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  • Courtroom dramas have always been a tricky proposition for Malayalam and recently, the genre has delivered inconsistent returns. Although I personally liked Nivin Pauly's audacious genre-bender "Mahaveeryar (2022)" that turned the courtroom into a fantasy vehicle, the film was an abject failure at the box office, suffering a similar fate as that of more generic legal dramas like "Vaashi (2022)" and the shambolic "Naradan (2022)". "Nna, Thaan Case Kodu" had reached a zenith in pre-release publicity after Kunchacko Boban's ridiculously goofy dance steps to the cult retro song "Devadoothar Padi" went viral, and thankfully the Ratheesh Balakrishna Poduval directorial bucks the trend, delivering a sparkling, witty film that finely balances its laughs with hard-hitting social commentary.

    Kunchacko stars as "Rameshan" a former burglar who has seemingly reformed his ways but still ends up in the crosshairs of an apathetic legal system as he is arrested for a crime he didn't commit. Determined to prove that he has left his life of crime behind him to his new lady love, Rameshan decides to taken on the legal system, arguing his own case and digging out the most unexpected witnesses and legal loopholes to find his pay out of his peculiar predicament.

    Director Ratheesh Balakrishna Poduval has used an innovative street casting method to arrive at his secondary string of actors, finding talent from the laymen living in and around his shoot locations. And the payoff is a rich, motley crew of realistic, salt-of-the-earth performers with the wisecracking magistrate and a scheming opposition lawyer the standouts. This casting method has also given an air of rustic, rooted authenticity to proceedings which becomes crucial to drive home the film's socially relevant messages - be it systemic corruption, rising fuel prices or how inaccessible the legal system is for the common man.

    Kunchacko Boban continues on his splendid run of picking offbeat scripts with unconventional characters and delivers a third straight must-watch film after "Bheemante Vazhi (2021)" and "Pada (2022)". With his upcoming release "Ariyippu (2022)", a collaboration with the ever-dependable Mahesh Narayanan, already creating waves after getting selected for the prestigious Locarno Film Festival, the best seems to be yet to come for Malayalam's chocolate-boy turned serious character actor! Nna Ningal Poy Padam Kaanu. Highly recommended!!
  • Ratheesh Balakrishnan Poduval's third directorial venture is a poignantly written and superbly executed political satire under the guise of a courtroom drama. His trademark situational humor and sharp dialogues are among the film's notable positives. It also helps that Kunchacko Boban continues his string of excellent performances, playing a character we couldn't imagine him do in his early days. Backing up the lead performance are fantastic feats from the entire supporting cast that includes several newcomers amid a few familiar faces like the effervescent Rajesh Madhavan (who also handpicked these performers as a casting director).

    It's difficult not to mention talents like P. P. Kunhikrishnan (the adorable magistrate) alongside Advocates Shukkur and Krishnan who end up as an unforgettable duo. Gayathrie, who plays the female lead, shines in pretty much every scene she's in. Dawn Vincent's musical score lends gravitas to several punchy courtroom scenes. It's rare to see the audience clap so much for counter-dialogues but I was able to witness that today after a long time. There are also smart jabs taken at (literally) everyone in power, making us realize the irony in our understanding of a functional democracy. The gradual hike in petrol prices shown on the film's time-stamps is also quite an inventive move.

    Unlike, say Jana Gana Mana, which was loud and slightly over-the-top in its storytelling, Nna Thaan Case Kodu remains grounded all through, and the humor is certainly refreshing.
  • lithint5513 August 2022
    It's a different kind of movie experience which has several fresh approaches from the filmmakers side. A must watch in theater to fully immerse yourself into that rare once in a while kind of movie experience. Earnest performances from Kunchakko Bobban and a troup of new face actors ensured tight and entertaining way of delivering the cinema experience in its intended way.
  • Stunning movie. Must watch with your whole family.

