A stuntman, fresh off an almost career-ending accident, has to track down a missing movie star, solve a conspiracy and try to win back the love of his life while still doing his day job.A stuntman, fresh off an almost career-ending accident, has to track down a missing movie star, solve a conspiracy and try to win back the love of his life while still doing his day job.A stuntman, fresh off an almost career-ending accident, has to track down a missing movie star, solve a conspiracy and try to win back the love of his life while still doing his day job.
- Director
- Writers
- Stars
- Awards
- 19 wins & 38 nominations total
Ioane Saula
- Birdie the PA
- (as "Ioane Sa'ula")
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'The Fall Guy' is lauded for its thrilling stunts and the portrayal of stunt work's skill and danger. The film blends action, comedy, and romance effectively, with standout performances from Ryan Gosling and Emily Blunt. Their chemistry is a highlight, along with the movie's self-aware humor and Hollywood references. However, some find the plot predictable and pacing uneven, with underutilized characters. Despite these issues, it is generally viewed as a fun, entertaining homage to film industry heroes.
Featured reviews
Whatever problems The Fall Guy has really aren't an issue when the final product is this much fun. It's a loving tribute to the never ending selflessness of stunt people wrapped inside of an endearing romantic comedy and meta action film. If David Leitch and 87 North did all the action in cinema the world would be a better place.
Ryan Gosling achieves new levels of perfection by merging the reserved stunt man character of Drive with his natural Kenergy. His version of Colt is just so lovable, especially because he's completely unafraid to be open in his vulnerability which makes him more relatable whilst being really funny. His comedic timing continues to be faultless, proving he can make any joke land.
Emily Blunt thankfully also gets a lot to do. Any scene she shares with Gosling is effortlessly charming and she has her own brand of bona-fide movie star charisma. Winston Duke is a great movie referencing support to Gosling, Aaron Taylor-Johnson does a hilarious McConaughey impression and Hannah Waddingham's cartoonishly over the top producer really works.
David Leitch's direction plays squarely to his strengths and after the disappointment of The Gray Man, it's extra satisfying to see Gosling be given some actually good fight scenes. Stunt designer Chris O'Hara and the whole stunt team really accomplished some breathtaking feats that are only made more impressive by seeing how they shot them during the credits.
Ryan Gosling achieves new levels of perfection by merging the reserved stunt man character of Drive with his natural Kenergy. His version of Colt is just so lovable, especially because he's completely unafraid to be open in his vulnerability which makes him more relatable whilst being really funny. His comedic timing continues to be faultless, proving he can make any joke land.
Emily Blunt thankfully also gets a lot to do. Any scene she shares with Gosling is effortlessly charming and she has her own brand of bona-fide movie star charisma. Winston Duke is a great movie referencing support to Gosling, Aaron Taylor-Johnson does a hilarious McConaughey impression and Hannah Waddingham's cartoonishly over the top producer really works.
David Leitch's direction plays squarely to his strengths and after the disappointment of The Gray Man, it's extra satisfying to see Gosling be given some actually good fight scenes. Stunt designer Chris O'Hara and the whole stunt team really accomplished some breathtaking feats that are only made more impressive by seeing how they shot them during the credits.
Just back from the cinema and can't remove the smile from my face. This genre of movie has been really lacking lately. Silly, cheesy, action packed movies that are just fun.
I'm a fan of the original television show and while this is it's own thing it definitely gives a nod here and there to the 80's. The casting is great, the stunts are brilliant, the plot is fairly thin but hey, it's a popcorn movie. Not everything has to be Oscar worthy.
I'd really love to see more movies like this released. Very little CGI, good stunts and just fun. The homage to the stuntmen at the end of the movie was a really nice touch too. Job well done.
I'm a fan of the original television show and while this is it's own thing it definitely gives a nod here and there to the 80's. The casting is great, the stunts are brilliant, the plot is fairly thin but hey, it's a popcorn movie. Not everything has to be Oscar worthy.
I'd really love to see more movies like this released. Very little CGI, good stunts and just fun. The homage to the stuntmen at the end of the movie was a really nice touch too. Job well done.
The whole movie is like a lot is going on yet it's all very flat. Some scenes are just too cheesy. The pacing was somewhat weird but i guess it is very likely to happen when you try to blend chunks of romcom, action, and crime scenes altogether into a 2-hour movie.
Was kinda surprised by Aaron Taylor-Johnson though. Have always thought of him as a great actor but never realized he can be good at playing a silly cartoonish and very stereotypical character also. He was hilarious! !
