A hard-drinking country music star falls in love with a singer whose career quickly takes off.A hard-drinking country music star falls in love with a singer whose career quickly takes off.A hard-drinking country music star falls in love with a singer whose career quickly takes off.
- Won 1 Oscar
- 99 wins & 290 nominations total
Michael Harney
- Wolfie
- (as Michael J. Harney)
Summary
Reviewers say 'A Star Is Born' delivers strong performances, especially from Lady Gaga and Bradley Cooper, and a compelling soundtrack. The film's exploration of fame, addiction, and the music industry resonates deeply, though some find the story predictable and pacing uneven. The chemistry between the leads is widely appreciated, yet Cooper's direction garners mixed reviews. Despite its flaws, the movie's emotional depth and musical score captivate many viewers, making it an engaging yet imperfect experience.
Featured reviews
It's a story as old as time, and that's evident in the fact that Bradley Cooper's A Star Is Born is the fourth (yes, FOURTH) remake of the movie classic. However, with clearly passionate directing and acting throughout, furthered by wonderful music and an efficient portrayal of the classic rags-to-riches story, this proves a thoroughly entertaining and memorable watch that absolutely flies by over the course of nearly two and a half hours.
But before we get into all that, I have to start with the film's opening half hour, which is exceptional. Despite its long running time, there's so much packed into the opening act, and it's delivered with jaw-dropping passion and energy, to the point where I felt absolutely exhilarated by the film within such a short period of time.
The passion with which Bradley Cooper is directing the movie is clear from the opening scene, and as we see our superstar musician form an unlikely and unexpected bond with a young local singer, the film begins to tell that age-old story about finding fame in beautiful and riveting fashion.
In fact, in the knowledge that it's a story that you know like the back of your hand, Cooper ingeniously ramps the dial up to eleven as we watch our young up-and-coming star caught up in an exhilarating whirlwind as she is suddenly transported from a small waitressing job to singing in front of thousands, culminating in a stunningly moving musical sequence that feels like a true epiphany, as you watch this young woman overwhelmed as she gets her first taste of stardom, something that I was absolutely blown away by.
That opening half hour is truly exceptional. Full of emotion, drama and moving at a pace that mirrors the dramatic transformation from ordinary singer to superstar, it's exhilarating to watch at every moment, and easily the best opening act I've seen from a film this year, setting up the rest of the film fantastically.
Rather unfortunately, however, things don't quite pan out in the same stunning fashion through the rest of the movie. While the remained of A Star Is Born is still good, I was left feeling a little disappointed that it couldn't keep up that same exhilarating energy and emotion from the first act, as things quieten down and become a little more predictable.
Of course, there's nobody who doesn't know this story, so being predictable isn't as much of a problem, but what I found frustrating about the film was how it failed to keep delving deeper into the lives of the lead characters as their careers start flying in completely opposing directions.
As a director, Cooper did an incredible job with the opening half hour, and his passion for the subject matter remains strong throughout, but the problem comes in the way that he portrays the main points of this age-old story in a rather plain fashion, moving a little too readily onto each new stage in the two singers' careers without leaving enough time for things to settle.
In that, the film has a good pace to it that makes it a thoroughly entertaining watch right to the end, but with the exception of the opening act and the finale, there just isn't enough depth to the individuals here, leaving me a little detached from their emotions throughout the middle portion, and having to rely on my knowledge of the classic rags-to-riches story to understand more about what they were feeling.
So, a little bit more clarity and patience would have gone a long way here, and I would have been genuinely happy to watch another half hour or so of the film.
While the second two-thirds of the movie aren't so profoundly moving, that doesn't mean there's nothing to praise, because along with Cooper's passionate directing, we see two fantastic performances from the director himself as well as Lady Gaga.
Starting off with Bradley Cooper, his portrayal of an aging and fading star is thoroughly fascinating to watch. While he doesn't appear as the story's main focus, the quality of his performance is such that I was at times even more invested in his character than the rise of the starlet, as he pulls off the maturity and likability of his battle-hardened character while still putting in a powerful portrayal of his deeper weaknesses, something that makes him both delightfully appealing and still deeply interesting to follow throughout.