    I am going to watch it again. Amazing plot. And what more to say Kunjacko's acting has brought goosebumps to the ruling party.
  • Awesome movie. Kunjako boban Nd team done a great job. Except lead role the rest of the roles were handled by unknown actors and they haven't left any thing that they are new to the screen and acting as experts in acting. Hat's off to the makers and the editing also. Best regards.
  • Excellent film.. Vera level🔥🔥🔥 Marvelous performance from the crew.. 🔥🔥 Outstanding.

    Especially kunchako,the court judge, Suresh, shukoor.. And rest of them also were just superb.

    A good piece of entertainment.

    Excellent film.. Vera level🔥🔥🔥 Marvelous performance from the crew.. 🔥🔥 Outstanding.

    Especially kunchako,the court judge, Suresh, shukoor.. And rest of them also were just superb.

    A good piece of entertainment.

    Excellent film.. Vera level🔥🔥🔥 Marvelous performance from the crew.. 🔥🔥 Outstanding.

    Especially kunchako,the court judge, Suresh, shukoor.. And rest of them also were just superb.

    A good piece of entertainment.

    Excellent film.. Vera level🔥🔥🔥 Marvelous performance from the crew.. 🔥🔥 Outstanding.

    Especially kunchako,the court judge, Suresh, shukoor.. And rest of them also were just superb.

    A good piece of entertainment.
  • nahow-8135518 August 2022
    Ratheesh Balakrishnan Poduval's third directorial venture is a poignantly written and superbly executed political satire under the guise of a courtroom drama. His trademark situational humor and sharp dialogues are among the film's notable positives. It also helps that Kunchacko Boban continues his string of excellent performances, playing a character we couldn't imagine him do in his early days. Backing up the lead performance are fantastic feats from the entire supporting cast that includes several newcomers amid a few familiar faces like the effervescent Rajesh Madhavan.
  • RATED 6/10 Language: Malayalam Source: Hotstar

    The title is so opt for this movie. The title is used very well in the last part of court argument and delivered impactful social message.

    Just because of these last 45 minutes portion, we need to bear the first half. I felt there is enough fun moments in the first half. Other than that the scenes and situation are not looks logical and felt so unrealistic.

    Kunchako performance is great but his chanracter transformation is so illogical. Is he selfish/cunning/kind/innocent/brilliant/dumb? Because he shown all these shades from the beginning to end. He is transforming from one dumb thief to brilliant criminal lawyer towards end. At one point his life is in threat and another point he is free.

    Looks like the screenplay is so jarred and felt so disjointed.
  • Comedy really worked and helps to drive the story forward. Small story expanded to its maximum, onetime watchable. Good acting by chakochan. Court room scenes are good and really loved the acting of the judge .
  • When you have Ratheesh Balakrishnan Poduval (Android Kunjappan) directing the movie & Kunchacko 2.0 starring it in; you are bound to flock to the cinemas to watch it. Nna Thaan Case Kodu (Sue Me) is yet another engrossing movie from the Malayalam film industry. A courtroom set satire that keeps you hooked and gives you hope that justice will be delivered in a similar manner even in the real world.

    Rajeevan is a petty thief who has now mend his ways after falling in love. But one night, he is caught on camera while scaling the wall of a politician's house. Charged with a crime he hasn't committed, Rajeevan is determined to clear his name to prove his innocence to his wife.

    Nna Thaan Case Kodu takes its own sweet time to deliver a verdict and that is good because that is how our judicial system functions. The poor get convicted with ease whereas the high & mighty don't even appear in court. Nna Thaan portrays this in a very hilarious yet effective manner. Kunchacko Boban's resurgence (post-chocolate boy days) continues as he delivers yet another exceptional performance. Kunchacko's act is supplemented by some memorable supporting acts by Gayathrie Shankar, Rajesh Madhavan, P P Kunhikrishnan, Unnimaya Prasad among others.

