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  • After watching the 12th episode of this show, I found myself thinking just how good it is.

    I have to admit that it started slowly, but what seem to have been random actions or scenes have been woven into a deeply intriguing plot.

    I am a big fan of Breaking Bad and expected a lot from AMC on this one. I am not disappointed. This is one of my favorite shows and my favorite new show.

    The acting is very good and the scenes are very believable. The interior shots of their workplace are a great backdrop.

    There are a lot of characters, but each has its place in the plot. Each character is subtle but over time distinguishable from each other.
  • The intricate plot of RUBICON tells the story of a complex conspiracy. Therefore, and very differently from most other shows of this kind, it has courageously chosen to be complex itself. The story lines, the characters with their intricate relationships and histories, are told in a great depth. Lives of people include boring or uneventful moments, yet in RUBICON, as in real life, those moments are not cut away, on the contrary, they are narrated at their full extend. And as in real life, as insignificant they might be, there is always some reference to the characters profiles and what they might do - or not do - next. If you look for an action packed spy story, RUBICON is probably the wrong show for you. But if you want to get into intelligence reality as it "really" might be, than this is a great series to watch. At episode 12 now, I have enjoyed every second of it and do hope that AMC does not let it die at the end of season one. Well done.
  • One of the best TV series I have seen. It is a mystery to me why AMC, after presenting breakthrough series after series, killed this smart one off after one season. It has much in common and perhaps the writers took inspiration from (and referenced) Three Days of the Condor, a great '70s spy movie. I guess AMC (and most network TV channels) think that a show has to start out with death, high action, or someone yelling "Stat!". This is a quiet, thoughtful show, which fits the characterizations and near docudrama script perfectly. I loved it and I miss not seeing more, after watching the one and only season. The main thing here is character development, in and out of the office, although the bulk of the story is all about the spying. It did start to take a slower turn in the middle episodes, perhaps a change in some key production area, and it broke the flow a bit. Even so, that is the very worst I can say about it, and that only lasted 2-3 episodes and I was so invested by then it didn't matter. Even though just one season, there are 13 45min episodes that are very worth watching and the story arc is as complete as it can be while leaving room for more in case it was renewed, so it is worth watching as a 13 episode mini-series.
  • Classy, smart, and doesn't underestimate the audience, but if you want to browse on your iPad while watching this show, forget it, you'll miss what's going on. The causes for the events which occur in the pilot are revealed slowly, but inexorably, following parallel paths beaten two main characters: Katherine Rhumor (Miranda Richardson) and Will Travers (James Badge Dale). They're leading in the same direction but don't even know each other.

    These episodes are written and directed by some of the top talent on the east and west coasts. It's not only well plotted, but the characters are fully fleshed real people, who sometimes do things that are completely surprising. It's never predictable but you can expect that the conspiracies will be revealed in due time.

    Watch the first couple of episodes, and you'll be hooked.
  • Warning: Spoilers
    I like detective or spy stories, but only those with soul and brains, and unfortunately there are not too many. I do not like conspiracy theories but I recognize that they make great thriller and action movies stuff – X-Files (arguably the best science-fiction series in the history of television) included. Rubicon is a combination of the two themes in the right ratio and is the best TV show I have seen in Israel this year. Unfortunately it was produced by a smaller American TV network, and did not enjoy the rating success that would allow it to survive more than one season. It happens unfortunately too often lately with shows I like – definitely my taste is not in tune with the one of the American mainstream viewers.

    The detective theme of 'Rubicon' centers within a Manhattan based spy agency, one of the many which seem to divide in pieces of puzzle the American spying and counter-terrorism system. It's employees are not supermen or action people, but smart bureaucrats or analysts as they call them nowadays, they do not call the president on daily (or weekly episode basis) as in '24′ and if and when they carry a gun they do it with the same tremor as you and me would do it. They are usual people who deal however with the same global terrorism threats as 24′s Jack Bauer did, and they are pray to the same pressures as the CTU, or even larger, fighting not only the enemy out there but also a malefic conspiracy of riches trying to manipulate the whole world. Their position is much worse however, as the corruption seems to have infiltrated to the higher echelons of the reporting line. As in the best novels and movies of the spy genre (Tinker Tailor Soldier Spy comes immediately to mind) nobody can trust anybody in the organization, and the corridors of the building as well as its outskirts are permanently infested with surveillance cameras, electronic bugs and suspicious eyes.

