Katniss Everdeen voluntarily takes her younger sister's place in the Hunger Games: a televised competition in which two teenagers from each of the twelve Districts of Panem are chosen at ran... Read allKatniss Everdeen voluntarily takes her younger sister's place in the Hunger Games: a televised competition in which two teenagers from each of the twelve Districts of Panem are chosen at random to fight to the death.Katniss Everdeen voluntarily takes her younger sister's place in the Hunger Games: a televised competition in which two teenagers from each of the twelve Districts of Panem are chosen at random to fight to the death.
- Won 1 BAFTA Award
- 34 wins & 49 nominations total
- Hob Vendor
- (as Sandra Lafferty)
Summary
Featured reviews
It's easy to forget that way back in 2012 this was fresh and new, tonally dark cinema, aiming for the teenage demographic. Perhaps that's a large reason for the success of the franchise, it was new and interesting, everything since has just been a rehash, located in a different world.
Refreshingly dark and mature, visually graphic, The Hunger Games has a lot going for it, as a visual spectacle, not so much as an immersive and compelling story. Narratively it meanders, without intent, there's a station to arrive at but not the train track to get there. Tonally gloomy at times, balance is hard to find. Switches in mood make the texture of the atmosphere uneven, because changes are jarring and misplaced. The edit failed to maximise the potential seeping throughout. Scenes are drawn out and end on odd notes, something that could've been tightened up in post-production. Additionally more cuts to and through between the Games and the world at present would've helped to increase tension while the story pondered, the scale and public reaction isn't documented anywhere near enough, if at all. Personally I feel the editing really trips this film up, it's quite easily 10-15 minutes too long, feeling even longer due to the fact of how much sitting around there is.
Stretched so far it's see through, the ending is blatant from the get go, meaning there's not much to keep you interested after the half hour mark.
Gary Ross shows wonderful craft and delicacy when concerning the dark themes of oppressed society, life without choice and just how bleak living in a dictatorship is. In the first act he manages to craft a tone and atmosphere that reeks of desperation, fear, the empty void of hopelessness and life without control. Yet he lifts the mood with the slightest and smallest of scenes between Kat and Gale, serving as a reminder of humanity's ability to dream and aspire for a better world. Each shot set in District 12 is delightful, sombre chills run through every vein as you are enraptured in fear and anxiety. The build up to and throughout the reaping is tense and nauseating, interactions with Kat and her sister are filmed so preciously. Sound is well utilised through the overdrawn run-time, music is allowed to overrun and dominate, drowning out the world perfectly and symbolically. An example that comes to mind concerning the sound is when Kat offers herself up, her screaming juxtaposed against the silence sets her out from the rest, nailing her on as the protagonist we will all route for. Selfless.
This was Jennifer Lawrence's big break in the public eye, she left a good impression. Portrayed with care, Katniss is delicately played when is necessary but can easily surge with passion when needed. Reminiscent of an indie film portrayal, Jennifer showcases her range and hits all the marks, and you, in all the right places.
Hunger Games starts off brilliantly, it's exhilarating and tense, filled with subtlety. Has a terrific lead performance that powers you through. It's weighed down by an underwhelming narrative, that's evened out with an enjoyable character arc. Sadly it gets wrapped up in it itself, losing its awareness of how sick a situation this is, and rather than point it out, chooses to accept the societal issues, it so cleverly addressed in the beginning. We then drift and chunder toward the inevitable ending.
Nevertheless I'd quite happily re-watch the first act, but would have no qualms with skipping the rest.
It's a solid piece of film-making.
In this killing game with no humanity, no rules, and no shame, the purpose of the game is just to make people forget to resist and lose their humanity.
One of the most important rules of the hunger game is: only one survives.
This man returned Yijin to the "privilege, wealth, reputation, prosperity" that the poor compatriots in his hometown envied.
Every game, everyone will watch. In the process of watching, everyone is immersed in it.
At this moment there must be countless ideas in their hearts. But under the guns of the army and under the huge screen, there is no way to show ideas.
Paying attention to the game itself is the only correct expression.
What is suppressed is human nature Many people expressed their desire to live according to their own wishes, and they did not want to be a pawn at their disposal. They are normal human beings with thoughts, humanity and desires, not desperate hunting machines.
It's just that in the end, either look at the distance or choose to die. A certain area can't stand it, it's a riot. They were greeted by repression, slaughter, bloodbath, and company.
In the game, the last deceased thinks he understands the rules of the game before dying and thinks the winner is the default. In fact, the outcome of the game does not matter to the president.
This supreme commander doesn't care who the dead person is or whoever wins. The only thing he was afraid of was surprise, surprise, and people 's emotions beyond control, their yearning for silencer, and their resistance to bondage.
OK, look, I'm probably old enough to be the grandfather of most of the people submitting reviews to this movie. I am not into the teen age drivel that seems to be everywhere you look these days but .....