    Nna Thaan Case Kodu delivers on all fronts and takes a jab at the lack of basic civic amenities in the state and gives us a verdict that we all dream of. Hats off to #RatheeshBalakrishnanPoduval, #kunchacks and others for this gem of a movie that addresses an important issue in the most hilarious way possible.
  • Warning: Spoilers
    "Nna Than Case Kodu" is a new Indian movie from 2022, actually August 2022 it came out in India, so I really pretty much got to watch the version with English subtitles here in Germany immediately after the film was released in its original country India. The language is Malayalam by the way. It says two hours and eighteen minutes here on imdb, so this is a pretty long movie, but if we go by Indian film standards, it is not even that long as quite a few come fairly close to the three-hour mark. I think the duration here was pretty solid I'd say. No need for the film to run for any longer, but also it should not have been much shorter, maybe just a little. The writer and director is Ratheesh Balakrishnan Poduval, still a relatively new filmmaker with no credits before 2019, just one minor acting credit apparently, but this is nonetheless already his third movie and the fourth is also due to come out in 2022, so pretty prolific despite the massive running time. I cannot say anything else about him. The almost exact same thing is true about the cast as I am just not an expert on Indian film or Bollywood at all, but it is always nice to learn new things for sure. The lead actor who is in almost every scene from this long movie is Kunchacko Boban, an extremely prolific actor since the end of the last millennium with over 100 credits now (including upcoming films) and he is also Indian of course and not as Croatian as his last name may sound if you are into football. Soccer I should say.

    The biggest female character is played by Gayathrie, actually the almost only female character with some impact to the story at all unless you count that minister. Admittedly, without her, the entire thing would not have gotten off story-wise, but she only has like two very brief scenes. As for Gayathrie (another example of an actor/actress going by a single name, not uncommon in Indian cinema at all), she is really stunning here and plays the reasonable wife character if you want to call it that pretty much. She is not in it for the comedy at all one bit, even if for me her quote about her husband and his injury in terms of looking back and looking to the future was one of the funniest moments of the film, but I am not sure it was intended that way. Anyway, the film's poster is surely a bit misleading because on there she looks like an equal co-lead, which she definitely is not. She disappears for large parts of the film and at its core it is about nobody other than Boban's character. The actor is pretty famous apparently. In my showing there were I don't know maybe 40 people in the room, maybe 50 even and 45 of them were Indian and it was a totally different atmosphere than what you usually have in German movie theaters. They were cheering loudly, laughing very loudly even and applauding in-between. This also referred to the main character. When he is seen first, there was some applauding going on too and whenever he had a scene in which he did something (in their eyes) funny or cool, then it got really loud. I never really experienced it like that. Very interesting sitting for sure. There was also a woman with a baby right next to me, it is also something I never really see with German audiences that they bring their really small kids. Oh and it was not just Boban. If you take a closer look at the other actors' filmographies, you will also see they are very popular, but there was just one other really who got also a bit of applause in his pretty brief scene when he is in the courtroom to make his statement. He must also be pretty famous and popular. Sadly, I cannot give you the name right now.

    So, by now you know already that this is a very courtroom-themed movie. Especially in the second half, a great deal of action takes place there. There are serious moments of course, but also quite a bit that will make you smile or even laugh. For me personally, a lot was linked to the judge. He was hilarious with his mannerisms and shenanigans. This may be the Boston Legal fan in me talking. They had amazing judges there too. Anyway, I am pretty sure you would not see a judge like this in real life with how he sometimes behaved in a comedic way. His most memorable serious moment was perhaps when he ordered the allegedly sick politician to come to court nonetheless despite his sickness and said it is not possible that the main character and his wife are always there despite her pregnancy and the politician simply skips. Another memorable moment from the courtroom proceedings involved the main character, namely when he pretended to hit the interrogator and everybody was shocked, but then it turns out it was just to put something on display, to create a parallel between the one who was almost hit and himself with how he reacted the night of the incident that everything is about. He jumped over a wall there and was seen as an intruder and attacked by several dogs. His injuries there were fairly serious, but yet he is the one who has to defend himself. It is all kept a bit light before that though if you look at the way the injuries are elaborated on like half of his butt is missing now or on one occasion they say that it will have grown back until somethhing else happens. Don't remember what exactly. It's been a while since I watched the film. Next time I will be faster with the review. A lot on my mind. Anyway, there is more that can be elaborated on from this film. Romance for once with Indian films is not a big subject. It is only there at the beginning when we see how the main character meets his future wife and how he woos her and the two become a couple, even marry not much later I think. That sure went fast for them. I still feel that for people and eyes of the western hemisphere it/he does seem a bit weird, but it is really meant in a nice and charming and not at all creepy way in Indian films like that and I will not judge here. It is not what the film is about anyway at its core.

