Sheri (Christine Nguyen) is a witch, newly married to a rising ad man, David (Billy Chappell, who has become a member of Fred Olen Ray's stock softcore family), hired by a company executive (Fred Olen Ray regular Ted Newsom) looking for fresh ideas because he so desperately wants to nab a campaign for Maribelle Cosmetics. David has rivals in his company, Jack (Randy Spears) and Steve (Eric Masterson), both feeling slighted by the hiring of some new "boy genius". The ad campaign is up for grabs, which means all three are excited about the opportunity to get a promotion and pay raise. This is pretty much the crux of the plot, but the film is more concerned with nosy busybody neighbor Abigail Turnbull's (Michelle Bauer, going over-the-top, appropriate for the silly material of the film) spying on Sheri. Turnbull is shown peering through the newlyweds' window, watching them have sex. Turnbull sees Sheri perform a trick with a champagne glass, and believes she's the "bride of Satan". Bauer gets all bug-eyed and animated, so if this isn't your kind of comedic acting, her performance will probably annoy you. Most of the film is, of course, about the sex. While Bauer receives top honors, the film has a bloated softcore cast with plenty of familiar faces. Nguyen has been in a bunch of these types of Fred "Nicholas Medina" Ray softcore farces, and has her sex scenes with Chappell (the scenes are really no different than when she's banging Frankie Cullen, another buff stud often seen in Nicholas Medina flicks) which are standard bump-and-grind outings. You get to see the ad company secretary (Michelle Maylene who, for a seasoned porn starlet, still looks like she's twelve) screw around with both Jack and Steve, Sheri's *BFF*, Carrie (Holly Sampson; also a witch) conjure up Cleopatra (!), having a lesbian encounter with her (the actress, Vanessa Brink, was also in "Lady Chatterly's Ghost", starring Sampson), and a sexy cop patrolling the suburban neighborhood (Jessie Lunderby; her bust barely staying still in her shirt). Sampson, criminally, has only ONE scene (with Brink who also shags Spears), and her promising lesbian encounter with Lunderby is over before it gets good and started (just a disappointment, oh, man, come on Nicholas!). It is funny hearing Cleopatra telling Sampson to attack her *beep*, crying aloud "f**k yeah!" Anyway, the film gets everyone of the cast (besides Bauer) in a sex scene (or two, in the case of Spears) which occupies a bit of the running time. Meanwhile, David has hit a "creator's block", desperately needing a creative spark, Sheri hoping something will come to mind in regards to a woman's beauty and how to market such a concept into a successful campaign. I've given the plot a bit more time than usual as normally softcore reviews take very little to write. I have to admit, and I never thought I'd say this, but I'm starting to tire of Nguyen. At this point, she has exhausted every kind of softcore character, while still beautiful Nguyen probably needs to remain relegated to a small supporting role where she has sex with someone and vanishes from the plot afterward. This is one of those rare occasions (maybe because Cullen is not in the film) where no male has a central part in a softcore farcical film by FOR...it is shared by all the male members of the cast. Bauer (and Sampson, who does a lot, as a mischievous witch who enters and exits Sheri's life for kicks, with little) has the most colorful and fun character of the cast.