I first heard about the story when the book came out. It seemed you couldn't turn around without hearing it being discussed everywhere. The enormous hype made me mildly curious, but not so curious that I wanted to read the book. Fast forward several years: the book had been out, the movie hade been out, the DVD had been out and only then did I accidentally stumble across the DVD at the library. I could check it out for free and if I didn't like it I could turn it off after ten minutes ... so, why not?
I immediately found myself captivated by the beautiful cinematography and background theme and despite the over-the-top and ridiculous costumes and makeup of the people in The Capitol I decided to continue watching. I was drawn deeper and deeper into the story and the characters and after about a fourth of the way through I knew I was hooked. The acting, starting with Jennifer Lawrence, was exceptionally good. I have to go through about 25 movies before I find one that I can say I absolutely loved ... this was a 25er.
To finish my story: unbelievably, when I returned the DVD to the library, on a table in the lobby of the library where they sold used books cheaply, I found a mint condition copy of the book (the big paperback format) for fifty cents. I grabbed it. I began reading the book when I got home and couldn't put it down even though I already knew the story. Collins' writing style was as captivating as her story and the very few differences between the movie and the book were not worth mentioning. Actually, I thought the movie version of the ending was better (just couldn't imagine Rue as a werewolf).
I now own, and have seen and read, all of the books and movies of the franchise and consider them among some of the best entertainment of my life. SO it seems the old adage is wrong because you really CAN teach an old dog new tricks. Other young adult movies came out after 'The Hunger Games' which tried to capitalize on the same type of theme and they, by comparison, have failed miserably in my estimation.
I could go on about the particulars of the adaptation -- the ridiculousness of the entire Capital setting, or the sometimes disorienting shakycam work, or the great cast of adults patiently playing supporting characters -- or the source material -- the gestures at social commentary, the way that the story protects Katniss from ever having to morally sully herself -- but they all seem to be beside the point. Look. The movie has the things that happened in the book, but in a movie, competently shot and acted, with absolutely no risks taken. If you liked the book, or want to learn what this whole Hunger Games thing is about without having to read the book, you'll probably like this. It's a digestible film, even an enjoyable one, but in the end it's not really interesting or memorable. But to be fair, it wasn't meant to be.
Storyline
Did you know
- TriviaThere was a swear jar on the set. Co-writer and director Gary Ross said half of it was contributed by Jennifer Lawrence.
- Goofs(at around 16 mins) After Katniss volunteers for Prim, it shows the crowd putting three fingers over their lips and kissing it as a sign of respect. You can clearly see a man in the crowd wearing black with a camera. This is often mistaken as a goof but remember that the 'Reaping' is being televised across Panem.
- Quotes
Caesar Flickerman: So, Peeta, tell me, is there a special girl back home?
Peeta Mellark: No. No, not really.
Caesar Flickerman: No? I don't believe it for a second. Look at that face. Handsome man like you. Peeta... tell me.
Peeta Mellark: Well, there, uh... there is this one girl that I've had a crush on forever.
Caesar Flickerman: Ah.
Peeta Mellark: But I don't think she actually recognized me until the Reaping.
Caesar Flickerman: Well, I'll tell you what, Peeta. You go out there, and you win this thing, and when you get home, she'll have to go out with you. Right, folks?
Peeta Mellark: Thanks, but I, uh, I don't think winning's gonna help me at all.
Caesar Flickerman: And why not?
Peeta Mellark: Because she came here with me.
- Crazy creditsThe film opens with a worded passage about the history of the Hunger Games. In the last section, all of the text fades away except for the film's title.
- Alternate versionsA rough cut of the film was submitted to the BBFC in the UK for an advisory screening, a process used by filmmakers to see how likely a film will obtain a certain rating. The BBFC explained a 12A rating would be likely if the violence was toned down. Four scenes were changes, removing bloody violence, threat and a scene of injury. These included the use of alternate footage and the digital removal of blood. When the finished film was submitted to the BBFC for a formal classification, the BBFC stated that more cuts would be needed in order to secure the 12A. Blood splashes were digitally removed from both impacts to bodies and blood on blades of weapons, achieved through the darkening of certain shots and by digitally erasing blood from the image. The BBFC then gave the film a 12A rating for cinema release. This pre-cut version was released on DVD in the UK with a 12 rating. However, the US PG-13 version was submitted to the BBFC for the UK Blu-ray release, which was classified '15' uncut.
- ConnectionsFeatured in Side by Side (2012)
- SoundtracksDeep in the Meadow
(Lullaby)
Lyrics by Suzanne Collins
Music by T Bone Burnett and Simone Burnette
Performed by Jennifer Lawrence and Willow Shields
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Los juegos del hambre
- Filming locations
- Shelby, North Carolina, USA(District 12 reaping ceremony)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $78,000,000 (estimated)
- Gross US & Canada
- $408,010,692
- Opening weekend US & Canada
- $152,535,747
- Mar 25, 2012
- Gross worldwide
- $695,220,619
- Runtime2 hours 22 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1