The Adjustment Bureau (2011)

PG-13   |    |  Romance, Sci-Fi, Thriller


The Adjustment Bureau (2011) Poster

The affair between a politician and a contemporary dancer is affected by mysterious forces keeping the lovers apart.

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7.1/10
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  • Matt Damon at an event for The Adjustment Bureau (2011)
  • Michael Kelly and Josh Lucas at an event for The Adjustment Bureau (2011)
  • Terence Stamp in The Adjustment Bureau (2011)
  • Michael Kelly at an event for The Adjustment Bureau (2011)
  • John Slattery at an event for The Adjustment Bureau (2011)
  • Matt Damon and Emily Blunt in The Adjustment Bureau (2011)

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Director:

George Nolfi

Writers:

George Nolfi (screenplay), Philip K. Dick (short story "Adjustment Team")

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6 March 2011 | napierslogs
7
| Intelligence mixed with big-budget Hollywood action to form the new science fiction romance genre
I'm starting to like this new genre of science fiction romance that "The Adjustment Bureau" falls into. Hollywood seems to have learned how to add a significant amount thought to their films, just with their usual dumbing-down procedures.

David (Matt Damon) has met Elise (Emily Blunt) and based on one spontaneous kiss and one flirtatious encounter, he's determined that she's the one he's supposed to be with. They have other plans. Oh yes, the indefinable, ambiguous pronoun "they". Just to keep a sense of the intrigue afloat, I'll define "they" as the men of "The Adjustment Bureau". What they want, we don't really know. But David wants the girl—a beautiful girl—but just a girl nonetheless.

For us, questions of free will, fate, soul mates, success and pre-defined destinies abound. All running around an intricate maze of New York architecture. Although intricate might not be the best word because there's nothing here for us to figure out; the film lays everything out well in advance, and over and over again in case you missed it. At least there's intelligence to the story but unfortunately no subtlety.

"The Adjustment Bureau" has pretty city-scapes and pretty people playing more profound characters than pretty people usually play. As with most genre-mixing films, there is something for everybody. I got the intelligence that is usually sorely missing from big-budget Hollywood action films although I could have done with a bit more respect.

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