Jesus Henry Christ

I liked this film from the moment we witness a potted history of Patricia's childhood. Patricia is Henry's mum and Henry is a kind of genius. He is certainly different but who wouldn't be with a mum like Patricia? The relationship between mum and son is a delightful watch as is Henry's growing urge to find his father. And there is Uncle Stan another character of infinite eccentricity for us to enjoy.

The beauty of this film is that it doesn't take itself seriously and neither do the characters and yet they are all tangible enough for us to like. It echoes life it really does. When Henry discovers his real background and the identity of the sperm donor then enter Audrey, his half sister, and another lovable quirky character with an equal flair for genius.

This is a film made for the many eccentricities you can wring out of such a wacky group of characters not by making cheap fun but by genuinely exploring where these people might go with their lives. It is fun, it is funny, and its ninety odd minutes seem to fly by and so it has to be doing something right.

I have to say I was impressed, pleasantly by this indie production. I did chance upon the movie and I did not expect much from the story line. I thought it would be some kind of children offering and I was prepared to sample and leave it. However I found a little gem of a film. It is funny, well acted and briskly paced. The story of the little genius is more incidental than central to the theme. I particularly like the black humour that one wouldn't expect associated with with child actors. All in all it shows that mega budget are not needed to produce an intelligent, humorous and entertaining production. Well done Dennis Lee. I will watch out for this director/writer.

I was in the library one afternoon, browsing through the DVD titles looking for something to jump out at me. Jesus Henry Christ, caught my eye because of its two leads, Michael Sheen and Toni Collette. I love their work and was surprised to see a film starring both of them, that I hadn't heard of.

Toni Collette is the single mother of Henry - a product of sperm donor father. Being a child genius, Henry knows all he needs to. Everything except the most important thing, "Who is his father?"

Several leaps of faith later and Henry is lead to Michael Sheen, who may or may not be the sperm donor. And 'hilarity' ensues. OK, I guess I may not have been very charitable there, but the film is not a great one. At the films core is an interesting idea and as I have titled my review "It's heart is in the right place". But I feel the film doesn't really know where it's going or what it wanted to be. It switches from moments of farce, black comedy and drama. It also shoots off at tangents, leaving several threads hanging.

Sheen and Collette do the best they can with the material at hand. But I couldn't help wondering how or indeed why either, but especially Sheen had ended up in this film.

The film describes itself as being "quirky". I am suspicious of anything that describes itself as quirky. Surely that is for the viewer to decide?

That said, the film is enjoyable in the most part, and it did make me laugh a couple of times. Perhaps best watched on a wet Saturday afternoon, if there is nothing better to do.

I have given it a 6/10 score - mainly due to Collette and Sheen. With lesser actors the score would have been less.

Of course nothing wrong with a more little and indie type of movie, as long as its good or compelling, which just most often isn't the case with this movie.

The whole movie came across as a bit of a pointless one to me. the story is lacking a clear purpose and by the end of it, it also doesn't feel like anything has been resolved.

Besides, everything in this movie feels far from natural. I'm not even necessarily talking about its story and the situations that are happening in it but more so about its characters and their relationships amongst each other. People fall in love, just because the story tells them to but not because there is any chemistry or any good reason for the two of them to fall in love with each other. Or at least the movie just doesn't give any. And the movie is being like this, with just about everything and everyone that is in this movie. A girl is weird, just because she is and a boy is supposed to be insanely smart, even while the movie doesn't ever give you any good reasons to believe this all. The whole way they get presented in this story and react to each other feel far from likely or natural. It just didn't made this movie a very pleasant one.

To me it's being very obvious that Dennis Lee had seen a bit too many Wes Anderson movies and he tries to be just like him, with his style and approach. It uses similar tropes, such as having quirky characters in it, that however do absolutely nothing good and interesting and by turning something that normally isn't funny at all into something comedic, just and only in the way it gets presented but not because it's actually something funny. No, I'm far from a big Wes Anderson fan, so it's also no big surprise that I really didn't liked this movie either, since it's simply being a lite- and less clever or original version of a Wes Anderson movie.

It's not a horrible movie, just not really one that I could ever like watching or felt like it was doing anything clever or compelling, with neither its different plot lines or any of its characters.

5/10

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The second film of Singapore Night, Jesus Christ Henry got into the lineup because of Singaporean Sukee Chew's involvement being one of three producers of the film, an indie production that made its World Premiere in the Tribeca Film Festival a few weeks ago, which drew quite a mixed response with comments that it had tried to hard. Written and directed by Korean American Dennis Lee based upon his short film back in 2003, I thought this movie garnered reactions that it didn't quite deserve for trying too hard, being crafted in the same hyperactive mold such as quirky comedies that have been seen around the region such as Citizen Dog and true blue Singaporean film 18 Grams of Love even.

There are a number of focus shifts in the film that tangent off its intended protagonist Henry James Herman (Jason Spevack), a petri-dish baby conceived through in-vitro fertilization technique opted by his feminist mom Patricia Herman (Toni Collette), turning out to be the unintentional genius with a videographic memory, retaining every single little detail that he's experienced since conception. Jason Spevack would probably be yet another child actor to look out for since Freddie Highmore grew up, and this film will serve as his showreel if not for being upstaged by the other cast members given the narrative shifts that put the spotlight on them.

Specifically I thought the film devoted a lot more time (not that I'm complaining) to the Patricia character, beginning with a rather lengthy introduction to the Herman family and the demise of each and every individual character beginning with Patricia's mother right down to her brothers, each in a rather comical manner that you'll likely be surprised at its rather nonchalant manner in which to bump them off, with black comedy by the bucket loads of course. And this set the course of the film to be rather gag filled in almost every scene put on screen, that for some it may be tiring and trying since it could have felt like a water torture treatment being force fed with in-your-face comedic moments. I appreciated what it had tried to do, but opinions on humour especially, and how to deliver it, will obviously be polarized.

Yes like a typical comedic indie film, this one is filled with its fair share of quirky characters. Outside of the mother-son Hermans, and Patricia's father Stan (Frank Moore) who forms a very strong bond with his grandson Henry, the story also goes out to another dysfunctional father-daughter pair when Henry embarks on a mission to discover his biological father. This brings Michael Sheen into the fray as Dr Slavkin O'Hara, a professor whose book "Born Gay or Made That Way?" becomes a living hell for his daughter Audrey (Samantha Weinstein) when she is the subject of his book, and becomes the constant taunt of her schoolmates.

Story-wise, the coming together of these two families in a sort of identity-crisis form the bulk of the situational comedy they find themselves in, but the pairing of both Weinstein and Spaveck together moved the story forward with both putting in strong performances and holding their own against two very powerful thespians in Sheen and Collette, although Weinstein probably upstaged Spaveck a little with her portrayal as the extremely cynical and sarcastic little girl quite unfazed by her tormentors. Again there are plenty of laugh out loud wicked moments that you will probably wonder if you're laughing at the film, or with it especially in its darker moments that could be quite unsettling.

Production values are quite spiffy given the big name executive producer behind this film, though Dennis Lee and Sukee Chew were quite tight lipped on how much this film actually cost since it looked like a multi-million dollar movie. If you're still game for quirkiness in all characters of your indie films, then Jesus Henry Christ will still be your cup of tea if you see beyond, or tolerate some eyebrow raising moments with its less than friendly jibes against lesbians/feminists as well as a white man who thinks he's black, otherwise those jaded will find fault with almost every frame of the film in trying too hard with wild absurdity in characters. Split down the middle, depending on your mood and attitude.