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  • "Another Happy Day" does not operate in the way usual films do. It does not give you a certain point of climax or intensity and a so-called satisfying, complete closure that many people may expect. Well, these are exactly the things not to be expected.

    Look forward to a distinctive drama about a family and the relationships in it. Look forward to a unusual film with both happy and sad moments yet not necessarily with even the slightest of predictability and cheerfulness. It is not necessarily sad, but for certain it does not try to cheer you up.

    You can call this film many things. Call it hilarious, call it depressing, call it reality, call it family. It has its share of heartbreaking and heartwarming moments, and it is certainly harsh when it comes to show that this may be exactly what reality may be like. Not all problems can be solved in real life like in the movies, and this is a piece that does not present itself as a typical film; it presents itself as a potential reality, and it goes from there.

    The emotions are so rich and deep in this film that it is almost impossible to capture them all so vividly and put them forth on the screen for the audience. But thanks to a group of brilliant performances, the impossible becomes possible, and the power of film definitely emanates more from the incredibly stunning and entirely realistic acting than from the plot.

    Despite the total ignorance of this film by the Academy, the performances here alone, not taking the storyline into account, form one of the greatest ensembles of the year. Ellen Barkin as Lynn and Ezra Miller as Elliot, Lynn's son, have delivered one of the most solid and promising performances of the year, and are undoubtedly, as most would say, Oscar-worthy. The emotional collapse of Ellen Burstyn as Doris, Lynn's mother, is another performance too powerful to not pay attention to. The only underachieving one here may be Academy Award nominee Thomas Haden Church, who plays Lynn's ex-husband, Paul, and now has a new spouse, Patty (Demi Moore).

    There is a lot of love and hate in this film, and however immorally wrong it may be, this reflects reality in many families, especially bigger ones. The countless issues are not going to just vanish, and it is usually easier said than done to overcome these troubles. In Lynn's case it is even more difficult, with everyone in the family seeming to disapprove of her actions and as Lynn refers to, not on her side. During such a visit with so much hospitality, Lynn must resolve into getting over these problems in the wedding of his son Dylan (Michael Nardelli), who has stayed with Paul and Patty since little age.

    Another problem arises as Lynn continues to think and have serious doubts whether she is a good mother. Elliot and Ben (Daniel Yelsky) are both raised by Lynn, and they also have "issues". The former has some kind of severe emotional disorder and can burst into an uncontrollable rampage all of a sudden while the latter is also said to have mildly autistic trouble. Alice (Kate Bosworth), another child raised by Lynn, also seems to have issues and has even hurt herself before. It is in this situation that brings Lynn to the edge. She is on the verge of breaking down, under an extremely uncomfortable environment with everyone pointing fingers at her from the outside and her inner sorrow of her failures on her children.

    We have Elliot and Ben. Ben appears as a figure lacking confidence and often feels and reacts badly when others discuss his "autistic nature". Elliot is not your ordinary teenager. He takes teenage drugs and smokes cigarettes, but he is more than that. At times, he seems normal and behaves normally, but at other times, he can act incoherently and totally irresponsibly because of his apparent inability to control himself in certain circumstances. While Lynn has her unbearable load of issues to tackle, the two teenagers also have to deal with their hardships during this somewhat unwanted visit to Lynn's mother.

    Alice is not presented to us as a main character though she has been the focus of conversations from time to time, and when she comes up, her problem is no longer her own. It is connected to other members in the family, like Lynn herself, and of course her father, Paul. The relationship between her and Paul is one kind of relationship, and the relationship between Lynn and Paul concerning her is another kind, and then it certainly also causes problems between Patty and Lynn. And between Patty and Lynn it does not end there. With Dylan being Lynn's son but being raised by Patty, his tendency towards Lynn for walking him down the aisle inevitably results in Patty's fury.

    The relationships in this family are too complex describe in plain words and you will have to see for yourself how complicated it can be.

    "Another Happy Day" has depth in its diversity of emotions portrayed by a group of talented actors and actresses, and it is an enjoyable experience. It is a drama about a family in general. It covers life and death, sicknesses, teenage problems, emotional disorders, marriages, love, and of course, family.

    All I have to remind you is that "Another Happy Day" may not really guarantee you a "happy" experience. For most of the audience, I would say "depression" should be the word. But I guess if you face it optimistically and bravely, it can still be a satisfying and happy journey somehow.

