Divinity

It struggles to be an artsy presentation but fails. Bakula's performance is good. That is the only good point, and the only reason I give 4 stars. I do not give points for effort when the production directing efforts seem to be more about how to make it as cheaply as possible while pretending it is an artsy film. The black and white is extremely poor quality throughout the entire film, grainy and unwatchable, as if that is supposed to make me appreciate this more. Put it in color and teach the actors how to deliver lines, I'd give it a better score. But, they obviously wanted it presented this way, and thought people would love it. The actors (other than Bakula) each move and speak as if they were born without emotioin, live without emotion, and die without emotion. WAKE UP. If people were really like this - they wouldn't CARE about living forever.

While watching this movie it reminded me of Tetsuo Iron Man. The themes of body modification and technology overtaking the core of what it means to be human. Some scenes also reminded me of a bad b-movie like something from an Ed Wood 50s sci-fi or even Neil Breen. There were definitely things I hadn't seen in a while like stop motion animation techniques in place of CGI. It feels like a breath of fresh air at this point where we are just inundated with things that look the same. It is not going to be everyone's cup of tea but if you like Ray Harryhausen, Tetsuo: Iron Man, cheesy sci-fi movies, you may like this.

Saw this at the 2023 Sundance Film Festival

"Divinity" is a story about two mysterious brothers, who abduct a mogul during his quest for immortality. Meanwhile, a seductive woman helps them launch a journey of self-discovery. Director Eddie Alcazar clearly takes influence on films like Lynch and strange art-house science fiction stories and with this being his first feature-length film, there are some great aspects to it.

There are some weird stuff happening. The black and white colors, sound designs, and visuals are very interesting and great. The performances from the cast is interesting as the performances feel kind of weird or dull but I think it was intentional for the setting. It has a surprising cast and for the whole cast, they do a pretty good job on playing their strange roles. I don't mind strange films like these as they are one of the types of genre of filmmaking that I enjoy seeing.

The main narrative is a bit strange and while it's very ambitious, the ambitious tone and presentation takes away from some of the writing elements as the writing elements at points felt underdeveloped or unfocused of what the intentions of the film wants to be. Some of the dialogue moments were pretty rough. The third act does start to feel a bit too silly at times which takes away some of the tension.

Overall, it's definitely ambitious and a very strange type of film to watch. It's no where near one of my favorites on weird art-house films but there are some cool ideas that felt original.

Rating: B-

If you wish you lived in a parallel universe where in the early 1990s, Paul Verhoeven had smoked a lot of weed, then made a low-budget black and white mashup of Eraserhead, Crimes of the Future (1970), and How to Talk to Girls at Parties, Divinity will likely be your dream made flesh. Lumpy, misshapen flesh, covered in grotesque goo.

If even one of those elements gives you mixed or negative feelings, Divinity will probably not be your cup of tea. This is not a film like Aliens or Barbie, with so many different well-made elements that just about anyone will enjoy the experience. Divinity is (metaphorically, not literally) a Masters of the Universe (1987), Tokyo Gore Police, or Revenge of the Ninja (1983). If it's not exactly on your wavelength, your experience (like mine) will probably be similar to seeing a Facebook ad for a supposed medical device that clearly has off-label purposes you're not interested in. You might (like me) appreciate that it was made with love and has a good cast (Scott Bakula in particular), but you will probably be bemused by the experience as a whole.

Fantastic visuals, numbing story to the brain. While I do appreciate the straightforward allegories that were apparent, it seemed like this movie was relying on the visuals to save it. The story is super simple with overarching metaphors involved, yet, it seemed like certain scenes were missing it. The pacing was super off, but the visuals almost make up for it. Every shot looks like a charcoal pencil drawing that just adds to the nature of the film. Great concepts, yet not expansive to the point where I feel the lore could be elaborated on. I recommend solely for the visuals and set design, yet it's not much of a pleasing story.