20 May 2012 | StevePulaski
One could technically label Bernie a docudrama, as it is definitely more than meets the eye in terms of bringing facts to the table. The film is intercut with segments featuring the townspeople of Carthage, Texas discussing their relationship with the real Bernie Tiede and how his cheery eccentricities rubbed off on the town. Some of them are clearly actors, one of them being Matthew McConaughey's mother, but many are authentic folk off the street. Linklater very early on breeds variety into a film with so many unique and cute subtleties that after a while, you contemplate what you may have missed. Enthusiastically
Tiede is an assistant funeral director in Carthage, and can't be more proud of what he does. He's the man who fixes up the dead to make them look sometimes better than they did alive. Bernie is notorious for connecting deeply with his customers who have come to him after the death of a loved one, and even manages to stay in contact with many of them long after the funeral, dropping by and even bringing them flowers occasionally. He's a genial, kind soul and effortlessly brightens everyone's day. Almost like that guy on the street, at the office, on the bus, or in the neighborhood you don't know personally, don't know their history, or quite possibly even know their name, but you make the humane nuance to wave or say hello to them frequently. Tiede is an ode to that person in your life.
Bernie becomes friends with Marjorie Nugent (MacLaine), a wealthy old widow, who is mean-spirited and, after occupying a certain disdain for him, gives into his cheeriness and they begin hanging out with each other. It isn't long before Bernie grows weary of Mrs. Nugent's browbeating comments and shoots her four times in the back. Devastated at what he has done out of pure anger, he manages to conceal the body for months before the district attorney Danny Buck (played extremely well by McConaughey, whose character somewhat resembles Woody Harrelson's cold-blooded cop from Rampart), a cowboy-hatted, tall, and thin man always dapper, becomes suspicious of Bernie. He believes his nice appearance is just a put-on for the heartless deviant he really is.
The character of Bernie is played by Jack Black, in a role that is beyond any description I can helpfully provide. His character needs to be seen. Black takes a character, whose story and personality is likely unknown to many people in 2012, and invents this kind, charismatic person in the blink of an eye. Bernie is perhaps the nicest movie character I have been greeted with this year, and even after he kills an old woman, it's hard to even have harsh feelings for the sap. What he did was wrong, but it has become apparent that when a film features a cold-blooded killer, we are robbed of backstory and reason as to why he is doing this or how he got here. We learn so much about Bernie and his life before the inevitable murder that we almost can't hate the man despite his unforgivable actions.
Richard Linklater, who previously worked with Black in the impressive School of Rock, directs this black comedy with a serene bite, providing it with a rich script, and three lovable performances by three fine actors. Its deep south cinematography reminds me of the kind used in the drama Seven Days in Utopia, only more expressively used and healthier for the tone of the picture, not to mention the involving narrative carried throughout the excursion truly compliments the quiet rural nature of its setting. Bernie is one of the most enthusiastically quirky pictures of the year.
Starring: Jack Black, Shirley MacLaine, and Matthew McConaughey. Directed by: Richard Linklater.