Diana

It's the last 2 years in the life of Princess Diana (Naomi Watts). She's separated and meets Pakistani heart surgeon Hasnat Khan (Naveen Andrews). They fall in love in a secret affair. She would finalize the divorce. The open secret of the love affair would be front page news and he would break up with her. They would get back together but it would not last.

The romance doesn't come off right away. It's supposed to be love at first sight. However it's a weak start. Naveen is playing very cold and the relationship has very little heat. It does build up to a more reasonable romance but this is more of a tragedy. And it doesn't rise up to be a good tragedy. It's more of a beautifully shoot Lifetime movie. It doesn't help that there are some cheesy lines thrown in. I don't like to argue over accuracy about this movie. I doubt it's important enough to warrant the absolute truth. Naomi Watts gallantly tries to keep this from being a complete waste of time.

Entering the cinema auditorium with a pre-conceived pessimistic judgment on the film yet determined to watch it anyways, I can only say that I am glad that I had not allowed for media and critic opinion to dissuade me from watching "Diana." The film does not portray Diana in a bad way at all. If anything, it reiterates the absolute disgusting habits our press have had in terms of absolute disregard and disrespect for people's privacy. You feel a certain connection with Diana throughout the film, and see her for the "normal person" she was deep down. Naomi Watts' performance was spectacular, and she certainly did Diana justice. Although the film is most certainly disliked by many - i.e: the media, Islamophobes and daily mail readers... It is disliked for the mere fact that the film provides an insight into things that make certain people very uncomfortable, such as the prospect of the Princess of Wales marrying to a Pakistani Muslim, and the fact that Diana was actually a human being, with feelings, and with a difficult life.

So all I can say is, ignore the media, and make judgements for yourself. Perhaps after watching the film, you would rate it as highly as I have, or perhaps you may walk out half way through... Regardless, it's a fantastic film with a beautiful portrayal of the 'People's Princess'... Be warned: Take some Kleenex with you...The ending... is rather emotional

I went to see the film 'Diana' this afternoon and can honestly say I thoroughly enjoyed it. The film took me on a very convincing journey into what it must have been like for Diana as she struggled with coming to terms with her own inner conflicts (eg the feeling that she was destined always to be an 'outsider' to whatever family she aspired to belong to) while striving to rebuild a life for herself after separating from Prince Charles and to find the love she so desperately yearned for. The story is by turns happy and sad. I found myself smiling for Diana when things were going well, heartbroken when they weren't. Naomi Watts does an absolutely amazing job of portraying Diana. Her's is undoubtedly the weightiest role in the film and she puts her heart and soul into it with a wonderfully nuanced performance. Naveen Andrews playing the part of Dr Hasnat Khan also deserves much credit. Other actors and actresses played lesser roles, but all were well cast and contributed significantly as members of Diana's remaining 'entourage' (some also in roles as 'confidants'). Cinematography, location photography, interiors, sets, music and directing were all excellent. I've never been much of a 'royalty follower', but having seen this film I feel I know a lot more about Diana, her day to day life, and the last love of her all too short life. Don't be put off by low ratings (or negative reviews) - this is a moving and well made film. Highly recommended. 8/10.

I can understand why Diana might be a disappointment for most.

If one is after a detailed portrait of "The Loneliness of the Disaffected Princess" then this film will only partially fulfill.

If, however, one is after a simple, easy to watch love story about the affair so well hidden from the public eye in the 18 months prior to her sudden death, then fulfilled you shall be.

The disappointment for me came from the fact Diana's director, Oliver Hirschbiegel, created Downfall, the depiction of Hitler's final days. The film was an Oscar nominee, a deserved reward for its depth. Diana is his first foray into a love story. He talks of his research coming from the 2004 inquiry and The Kate Snell book of the affair. I suggest that the details coming from those sources was light and frothy.

The film is pleasant enough with a shallowness to match a children's wading pool, but as I say, it depends on what you are expecting. Oh, and Naomi Watts is lovely but not quite as beautiful as The Princess we remember!

DIANA was almost universally panned on its release in September, and continues to attract negative comments from users. In truth it is not as bad as it was made out to be, even though some of the details seem implausible (would Diana (Naomi Watts) be able to leave Kensington Palace on her nocturnal visits to Hasnat (Naveen Andrews) so easily, without being discovered or hounded by reporters?) Nonetheless Oliver Hirschbiegel's film does a competent job of portraying the sheer loneliness of Diana's existence in Kensington Palace, surrounded by servants but with no one to love her. Although tremendously popular with people and the media alike, she cannot get close to anyone; and when she does, her love-affair is doomed. Watts does not resemble Diana facially, but she does a good job of conveying both the good and not-so- good sides of her character; her desire to help people, her feeling of alienation from all families, and her tendency to manipulate the media to suit her purposes. The film suggests, perhaps controversially, that Diana brought much of the press harassment on herself, especially when she asks a trusted photographer to take snaps of herself and Dodi Fayed (Cas Anvar), with the sole purpose of making Hasnat jealous, and thereby encouraging him to call her again after a long interval. She certainly knows how to portray herself on screen - as seen, for instance, in her celebrated interview with the BBC's Martin Bashir (Prasanna Puwanrajah), where she deliberately adopts a pose for the camera so as to obtain maximum sympathy from viewers. Nonetheless the film does suggest that she was more sinned against than sinning - a victim, perhaps, of the contemporary obsession with fame and celebrity.