Katniss Everdeen voluntarily takes her younger sister's place in the Hunger Games: a televised competition in which two teenagers from each of the twelve Districts of Panem are chosen at ran... Read allKatniss Everdeen voluntarily takes her younger sister's place in the Hunger Games: a televised competition in which two teenagers from each of the twelve Districts of Panem are chosen at random to fight to the death.Katniss Everdeen voluntarily takes her younger sister's place in the Hunger Games: a televised competition in which two teenagers from each of the twelve Districts of Panem are chosen at random to fight to the death.
- Won 1 BAFTA Award
- 34 wins & 49 nominations total
- Hob Vendor
- (as Sandra Lafferty)
Summary
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I could go on about the particulars of the adaptation -- the ridiculousness of the entire Capital setting, or the sometimes disorienting shakycam work, or the great cast of adults patiently playing supporting characters -- or the source material -- the gestures at social commentary, the way that the story protects Katniss from ever having to morally sully herself -- but they all seem to be beside the point. Look. The movie has the things that happened in the book, but in a movie, competently shot and acted, with absolutely no risks taken. If you liked the book, or want to learn what this whole Hunger Games thing is about without having to read the book, you'll probably like this. It's a digestible film, even an enjoyable one, but in the end it's not really interesting or memorable. But to be fair, it wasn't meant to be.
It's easy to forget that way back in 2012 this was fresh and new, tonally dark cinema, aiming for the teenage demographic. Perhaps that's a large reason for the success of the franchise, it was new and interesting, everything since has just been a rehash, located in a different world.
Refreshingly dark and mature, visually graphic, The Hunger Games has a lot going for it, as a visual spectacle, not so much as an immersive and compelling story. Narratively it meanders, without intent, there's a station to arrive at but not the train track to get there. Tonally gloomy at times, balance is hard to find. Switches in mood make the texture of the atmosphere uneven, because changes are jarring and misplaced. The edit failed to maximise the potential seeping throughout. Scenes are drawn out and end on odd notes, something that could've been tightened up in post-production. Additionally more cuts to and through between the Games and the world at present would've helped to increase tension while the story pondered, the scale and public reaction isn't documented anywhere near enough, if at all. Personally I feel the editing really trips this film up, it's quite easily 10-15 minutes too long, feeling even longer due to the fact of how much sitting around there is.
Stretched so far it's see through, the ending is blatant from the get go, meaning there's not much to keep you interested after the half hour mark.
Gary Ross shows wonderful craft and delicacy when concerning the dark themes of oppressed society, life without choice and just how bleak living in a dictatorship is. In the first act he manages to craft a tone and atmosphere that reeks of desperation, fear, the empty void of hopelessness and life without control. Yet he lifts the mood with the slightest and smallest of scenes between Kat and Gale, serving as a reminder of humanity's ability to dream and aspire for a better world. Each shot set in District 12 is delightful, sombre chills run through every vein as you are enraptured in fear and anxiety. The build up to and throughout the reaping is tense and nauseating, interactions with Kat and her sister are filmed so preciously. Sound is well utilised through the overdrawn run-time, music is allowed to overrun and dominate, drowning out the world perfectly and symbolically. An example that comes to mind concerning the sound is when Kat offers herself up, her screaming juxtaposed against the silence sets her out from the rest, nailing her on as the protagonist we will all route for. Selfless.
This was Jennifer Lawrence's big break in the public eye, she left a good impression. Portrayed with care, Katniss is delicately played when is necessary but can easily surge with passion when needed. Reminiscent of an indie film portrayal, Jennifer showcases her range and hits all the marks, and you, in all the right places.
Hunger Games starts off brilliantly, it's exhilarating and tense, filled with subtlety. Has a terrific lead performance that powers you through. It's weighed down by an underwhelming narrative, that's evened out with an enjoyable character arc. Sadly it gets wrapped up in it itself, losing its awareness of how sick a situation this is, and rather than point it out, chooses to accept the societal issues, it so cleverly addressed in the beginning. We then drift and chunder toward the inevitable ending.
Nevertheless I'd quite happily re-watch the first act, but would have no qualms with skipping the rest.
It's a solid piece of film-making.
The film offers a lot of potential and this potential is evident from the start because it sets out its stall to be many things. Firstly there is plenty of room for satire by virtue of this exaggerated futuristic world where this annual murder is presented as both entertainment and also as a way of punishing the masses and keeping them in their place while those with the power enjoy the best of life. Secondly there is the opportunity to draw the audience into being a viewer of this very thing and then confronting us with the horror of what it really means so that there is at least a part of us questioning what we're finding entertaining. I wasn't looking for this to be some incredibly dark film that spits out an audience full of self-loathing and introspection, but I did expect it to be intelligent and impacting on some level to make it stand out from being just a teen-friendly adventure story.
