Contagion (2011)

PG-13   |    |  Action, Drama, Thriller


Contagion (2011) Poster

Healthcare professionals, government officials and everyday people find themselves in the midst of a worldwide epidemic as the CDC works to find a cure.


6.6/10
202,605

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  • Elliott Gould at an event for Contagion (2011)
  • Marion Cotillard and Chin Han in Contagion (2011)
  • Sanaa Lathan at an event for Contagion (2011)
  • Marion Cotillard and Chin Han in Contagion (2011)
  • Julia Jones at an event for Contagion (2011)
  • Jennifer Ehle in Contagion (2011)

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7 October 2011 | Davor-Blazevic-1959
7
| Fictional viral outbreak plausibly dramatized in docu-like fashion
Stephen Soderbergh's latest direction, "Contagion" (2011), even though bringing less than expected excitement, is an absorbing movie to watch, efficient as a social and behavioural study, but no less as an accomplished collection of individual case studies, offering sufficiently thought-provoking arguments, such as the fact that--despite all the scientific advances and exhaustive efforts of the thousands of specialists--humankind still stands pretty helpless in the prevention of new viral outbreaks and their many strains occurring globally, when even seemingly well organised societies easily slip into chaos, leaving all individuals to fend for themselves in the ultimate fight for survival, all further fuelled by unstoppable leaks (however, lucrative sensationalism, as well) on an almost inevitable, mutually supportive (money and power shouldn't mix, but mostly they do) corporal and governmental cover-ups. Surely it is a disturbing reminder that even at the most difficult of times, humanity's good traits still get so easily overpowered by the seed of all evil--selfishness and greed.

Many good actors partake in the movie: Kate Winslet, Matt Damon, Jude Law, Jennifer Ehle, Marion Cotillard, Laurence Fishburne, Elliott Gould, to name a few, though one cannot expect remarkable character development when action is dispersed and story spread on so many leads. Nevertheless, Soderbergh knows how to make people count and, albeit somewhat shy about it, he's sufficiently confident in decisive difference their increasingly frequent, self-sacrificing actions could make, having faith in ultimately predominant selflessness and benevolence, kindness and compassion, whether among pre-organised, or ad hoc gathered communities, down to the last individual, rediscovering--now under extreme conditions--their altruism and, as implied in a reserved hope raised towards the end, having--this way or another--humanism in humankind still prevail.

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