    The best part lies however in the characters building. If the spy intrigue remains sometimes cloudy and murky we do not care as much because we have real human that build themselves beautifully on the screen. The series starts with a new boss nominated to the team Will Travers (James Badge Dale) who replaces the former team leader who apparently committed suicide, deals with all the conflicts and will pay the price of trying to do the right thing. His boss Kale Ingram (Arlis Howard) happens to be gay, so he may be the good guy (one of the more recent stereotypes in American cinema and TV scripts) but who knows in this suspicion filled atmosphere. Assistant Maggie (Jessica Collins) and smart but drugs addicted analyst Tanya (Lauren Hodges) fight each their own daemons. There are more characters, and each of them is clearly and carefully designed and by the time the series end we care for all and understand their motivations. More than a spy drama 'Rubicon' is a psychological thriller and maybe exactly the qualities that I appreciate in the series are not the ones that broader audiences attracted by the more immediate striking emotions in action series are used to. I feel to be in complete divorce with the mainstream taste that dictated 'Rubicon' to be terminated.
  • "connect the dots, work the dots" "keep your friends close, keep your enemies closer" "find out who he sits and moves with" - FWIW. anyway - I for one applaud these folks for the slow pace a lot of folks have a problem with - we are bombarded with half hour or hour shows where the formula is presented - "all is relatively quiet, then chaos erupts, then there is a mad scramble to put Humpty back together,and in the last 45 seconds Humpty is restored, followed by a communal sigh of relief" - (break for commercials, then trailers, a swell of music, roll credits, on to the next predictable time waster) also i like the critic who opined that this is the "anti 24" - so what if Rubicon doesn't have the guns blazing and mouth breathing - been there, seen that. hope the powers that be don't cancel this show because of the current low ratings, but won't be surprised if they do.
  • When I saw this series advertised in the TV guide I thought I'd give it a go even though I hadn't seen any trailers on TV and it was being shown on BBC4; a channel usually showing 'cultural' programmes and the occasional subtitled European series... certainly not where one would expect to find a US spy drama. I'm glad I did watch it as it was gripping through out even though it had little of the action typical of the genre; in fact much of the drama took place in an ordinary looking room where the characters discussed various pieces of intelligence they had received. The series follows Will Travers, an analyst at an intelligence agency in New York, who finds himself promoted to head of his department when his friend and mentor is killed in a railway 'accident'. He and his small team follow a lead that starts in the Middle East but leads to an imminent terrorist attack in the United States; if this isn't enough for him he is also investigating a local conspiracy which will put him personally in real danger.

    I've tried to keep plot description to an absolute minimum as this is the sort of series best watched with no prior knowledge of what is going on; that way the story will slowly draw you in and as each episode draws to a close you will be left wanting to know what happens next. Of course a good series needs more than a good plot; it needs a great set of characters and it has them here; Will Travers, played by James Badge Dale, might not be an action hero in the Jack Bauer mould but he is believable and doesn't seem invulnerable. The rest of his team are equally ordinary; they are after all analysts, it is their job to identify threats, not to eliminate them. The only character that has any real sense of danger about him is Will's superior Kale Ingram, excellently played by Arliss Howard, you get the sense that he is the type of person who knows how to make people disappear. The only disappointment I had with this series was learning that it had been cancelled after only one series... without a proper resolution.
  • I have finished watching the first season of Rubicon, and I am in love with the show. I am in love with the atmosphere, the tension, the amazing subtle and effective writing. Let's start from the beginning...