Overall it's not to my personal taste at all but this is an okay movie. If you're looking for a no-brainer fun movie you can go for it but don't expect too much.
Was kinda surprised by Aaron Taylor-Johnson though. Have always thought of him as a great actor but never realized he can be good at playing a silly cartoonish and very stereotypical character also. He was hilarious! !
Overall it's not to my personal taste at all but this is an okay movie. If you're looking for a no-brainer fun movie you can go for it but don't expect too much.
Like with "Top Gun: Maverick", some witchcraftery was undoubtedly used to shift a thin, generic story into considerably more poignant, refreshing, even warranted territory.
I loved "The Fall Guy" for what it is! A fun, feel-good blockbuster that knows exactly what it wants to accomplish...and does so in tremendous style that feels as peak Hollywood as a movie can get.
Also, it's a much-needed and endearing homage to stunt performers and the tremendous(ly overlooked) value they bring.
The movie doesn't miss a beat, it looks gorgeous (the production value is top notch), Gosling's as charming as ever, and the ending felt so deserved and satisfactory that it left me with a huge grin.
What more could I possibly ask for 😁
I loved "The Fall Guy" for what it is! A fun, feel-good blockbuster that knows exactly what it wants to accomplish...and does so in tremendous style that feels as peak Hollywood as a movie can get.
Also, it's a much-needed and endearing homage to stunt performers and the tremendous(ly overlooked) value they bring.
The movie doesn't miss a beat, it looks gorgeous (the production value is top notch), Gosling's as charming as ever, and the ending felt so deserved and satisfactory that it left me with a huge grin.
What more could I possibly ask for 😁
I'd love to get behind this as a thrilling stunt showcase and worthy campaign for stunt-performance film-awards recognition, all tied together with a witty and self-aware central rom-com performance from two top quality actors with top on-screen chemistry, I did love the trailer, I did find the concept appealing. However for a project like this to work satisfactorily, regardless of the talent involved, it must be written well, it must be directed well. This is written badly and it doesn't hold together, and the direction is poor, it's a stupid story that doesn't work.
That accepted I enjoyed many elements, the stunts, some of the jokes, the sometimes ridiculous neon hair-shimmering slow-motion cinematography, the ultimate man-cave sequence, Ryan's jackets, Emily's catsuit-belt-combo (with invisible holster), the on-set movie-making exposition-demonstration-magic similar to HBO's Irma Vep...the behind-the-scenes stunt-reel over the end credits...until that last bit.
Look, I'm glad everyone is enjoying themselves, I just think it is also possible to make a good story out of a fun concept, so we can all enjoy it, and somehow that's not what happened here.
That accepted I enjoyed many elements, the stunts, some of the jokes, the sometimes ridiculous neon hair-shimmering slow-motion cinematography, the ultimate man-cave sequence, Ryan's jackets, Emily's catsuit-belt-combo (with invisible holster), the on-set movie-making exposition-demonstration-magic similar to HBO's Irma Vep...the behind-the-scenes stunt-reel over the end credits...until that last bit.
Look, I'm glad everyone is enjoying themselves, I just think it is also possible to make a good story out of a fun concept, so we can all enjoy it, and somehow that's not what happened here.
Storyline
Did you know
- TriviaRyan Gosling has a fear of heights, but still did the 150-foot fall at the beginning of the movie.
- GoofsColt is seen leaving the hotel room where Henry is later found dead, and this is used as proof he killed Henry, but he already had brought the police there right after leaving the room and they didn't find a body, so the video can't be used as proof.
- Quotes
[from trailer]
Jody Moreno: You are literally the last person on Earth I wanna see. I'd slap the shit outta you. I really could.
Colt Seavers: And I'm open to that in a safer environment.
- Crazy creditsDuring the closing credits the left side of the screen is dedicated to stunts done for the movie. And then an additional scene, that includes cameos.
- SoundtracksI Was Made for Lovin' You
Written by Desmond Child, Vini Poncia (as Vincent Poncia), Paul Stanley
Performed by KISS
Courtesy of Island Records
Under license from Universal Music Enterprises
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Profesión Peligro
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $130,000,000 (estimated)
- Gross US & Canada
- $92,900,355
- Opening weekend US & Canada
- $27,747,035
- May 5, 2024
- Gross worldwide
- $181,073,291
- Runtime2 hours 6 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content