    Oh yeah, speaking of the beginning, I was also a bit baffled that the main character's friend disappears really quickly. Like totally disappears. I am not sure if he just moved on, continued his road and moved somewhere else, but judging from the beginning how we see them both together there on their journey, I would have thought the character to stay in the movie for quite some time, maybe until the end even. But he was completely gone, maybe because he was the main character's connection to crime and they wanted to show that the protagonist has left all this behind him? I can only speculate. Even if how they were caught there by the police or actually forced to flee and not really caught was also kept pretty simple and light. Nothing dramatic or anything. The animated intro with the two on the run was a bit funny, had a touch of Catch Me If You Can even, but yeah, especially there with the friend included too in this intro, it was unexpected that he vanished. But unexpected does not mean bad or anything. On the contrary. Still, I have some criticisms too for this film. Eventually, it felt a bit too much of a feel-good film for me, also with how it sacrificed realism for that. Like the story with the influential politician getting his share there for not fixing the road, like really legally getting his share was a bit ridiculous no denying and you can maybe morally blame him to a minor extent, but not legally. This was absurd and the film there just wanted to appeal to the simple man too much. The other people in my showing really dug it though. They also did their best to make him seem unlikable like how he is protected by bodyguards, had other people speak for him etc. How he took his power background to the courtroom, but really got exposed there and had to act as an individual. The final court decision was also a bit of a joke. Like why was there all of a sudden another judge anyway, did the case simply go to the next instance where there was no option anymore to not accept the judgment afterwards? I was honestly a bit surprised nobody was cheering when we saw that young judge. I would have thought him to be another popular aspiring Indian movie actor.

    Anyway, it was already a bit bizarre that in these main proceedings there was not only not a judgment linked to the main character, but we just assume he goes free and it is pretty much granted and at the same time another character gets a guilty judgment. That was strange. Aren't these trials stand-alone? You cannot just call in another character and in the middle of proceedings turn him into a co-defendant. At least not here in my country. I don't know about Indian law, but that seemed very shoddy to me. Apart from that, there were also some shocking moments of violence. Not many obviously. The best example of this is the very end when we see a few criminals and how they apparently want to kill the main character with their speeding car? That was out of nowhere too. Maybe more influential people paid them to do so. But it was a shocking ending somehow, even if it went wrong and how it went wrong was again about the comedy of course. Another scene that stayed in the mind for the violence, maybe the most shocking scene, was one that had almost zero connection to the main story. It did feel a bit out of place. I am talking about a scene in which a few guys were playing ball I think and then they have an argument and one gets killed even, not just injured I think, but I am not 100% sure about this. In any case, this scene is included because it is mentioned in context later on during the courtroom proceedings. You can also maybe object to the idea that the main character decided to defend himself at court and that he did so well, but was another inclusion of how he was depicted as a real people's man there. It's fine. I was entertained by the movie and I give it a thumb-up which was never in doubt for me at all. Makes me curious about more Indian films, even if I cannot say the film really impressed me.
  • hbhagat-1474326 September 2022
    The movie from start to end makes little sense. A thief who is accused of stealing have to prove his innocence and corrupt system is trying to push him down every step of the way and he manages to rise above them and become victorious that's the basic plot of the movie.

    I have seen many court room drama and have to say this is one of the worst mafe court room drama ever.

    Either the reviewers are trying to hype the movie or they haven't seen 'jolly llb' or 'Jau tithe khau'.