    The Pilot of Rubicon is a very good opening, although flawed. You can immediately tell that this is a show more worried about telling a good story than action, which is all to good, yet is also backtracks on itself. The Pilot is the one that opens a mystery, and for the first few episodes it might seem like the show has nowhere to go, but keep in mind that it is a very carefully paced show. By episode 5 I was hooked. From then on, the show gets better and better, leading up to amazing story lines, and not just having to do with the overall mystery. The last four episodes of the season are masterful, as perfect as television can get. There might be a problem in that many viewers after 2 or 3 episodes might decide to give up on it simply because of the slow pace, and if that is the case then what a shame.

    Another thing that has to be noted about Rubicon is the great cast. James Badge Dale is very effective and a great lead, and Miranda Richardon does great in her limited screen time. Lauren Hodges as Tanya is the best of the females, carefully portraying a confused and misguided analyst who is not sure what her life should be. Arliss Howard and Michael Cristofer are the best in the series, for the fact that they are two of the most interesting and intriguing characters in TV in years. They masterfully play their characters to the highest order.

    Along with the great writing and acting, we have the great cinematography, which is the quality of the best films out there. It is on par with AMC'S other great series, Mad Men. Ultimately, Rubicon stands as one of the strongest shows I have seen in years, but it's slow pace, while completely refreshing to me, will give it a harder time to find a larger audience, which will then be the reason for it's demise. If that's the case, then we have a great mini-series, and the last scene plays perfectly for that, leaving viewers in a state of desperation.
  • Why the mania with fast-pace and superficial plot movers like a ticking clock in the lower right corner of a TV screen? Most people who write this show is slow must be under 30 yrs old -- if not eighteen years old. They simply do not have the perspective yet to appreciate what real intelligent thrillers are made of.

    This program is the opposite of Chinese food, which is known for being expedient but leaves you still hungry. Rubicon is like a satisfying 5-course meal, where you relish each round as you get closer to the finale.

    The show simmers, haunts and effectively accelerates with each episode. And good acting ensemble all the way around. The lead character Will, is low-key and portrayed by anti-actor James Badge Dale, not a fake Hollywood type like Tom Cruise that mugs for attention. A supporting character named Grant, who looks like Al Gore's distant cousin, fittingly annoys on cue. Music is a fine compliment to the intrigue.

    Message to the attention-deficit bunch: put down your mobile devices and surrender to the mesmerizing and thrilling storytelling that Rubicon truly is, and rarely found on television anymore. //
  • Warning: Spoilers
    Rubicon is the finest show never to be renewed in the entire history of television.

    1) tremendous writing and script

    2) erstwhile suspense and tension

    3) superb acting by all

    4) over the top issues at hand

    In short, this show was Homeland before there was Homeland; except this was way better written and acted.
  • No naked female buttocks. No gratuituos gay relationships. (not that there's anything wrong with that) No shootouts and not even one zombie.

    Just a thoughtful exploration of plot and character. That's part of what doomed this program. I've heard this one described as being in the mold of Tinker Tailor Soldier Spy or Smiley's People. I can partially agree with that assesment. If so then why did this one fail and those Le Carre offerings hold up? I'll speculate. Rubicon got off to a slow start but in the first episode, you were given two major keys to understanding the machinations of the covert plot that unfolds throughout the season. so things did get going, however subtly. Those Le Carre adaptations had Creme of the Crop A list talent, but that's not to say Rubicon lacked talented acting. But no A-listers here. Rubicon was created by Jason Horwitch who co-produced the final season of House Of Cards and was producer on several episodes of Soutland, which in my mind is one of the best cop shows to ever grace a TV screen. But having said that, he's no John Le Carre. There are only one of those. In the end II think this offering was a bit too quiet and dark for the average TV viewer to latch onto. Still I wonder what changes a second season would have rendered. Rarely does a network let a flawed show with potential to grow into its audience.
  • ascferme16 August 2010
    After watching the first couple episodes, I feel fairly confident that Rubicon will meet my expectations, so I rated it a 10.