    Either way, it is a film where extraordinarily great performances meet affluently rich sentimental displays and a film that should be appreciated.
  • I confess to having seen this film twice, the second time just to see if knowing the ending made any difference to the way the script plays out. It didn't. I was just as embroiled in the detail of a family showing their affection for each other in so many different ways but none of them pleasant. And yet the love was and is there for the whole of the family, it just isn't the kind of fluff or gush that Hollywood is famed for heaping upon its audiences. This is tough love for tough lives, not in the physical sense but in the mental veneers families sometimes play with.

    If this were a book you would probably put it down and find a lighter read but as a film it provokes you to look away in the full knowledge you won't because you are already gripped. You just want to know how long it will take before the sparring turns into real bare knuckle fights. The cast perform their tasks wonderfully well, so well that they seem real and that is another reason you cannot turn your head. It is not a film for those who love action or movement in a film because this dwells and draws maximum coverage from each scene. And yet it isn't slow. It is deeply layered and textured with such a diverse range of characters each vying for your affection. And you will love them all for their many faults but mostly for their ability to survive.

    If you are not into intelligent drama then you'd best give this a mess, but if you like a really good tour around human beings attempting to live together if only for a day or so, then try it. You may enjoy it as much as I did.
  • "Another Happy Day" is an independent/low budget film from newcomer director Sam Levinson that focuses on a middle aged woman Lynn (Ellen Barkin) and her incredibly troubled family coming together for her eldest son's wedding.

    The family ties here are quite complicated; Lynn has three sons and a daughter. Dylan, the groom and her eldest son was mostly raised by ex- husband Paul (Thomas Haden Church) and conniving second wife Patty (Demi Moore), Lynn's daughter with Paul is Alice (introduced halfway in the film by Kate Bosworth), who was raised by Lynn and is suicidal and prone to self harm. The younger sons are chronic drug addict Elliot (Ezra Miller) and an Asperger's sufferer Ben (Daniel Yelsky). It doesn't stop there, Lynn has two unbearable sisters you want to strangle (Diana Scarwid, Siobhan Fallonn Hogan) and her mother (Ellen Burstyn), as proper and respectable as she is, lacks any warmth or support for her daughter.

    The film is a depressing and an emotionally draining experience. At times it is almost unbearable especially in Lynn's position as everyone around her is either against her or verbally and mentally attacking her to shreds. Burstyn's character makes a point one night of "Why ME!?" , as she reflects on the deterioration of her husband, but the audience's sympathy should be applied to Lynn, she is continually on the verge of a major breakdown but continues to pay no attention to how bad her state is and tries to soldiers on in this "joyous" family occasion.

    Despite the film's miserable tone throughout and the lack of any resolution in the end, the film offers fantastic performances all around. In particular Ellen Barkin as the lead is simply stunning and should be recognized for her work here, her career has somewhat stalled in the last 10 years but hopefully with this performance and her recent Tony win we can see more performances of this caliber in the future. Another standout is the very engaging performance of Ezra Miller who plays the son from hell in another 2011 film this year (We Need to Talk About Kevin), and we shall hopefully see a lot more of him in the future. Ellen Burstyn was her usual wonderful self, her scene in the kitchen late at night with Barkin is incredibly intense and realistic, she take your breath away. Kate Bosworth, Demi Moore (a real bitch in this) and Thomas Haden Church are also at their best. Gloomy film, but wonderful cast, and recommended.
  • Warning: Spoilers
    With plays about dysfunctional families taking over the stage, "Another Happy Day" reminds me of many of them. "August: Osage County", "Other Desert Cities" and "The Lyons" were excellently written views of screwed-up people trying to keep their clans together no matter how miserable they made each other. Ellen Barkin is excellent as one of three sisters who returns home to visit her mother (Ellen Burstyn) when Barkin's son (raised by his father) is about to be married. Resentments pop up all over the place, usually focusing on three of Barkin's four children who are all dealing with emotional issues that go way beyond their control and have the equally problem loaded Barkin at her wits end of what to do. Only the soon-to-be married son seems to be drama free, a fact that one of her children points out to her as being the result of not having been reared by her. That is probably why his bride-to-be hasn't run away once she sees what the rest of the family is like.