Alongside Cooper is Gaga, who is a real revelation here. Given that she's never been in a role of this magnitude before, her acting ability is truly stunning, and she gives a performance that's just as profound and striking as any experienced A-list actress. Taking from her own experience of life in the music business and her rise to stardom in real life, the passion that she feels for her character is clear in every scene, with that previously mentioned epiphany-inducing musical number 'Shallow' featuring the best example of her incredible acting.
She holds fantastic chemistry with Cooper, and the two make their characters' relationship both convincing and genuinely appealing, even through the inevitable ups and downs of the story, keeping your interest strong as the film moves through the story towards the finish.
In the end, I was very impressed with A Star Is Born. It's unfortunately not pitch-perfect all the way through, but after a mind-blowing opening act, and featuring passionate and likable directing and performances throughout, it proves a massively entertaining watch regardless, with some excellent music to boot.
But before we get into all that, I have to start with the film's opening half hour, which is exceptional. Despite its long running time, there's so much packed into the opening act, and it's delivered with jaw-dropping passion and energy, to the point where I felt absolutely exhilarated by the film within such a short period of time.
The passion with which Bradley Cooper is directing the movie is clear from the opening scene, and as we see our superstar musician form an unlikely and unexpected bond with a young local singer, the film begins to tell that age-old story about finding fame in beautiful and riveting fashion.
In fact, in the knowledge that it's a story that you know like the back of your hand, Cooper ingeniously ramps the dial up to eleven as we watch our young up-and-coming star caught up in an exhilarating whirlwind as she is suddenly transported from a small waitressing job to singing in front of thousands, culminating in a stunningly moving musical sequence that feels like a true epiphany, as you watch this young woman overwhelmed as she gets her first taste of stardom, something that I was absolutely blown away by.
That opening half hour is truly exceptional. Full of emotion, drama and moving at a pace that mirrors the dramatic transformation from ordinary singer to superstar, it's exhilarating to watch at every moment, and easily the best opening act I've seen from a film this year, setting up the rest of the film fantastically.
Rather unfortunately, however, things don't quite pan out in the same stunning fashion through the rest of the movie. While the remained of A Star Is Born is still good, I was left feeling a little disappointed that it couldn't keep up that same exhilarating energy and emotion from the first act, as things quieten down and become a little more predictable.
Of course, there's nobody who doesn't know this story, so being predictable isn't as much of a problem, but what I found frustrating about the film was how it failed to keep delving deeper into the lives of the lead characters as their careers start flying in completely opposing directions.
As a director, Cooper did an incredible job with the opening half hour, and his passion for the subject matter remains strong throughout, but the problem comes in the way that he portrays the main points of this age-old story in a rather plain fashion, moving a little too readily onto each new stage in the two singers' careers without leaving enough time for things to settle.
In that, the film has a good pace to it that makes it a thoroughly entertaining watch right to the end, but with the exception of the opening act and the finale, there just isn't enough depth to the individuals here, leaving me a little detached from their emotions throughout the middle portion, and having to rely on my knowledge of the classic rags-to-riches story to understand more about what they were feeling.
So, a little bit more clarity and patience would have gone a long way here, and I would have been genuinely happy to watch another half hour or so of the film.
While the second two-thirds of the movie aren't so profoundly moving, that doesn't mean there's nothing to praise, because along with Cooper's passionate directing, we see two fantastic performances from the director himself as well as Lady Gaga.
Starting off with Bradley Cooper, his portrayal of an aging and fading star is thoroughly fascinating to watch. While he doesn't appear as the story's main focus, the quality of his performance is such that I was at times even more invested in his character than the rise of the starlet, as he pulls off the maturity and likability of his battle-hardened character while still putting in a powerful portrayal of his deeper weaknesses, something that makes him both delightfully appealing and still deeply interesting to follow throughout.
Alongside Cooper is Gaga, who is a real revelation here. Given that she's never been in a role of this magnitude before, her acting ability is truly stunning, and she gives a performance that's just as profound and striking as any experienced A-list actress. Taking from her own experience of life in the music business and her rise to stardom in real life, the passion that she feels for her character is clear in every scene, with that previously mentioned epiphany-inducing musical number 'Shallow' featuring the best example of her incredible acting.