    Rubicon is thought provoking political thriller that assumes its viewers are patient and intelligent enough to think for themselves. The show's main character, Will, is brilliant, yet as he says himself, he "doesn't know what to think anymore", however, since thinking is what he does best, not knowing what to think inspires him to set out on a journey to piece together and seek out the pattern that will lead him to the "truth".

    Rubicon leaves you with far more questions than answers and gets in your head and won't let you go. It's a nice change of pace from the mindless madness that has infiltrated every part of our media, including what is passed off as news.
  • If asked after the pilot, I would have given this series a 9/10. An episode later: 8/10. Now, after their third episode, it's down to 7/10.

    The good:

    The concept: A return to the "paranoia" genre of the 70s, but with a twist. The world-dominating clandestine organization is divided into echelons, and no matter how high up the hierarchy we glimpse, all we see are more and more pencil-pushing bureaucrats. "Truxton Spangler", the head of the protagonist's sub-organization is introduced as someone not powerful enough to open a small crack in his office's window in order to steal a few whiffs of a cigarette. (This is perhaps a tongue-in-cheek reference to The Smoking Man from The X-Files. The show is riddled with such references, such as the pilot's opening, lifted directly from "Three Days of the Condor". I would have preferred originality.) The concept is both innovative and daring, at least in TV, and that alone commands some attention.

    The characters: Despite some too-cluttered relationships and an over-populated character list (everybody in the show seems to have a rotten family life), the characters are all well rounded and believable. So far, I still care for them.

    The excellent dialogs: (This, perhaps, above all.) It's hard to find these days, in film or TV, dialogs that are as terse as the ones on this show, and that force the viewer to think, to reach into the internal monologues and to mentally fill the gaping silences. You can't zap through this series, but watching it closely is a rewarding experience.

    The art direction: In the spirit of the old "paranoia" movies, the colors are all bleached and gray. The only bright colors are the reds of two large "Stop" signs. The series also maintains a somewhat back-dated feel with its lack of cell-phones and Internet presence.

    The music: mood-setting and effective.

    Arliss Howard: Stellar performance as the shark-in-the-kiddies'-pool. Arliss plays a spook with a killer instinct trying to blend in with the pencil pushers.

    The bad:

    There seems to be no plot. The pilot sets out with two leading characters, each investigating a death that we know to involve foul play, but since that point, they've been mostly running around in circles, chasing a set of unconvincing and unhelpful clues left to them by the dead (who could have just said, outright, what they mean, but didn't).

    The pilot and episode 2 included crossword puzzle questions to the audience that were completely disjointed from anything else on screen. That was annoying and broke the thread of events.

    The bottom line: Suspense is what happens when you're glued to the edge of your seat not because something is happening on screen (It isn't) but because you anticipate something to happen shortly. It is a balancing act notoriously difficult to maintain successfully in a TV series. If too many things actually happen, there is no suspense. If not enough things happen, the suspense goes sour. "Lost" somehow managed to pull it off by convincing its persistent audience that answers will, eventually, come, and by continuously raising more and more questions. I think the collective anger at "Lost"'s failure to deliver any answers made viewers even less patient now than they were before. I think this is what axed "FlashForward" (which actually did deliver a constant stream of answers), and if "Rubicon" doesn't start moving the plot forward, and quickly, I fear it will suffer the same fate. Currently, the pace of the show is highly reminiscent of "The Conversation". This may have made it an instant classic in 1974, but in 2010 we just don't have that kind of patience anymore. I am going to give this show two more weeks, three on the outside, and if it doesn't start picking up the pace, it will have lost me. That would be a shame, as the show has so much talent and so much potential. In the words of the dialog between two of the clandestine operatives: "He's on the ledge again." "Do we care?"
  • Looking through the reviews here, I see a whole lot of high numbers and gushing praise, but having just finished the sole season of this overdone pageant of cliches I really don't get all the acclaim.

