Silo

A wonderful world building and mystery that may burn a bit too slow for some but balances it out with wonderful cinematography and interesting characters.

I'm yet to read the books, or rather listen to them in audio format, but the show presented more than enough intrigue to make me look forward to the books. The fact that the show is based on the book is always a plus for me, especially well received books, because despite the slow burn and the mysteries the show presents... I'm comforted by the knowledge that they'll be answered at the end.

I'll ask you to remember Dark. That show put every other mystery box show to shame, so much so it felt like it lost its way in nearly every episode... but when the last episode came about and the key word made the code make sense... it instantly cemented itself as one of the best TV shows ever made.

Silo may not reach that level of complexity but it is building its own unique world and it's a fun ride to discover it with the characters.

9/10 would recommend.

I'm nearly done season two, and while the acting and the dialogue leave a lot to be desired, I'm still watching because it's so goddamn interesting.

Silo is set in a dystopian future where civilization lives underground in a cement "silo" and the earth above is unsafe to roam (or is it)? The set and production is excellent, I believe in this world right away and understand it. Those who played Fall Out religiously will appreciate the underground living vibes! The first couple episodes of season one really draw you in with the mystery. However, in about episode five or so my husband and I kept side-eyeing each other and then finally both had to admit that although we were enjoying the show we secretly both wanted to make fun of it so bad. The acting leaves a lot to be desired, and maybe part of that is the rigid dialogue that doesn't feel natural. Characters are constantly over-explaining things (like the pact, or how something works in the silo) and while this is to be expected in the world-building plane of science fiction, we have seen it done better in soooo many series. Tim Robbins, who is an excellent actor and does shine here, also falls a bit flat at times just simply based on what he's given to work with. There are a few other actors who are GREAT in *other* shows...so why are they not as great here? So much potential!

And the accents? Don't even get me started. There are several actors who are not American who are being forced to use an American accent with varying results; some are downright bad. Why not allow these characters to be in a future word where they just speak how they speak? Because it is actually off-putting to hear them force an accent they're not good at.

That all being said: interesting concept, great plot twists, engaging story. I am still watching it because I need to know what happens, despite the acting faux pas here and there and the dialogue that lacks a natural feel. If you stick with it, I think you'll be entertained and glad you did!

As a great fan of the genre, I can only keep applauding with a second season that continues to shine in every aspect.

The main protagonist, Rebecca Ferguson, has less screen time, something that could take away a lot since she was, without a doubt, the best part of the show. Well, she's still the best, but everything else adds so much that it balances the whole.

The cast, in general, is up to the task, both those returning from the first season and the new additions, among whom actor Steve Zahn (Solo) stands out.

Without a doubt, what I highlight most about the series is how it achieves an excellent pace, suitable for all audiences-something very rare in science fiction.

One of the best sci-fi series of the last five years, where the story shines on its own.

I have just started watching this show. Something has stood out from the beginning. The sound of the actors' voices is very clear. My compliments to the sound people, this is a small miracle.

I very frequently struggle to hear what actors are saying in shows and films. Perhaps it's something to do with the acoustics of a silo? But I think not, I believe it is down to some very good work by the movie sound people who record and edit the voices of the actors. It is rare to hear the voices of actors with such delightful clarity.

It is almost like hearing the voices of actors in the theatre, it is so good.

I am several episodes in now and I am enjoying the acting and the story. There are good characters well portrayed and something is gradually being unravelled with regard to the history and operational details of the silo. I am not sure where it is all leading yet, but it is certainly keeping me engaged.

I have now completed series one. I really enjoyed it. There is a significant element of the ending that is identical to a reveal that happens in a film. To avoid spoilers I won't say the name of the film, but I'm sure that others know the one that I mean if they have seen it. This did not detract from my enjoyment of Silo and I'm not sure who came up with the idea first in any event as I don't know when the book that Silo was based on was written.

I had high hopes for "Silo" S02 after greatly enjoying the first, but this time round, episodes 3 to 9 were such a slog to get through, until the pretty action-packed finale. It felt like a long setup for the already greenlit next two seasons, only picking up steam toward the end. While the show's perpetually dark underground setting makes sense, I felt like I could never really see what's going on. Tim Robbins spends much of his screen time glowering at someone about something, but on the bright side, Rebecca Ferguson, Steve Zahn, Common, and the rest of the cast delivered strong performances that kept us invested (though barely). Any merits of this second outing and the excellent final episode don't fully redeem the overly slow pacing and exposition for the middle chunk, so here's hoping the payoff in S03 is worth it.