Kill the Irishman

It doesn't take much research into the real story of Danny Greene and the Cleveland mob war to recognize that there was potentially a great Mobster movie waiting to be made. This film misses the mark, which is sad, because the players were there to craft something special.

The downfall of this film is the script and the way it rushes through time and space without ever focusing enough on the characters and their relationship with each other (and in the case of Greene with society) to really get us connected into the world they inhabit. We see scene after scene that remind us of gangster movie staples. Greene beaten by Italian kids as a boy, Greene standing up to the crooked Union leadership, Greene making deals with the mafia, Greene gets a girl and they wind up married, Greene beats up bikers, Greene gets a partner out of hot water and tells him never to gamble again...and duh..he gambles again. Unfortunately, we always stay on the surface of people's motivations as these scenes fly by, we never stop and get a sense of why with the characters. And we never connect with them.

The acting is fine, Ray Stevenson's Greene is tough and smart and world-worn, everyone else is fine but they just stay on the periphery and play stock characters who come and go for the most part.

If the script had made a choice to either be the story through the eyes of Val Kilmer's Cleveland police detective, or the story through the eyes of Irish Danny Greene, instead of just a linear montage of standard gangster film clichés, we all could have been treated to a top-notch tale.

The movie just proves you need a great script to make a great movie, and it didn't have one.

Review by Ruby: If you are reading this, you have probably read the background info about The Irishman Danny Greene and his Italian buddy John Nardi who worked and broke the law many times over in the streets of Cleveland throughout the 1970s. In addition to Greene and Nardi, many of the cast members were familiar "mob types," and testosterone was practically flying off the screen in the midst of bravado, fistfights, gunfire, and countless explosions. But there was an actual story to follow also, so it offered more substance than much of the drivel that manages to run in the theatres today.

Even though they were gangsters, Greene and Nardi were surprisingly likable characters—for killers, that is—mostly because of the charismatic acting of the two leads, Ray Stevenson and Vincent D'Onofrio. The supporting characters were interesting also, including the talents of Christopher Walken, Val Kilmer, Steve Schirripa, Paul Sorvino, Tony Lo Bianco, and Mike Starr.

Interspersed with the actors' scenes were actual clips of film footage from local newscasts of the day, which added authenticity and a touchstone to the amazing story that unfolded in Cleveland some 30-40 years ago.

I highly recommend "Kill the Irishman" as an action-packed, escapist, period piece, featuring superior acting and excellent film editing. It was a thoroughly enjoyable 100+ minutes!

Ray Stevenson is Danny Greene, an Irish mobster, active in the Cleveland underworld during the 1970s. Greene started as a union organizer and within a short time, won election to the presidency of the longshoreman's guild, which he ruled with an iron fist. He was eventually an FBI informant and was a Mafia enforcer at the same time.

Greene became entangled with the traditional Italian-American La Cosa Nostra with his own crew of criminals who ran gambling operations in competition with the already established gangsters. A series of bomb explosions made Cleveland one of the most violent American cities of the era.

The movie is brutal but also has great wit and Stevenson is as charming as can be as Danny Greene. The supporting cast includes Vincent D'Onofrio, Val Kilmer and Christopher Walken, and all are as good as expected. This may very well be the best unknown and unseen crime drama ever released.

Kill the Irishman tells the story of Danny Greene and his rise from rags to riches through the mob and their many attempts at killing him. Being of Irish decent, the aspect of this one Irish guy who kept getting on the Italian mob's nerves, it peaked my interest.

The film has a great story to tell and I can only imagine how amazing the film would have been if they had a director like Martin Scorsese behind the camera. That's what I kept feeling while I watched this film, that it was a Scorsese wannabe. That's not exactly a bad thing, because I did enjoy the film, but I wanted to enjoy it so much more.

There are aspects of the film that are great and if a masterful craftsman were behind the camera than I can honestly see this film being one of the best of the year. The film feels short on a lot of things, mainly the small things that would have made this film great. The relationship between him and his wife was nonexistent. The smaller characters played by Christopher Walken, Val Kilmer and Vinnie Jones deserved more screen time. There was a relationship between Stevenson and Kilmer that was interesting, as one was a cop and the other a known mobster, but the film decided not to dive any further than two scenes. I hate to throw Goodfellas into the mix, but had the story been crafted more like that film, then this could have been great.

The story is based on true events, with some liberties of course. Some of the special effects, like the car bombings are incredibly poor. A story like this deserves a bit more attention to detail from the writer and director. It felt like they loved the story, but didn't know exactly how to tell it. Again, if they had proper backing in the budget department, then this film would have been really great. The car bombing scenes are really poorly done and this is such an integral part of the film. Some of them are actual explosions, others aren't. It's poor production values, stick with the real thing.

Kill the Irishman is a good movie when it should be a great movie. In terms of gangster flicks, it's one of the better ones. It's nowhere near the calibre of Goodfellas or Donnie Brasco. It feels like the odd film that wants to be apart of the family. It just falls short of admittance. A good film is good film though.

I was surprised at how this was a really well told story.

It was made in 2011, but took place in the mid 70s. It is the story of Danny Greene an Irish mobster who would not sell out to the Italian mafia as they fought over turf in Cleveland.

And the Director, Jonathan Hensleigh did a great job on the direction and script. Too many who knew him, Danny had a 'good' side and a bad side and it was represented in the movie. Danny served Turkeys at holidays, saved an old lady from an explosion, yet easily planted a bomb to eliminate adversaries.

Jonathan told the story in 70's film language which has a lot of natural lighting, some hand held camera, realistic scenes, and sort of a cinema-verite feel to the movie. This made the film seem like a documentary but without the ponderous narrator and constant talking heads. Hensleigh told the story with action and character. The lighting, film stock, and camera work was reminiscent of The French Connection, a gritty 70's film.

Ray Stevenson was almost a look alike for the real Danny Greene and added to the realism of the story.

Even the fights were very realistic. There was no whack, thwack of a bamboo rod on leather as is typically overdone in movies. Those fights are a realism unmatched in cinema. a) they did not go on forever, with high kicks and constant up and down moments for the hero. b) sound of fist heating a chin was very real. Fights aren't an array of sound effects. c) most real fights end pretty quickly as in the movie, a few punches and the guy is down and you beat him up, he doesn't keep popping up like a whack a mole after being knocked out. Thank goodness the fights didn't go on forever with 'artsy' camera angles.

The feel of this movie was gritty, and matched the grittiness of the story and labor (garbage and longshoreman activities) and you didn't feel the supporting cast was acting but that you were watching a mafia spy cam on their activities. See the extra features and the movie is pretty much the real story. The supporting cast of name actors had them nicely blended into the background and not upstaging the main character. Nicely done.

I liked the incorporated newsreel footage, and forgot about all those explosions in the 70s in Cleveland. Funny how bombs are the "weapon"of choice for criminal types.

Thank goodness Scorsese did not direct this movie as it would have been over lit and much more hyped up and with those whack fist effects and other posed scenes.

And people died in these explosions, they didn't run ahead of them like Tom Cruise and Harrison Ford to "beat" the blast.

If want to learn about the historic story of mobster vs. mobster in the 70s and an icon of resistance...this is the movie.