    First hubby Thomas Haden Church is married to the luscious looking Demi Moore who seems quite together at first and even is friendly towards Barkin. But like all of those Broadway plays, relationships are not what they seem to be, and resentments explode into angry words and potential violence. Glamorous mom Burstyn is dealing with her quiet husband George Kennedy's constant heart problems, and has no patience for Barkin's constant drama. Barkin's two gossipy sisters aren't any help, either, especially when one of them discovers one of the sons putting on lipstick. The events are documented by the youngest son who wants to film the entire weekend. This calls for break-out performances by the two young actors as Barkin's children from what seems to be a better second marriage. All sorts of secrets are revealed, and like in real life, many of the issues are never resolved.

    Sometimes it is awkward to watch these sorts of dramas unfold as it feels like you are staring into people's souls. I couldn't relate to Barkin's character, but I empathized with her as to her unsure nature of how to deal with everything. I wanted payback for the two sisters whose goal in life it seems was to discredit everybody else in the family. I also really found Burstyn and Kennedy's stories to be touching, really understanding the generational gap between each part of the family tree. Burstyn dominates the action in every scene she does, expressing her disappointments and breaking down in her praise of the quiet husband she is so afraid of loosing. Kennedy has little to say, but expresses so much with his eyes and just the single sentences he is able to get out.

    There are some nice little bits of hints here and there, especially concerning what kind of character Moore really is. Watch Church's reaction to his wife in the last quarter of the movie. What isn't said is much more powerful than the verbal. Ezra Miller is an actor to watch. Get this young actor on Broadway!
  • Lynn (Ellen Barkin) is coming back to the family home with his sons Elliot (Ezra Miller) and Ben (Daniel Yelsky) Her eldest son Dylan (Michael Nardelli) is getting married. Her daughter Alice (Kate Bosworth) is also coming. She's a fragile mess. Elliot is a cynical trouble maker who causes havoc. Lynn struggles with her parents (Ellen Burstyn, George Kennedy), her sisters (Siobhan Fallon, Diana Scarwid), her ex-husband (Thomas Haden Church) and his second wife Patty (Demi Moore).

    This is Sam Levinson's directorial debut and a writer as well. The cast list is very impressive. That may have something to do with the fact that Sam is the son of Barry Levinson. The great actors do some big performances here. Besides the big names, Ezra Miller also gives a good performance. However the whole movie is a chaotic mess of excessive drama with too many characters. More is not always better. The amateur directions never really allow the film to settle down and find a member of this family that we can root for.
  • I find it odd that nobody has mentioned how hilariously funny this movie is. I also find it odd how many people claim this is somehow unrealistic for the sheer amount of problems this family has.

    Personally this seemed like exactly the family I was raised in. An extended family of, on the surface, squeaky clean socialites and all American families, while my mother was the person who had a history of therapy and being abused, and my siblings and I all had a number of mental health issues, which ended up causing every gathering to feel like us vs them where we seemed to be dismissed as the broken trouble makers who were too uppity and made too many ripples rather than pretend everything was fine and dandy when daddy broke mommy's nose etc.

    I loved this movie and was amazed by how real it felt and how funny it was at the same time as being disturbing and full of neurosis.

    I loved the dancing at the wedding, that's how I feel at those places. It's so weird to see it all without the music and with all the issues bubbling beneath the surface.
  • limshun21 November 2011
    I went to see this movie thinking that I was going to be rolling my eyes at the on screen histrionics (and there are LOTS of people screaming and crying in this movie). The critics seem to have been overly harsh with this film. While we have seen movies like this before and while the film doesn't always ring perfectly true, there are so many incredible scenes. Ellen Barkin's portrayal of a woman wounded by people's inability to hear her is heart-wrenching. There are some phenomenal scenes between her and Ellen Burstyn. The film really does dance along the line between comedy and the darker elements of human relationships. At several points, I found myself chuckling along with many people in the movie theater (I just saw this at Village East Cinemas in NYC). The family dynamics feel authentic for the most part. In a way I felt like the film thrives in the moments that feel cast away or in the natural, small moments of tenderness or banter among characters. There are wonderful moments like the two scenes in which Ellen Barkin performs her nighttime regimen as she talks with her husband. Other scenes perfectly captured what the interactions between cousins who don't see each other often are like. The passing comments people make as they move through a crowded house were spot-on. These calm, understated moments enrich the movie and the characters. The scenes that are meant to be dramatic show-stoppers often feel more awkward or heavy-handed. I would say it's worth checking out just for the versatility of the talented cast--young and old. Even Demi Moore has some incredible moments: her wedding toast is a phenomenal bit of awkward comedy.
  • First, this movie has 32 "producers" of various stripes ("executive," "line," "associate," etc.) which augurs no good at all. The fact that the leading lady has a producer credit tells you that there will be some kindness in editing her big emotional scenes -- and so it is. The writer is also the director, and that's never a hopeful sign for cutting turgid, overwritten and overplayed drama. The characters as written are so irredeemably hostile and cutting to each other that the viewer needs oxygen. Ellen Barkin's character is so passive aggressive that it's no wonder her children are miserable and f****d up, each exhibiting dangerous mood and behavior aberrations that should have put them in foster care long ago. The scenes bleed on and on, without much discipline. The dialogue is soap-opera, with, no kidding, this line repeated several times: "Can we talk?" I ordered this movie up because I admire some of the actors: Diana Scarwid, Thomas Haden-Church, others. But I don't know why I kept watching it when I was bored and angry at the limitless impositions it made on my attention and suspension of disbelief. Not recommended.
  • I went into the Savannah Film Festival screening of this film not really expecting much. Of all the movies I saw at the film festival, this one resonated with me the most, and came closest to my heart.