    First off, this would have been fabulous as a feature film, but gets bogged down with too little momentum and hardly any story line at all for the first ten episodes. I kept thinking each time the opening credits rolled, maybe this time we will finally start to see what this is about. No such luck until nearly the end, and by then so many tells had been carelessly slipped through the script that the final three episodes really came off as predictable, anticlimactic and even a little silly.

    Secondly, this is by no means the first time a film or series has been top-heavy with high-powered cast and dazzling production values but still failed to disguise how boring and underwhelming the whole production really is. JB Dale was certainly compelling even though his character was never really given any dimension to make Will Travers, Analyst much more than kind of tedious to endure; Jessica Collins as the hopelessly out-of-the-loop 'assistant' who kept barging in on classified meetings offering coffee and whatnot but never seemed to know what her job really was, much less did we ever see her actually doing one; and while I have always been a fan of Arliss Howard, this portrayal of a smirky, murky, passive-aggressive, tokenly gay spymaster was an implausible strain to endure at best, and through no lack of skill on his part trying to pull it off; Miranda Richardson is gorgeous, poignant and sadly endearing from the very first scene and throughout, but after a while one sees that this is pure artistry on her part as an actress because her character hardly has any dialogue and hardly adds anything to, you guessed it, a story that isn't one most of the way through.....

    Third, there are a plethora of loose ends, undeveloped plot tangents, unresolved relationships and needless sideshows. Sadly, most of these are hung like so much dead weight around the character of Maggie, who even though valiantly and even passionately played by Jessica Collins, ends up being such a distraction (why is this nice pretty lady even in this thing, and as what? Alienated nervous single mommy, pretty face at the office, spy for the boss, erstwhile love interest that never materializes, yada-yada) while we wait for the story to finally arrive, that I wonder if she didn't get it that her role was mostly being used as a time-consuming but easy-on-the-eye filler to get this thing through thirteen episodes.

    And fourth, as I mentioned, all the cinematic artistry in the world cannot hide the fact that we are asked to spend hours and hours taking an expensive high-end big-name production at its word that finally, at long last, the last three or four episodes might actually deliver us a story to follow. When it finally arrives, it kinda doesn't really work all that well, mostly because the most interesting thing from the preceding hours and hours of story-free spy-routine had been all the little tip-offs that made the actual story itself mostly look like a hasty copy-paste of some Tom Clancy wannabe novel, and neither surprising nor climactic in the least.

    Fifth, as spy-story scriptwriting goes, this is as lazy and sloppy as it gets. Breakthrough clues saving the day out of thin air, rooms full of PhDs making the most reckless wild guesses on the thinnest of evidence, constant interagency-rivalry jabs at other intel outfits lacking substance or credibility or relevance, a honeytrapping perfect-woman planted neighbor of no significance whatsoever to the non-story who from her first lines is obviously not what she says she is....

    I really did enjoy this for what it does have to offer: excellent casting, lush Big Apple cinematography, a sophisticated but not intrusive musical score, great sets, some very likeable and well-played background roles... but if you want a great spy thriller, keep looking. This shows all the signs of maybe, finally deciding to be one, and then never manages to. Not surprising at all that it didn't last past its first year.
  • A truly excellent series, splendid characters and actors particularly Michael Cristofer as the wonderfully eccentric Truxton Spangler and Arliss Howard as Kale Ingram. It was television drama at its best, the sort that needs one to concentrate on the dialogue. For me they got the pace spot on.

    Whilst initially I was disappointed that there was no second series, in retrospect it was right to bring the story to a close as it did. A second series would have undoubtedly lost its impetus and at least one vital character Certainly the best English language series of its kind so far this year.
  • I can see why many people would find this show hard to get into. The trailer for the show and the first episode appeared as though a deep, fast moving intelligence arena or encryption conspiracy was being presented. After the second and third episodes the energy appears gone and you're left wondering what the point is.

