In a post-apocalyptic wasteland, a woman rebels against a tyrannical ruler in search for her homeland with the aid of a group of female prisoners, a psychotic worshipper and a drifter named ... Read allIn a post-apocalyptic wasteland, a woman rebels against a tyrannical ruler in search for her homeland with the aid of a group of female prisoners, a psychotic worshipper and a drifter named Max.In a post-apocalyptic wasteland, a woman rebels against a tyrannical ruler in search for her homeland with the aid of a group of female prisoners, a psychotic worshipper and a drifter named Max.
- Director
- Writers
- Stars
- Won 6 Oscars
- 245 wins & 234 nominations total
Iota
- The Doof Warrior
- (as iOTA)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'Mad Max: Fury Road' is acclaimed for its intense action, groundbreaking stunts, and practical effects. The post-apocalyptic desert setting and scarce resources are pivotal. Tom Hardy and Charlize Theron's performances are lauded for their chemistry and depth. The film's feminist themes and strong female characters are highlighted, though some critique the story's simplicity and lack of backstory. The visual style and cinematography are frequently praised. Despite minor criticisms, it is often hailed as a modern action classic.
Featured reviews
The rationale behind the success of 'Fury Road' predominantly lies with director George Miller whose commitment and love for the film series that he's been developing since its first outing in 1979 is evident throughout, and it's pretty obvious that he knows how to craft a damn fine action sequence. Without this passion, the film would have likely stooped as there's not much else in the way of a plot or character development, even though Theron tries her hardest to give us an enthralling new action heroine to be revered. Aside from the aforementioned writing setbacks, 'Fury Road' is a powerhouse in the technical categories. With stunning contradictory cinematography from John Seale giving us a post-apocalyptic world of lavish colour rather than your typical muted tones, a heart-pounding score from Junkie XL and exquisite production design work that rightfully earnt the film an Oscar (one of six) for its spectacular vehicle design.
The opening is wild, kicking off with a captivating start. I think everything about this movie is perfect: the visuals, the action, the dialogue, the costumes, the acting... it was both beautiful and apocalyptic. I loved how everything felt like a rock 'n' roll fest.
I love dystopian movies, but you don't have to be a fan to recognize how amazing this was. It's a story of survival in a savage wasteland, every scene felt epic. I liked the cult-like nature and how they glorified their deaths like they were Vikings. Everything was eccentric and crazy, with non-stop action for nearly the whole movie.
It's really dystopian and wild, so it's surprising that this was actually a mainstream hit. "Do not become addicted to water" was such a wild statement, lol.
The premise is very simple; I don't think I can think of a more simplistic movie that worked so well. They drive out into the desert, then make a U-turn back to where they came from. That's it. And it's a blast. This is my favorite action movie, jam-packed with crazy sequences.
The movie is really just one huge dystopian action sequence, so I guess the drawback could be that it's all action. If you're looking for something more, you won't find much. Apparently, Mad Max lore has some complex and darker elements, and maybe the upcoming Furiosa will delve deeper into that.
Furiosa was probably the main character; it felt like Mad Max himself was just tagging along. The villain, Immortan Joe, was great. All the characters are memorable. And because the premise is so simple and the movie is so action-packed, it feels shorter than it actually is. It's just great fun and keeps me glued to the screen. Looking forward to Furiosa: A Mad Max Saga.
I love dystopian movies, but you don't have to be a fan to recognize how amazing this was. It's a story of survival in a savage wasteland, every scene felt epic. I liked the cult-like nature and how they glorified their deaths like they were Vikings. Everything was eccentric and crazy, with non-stop action for nearly the whole movie.
It's really dystopian and wild, so it's surprising that this was actually a mainstream hit. "Do not become addicted to water" was such a wild statement, lol.
The premise is very simple; I don't think I can think of a more simplistic movie that worked so well. They drive out into the desert, then make a U-turn back to where they came from. That's it. And it's a blast. This is my favorite action movie, jam-packed with crazy sequences.
The movie is really just one huge dystopian action sequence, so I guess the drawback could be that it's all action. If you're looking for something more, you won't find much. Apparently, Mad Max lore has some complex and darker elements, and maybe the upcoming Furiosa will delve deeper into that.
Furiosa was probably the main character; it felt like Mad Max himself was just tagging along. The villain, Immortan Joe, was great. All the characters are memorable. And because the premise is so simple and the movie is so action-packed, it feels shorter than it actually is. It's just great fun and keeps me glued to the screen. Looking forward to Furiosa: A Mad Max Saga.
Rewatching this before Furiosa felt like a cornucopia of action, eye candy and quite simply, madness. It's a film that has a simple plot and premise but is heavy on pretty much everything else from dedicated actors sinking into the madly written lines and plot, gorgeous cinematography, an excellent audio score and the excellent use of practical effects. Seriously it uses such a blend of practical effects within special effects that compliment each other so well you start to believe they're actually in these crazy chase sequences including a ridiculous one through a live sand storm that was wicked to watch unfold. My only complaints would be it could have used a little more complex plot and Max himself could have been in the movie more as a protagonist instead of feeling like a supporting character in a movie with his name in the title. Other than that it's a wild ride from start to finish with almost near non stop action to keep you invested until the climactic, while partially abrupt, finish.