The film itself surprised me by falling far short of what it could have been and squandering or ignoring most of the things of the potential it had. In terms of the satire, it never convinced me of the world it had created – it seemed unnecessarily excessive and didn't have enough truth to it to make me believe. I got the impression that it wasn't particularly interested in making the world function as a real place either – just that it was on screen was enough. As a place for commentary or digs at real things, it wasn't that it picked easy targets or easy shots, it was more a matter of it not really having much interest in saying anything beyond a few very basic things. This is a problem not only because it wasted potential but also because the first hour or so of this film is entirely in this world.
The second hour is within the games itself and as such it does have dramatic moments as one would expect (it is after all, an expensive Hollywood thriller), however these are fewer than I would have liked and also a lot less impacting – I watched most of it with a removal that I shouldn't have had. The delivery of children violently murdering other is only horrifying in regards how sanitised and unhorrific it is. I wasn't looking for it to be really gory or to revel in the blood, but it certainly should not have been something that I watch without any reaction. This lack of horror (even just emotional horror) leaves the game as a rather hollow affair which eventually turns into a standard thriller where we root for the "good" kids over the "bad" kids, even though it would have been stronger to have not drawn that very easy line.
The performances are mostly solid even though the majority have little to work with. Lawrence is a good actress and she adds a weight to her character tat doesn't seem to come from anywhere but her. I liked her throughout – even terrible "fire" special effects seemed unable to make her look bad. The supporting cast aren't able to bring as much as her to the table – even though there are plenty of big names here. The majority of the other children are carefully cast and given exits from the story that befits the easy-road approach to the plot.
I wasn't sure what to expect from this film but I was surprised to find that the words sanitised, safe and standard were the ones that kept going through my mind considering I was watching a globally successful satire that uses the murder of children by other children as its core plot. As it is The Hunger Games comes off as a lot of ideas that have been done better elsewhere and any teeth it may have had are all smoothed down and buffed into a consumer friendly product that will undoubtedly become a smash franchise – my only hope is that the next film can deliver some of its promise and not just churn out something as safe, generic and frankly unmemorable as this one.
Storyline
Did you know
- TriviaThere was a swear jar on the set. Co-writer and director Gary Ross said half of it was contributed by Jennifer Lawrence.
- Goofs(at around 16 mins) After Katniss volunteers for Prim, it shows the crowd putting three fingers over their lips and kissing it as a sign of respect. You can clearly see a man in the crowd wearing black with a camera. This is often mistaken as a goof but remember that the 'Reaping' is being televised across Panem.
- Quotes
Caesar Flickerman: So, Peeta, tell me, is there a special girl back home?
Peeta Mellark: No. No, not really.
Caesar Flickerman: No? I don't believe it for a second. Look at that face. Handsome man like you. Peeta... tell me.
Peeta Mellark: Well, there, uh... there is this one girl that I've had a crush on forever.
Caesar Flickerman: Ah.
Peeta Mellark: But I don't think she actually recognized me until the Reaping.
Caesar Flickerman: Well, I'll tell you what, Peeta. You go out there, and you win this thing, and when you get home, she'll have to go out with you. Right, folks?
Peeta Mellark: Thanks, but I, uh, I don't think winning's gonna help me at all.
Caesar Flickerman: And why not?
Peeta Mellark: Because she came here with me.
- Crazy creditsThe film opens with a worded passage about the history of the Hunger Games. In the last section, all of the text fades away except for the film's title.
- Alternate versionsA rough cut of the film was submitted to the BBFC in the UK for an advisory screening, a process used by filmmakers to see how likely a film will obtain a certain rating. The BBFC explained a 12A rating would be likely if the violence was toned down. Four scenes were changes, removing bloody violence, threat and a scene of injury. These included the use of alternate footage and the digital removal of blood. When the finished film was submitted to the BBFC for a formal classification, the BBFC stated that more cuts would be needed in order to secure the 12A. Blood splashes were digitally removed from both impacts to bodies and blood on blades of weapons, achieved through the darkening of certain shots and by digitally erasing blood from the image. The BBFC then gave the film a 12A rating for cinema release. This pre-cut version was released on DVD in the UK with a 12 rating. However, the US PG-13 version was submitted to the BBFC for the UK Blu-ray release, which was classified '15' uncut.
- ConnectionsFeatured in Side by Side (2012)
- SoundtracksDeep in the Meadow
(Lullaby)
Lyrics by Suzanne Collins
Music by T Bone Burnett and Simone Burnette
Performed by Jennifer Lawrence and Willow Shields
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Los juegos del hambre
- Filming locations
- Shelby, North Carolina, USA(District 12 reaping ceremony)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $78,000,000 (estimated)
- Gross US & Canada
- $408,010,692
- Opening weekend US & Canada
- $152,535,747
- Mar 25, 2012
- Gross worldwide
- $695,220,619
- Runtime2 hours 22 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1