    There are so many plot points which remains unanswered in this movie, for example, the mla accuses protagonist of stealing 1 lac and important documents but we get zero explanation on that part. The music is mind numbing and songs are placed on such random points that you start questioning directors intelligence at this point.

    What I can say about this movie is this is absolute cringe fest at worst and above par at best.
  • The entire movie was highly engaging.... All the characters were absolutely stunning.... The typical malabari language and the innocence behavior of the people in that special locality.. Director brilliance amazing.
  • tiboso-0806118 August 2022
    Awesome movie. Kunjako boban Nd team done a great job. Except lead role the rest of the roles were handled by unknown actors and they haven't left any thing that they are new to the screen and acting as experts in acting. Hat's.
  • haralil18 August 2022
    Ratheesh Balakrishnan Poduval's third directorial venture is a poignantly written and superbly executed political satire under the guise of a courtroom drama. His trademark situational humor and sharp dialogues are among the film's notable positives. It also helps that Kunchacko Boban continues his string of excellent performances, playing a character we couldn't imagine.
  • The movie is carried by the realistic style performances of the whole cast. It takes much time for take off which never really takes off. The point the movie is trying to prove is intended to be a social but it just feels like a blant dull court room drama with nothing major to mention. However, the movie and its unpredictable climax adds to the saving factor of the whole tale. Kunjacko Boban needs to be applauded for taking such an off beat role and nailing it to perfection. Although the first half was a weak experience for me, the film compensates in the second half with all the witness actors who performed quite well to entertain the audience.

    In the end, a near average variety flick.
  • deteg-8728918 August 2022
    10/10
    Fathi
    When you have Ratheesh Balakrishnan Poduval (Android Kunjappan) directing the movie & Kunchacko 2.0 starring it in; you are bound to flock to the cinemas to watch it. Nna Thaan Case Kodu (Sue Me) is yet another engrossing movie from the Malayalam film industry. A courtroom set satire that keeps you hooked and gives you hope that justice will be delivered in a similar manner even in the real world.

    Rajeevan is a petty thief.
  • Nna Thaan Case Kodu was a great illustration of the domino effect, how one pothole led to a chain of incidents causing havoc. The storytelling, on the other hand, was executed in a dragging way that required patience to follow through

    DELICIOUS

    -Humor! Expect A LOT of odd humor at the most unexpected moments, humor in the dialogues and characters' mannerisms😂

    -The cinematographer was talking to us throughout the movie. The camera was telling us who and what to carefully observe.

    -What to say about the acting? P. E. R. F. E. C. T. I. O. N. At the highest levels; from Kunchacko Boban to the witnesses in the courtroom, and even the background actors, splendid!

    -The movie was filled with different characters who enriched the story, e.g. The artists performing at the religious events, the MLA's entourage, the lovers in the autorickshaw, etc

    -Let's pause on the pigeons inside the courtroom 🤣 This was a good representation of the way the common man must feel about the courtroom: a safe place where one can seek justice even against giants like politicians

    -Showing the petrol price hike over the years was an ingenious idea to underline people's challenges to keep up with rising costs while having little finances

    BLAND

    -You need patience to watch the film because the story took a while to sizzle. Actually, it was around 45 minutes or so when we were ready to quit that the narrative became captivating

    -Gayathrie was the only one who performed poorly; she wore the same facial expression and didn't behave like a full-term pregnant woman

    -The pace of the movie was slow with some exciting areas here and there; it was easy to get distracted at times. Maybe the director wanted us to feel the pace of Rajeevan's life?🤔
  • nihoyi18 August 2022
    Excellent film.. Vera level🔥🔥🔥 Marvelous performance from the crew.. 🔥🔥 Outstanding.

    Especially kunchako,the court judge, Suresh, shukoor.. And rest of them also were just superb.

    A good piece of entertainment.