    However, given the nature of the subject matter the above is probably a good thing. The patient are rewarded by the details of the stories taking shape slowly and connecting. The brilliant performances - and they are brilliant, because every single actor/ess is believable as a real character, probably so much so that the apparent dullness of daily life in the show put a lot of viewers off - quickly subdue the watcher into thinking that many characters are bit players. But given time, each one has more depth and cracks than are at first apparent. I believe this will turn into something very different - where every character is important and has a role to play. In a slow burning show like this, time is what is needed.

    Having said that, I am only one or two episodes into being caught by the show. And it is still just a show. If the writers behind it cannot climax the tendrils of interests properly, it will fall heavily on its face. I would like to see this run, however, as it has the potential to not simply hit the tension-and-reset button between seasons, but be an engaging and truly thought provoking medium for many situations we find ourselves in.
  • The show is dynamic and A.M.C. has made their biggest mistake ever! I can't say how angry I am to find out when coming to IMDb to see if there was going to be a second season and Smash... Nothing. A.M.C... I hate you. Bring Rubicon back, you had something good, bring it back!

    Characters are interesting and the plot is phenomenal. Although it has been stopped, please watch. This series will follow like Firefly, Doctor Who, or Star Trek. Never cancel a good show. Remember A.M.C., some people get their stuff online. Did you check to see the internet download rates? The torrents have more thumbs up than the average Dr. Who! I can't express enough how valuable this show really is and I want everyone to know. I want everyone to be angry at A.M.C. I want everyone to think about this show. And I certainly want everyone staying up late at night to watch re-runs of Rubicon.

    BTW... Rubicon is a reference to the Rubicon river, which Caligula 's army in 49 AD I believe crossed to go to a war. "Crossing the Rubicon" derives from this act and therefore means "to go with no return". Love the title!
  • ejcarney10 February 2014
    This series, short-lived as it was, holds up well. I'm watching it for the third time (thanks to Amazon Prime Video). With its pace, its characters, its dialog, even its cinematography, it all comes together nicely.

    Actors Christopher Evan Welch, James Badge Dale, Arliss Howard, Annie Parisse, Dallas Roberts (especially) are all excellent. Jessica Collins is hot (watch and see if you don't agree).

    The plot is outlandish, but so what? Edward Snowden has made such outlandishness seem all too possible.

    Not many such series are watchable over and over. This one has proved itself an evergreen.

    Put it on your Watchlist; it's worth it.
  • I'm evaluating the whole series here, not just the first episode.

    It's a darn good show - really darn good. Well worth watching in 2018, and also worth rewatching, which I plan to do in a few months once the show isn't so fresh in my mind anymore.

    There have been many TV shows about spies and subterfuge (Homeland, The Americans) and terrorism (The Looming Tower, The Unit, 24, etc.). But this show filters America's "war on terror" through an intel analysis firm, where brilliant and bookish individuals sift through raw intel to give recommendations for America's NatSec apparatus. And that's only part of the show; the other part involves a creepy, wide-ranging conspiracy that's ever bit as exciting and scarily omniscient as the ones you'd find in those classic 70s conspiracy flicks like "The Parallax View" and "All the President's Men."

    The writing is thoughtful and the dialogue is rich; there's so much of substance here, and the show doesn't need big explosions or shootouts or anything like that to sustain an intricate, fascinating plot and rewarding character arcs. Everyone is interesting, from James Badge Dale as the paranoid, hyper-focused analyst Will Travers to Miranda Richardson as widow Katherine Rhumor, who is trying to figure out why her rich husband suddenly took his own life.

    Special commendation, though, has got to go to Arliss Howard as Will's supervisor Kale Ingram: the coolest, most fascinating, chilly and badass middle-aged gay character I think I've ever seen on an American TV show (refreshingly, Ingram's homosexuality is simply presented as is, with no frills or B.S., something shows in 2018 still struggle to do). And Michael Cristofer as the cigarette-smoking weirdo and head of API Truxton Spangler is another winner: every scene he's in positively crackles, and his true motivations will keep you guessing.