    Sam Levinson has woven a dark dramedy of epic proportions as Lynn (Oscar-worthy performance by Ellen Barkin) drives her two sons to her mother's house for the eldest son's wedding. Through it all the audience witnesses the public and private meltdowns and sentimentality's of this flawed, and deeply human family.

    From Lynn's confrontation of her divorcé husband (Thomas Haden Church), to her drug-addled, caustic-mouthed son Elliot's (genius performance from Ezra Miller) flirtation with grandpa's meds, to catty quips from Lynn's sisters, past trauma, guilt, and resentment flow onto the screen. What rises from this fertile emotional landscape are frightening moments, and hysterically funny scenes. For the audience it's an event, but Lynn and her boys it's just 'Another Happy Day.'

    Humor is the pallet cleanser for this hearty cinematic meal. The viewer fears for Elliot's life after he nearly OD's on the bathroom floor; then breaks into hysterics as Elliot tries to hide his blue lips with mom's rouge, the following morning. It's all so funny, and so smart. You will be cry as much from laughing as you will from the sorrowful scenes.

    Performances cut deep with their stark realism. From Ellen Barkin's Lynn, Ezra Miller's Elliot, Ellen Burstyn's Doris, down to 14 year old Daniel Yelsky's Ben - someone is going to get an Oscar nomination here. And if not, then the critics aren't ready for Levinson's dark blend of laughs and tears.

    Highly recommended: 9 out of 10.
  • Another Happy Day (2011)

    Another movie filled with inevitable clichés and a mixed bag of jokes and awkward comic encounters. It's nothing special, for sure, and because it seems to have some serious intentions it ends up being even more difficult to love. That said, it was nevertheless watchable because of the growing interplay between curious characters, and because of a couple of strong central performances.

    An odd but quick way to describe this movie is this: a Woody Allen farce about a contemporary apparently Jewish dysfunctional family in the rich suburbs somewhere on the Chesapeake, but without the grace and pointed brilliance of Allen's writing. It even begins with Allen-styled white on black text. And it's written and directed by the same person, Sam Levinson--who has probably gotten the chance for direct because his father Barry was so successful in Hollywood.

    What works is the bickering mayhem of a contemporary family. They are geographically dispersed but are reuniting for a wedding. Wayward children and ex-spouses all must encounter one another in what should have been (and sometimes is) a tense, hilarious, richly complicated scenario.

    The complicated part is there, at least. One of the characters is a son played by Ezra Miller who shows his torment, his dependence of substances of any and all kinds, and his sense of irony really well. The more famous actors like Ellen Burstyn give a strong presence on screen but have to work within the somewhat clumsy construction of the movie. Demi Moore makes a different kind of appearance and is successfully annoying without seeming to fake it one bit. Her husband is played by the ever daft seeming Thomas Haden Church. Throw in Kate Bosworth and a an aging (of course) George Kennedy and you can see how there are moments, or shards, of real potential here.

