles because it is always hard to look at the picture while reading dialogue. But as an exception, the last good one I saw was "Pan's Labyrinth". Merantau is equal to it but at some points even more exciting.
  • Merantau is a long-waited fighting film, featuring Indonesian traditional martial art, silat. We haven't had any film of this genre since… since years ago, and our fighting hero Barry Prima has abandoned the ship and taken a magnificent role as a transgender father in a family drama. So when British director and writer Gary Evans said he has found a potential young hero in a true silat 'fighter', Iko Uwais, we were all excited.

    Now a word or so about 'merantau'. The Minangkabau people, famous for their silat and their business instinct, are matrilineal, unlike the strictly patrilineal Bataks, the loosely patrilineal the Manadonese, or the Javanese that don't care about any of that. This means money and properties are inherited by the girls, and men won't get any; they must first show their worth by 'merantau' – leaving their family behind, finding their fortune and building themselves a name in other lands. Before returning and marrying an heiress, of course.

    And so the main character, Yuda, decided to leave his family's peaceful tomato farm and try his luck in Jakarta as a silat teacher – and ended up proving to us once again that 'rural is good, urban is bad, but evil is foreign'. In short, Yuda got himself involved with two Caucasian human traffickers, when he tried to help a badmouthed erotic dancer from a pimp wanting to sell her to the foreigners. (Why, exactly, Yuda wanted to help her when she's so vile towards him for interfering with her life?) Ha.

    Frankly speaking, apart from the interesting view on Minangkabau traditions and landscape and a rather shocking ending, I cannot say much about the plot. (Is the homoeroticism between the two antagonists a subplot, I wonder?) And this film is almost torturingly long: perhaps it's because Evans wrote, directed, and edited the film himself. The duration is a sign left by his ego, when a sane-headed other person could help him editing parts that needn't be there so that the pace could be increased a bit.

    I also wish they had chosen a better child actor to play Adit; their choice was annoying. They could have also smoothed up the dialogs a bit, the words having been translated from Evans' script in English. Some of the sentences felt so unnatural, coming from the mouth of someone in distress or someone of a particular social class. And I don't think anyone in Indonesia would try to have an interlocal from a phonebooth; they would try a wartel (telecommunication shop) instead. And it would be more logical for Yuda, a good Muslim boy from West Sumatra, to go to a mosque to find a place to sleep (where he knew he would have access to water for bathing and taking ablution for praying) than spending the nights secretly in an unfinished building project. Just some, you know, natural details. Strange that they forgot such details, when the life in West Sumatra was portrayed with a great touch of realism, like Yuda eating with one knee folded on the chair, looking so naturally at home.

    But all in all, this film is very much welcome, a beginning of a series of action films to be starred by Iko (Evans wanted to make him some kind of our Bruce Lee). The martial arts choreography deserves a thumbs up, with the cameras seemingly know very well which angles can show the best of silat movements.
  • Warning: Spoilers
    Like my summary says, this movie is OK but its nothing special. In a nutshell this is an Indonesian Ong Bak 1. Hero comes to town, sees a girl in trouble, sticks his head in and then fight fight to rescue the girl from the baddies.

    The issue is its similarity to Ong Bak 1 makes comparison inevitable and it comes off as weaker in terms of pacing, plot, action and creativity. That being said, the fights are still good.

    The main disappointment for me is the lack of "silat" the native Indonesian martial art. The movie starts off with him going through the forms in the country but once in the city you do not see the forms in the fight sequences (I also have to admit that I am more familiar with Muay Thai then Silat so maybe I do not know what to look for).

    If you do not buy into the hype (like I did), thats its one of the best martial arts/action movies, it is a good movie.
  • I think that my biggest mistake was to have found this movie after watching The Raid and The Raid 2. In my opinion it didn't live up to those efforts, but it was a start for Gareth Evans in this vein. Although I genuinely believe Merantau has a better plot than both Raid movies, in the latter is when Evans really mastered his craft. That is not to say that Merantau isn't an good entertaining film, it is; it just looks rather plain in comparison. The fight sequences are done brilliantly, if I had watched this movie in 2009, I would have been in the presence of the start of something new.

    Iko Uwais does a great job. I'm always fond of martial artists that have his slim figure and still manage to knock tons of guys in the same fight. In my opinion, it is a correct movie, with an interesting story that leaves you shocked at the absolute horror that it must be for victims of human trafficking, and incredulous to the fact that such horrifying events actually happen on many countries.

    If you liked both The Raid movies, you will like this one for sure.
  • Cole Abaius of Film School Rejects calls the film a "Mind-exploding action sequences coupled with genuine emotional impact."

    Harry Knowles of Ain't It Cool opines that the film is "a tremendous martial arts film"; noting it as an "outstanding" film.

    Moises Chiullan of Hollywood Elsewhere wrote that the film is "one of the more compelling and powerful martial arts films" he has seen.

    Andrew Mack, reviewing for Twitch Film, wrote that the film "is the next great martial arts film to come out and one of the best this past decade."

    Todd Brown, on another review for Twitch Film, praises the film by saying that it "serves very loud notice that Indonesia is back in the action game."

    Mike Leeder of Impact Magazine expresses his excitement toward the film, saying that it "proves Indonesian action cinema can stand alongside the best of the rest of the world."

