Poor Things

I usually like quirky original movies, and there are a lot of individual elements that are great in this film such as the character's, acting, and world, but at its core this film has little to say and is deeply disturbing.

The core premises of this film without giving too much away is that a child's mind resides in a woman's body. The child is maybe 1-2 years old but no older than 5 and the plot is how much this kid has sex with other adult men.

I felt deeply uncomfortable thinking about a toddler discovering sexual organs and having wild sex and masturbating constantly and publicly because they don't know any better. Some people may say "that's not the point of the film" but it's a purposeful and prominent aspect that gets heavy emphasis throughout the entire run-time.

It feel like the writer wanted to tell the cliched story of the naïvety of a child but also wanted to tell a story about how promiscuous women upset insecure men and I think it's wildly inappropriate or just a bad idea in general to mix those two stories together. Wouldn't you think so?

Which is too bad because I liked everything else surrounding the premise. The cast was perfectly cast and Mark Ruffalo's terrible English accent, although distracting, was very fitting for his phoney shallow character and Gondi loved every second of him on screen. The world was rich and realized, every shot was interesting and the music was fantastic, I just wish it didn't all hinge on such a creepy "what if a kid had a lot of sex".

Not to mention there was a scene where two literal children watched a man and woman have sex. It was played for laughs and it was funny on its own as a concept because it's so absurd, but it made me wonder why twice now we're focusing on underaged people witnessing or engaging in sex acts.

I can see people being upset and getting defensive because if they liked the film maybe I'm saying they're a bad person or something, I'm not saying that. If you think all these aspects are fine then by all means enjoy the film, but I think it's fair to be critical on something like this and think about why some decisions were made when making this film. Like I said, there is a lot to love and if the premise doesn't bother you then you will love this movie.

I'm not a prude, have as much sex with whoever you want or however you want it, just maybe keep the theme of kids away from it.

Truly a masterpiece for the senses, but it could be socking for the untrained in psychoanalysis brain. Bella is FREE of societal rules, shame, or gender roles. Free to explore the world, societal norms and create her own self identity as she pleases. A journey that forces her to confront misogynism, sexual fixations and complexes. What moved me was her raw empathy for human suffering, while she could dissasociate from it when facing a threat. Fearless and daring she conquered her world under her loving and accepting god's eye.. One could focus on the feminist aspect of the film, but Bella is much much more than that. She is a human free of social constructs. She does not need feminism because she has no recolection of patriarchy in her existense and feminism can only be needed only to oppose patriarchy. Bella disregards any social norm and IS, which results in the deconstruction of all social and gender theory. Pure enstict roaming the world.. I rated 9/10 because i thought the goat general was a petty joke. You cant call monsters the creators and then become and create one yourself.. Besides the meaningless ending this is a true masterpiece.

During the first half hour of the movie, I was ready to give up on it and find something else to watch. But gradually I got into it -- or it got into me.

Poor Things is an alternate universe, and the ordinary rules of the world we live in don't apply. For instance, you can't just take a brain out of a baby's skull and insert it into an adult's, but you can in this movie.

The characters in this movie couldn't exist in the real world, but that's not the point. The world of the characters is like that in Alice in Wonderland, and like Lewis Caroll's tale, the movie ridicules human pretensions.

In the end, I enjoyed the movie very much, and I think watching it is worthwhile use of time.

Clearly a lot of people enjoyed this grotesque movie, but it wasn't for me. Some of the scenes in it made me feel sick, and maybe they were supposed to, but it seemed unnecessary. Don't even get me started on how pretentious the movie was.

I also found this movie very frustrating because the acting was good, the sets and costuming were good, and some scenes used striking cinematography. These things all made me feel like I should've liked the movie, but I don't. It could have been put to much better use.

The sex and nudity is beyond gratuitous. I'm usually not bothered by sex scenes in movies, but for this particular film it felt perverted. Maybe the director has a weird fetish.

Ultimately, this film made me want to crack my own head open and pour bleach over my brain. It's one of those movies I'd like to block out. I don't think I'll ever watch anything else by Lanthimos.

This isn't an easy film to watch and capture everything it tries to convey, on the contrary, it's quite complex.

I'm not a deep connoisseur of Freud, on the contrary, I studied some of his texts when I went to journalism school, but I remember very little, I'm actually unfamiliar with the subject, but clearly "Poor Things" seems to me to work with some points of psychosexual development human developed by Freud.

I may be talking nonsense, but it seems to me that the sexual phases of children described by Freud (oral, anal, genital, etc.) are shown in Bella's development during the projection, as well as her total independence and freedom in relation to the world and in the passage of each of those phases, without being repressed, allowing her to reach the superego.

While working with complex concepts of the development of the human psyche, the film also flirts wonderfully with the frustrations of love, and social, political and human issues, and I honestly couldn't capture everything the work was offering me, a lot of details must have escaped my attention.

So much content, so much complexity, inserted in a spectacular, wonderful cinematography, with exuberant sets, elaborated down to the smallest details, with perfect use of vivid colors and black and white, actors shining on the screen, all of them without exception, incredible direction, and a soundtrack very strange that fits like a glove.

I rate it 8 out of 10 because my ignorance really didn't allow me to capture everything that was being offered to me, and at some moments I felt a little tired from demanding so much of my brain, but it's a great film in all aspects. It's just not for everyone, as it's not what you would call popcorn entertainment cinema, on the contrary, it's the opposite, and perhaps the trailer could mislead certain types of audiences.