    It is rather the writing and the somewhat pushy melodrama that makes it wobbly even as the end tries to make the family gel. Maybe the movie is a sign of something better to come because it's an attempt at insight into the contemporary American scene. But the art of telling this kind of story, and of having actual insight instead of the appearances of such, need some serious work or maturity.
  • There are movies to love, movies to like, movies to tolerate, movies to sleep through, and movies that are vile. This monstrosity fills the last category admirably. It seems to concern upper class people residing in an estate located in one of the most expensive areas in the United States. Everyone is well clothed, well dressed, well fed and well educated. They now spend their time solipsistic-ally (Mr. Levinson chose this word in his script signaling to the audience he wished to reach) indulging themselves in self loathing ego-centrism. I enjoy the comments of the other critics of this odium - 'oh, this is a controversial film , not everyone's cup of idea, but I ENJOYED IT (like those people who love squid boiled in their own black effluvium).
  • ndroock117 December 2011
    At the time of writing this review 308 users have given a weighted average vote of 4.9. Note that 92 voters gave a 10 and 39 voters gave a 1. That indicates Another Happy Day must be a controversial movie. Let me add that it is a controversial quality movie. You may or may not like the story, if you don't then view this movie as a demonstration of good acting. Ellen Barkin is superb. And then there is Ellen Burstyn, at first I did not recognize her ( excellent make-up job ) but Doris and Sarah Goldfarb in Requiem for a Dream are both played by Ellen Burstyn. Demi Moore plays the part of a woman you should instantly hate and she does that very well. I simply forgot she was 'Demi Moore'. - I don't want to say much about the movie except this line, as I remember it. "I got upset because they called me autistic while I am only diagnosed as bipolar." - "Did they say that while you were there?" - "No, but I have exceptionally well hearing, I can hear frequencies as low as 20 Hertz."
  • i enjoyed movie, could not understand why her middle son was so mean to her.,,,,,,,,,,,my question is Why didn't anyone understand her(Lynn)? Why didn't anyone including her mom take her side? It seems like from start to finish no one really took her side and understood her issues. i liked the way everything came together at the end, the way the daughter finally stood up to her bio-Dad. i hate that their grandpa went out like that. but i just don't understand why no one ever understood Lynn or told her. i get that she was also tooo "psychological" like when she was explaining about the chemical imbalance thing, but no one ever gave us a reason or seemed to understand the suffering she faced as a result of the new Mom. Her wedding son did seem to stick up for her though.
  • I give this film two stars only for the fact that the actors were brilliant. However, I felt as if I was watching a family from the old "Pigtown"/west-end/Highlandtown area of Baltimore or Essex/Dundalk, MD and "The Jerry Springer Show" that had won the Lottery five years prior and so had finally been able to move out of the trailer park and take on the trappings, that they believed, made them upper-crust. i.e. martinis and a house on the Chesapeake Bay in Annapolis; yet had never really left their trailer park ways and mentality. Sad and painful to watch and since I do not believe that was the intent of the writer/director I found the film a failure.
  • Definitely worth seeing. Watched it tonight, bottle of wine, low expectations, as I hadn't heard of the film at all....full of great acting, good script, believable characters, some fine comedic moments and very touching at times. Mind you, with Ellens Barkin and Burstyn in it, it must have something going for it, don't you think? Both wonderful, and also great to see George Kennedy, too. The young actor playing Elliot is definitely one to watch, too. I can't believe that this film is rated a 5 out of 10, given some of the garbage I've seen lately. Watch this - you wont be disappointed. I hope. Some comments say the characters aren't believable. I beg to differ.
  • "I was the one who was always there...not you" Lynn (Barkin) and her three children travel to the wedding of her estranged son at her mother's house. When they arrive tensions begin to mount as Lynn's son, her mother, her father, and her ex husband and his new wife all try to coexist for a weekend. This is a hard movie to review as well as watch. The movie itself is not that exciting and if it was not for the amazing cast I would have shut it off. This is a movie that reminded me a little of "Rachel Getting Married" in the way that it revolves around a dysfunctional family at the time of a normally happy occasion. The problems ultimately overshadow the wedding and the spiral continues until the ending that feels like a slap to the face after watching the struggling family. The title is very ironic. This is not a happy movie at all, and one of the most depressing movies to come out in a long time. Overall, a very OK movie but because of the cast you stay interested until the end. A good one time watch. I give it a B-.
  • It's a terrible movie with no real plot and a family who all hates each other going at each other's throats for 2 hours straight. There are no sympathetic characters. The movie would have been improved considerably if they had all just died in a house fire.
  • Warning: Spoilers
    An absolutely emotionally drenching film highlighting dysfunction at its worst.