    Excellent film.. Vera level🔥🔥🔥 Marvelous performance from the crew.. 🔥🔥 Outstanding.
  • Nna Thaan Case Kodu (2022) : Brief Review -

    A courtroom drama at its satirical best. The audience should be sued if they miss out on this film. Malayalam cinema strikes again! And to be honest, I wouldn't have expected any other film industry in India to make such a stunning satire. What Is Satire? Of those 2 crore people who go to the theatre and 10 crore who watch films on TV or mobile, almost 90% don't know the real meaning of satire. I don't care if they didn't understand the subtle satirical moments and films before, but I would be sad if they didn't understand Nna Thaan Case Kodu. This is the story of a common man at his most basic level. You can't go simpler than this while making a realistic satire that can be enjoyed by the masses and the classes both. It is a very rare combo, and hats off to Ratheesh Balakrishnan Poduval for finding the right balance. The story revolves around a reformed thief's fight for justice when an innocent act to defend himself places him at loggerheads with the high and mighty of society. In the first half, you see how the district court functions on ground level, and then in the second half, there is a political angle that is very much familiar to anybody in India. The potholes on the roads are not a big issue. This is what a normal person believes, be it from the middle class or higher class. But what if you have to take action against it? What if you discover that this common pothole is the root cause of a slew of accidents and political plots? Nna Thaan Case Kodu shows you this small topic through its lens, and you see the magnified images of the problems that cause a lot of harm to society and sometimes to yourself. The performances, humour, screenplay, dialogues, direction and the high-concept thinking of taking a dig at our freaking annoying system through the weapon of satire are all that makes Nna Thaan Case Kodu a Must See! Don't miss it.

    RATING - 7.5/10*

    By - #samthebestest.
  • This is NOT a good film. It is actually quite mediocre. I believe the writer did not know how to write jokes which were actually funny. So he inserted some "Brishtam" jokes. Let us be honest. Take the worst Srinivasan or Jagadish film of the 90s. It would be a hundred times more funnier than this rubbish. Beware of new generation writers who use organs and fluids and excretions to make jokes. I am not saying they are wrong. Even the great Chaucher used them to make toilet humor in his poem. But in this film, it just seemed lazy.

    Tuneless background scores are a part and parcel of Malayalam cinema these days. Just go back to the 80s and 90s on Youtube when Johnson Mash, Shyam and SP Venkatesh used to deliver wonderful background scores. The background score in this film is a joke. This film would have been tolerable with a decent background score.

    Malayalam cinema is mostly a fraud these days. I really long for the late 80s to the mid 90s when they knew how to make an entertaining movie. Nna Thaan Case Kodu is NOT an entertaining movie. It is just middling entertainment that overstays its welcome.
  • In a satire, the performance is a prominent pillar, and that stands out here well, the story although wrapped in comedy, makes our blood boiling as it clearly shows the incumbent government. While we the people stand helpless, the best movie of 2022 in malyalam is what I feel this one is, a must watch.
  • pamin-1957218 August 2022
    10/10
    Awesome
    Stands out here well, the story although wrapped in comedy, makes our blood boiling as it clearly shows the incumbent government. While we the people stand helpless, the best movie of 2022 in malyalam is what I feel this one is, a must watch.
  • niwoy-6767818 August 2022
    It's a different kind of movie experience which has several fresh approaches from the filmmakers side. A must watch in theater to fully immerse yourself into that rare once in a while kind of movie experience. Earnest performances from Kunchakko Bobban and a troup of new face actors ensured tight and entertaining way of delivering the cinema experience in its inten.
  • This is well acted and superbly scripted movie, so it was interesting and engaging even though lacks a real good story and sort of has logical gaps.

    The real highlight and reason to watch this movie is the realistic, rustic and natural script and screenplay - this elevates what could possibly be a pretentious, preachy social commentary to an engaging and enjoyable movie.

    The camera work, score (especially the natural sounds) and cinematography is pretty commendable as well.

    There are plenty of plot holes and quite a few logical gaps, also there is quite a bit of lag and towards the climax it does meander a bit and becomes a bit boring and clumsy, but definitely worth a watch.
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