George Miller elevates action and violence to a true art form in this remake of a classic. The film is a gripping full adrenaline race across the desert of a post-apocalyptic future. The action sequences are mesmerizing and the work of a true master craftsman in action. What is perhaps the most enthralling part of the film is the absolutely absurd story and world building. Miller created a fantasy world where men playing flame throwing guitars and leaping through high speed chases on pull-vaults seems like a typical milk run. The movie keeps a relentless action pace that makes all of the absurdity seem so completely ordinary, which might be the real magic of this movie. This is only really possible because the action, filmography, set choices and music are so brilliant you cannot help but believe the insanity that plays out before you. You want to believe the fiction because of the quality of the production. The movie also features some surprisingly good performances. Charlize Theron being the real the star of the film, with the titular character really only acting as her support.
MAD MAX: FURY ROAD is the finest piece of pure action spectacle that I've watched since THE RAID 2 and JOHN WICK. It feels like the MAD MAX film that George Miller always wanted to make, and in many ways it's a virtual remake of MAD MAX 2: THE ROAD WARRIOR, except with a grossly inflated budget and CGI effects used to enhance rather than dominate. Now, I love THE ROAD WARRIOR and always will, but MAD MAX: FURY ROAD truly is an action film for our times.
I know that some will hate it; the story here is action and action alone and there's little else to get in the way. It's one long chase film and the amazing thing is how they manage to sustain the momentum for a good two hours. Exemplary cinematography and quite wonderful direction is what makes this work. With bad direction it would have been a real chore to sit through, but instead we get tons of suspense, great fight scenes, and incredible spectacle. This is the kind of film you watch to see stuff that's never been done before.
Tom Hardy feels like an obvious fit for the role and brings some working class style charisma to the part. As many have commented, Max is often a supporting player in his own film, but Charlize Theron as the real lead is excellent too, so that's not important. Even Nicholas Hoult in support is fantastic. I loved the way that the bad guy is played by Hugh Keays-Byrne, who was the villain in the first MAD MAX all those years ago. Overall, though, this is a film not about the people, but the Namibian desert landscapes, the modded vehicles, the speed, the violence, the overall thrill of the chase. And it's pretty much my idea of a perfect film.
I know that some will hate it; the story here is action and action alone and there's little else to get in the way. It's one long chase film and the amazing thing is how they manage to sustain the momentum for a good two hours. Exemplary cinematography and quite wonderful direction is what makes this work. With bad direction it would have been a real chore to sit through, but instead we get tons of suspense, great fight scenes, and incredible spectacle. This is the kind of film you watch to see stuff that's never been done before.
Tom Hardy feels like an obvious fit for the role and brings some working class style charisma to the part. As many have commented, Max is often a supporting player in his own film, but Charlize Theron as the real lead is excellent too, so that's not important. Even Nicholas Hoult in support is fantastic. I loved the way that the bad guy is played by Hugh Keays-Byrne, who was the villain in the first MAD MAX all those years ago. Overall, though, this is a film not about the people, but the Namibian desert landscapes, the modded vehicles, the speed, the violence, the overall thrill of the chase. And it's pretty much my idea of a perfect film.
Storyline
Did you know
- TriviaThe flame-shooting guitarist is Australian artist/musician Sean Hape (his father is Maori so his surname would be pronounced "hah-peh"), better known as Iota. In an interview on Vice (2013), he said the guitar weighed 132 pounds and shot real gas-powered flames, which he controlled using the whammy bar.
- GoofsThere are several scenes in which people, including The Splendid Angharad, grab onto the vertical exhaust pipes for support while crawling around on the outside of cabin of the War Rig. Truck exhausts can often reach temperatures greater than 350 degrees Fahrenheit, which would have made holding onto them with bare hands impossible.
- Crazy creditsNear the end of the credits there is a memorial dedication that reads "Lance Allen Moore II, May 24, 1987 - March 10, 2015." Apparently Moore was a Mad Max fan killed in a motorcycle accident near Silverton, New South Wales, Australia, where Mad Max 2: The Road Warrior (1981) was filmed.
- Alternate versionsA "PG-13" version was created, but only screened for American test-audiences. Positive feedback towards the "R-rated" version convinced Warner Bros to release it, theatrically.
- ConnectionsEdited into Terror Nullius (2018)
- SoundtracksElegy For Rosa
Composed by Eleni Karaindrou
© ECM Records/Verlag GMBH
Licensed courtesy of J. Albert & Son Pty Limited
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Mad Max: Furia en el camino
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $150,000,000 (estimated)
- Gross US & Canada
- $154,280,290
- Opening weekend US & Canada
- $45,428,128
- May 17, 2015
- Gross worldwide
- $380,437,267
- Runtime2 hours
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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