    By the way, George Kennedy is ailing through most of the film and is practically at death's door. Yet, he is able to go to his grandson's wedding? Come on.

    Ellen Barkin is the emotionally draining woman whose second husband makes the expression opposites attract most appropriate. Ezra Miller steals the show as the emotionally draining Elliot, her son from her second marriage. Intelligent but beset by problems leading to drug use and smoking, he spends much of the film in verbal outbursts with his mother. Both make excellent use of the four-letter word constantly and it's downright disgusting.

    Ellen Burstyn is in top form as the matriarch of this brood. She whines and bemoans the fact of what is going on.

    Thomas Haden Church plays Barkin's first husband who brought up their son Dylan, who is now getting married. His second wife is a memorable Demi Moore who is volatile and has a scene stealing scene with Barkin in the lady's room.

    This is a film of intense frustration, but yet predictable. Of course, family tragedy at the very end, may very well bring on stability.
  • I am shocked at the number of decent reviews I read on this site. When I saw the cast, and the decent reviews, I decided to watch it. I'm just sorry I wasted 2 hours of my life. There isn't one "real" character in this film. Every role was portrayed as a caricature consisting of overblown and exaggerated behavior. This film is really about a group of narcissists, each more despicable than the other. What a group of disgusting, self-centered excuses for "human beings". "Another Happy Day" made me sick and angry. I only stayed with the film because I was a fan of Ezra Miller after seeing him in "The Perks of Being a Wallflower". If you want to see a good film, watch that one.
  • I was surprised to see this film didn't score that highly! I happened to catch this showing on SKY recently, and almost switched channels thinking it could be another slow-moving, half-hearted drama starting! I missed the very start and caught it at the bit where Ellen Barkin (Lynn) was driving with her two sons to the families house; to stay to attend her eldest son, Dylans wedding. I am so glad I continued to watch! I found this a very moving, poignant film in which I felt many people could deeply relate to. I found the characters very defined and very easy to like and sympathise with.

    Not many films make me feel a lump in my throat and make me feel as though I am really there with them and feeling their grief, and day-to- day issues... this definitely did this for me! The strained relationship (amongst many within this family) between Doris and Lynn, was portrayed amazingly, as was the tension between Lynn and Patty (Demi Moore). Demi Moore (Patty)really played a harsh bitch and it was very raw! The most moving parts for me were, where Ben said he had overheard the family, and what they had said about his condition (I won't spoil that part, you will have to watch). Also the part where Lynn shouted abuse at her son, Elliott, calling him a M*****F*****! That was pretty harrowing and shocking, and some thing I could NEVER imagine, or contemplate saying to my son,whatever the circumstances! But it shows how far angst and despair can really push you, and how it can change ones self! That part really did make me choke! The scene where Alice enters the room at the dinner-party get together was very moving; and I felt her discomfort when walking in to the room full of family that all knew of her issues and past...she was very convincing to watch. Bonnie was my least favourite to watch, I felt she was a little over-powering, but then I guess there are people as outspoken and outrageous as she, within family's! But still, my partner and I found her quite out of place in this film. Not an actress I enjoy watching.

    In my opinion, Ellen Barkin (Lynn) and Ezra Miller (Elliott) outshone all the rest of the cast, I felt they really stole the show! That isn't to say the rest weren't good - they really were! Ezra Miller is one to watch out for in the future, he was so absorbing to watch! Having seen him recently in "We need to talk about Kevin, he is, in my eyes, a real inspiration to up and coming young actors, and really intriguing to watch!

    This is a movie that I am sure hits home to a lot of people, as I felt it was very real and very impacting! George Kennedy (Joe) certainly reflected the cruel harsh end to old-age. The moment where Doris opens her heart to her daughter Lynn over her fears of losing him, really hit me. This is areal tragedy for most couples to face in later life, and it was a very moving moment...which made you feel for Doris, despite her aloof mothering skills towards Lynn.

