Taylor Hawkins prances around in leopard leggings while singing to his real-life daughter Annabelle in the trippy video for “Middle Child.” Featuring Dave Grohl on guitar, the glam-rock track appears on Hawkins’ new album with Coattail Riders, Get the Money.
Directed by Hawkins, Wiley Hodgen and Jeff Coffman, the clip opens in a hazy sepia-toned kitchen; Hawkins sits with Annabelle as she watches depressing news headlines on television. “My little twin I am here with you,” he says comfortingly, clutching a dog in his arms while she flips channels on the remote.
Directed by Hawkins, Wiley Hodgen and Jeff Coffman, the clip opens in a hazy sepia-toned kitchen; Hawkins sits with Annabelle as she watches depressing news headlines on television. “My little twin I am here with you,” he says comfortingly, clutching a dog in his arms while she flips channels on the remote.
- 1/7/2020
- by Angie Martoccio
- Rollingstone.com
Taylor Hawkins has shared his guest-filled new video for “I Really Blew It,” the first video from the Foo Fighters drummer and the Coattail Riders’ just-released new album Get the Money.
Like the album itself, “I Really Blew It” features appearances by Hawkins’ fellow Foo Dave Grohl — here a disembodied head in the fireplace that delivers the song’s title — as well as Perry Farrell, who fronts a miniaturized band in the bizarre visual. To complete the “1970s late-night music video TV show vibe,” “I Really Blew It” also features a Hall & Oates spoof.
Like the album itself, “I Really Blew It” features appearances by Hawkins’ fellow Foo Dave Grohl — here a disembodied head in the fireplace that delivers the song’s title — as well as Perry Farrell, who fronts a miniaturized band in the bizarre visual. To complete the “1970s late-night music video TV show vibe,” “I Really Blew It” also features a Hall & Oates spoof.
- 11/8/2019
- by Daniel Kreps
- Rollingstone.com
Taylor Hawkins recruits Foo Fighters bandmate Dave Grohl for “Middle Child,” a glam-rock cut from the former’s upcoming album with the Coattail Riders, Get the Money.
Grohl and Brent Woods power the track with a distorted, trebly guitar riff. Chris Chaney contributes a fuzzy bass line, and Hawkins adds both a propulsive drum part and harmonized vocals that recall the multi-tracked grandeur of vintage Queen. “How I love you, middle child/I see angels when you smile,” he belts on the chorus. “When I look into your eyes, I...
Grohl and Brent Woods power the track with a distorted, trebly guitar riff. Chris Chaney contributes a fuzzy bass line, and Hawkins adds both a propulsive drum part and harmonized vocals that recall the multi-tracked grandeur of vintage Queen. “How I love you, middle child/I see angels when you smile,” he belts on the chorus. “When I look into your eyes, I...
- 10/28/2019
- by Ryan Reed
- Rollingstone.com
The Foo Fighters’ Taylor Hawkins and his band the Coattail Riders teamed up with Chrissie Hynde, Joe Walsh and Duff McKagan for a simmering new song, “Get the Money,” the title track from their next LP, out November 8th via Shanabele/RCA Records.
“Get the Money” takes several unexpected musical turns, opening like a psych-folk tune, settling into a reggae-tinged groove, going back to that psych-folk vibe before steadily ramping up into a breakneck prog freakout. Throughout the song, Walsh peels off crackling riffs over McKagan’s supple bass while Hawkins and Hynde trade lyrics,...
“Get the Money” takes several unexpected musical turns, opening like a psych-folk tune, settling into a reggae-tinged groove, going back to that psych-folk vibe before steadily ramping up into a breakneck prog freakout. Throughout the song, Walsh peels off crackling riffs over McKagan’s supple bass while Hawkins and Hynde trade lyrics,...
- 10/21/2019
- by Jon Blistein
- Rollingstone.com
Foo Fighters drummer Taylor Hawkins has linked up with his bandmate Dave Grohl and Yes singer Jon Davison for an eclectic new rocker, “Crossed the Line.” The track will appear on Hawkins’ new cameo-filled album with his band the Coattail Riders, Get the Money, out November 8th via Shanabelle/RCA Records.
“Crossed the Line” opens like a slow-and-steady prog rocker, with Davison draping his soothing croon over a guitar riff that plucks as much as it wobbles. But the song slowly opens up in various directions, from a cheeky nod...
“Crossed the Line” opens like a slow-and-steady prog rocker, with Davison draping his soothing croon over a guitar riff that plucks as much as it wobbles. But the song slowly opens up in various directions, from a cheeky nod...
- 10/15/2019
- by Jon Blistein
- Rollingstone.com
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