She holds fantastic chemistry with Cooper, and the two make their characters' relationship both convincing and genuinely appealing, even through the inevitable ups and downs of the story, keeping your interest strong as the film moves through the story towards the finish.
In the end, I was very impressed with A Star Is Born. It's unfortunately not pitch-perfect all the way through, but after a mind-blowing opening act, and featuring passionate and likable directing and performances throughout, it proves a massively entertaining watch regardless, with some excellent music to boot.
I did not want to watch this movie but took my wife to see it, because we both saw the one with Kris Kristofferson and Barbra Streisand, growing up. The crowd was a lot older than we were(we are almost 50) it was the biggest screen they had at our theater and seats a lot but it was maybe half full on Sunday afternoon. Not one dry eye in the place, it had a great tempo and didn't drag on or have any lulls in the story. We were both very pleased and are still engaging in conversations about the movie. It's my opinion to highly recommend to everyone go out and watch a great movie and a heartfelt movie that redefines love in this time and age we live in. That is my two cents, hope you enjoy as much as we have.
The storyline of "A Star Is Born" is great with the story of the rise of a new star and the fall of the old one, who is her beloved alcoholic man that discovered and promoted her career. This 2018 version and fourth famous remake has the excellent Bradley Cooper not only singing but also directing and a surprising Lady Gaga in the lead role. Sam Elliott completes the magnificent cast. In addition, great screenplay, music score, cinematography and edition that make this romance one of the favorites to the Oscar. My vote is eight.
Title (Brazil): "Nasce uma Estrela" ("A Star Is Born")
Title (Brazil): "Nasce uma Estrela" ("A Star Is Born")
Had heard nothing but great things about this latest 'A Star is Born' film, with even my own sister saying it was a must see. There was also the interest to see how Lady Gaga would fare in her acting debut and how Bradley Cooper would fare as first-time director. Decided to see it when taking a break from practise with nothing else better to do, going in with very high expectations, as part of my "seeing as many 2018 films as possible" quest.
This is not the only, or first, 'A Star is Born' film. There is one from 1937 with Mitzi Gaynor and Fredric March, my personal favourite. There is one from 1954, the most famous, which is overlong but does contain Judy Garland's best ever performance and terrific songs (especially the heart-wrenching "The Man That Got Away"), love James Mason in it too. There is the 1976 film with Barbra Streisand, personally don't care for it but Streisand sings beautifully and "Evergreen" is to die for.
As far as the versions of 'A Star is Born' goes, this one from 2018 compares extremely favourably. Not quite as good as the 1937 film, but on the same level as 1954 and better than 1976. May not love it as much as others, but the appeal is justified and the acclaim is deserved from my personal perspective. In terms of films from 2018, 'A Star is Born' is among the better ones.
It's not perfect. A few story elements are a touch rushed and lack credibility, like Ally getting stage spotlight in such a short space of time, and occasionally it's a little on-the-nose like the making Ally glitzier advice from Rez.
The final act also could have been tightened, slightly too padded and dragged out.
What 'A Star is Born' does so well is taking a familiar story and making it still fresh and relatable. It's always entertaining and glamorous yet the love story is every bit as important, and even more so, and is both charming and emotionally impactful. Everything about 'A Star is Born' is slick, endlessly entertaining and with lots of heart and surprising poignancy, also had the experience of not a dry eye being in the auditorium with tears silently rolling with me.
Visually, it's very eye catching and sumptuously made, beautifully shot with lots of glitzy glamour and style. Loved the songs, none are quite on the same level as "The Man That Got Away" and "Evergreen" but they are extremely well written, easy to remember, have a wide range of emotions, are very well sung and staged, are integrated beautifully integrated into the story, some moving the story forward or telling it through the song rather than being a grinding things to a halt distraction. "I'll Never Love Again" and "Shallow" stand out.
Dialogue has wit and heart and the story shines particularly in the first third. Cannot say anything bad about the performances, with Lady Gaga providing a contender for the most surprising performances of the year in a quite outstanding acting debut (her singing is also absolutely great of course), a star is born indeed. Bradley Cooper gives one of his best performances as a charismatic and charming yet conflicted leading man, do not associate him with musicals and worried as to whether he would fit but it fits him like a glove. He too directs for the first time, and it is hard to believe that a directing job this slick and audacious was only his debut, really do disagree about his contributions being a vanity project with so much effort being put into everything. There is fine support from particularly Sam Elliott and the chemistry between the two leads is wholly believable.