    This is a film to make you feel the awkwardness and the anxiety's of peoples lives, with moments where you really do cringe. You really can feel the similarities of this families moments of pain and suffering within your own life. Yet this film also has many warming and loving moments throughout. A good master-piece of love, hurt and despair. I would love to see many more films directed in this way, as for someone as me, who holds a very short attention-span with the majority of films, this captivated me and had me on the edge of my seat throughout! Very gripping and a must-see! I applaud you Sam Levinson!
  • Frankly I liked the movie simply because it absolutely reinforces the truism that bad parents have bad offspring and three generations of children in this film are used to underscore what so many reviewers have missed in this film. Ellin Barkin is wonderful as the whiny, ineffective, self centered mother of three obviously damaged children--she plays her victim hood to the hilt throughout the movie and is NOT a sympathetic character in any respect but the director and author Sam Levinson does let her off the hook a little by showing us how badly Barkin's parent, specifically her mother, the icy grandma of monsters, played by Ellen Burstyn is the malevolent center of this very dysfunctional family. Burstyn revives her great Nurse Ratchet role in some respects in this movie and it is fun to watch. The children? Well, take a hint, they are the creations of the Barkin character while the mature, happy, and grounded child--the groom, was raised by the father--Thomas Haden's Paul. For those of you that can get past feeling sorry for Lynn and see what the author is offering you in the way of parenting advice, this is a great movie simply because it teaches that parents should be outward looking beings, not self absorbed twits.
  • Sam Levinson's (son of director Barry) 2011 family drama, which he also wrote, is one of those rather frenetic affairs, with the camera eavesdropping on the all-too-often trite and somewhat banal conversations of a probably all-too-typical U.S. family. Events surrounding an imminent wedding open up old wounds as family members, estranged relatives and sick elderly parents all bring to the fore their own dilemmas.

    I viewed it on Sky Movies Indie and it has 'indie' written all over it, for which, on this occasion, isn't necessarily a good thing.

    The cast, which combines talented and respected names - such as Ellen Barkin, Demi Moore, Ellen Burstyn and Thomas Haden Church (Sideways) mix with relative unknowns but this doesn't make the mix sweeter or the recipe any richer. The acting veers toward heated melodrama rather than fine and nuanced performances, leading you to find it hard to like or bond with any of them.

    I don't follow British soaps and whilst I'm not directly comparing this with that, I think an affiliation and enjoyment of everyday family issues would get a lot more from this than I did. The comedy element is often injected oddly, so we are not sure if it's funny, in bad taste or just odd people saying odd things.

    What will probably put most off, or at least completing the whole disc is its length; almost two hours isn't going to be a huge pile of fun if you're not following/enjoying any movie. The uninspired direction and often suddenly changing scenarios hardly help for a smooth ride, either.

    So, a movie that's maybe for you but sadly wasn't for me.
  • Polygone25 February 2012
    Another Happy Day isn't the typical comedy film; it is a drama than a comedy, in fact. The screenplay is well-written, as are the character. The directing is really good - the sequence shot in which the camera is following Demi Moore, on the music "Poland" by Oladur Arnalds is gorgeous -, I loved the soundtrack and found the casting to be interesting; the characters are truly believable & relivable. Maybe my love for this film has something to do with the fact that I've got a 'little something' for turning-bad-family-gathering film. Obviously, this film is a controversial one and I can see why. This definitely will not be the cup of tea of everyone but it worth to be seen. Sam Levinson gives us an excellent first dark-humoured effective film.
  • I thought it was a light comedy, but it won a dramatic, intense and even painful term, a family, like any other family, but this one got heavy on the problems, highlighting Ellen Barkin and Ellen Burstyn, and the brothers, with tourette and drug addict ... Beautiful, embarrassing and almost tragic film ...
  • "Another Happy Day" is another story about how even the upper middle class well-off are still generally unhappy. It tries to give an honest portrayal of modern family life and in some places it succeeds and in other areas it fails.

    One of the positives for this film is that debut Sam Levinson seems competent enough and the shots within certain scenes work to deliver the story. The problem itself however is in the writing, which is somewhat sporadic. At moments it is decent and other times it may have you rolling your eyes and there are a few superfluous scenes. One example of the issues with the dialogue is that one scene the eldest son Elliot (Ezra Miller) seems like your average philistine and then the next scene he is giving philosophical insight into himself talking about "the intermittent stages of your life" and the detrimental breakdown of his sister and himself who is "turning into Glen Beck." Why is this young seemingly self-absorbed kid suddenly taking such an interest in politics that he is comparing himself to Glen Beck?

    The big fault in this movie is that sometimes the characters are speaking to themselves and other times, director-writer Sam Levinson is speaking at us. Perhaps if the director left the writing to a more developed writer who can deliver a well-written story that doesn't involve cheesy cat fights and writing that isn't as sporadic as the eldest son. 4/10
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