    From the cinematography (you'll think you're watching a Hollywood movie half the time, it's so good) to the writing to the performances, this is a show to treasure and savor. Budding screenwriters simply must study this show's scripts, and the show overall is is one of the most wickedly smart things I've ever seen on American TV. Shame there's only the one season; it could've done a lot better if it came out today on a streaming platform.

    Do yourself a favor and watch Rubicon, if only to see just how good TV can be.
  • Either it is some curse or whatever, but the best of the shows on TV don't live long. There are many great TV shows alive, many died long time ago, but rarely some of them live for more than a a season or two, except some of them even 4 or 6 or 9. I say 4 season per show is OK, 5 even more beautiful, 6 magnificent, but some of them that deserves more of it regarding applause from audience ends after first. Why? Then I made a short survey, and of course it is because of some profit from number of viewers. But then is that really true?

    Let's put aside that. Rubicon is one of the unique TV shows with its theme. The quality in complete is not questionable, and it reminds me on movie like it is "3 Days of Condor" for example. The other day I watched "Page Eight" and it reminds me on this show. But that is my impression.

    Even this show had no explosive plot, its slow yet clever plot put as inside the story in fine way. And it is a great mysterious thriller. I liked how authors of the show presents us that behind the scene life, and how they developed tension. Any when it came to its crescendo they cancel it.

    It is really a pity, and it takes some time to put my anger aside. Well that is life and that is production companies politic. As Rubicon breath more as a movie than TV show I put it in my film library as one great long running movie.
  • I've watched all episodes of Rubicon and find it a welcome addition to our TV viewing. It is a thought provoking series, engrossing, low key and it keeps the viewer in suspense. It is the type of mystery that may not appeal to everyone. The list of characters although unknown by name to most viewers, have been well cast in their parts. These are people one can relate to in the real world. There are not the usual chase or shock value scenes that are common in many of today's TV thrillers, but never-the-less it is a refreshing departure from the garden variety TV shows. I congratulate the producers of this show for giving us food for our minds and also for their willingness to take a chance on a show that may not appeal to certain segments of our TV audience. I just hope Rubicon will continue with new episodes for a long time to come. I now have something to look forward to come Sunday. I think the one episode per week format is a problem. I for one find it difficult to wait an entire week to see more. Maybe a new episode every 3 days might keep the audience faithful.
  • I tend to like intelligence/conspiracy movies and series, and I do not find that such works should be full of chases, explosions, assassins, and the like, but I would like to see unpredictable events, focusing on private life only if it provides additional value to the course of main activities, and references to the guilty ones as late as possible. Emanating from above, I can't say I am too satisfied with the general frame of the plot, a lot became evident too soon; the only real set of surprise applies to Will's next-door neighbor Andy. And the ending - too odd and vague, perhaps meant for possible sequel.

    Apparently, there were many British paragons, but the US accomplishment left somewhat to be desired. Thus, the series could have shorter, perhaps even by half.

    As for the cast, James Badge Dale as Will Travers is slightly arid to me, although I can imagine that mastermind analysts are not too colorful persons... The most distinctive for me were Arliss Howard as Kale Ingram and Michael Cristofer as Truxton Spangler; female characters were not defined in this series, although I have always liked Miranda Richardson.

    Well, I prefer e.g. Tinker Tailor Soldier Spy, House of Cards.
  • Warning: Spoilers
    One cannot properly review this brilliant and exceptional TV series without spoilers. I have tried to avoid them but my best advice to the reader is stop here. Well, you have decided to go on reading anyway. Be assured I have been very careful not to reveal the plot itself.

    Instead, I shall simply point out the strong points of Rubicon and why I think it is well worth watching. Remember Rubicon is the symbol of no return, the burning of bridges after one has crossed them if you will. It is derived from the name of a minor Italian stream that marked the southern limit of Gaul. In leaving Gaul behind him Caesar followed his critical and irreversible decision to cross the Rubicon and march on Rome with his legions. Exactly how such a title applies to the series is still a mystery to me so I must watch the series again it on DVD when it becomes available.