Altogether, very, very good and often splendid. 8/10 Bethany Cox
This is not the only, or first, 'A Star is Born' film. There is one from 1937 with Mitzi Gaynor and Fredric March, my personal favourite. There is one from 1954, the most famous, which is overlong but does contain Judy Garland's best ever performance and terrific songs (especially the heart-wrenching "The Man That Got Away"), love James Mason in it too. There is the 1976 film with Barbra Streisand, personally don't care for it but Streisand sings beautifully and "Evergreen" is to die for.
As far as the versions of 'A Star is Born' goes, this one from 2018 compares extremely favourably. Not quite as good as the 1937 film, but on the same level as 1954 and better than 1976. May not love it as much as others, but the appeal is justified and the acclaim is deserved from my personal perspective. In terms of films from 2018, 'A Star is Born' is among the better ones.
It's not perfect. A few story elements are a touch rushed and lack credibility, like Ally getting stage spotlight in such a short space of time, and occasionally it's a little on-the-nose like the making Ally glitzier advice from Rez.
The final act also could have been tightened, slightly too padded and dragged out.
What 'A Star is Born' does so well is taking a familiar story and making it still fresh and relatable. It's always entertaining and glamorous yet the love story is every bit as important, and even more so, and is both charming and emotionally impactful. Everything about 'A Star is Born' is slick, endlessly entertaining and with lots of heart and surprising poignancy, also had the experience of not a dry eye being in the auditorium with tears silently rolling with me.
Visually, it's very eye catching and sumptuously made, beautifully shot with lots of glitzy glamour and style. Loved the songs, none are quite on the same level as "The Man That Got Away" and "Evergreen" but they are extremely well written, easy to remember, have a wide range of emotions, are very well sung and staged, are integrated beautifully integrated into the story, some moving the story forward or telling it through the song rather than being a grinding things to a halt distraction. "I'll Never Love Again" and "Shallow" stand out.
Dialogue has wit and heart and the story shines particularly in the first third. Cannot say anything bad about the performances, with Lady Gaga providing a contender for the most surprising performances of the year in a quite outstanding acting debut (her singing is also absolutely great of course), a star is born indeed. Bradley Cooper gives one of his best performances as a charismatic and charming yet conflicted leading man, do not associate him with musicals and worried as to whether he would fit but it fits him like a glove. He too directs for the first time, and it is hard to believe that a directing job this slick and audacious was only his debut, really do disagree about his contributions being a vanity project with so much effort being put into everything. There is fine support from particularly Sam Elliott and the chemistry between the two leads is wholly believable.
Altogether, very, very good and often splendid. 8/10 Bethany Cox
I must be on a streak with the amount of excellent films that I have been seeing lately, because A Star is Born is fantastic. If this film does not get nominated for Best Picture or Best Actor, Best Actress, or Best Original Song, then I will literally be stunned, because every single aspect found within the film was perfect. I would really love to see Lady Gaga win the Oscar for Best Actress because she totally nailed it here. She went from poking faces in 2007, to make the audience's heart sink in 2018.
Honestly, the one thing that I love the most about this film is the fact that the chemistry between Bradley Cooper and Lady Gaga is so genuine and authentic. Their relationship is so perfect, so real, and I honestly felt like I was getting a realistic perspective of a couple, with all of their happiness, struggles, and everything in between. It is so funny that I thought Bradley Cooper was absolutely awful in American Sniper, so I was incredibly shocked to see how well he did here. Like in American Sniper, Cooper is also suffering from an alcohol addiction and relationship, but in A Star is Born, it is handled much more brilliantly. You see, we actually get to feel for his character. He is such a likable guy, that even when he makes a horrible decision, we understand why he is doing it, and we sympathize with in throughout it all. I loved both his character and Lady Gaga's so much. They were so damn perfect together.