    Gareth Evan's Merantau is a very finely photographed & expertly choreographed film. It's an action film that will satisfy most action fans in more ways than one. The movie is almost non-stop action from start till end. Iko Uwais is really a great athlete and martial artist. The budget was low but the movie never felt cheesy or tiresome. It had a decent story compared to other action movies n completely different ending. Was not even aware of Gareth Evans or iko uwais. I was completely impressed with Gareth evan's direction n Uwais' action scenes. After watching this I became a fan of Gareth n Uwais. Their next collaboration "raid 1 n raid 2" were the best action flicks in a decade. God bless them both n looking forward for raid 3 n their future projects.
  • Pretty good body count, and a decent amount of time left between camera changes in most instances

    couple of very small fight continuity errors if you're really looking (REALLY nitpicking in the scope of the film)

    baddies do seem to often come one at a time, with some reasonable tricks to allow this to happen

    main baddie is caucasian, if not British/American. The hero is..Indonesian? (apologies if wrong) and if slightly invincible.
  • Warning: Spoilers
    Indonesian martial arts film that I'm really mixed about.

    The plot has young man leaving home to make his way in the world. He can only return when he has mastered worldly things. Once he gets in the big city he meets a young kid who is trying to steal his wallet. By saving the kids sister from being beaten by her boss, he ends up running up against a Eurotrash human smuggling ring as what little plot is left is thrown away for action.

    The film starts off like a deep meaningful TV movie of the week and I was groaning.Had I seen this in the theater I would have walked. It then begins to work its very clichéd way through several unremarkable fights (there is a rehearsed nature to many of them). Then something happens about an hour in when the action suddenly begins to work with a construction site/motorcycle fight and you sit up and go "hello".

    Okay at that point its not perfect but at the same time its breaking with cliché and convention and its pretty good. Then you get a sequence in an elevator and suddenly I was like Okay this movie is turning out to be pretty good.

    Then things wobble as the final sequence involving a rescue of the sister from a shipping container yard and the convention is back as our hero takes on way too many men in a not wholly impressive fight sequence. Then the film shifts gears again and the final battle between our hero and the main bad guy happens and its interesting again, with an ending I didn't expect.

    and I'm left torn.

    Some of this is really good, but most of it kind of misses. Its been there and done that and way too soapy. Its worth seeing but you really are going to need some patience to get through a chunk of the film at the start. I mean I really liked a chunk of this but at the same time I'm not a fan of other bits. Its probably a third really good to two thirds okay at best.

    My attitude is its a rental with friends, or a cheap DVD purchase.
  • Of course I have to see this movie.

    This is the first Indonesia martial arts movie after for years we, Indonesian people, didn't have any like this. And of course, we so tired with all ghosts and unclear sex comedy movies.

    Oh my God.

    Im just speechless.

    This movie is so good, make me sit comfortable in theater, even though the theater have many trouble while playing this movie. But, all forgivable when you see how Good this movie is.

    First hour, seems just like action movie fans not interested, because just so many drama. Next, u will blow up, because the action is just so great. And you know what, Iko Uwais is a bad-ass. Really, really bad-ass.

    He play better than Tony Jaa. He can fight and amazingly can act. Very well. He make a debut acting with great charisma and camera just loves him so much.

    Several actor play quite well. Especially for our mother, Christine Hakim, she is great. She is the mother of act.

    The technical side is great. The lighting was good, sound effect and music score was great, editing was quite good. Slow for drama and really fast for fighting scene.

    But, i really like the cinematography. It's just, GREAT.

    Merantau becoming a different sensation when you see in cinema. I mean, for a while you never got this genre. And second, it's great. And that's making me just like having some multiple orgasm.

    And one more thing, I'm officially Iko Uwais fans right now.

    See you other time, fellas.

    8/10
  • Let's start with the bad: the movie is too melodramatic at times, with the use of slow-motion and predictable piano keys making some scenes feel a bit corny. I also found the main villain a bit too simplistic. Those are my only complaints in an otherwise enjoyable movie, that has convincingly 'raw' action scenes and two charismatic lead actors in the distinct and interesting setting that is Jakarta. It's refreshing to see an action-movie situated somewhere else than America and this movie proves that a country as beautiful and rich as Indonesia suits an action movie just as well. Other good points: I liked the camera-work and the ending took me by surprise. Looking forward to see more movies from this director!
  • Warning: Spoilers
    I liked beginning how Iko(Hero) practiced Silat and leaved home.I liked the very first fight too.

    So what's bad about this movie-- 1).Probably there are 6 or 7 fight scenes. All of them weren't well choreographed. Sometimes Iko barely hit or push a bad guy which knocked guy down. Sometimes it seems bad guy leaved his guard down on purpose to get a punch or kick.

    2).Movie lacks amazing stunt. I saw this movie because it was being compared to Ong-Bak, But I didn't find that epicness here. I could have done all those stunts *sigh*, many of them.

    3).There is no fight like 1 on 4, or 1 on 3. They were coming 1 by 1. sometimes there was 1 on 2.

    4).They were keep sending bad guys to kill or seize Iko. No bad guy were carrying gun, only sword, knife and an iron rod. They killed their own guy from a gun. Why the hell did anyone use the gun at him. Finally two bosses ended up dead, but they didn't use gun.(mm)

    After movie,I was feeling, if I were in this movie as a bad guy, Iko couldn't have done anything. There are many jackie chan's good movies out there of rating 5.2 or 5.5 and those sure are better than this 6.5 rating movie. Watch if I am wrong
  • jedavis-4686410 September 2017
    Warning: Spoilers
    I really liked the film Merantau. The film was about a boy named Yuda who leaves his family and home to go on his Merantau. The word Merantau means coming of age. It is a tradition among the communities young men to go to the city of Jakarta to learn how to prove themselves. Yuda does exactly this. Yuda experiences many setbacks that leave him very uncertain about his future, but he never gives up. He meets Astri and her younger brother Adit. Yuda helps defend them against human traffickers. In the end, Yuda uses his martial art skills to save Astri, Adit, and other girls that are suffering from sex trafficking. Sadly, Yuda dies while protecting others. This shows us that Yuda truly did prove himself on his Merantau by putting others before himself.
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