    The series' own slogan is "Not Every Conspiracy is a Theory". There are no prior assumptions about a rather weakly linked chain of events that begin with a suicide of a person who at the beginning we do not know or what his motive was in blowing his brains out . The conspiracy, if indeed, there is one, may be uncovered by bringing together different pieces of evidence in a limited time without forming any hypothesis. On the way to solving or at least clarifying the problem the hero, the team leader , is beset by unexpected setbacks, offset to some extent by even less expected chance revelations and/or inspirations without prejudice. This is an intelligent person's spy tale with a non-Hollywood ending that, instead leads to all sorts of speculation.

    The mostly American actors are superb, the script is well written and the music track pleasant and not annoying. This is not a James Bond or a 24 Hours fantasy, nor is it a John Le Carre film based on his novels. A small team of government analysts, all facing problems and different motives in their dysfunctional private lives, have links to the FBI and the CIA but work in a maverick way that the regular secret services cannot understand, The underfunded unit is looking into the case of a suspected terrorist and toils long hours in an obscure set of gloomy offices in a back street converted warehouse of lower Manhattan. They have to piece together a difficult jigsaw puzzle with many missing pieces in a slow painstaking way despite time being of the essence. The main characters are more than just interesting as each displays a range of human strengths and weaknesses. These are real people neither Hollywood glamor pusses nor the sort of cardboard images one too often sees in TV series. The unit shows an ability to work as a team sometimes and at cross purposes at others.

    Despite its deliberate pace and sobriety Rubicon has the necessary elements of love, back biting, and treachery. Unlike most other spy thrillers it is not drenched in action but not devoid of it either. Suicide, murder and mayhem as well as love, erotic sex and betrayal are here but do not dominate. All the usual salacious stuff that turns viewers on (or off) is soft pedaled and much left to the imagination. When one thinks about it the understatements in Rubicon are more pungent than the obvious sex and gore seen in most TV today. Some viewers may find Rubicon slow at first but my advice is wait until the DVD comes out, once the kids and maiden Aunt Edith have gone to bed Try and focus on the details and lines, and exchange of remarks (the advantage of DVDs over live TV is one has the ability to pause and go back).

    Rubicon was limited to one season of 13 of roughly one hour ad-free episodes. Some viewers may have been disappointed that AMC decided against a second season. However, I think the AMC folk were right. By the end of episode 13 the plot had developed as far as it could, with the hero and viewers left holding the final piece of the puzzle and wandering how it fits, although most of us will have a pretty good idea. The ending does leave the viewer in suspense but,thank God, at the end there is no Hercule Poirot smugly explaining in every detail how he came to his conclusion. it would have been clumsy to have gone on even five minutes longer than the actual final fade out.
  • One could see why it wasn't renewed. Midway thru the 1st season, the lead makes a serious and unbelievable error in judgement in a downtown internet cafe. A little slow, but OK. Good players, shoddy production. Poorly thought out story line. Spy/espionage genre, tough to get right.
  • Warning: Spoilers
    I would rate this show 8/10 as it really engaged me, and I was hold in suspense.

    I tried hard not to think too much about how little sense lost of it made, the ridiculous going to papers in the digital age. The constructed scenes where everyone has a word to say and the teamwork always shows.

    In the beginning, this one walked on thin ice by pretty much revealing absolutely nothing, to a degree that was almost off-putting. Then they trick you into thinking this is going somewhere. They do a superb job of basically still not revealing anything but somehow make you think it's moving slowly, and it somehow actually is, depending on your definition. Again 8/10 suspense.

    But here is why I subtract 4 stars. I thought it was all a buildup to some grad super satisfying finale. There is a scene where Will is basically soon damn close to the single most important evidence. You w8ed 13 episodes for it, and the writers torture you by not letting him have it. The last episode reveals absolutely NOTHING. You basically know as much as you suspected halfway in. There apparently was another season planned, but it was cancelled.

    So if you are up for a huge cliffhanger, and a conclusion that will never come, go for it!
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