As for the music, on its own it may have not been my cup of tea, but in the context of the film, it was outstanding. From country, to pop, to a little bit of rock and roll, I was sold on every song. Even with the final song, which totally wrecked my heart, along with everybody else's in the theater (who was sobbing like I was), I was hooked all the way through. The music was so perfect and I loved the transition in the tone of the music from the one-man show of Bradley Cooper at the beginning of the film, the duo of Cooper and Lady Gaga towards the middle, and the one-woman show of Gaga at the end. It was just outstanding.
You know, as much as I love La La Land, I started to understand why some people disliked that film after watching this one. A Star is Born is far more realistic, grounded, has better chemistry, and is just much more powerful. I loved this film, not only more than La La Land, but more than any other movie I have seen this year. This was excellent, without flaws, and if anything, really started to make me feel that love might be real.
So many soundtracks to continue listening to: A Girl Walks Home Alone at Night, Mid90s, and now A Star is Born. I love it!
Honestly, the one thing that I love the most about this film is the fact that the chemistry between Bradley Cooper and Lady Gaga is so genuine and authentic. Their relationship is so perfect, so real, and I honestly felt like I was getting a realistic perspective of a couple, with all of their happiness, struggles, and everything in between. It is so funny that I thought Bradley Cooper was absolutely awful in American Sniper, so I was incredibly shocked to see how well he did here. Like in American Sniper, Cooper is also suffering from an alcohol addiction and relationship, but in A Star is Born, it is handled much more brilliantly. You see, we actually get to feel for his character. He is such a likable guy, that even when he makes a horrible decision, we understand why he is doing it, and we sympathize with in throughout it all. I loved both his character and Lady Gaga's so much. They were so damn perfect together.
As for the music, on its own it may have not been my cup of tea, but in the context of the film, it was outstanding. From country, to pop, to a little bit of rock and roll, I was sold on every song. Even with the final song, which totally wrecked my heart, along with everybody else's in the theater (who was sobbing like I was), I was hooked all the way through. The music was so perfect and I loved the transition in the tone of the music from the one-man show of Bradley Cooper at the beginning of the film, the duo of Cooper and Lady Gaga towards the middle, and the one-woman show of Gaga at the end. It was just outstanding.
You know, as much as I love La La Land, I started to understand why some people disliked that film after watching this one. A Star is Born is far more realistic, grounded, has better chemistry, and is just much more powerful. I loved this film, not only more than La La Land, but more than any other movie I have seen this year. This was excellent, without flaws, and if anything, really started to make me feel that love might be real.
So many soundtracks to continue listening to: A Girl Walks Home Alone at Night, Mid90s, and now A Star is Born. I love it!
30 Celebs Who Passed On 'A Star Is Born'
30 Celebs Who Passed On 'A Star Is Born'
Lady Gaga wasn't the first pop star considered for A Star Is Born, and Bradley Cooper wasn't the first actor. Let's look back at what could have been a very different film.
Did you know
- TriviaBradley Cooper said that Lady Gaga was the one who convinced him they should sing live. Gaga said she hated watching movies where the actors were not lip-syncing correctly to the songs, and to avoid this and get it right they needed to sing live for the film. This caused Cooper to get more extensive vocal training.
- GoofsWhen Jack and Bobby are driving to Jack's house the car is obviously getting pulled along on a trailer as all the dashboard dials (including the speedometer) are on zero.
- Crazy creditsThe first couple of seconds of the Warner Bros Pictures logo are cut out.
- Alternate versionsAn extended version of the film, dubbed the "Encore Edition" with an additional 12 minutes of new footage, was released on March 1, 2019 for a limited one-week engagement. The material consists of longer takes of musical numbers, as well as a brand-new, never-before-seen song "Clover", by Ally and Jackson.
- ConnectionsFeatured in CTV News at Six Toronto: Episode dated 5 September 2018 (2018)
- SoundtracksBlack Eyes
Written by Bradley Cooper and Lukas Nelson
Performed by Bradley Cooper
Produced by Bradley Cooper and Lukas Nelson
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Nace una estrella
- Filming locations
- Glastonbury Festival, Pilton, Somerset, England, UK(festival scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $36,000,000 (estimated)
- Gross US & Canada
- $215,333,122
- Opening weekend US & Canada
- $42,908,051
- Oct 7, 2018
- Gross worldwide
- $436,433,122
- Runtime2 hours 16 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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