A Princeton admissions officer who is up for a major promotion takes a professional risk after she meets a college-bound alternative school kid who just might be the son she gave up years ag... Read allA Princeton admissions officer who is up for a major promotion takes a professional risk after she meets a college-bound alternative school kid who just might be the son she gave up years ago in a secret adoption.A Princeton admissions officer who is up for a major promotion takes a professional risk after she meets a college-bound alternative school kid who just might be the son she gave up years ago in a secret adoption.
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
i actually do think that the film was more of a drama than a comedy. it was surely not the type of the film i expected before i watched it. Since it had Tina Fey and Paul Rudd, i surely expected the film to be either similar to Date Night or This is 40. But the film was quite different from those two in a good way. it was such a joy to see both of Fey and Rudd acting in a more drama- like comedy without all of the exaggerating acting. Although for me it did seem that Tina Fey's performance was a bit constrained it was still quite nice to see her portray a role which was just a normal person which we encounter every day around us. Paul Rudd also gave a quite lovely and warm performance in portraying his character. The film was not a crazy comedy full of jokes, but rather it was a decent more drama-like film which encouraged people to start taking responsibility for what they do and have done.
The amusing Admission is the first successful comedy of the year and a reasonable look at the admission process for an elite college--Princeton. Tina Fey as Portia and Paul Rudd as John turn in pleasant performances as an admissions executive and a progressive school teacher respectively. Rudd is amiable here and usually successful in his film career, while Fey's efforts up to now have been mediocre (Date Night, Baby Mama).
As an Alumni Admissions interviewer for over 30 years at Georgetown University, I find much of the story ringing true from the overachieving candidates nurtured by ambitious parents to the underachieving but brilliant and risky individualists. Portia must struggle with the boxed-in role of continuing the Princeton tradition (read stereotypes) or breaking away to push for a student who calls himself an "autodidact" with low grades but perfect scores on achievement tests for courses he never took.
Amid the plot's fierce applicant battle for a slot, Portia and John dance to the usual romantic formula of disliking each other to . . . Well, you know the drill. However, it's their reactions to the admission process that provide the authentic tension as he has developed students with independent minds, and she is used to the cookie-cutter candidates who lack the passion of those independents.
Director Paul Weitz knows something about family dynamics and children with his About a Boy, In Good Company, and Little Fockers among the more obvious examples. Signing up Lily Tomlin to play Portia's feminist mom was inspired; like the ubiquitous aging Alan Arkin, Tomlin should now have plenty of work.
Admission requires no small amount of sympathy for the messy business of growing up and getting ahead—Weitz navigates the vagaries of family ambition well. If the double-meaning of the title seems too precious to you, don't worry, the rest of the story is almost unambiguous.
Although Admission is mostly about applicants to an upper-tier college, it also poses the unethical means some might employ to gain entrance. Even Portia is not blameless, a touch I found in the film's favor while it deals with the unreal segment of our population smart enough to be considered for admission.
As an Alumni Admissions interviewer for over 30 years at Georgetown University, I find much of the story ringing true from the overachieving candidates nurtured by ambitious parents to the underachieving but brilliant and risky individualists. Portia must struggle with the boxed-in role of continuing the Princeton tradition (read stereotypes) or breaking away to push for a student who calls himself an "autodidact" with low grades but perfect scores on achievement tests for courses he never took.
Amid the plot's fierce applicant battle for a slot, Portia and John dance to the usual romantic formula of disliking each other to . . . Well, you know the drill. However, it's their reactions to the admission process that provide the authentic tension as he has developed students with independent minds, and she is used to the cookie-cutter candidates who lack the passion of those independents.
Director Paul Weitz knows something about family dynamics and children with his About a Boy, In Good Company, and Little Fockers among the more obvious examples. Signing up Lily Tomlin to play Portia's feminist mom was inspired; like the ubiquitous aging Alan Arkin, Tomlin should now have plenty of work.
Admission requires no small amount of sympathy for the messy business of growing up and getting ahead—Weitz navigates the vagaries of family ambition well. If the double-meaning of the title seems too precious to you, don't worry, the rest of the story is almost unambiguous.
Although Admission is mostly about applicants to an upper-tier college, it also poses the unethical means some might employ to gain entrance. Even Portia is not blameless, a touch I found in the film's favor while it deals with the unreal segment of our population smart enough to be considered for admission.
Admission will make any Tina Fey fan very happy. She's at her best, displaying her very unique style of comedy so well, that you'd think she wrote the script. Paul Rudd might not be at his greatest but he definitively plays his role well. Wallace Shawn is excellent as the dean of admission with just the right tone. Lily Tomlin is also very good, as a very unique mother.
Nice humor, nice pace, good ideas, and just a little silly.
The main drawback is that at time, it feels a bit light. Some of the plot items could have been delved a little more to get a better perspective.
Overall, it's nice entertainment.
Nice humor, nice pace, good ideas, and just a little silly.
The main drawback is that at time, it feels a bit light. Some of the plot items could have been delved a little more to get a better perspective.
Overall, it's nice entertainment.
For those of you who are thinking that this film is a comedy, you would be wrong. It is more of a drama with some funny moments thrown in (although I never laughed out loud; not even once). As a matter of fact, by the time the film was over I was actually feeling a little sad. The story centers on an admissions officer for Princeton University, Portia Nathan (Tina Fey) who is responsible for combing through thousands of submission requests and evaluating who should be allowed to attend this prestigious school. On top of that, the current dean of admissions is retiring and Portia and her rival Corinne (Gloria Reuben) are both up for the job. Gearing up for her annual recruiting trip, Portia is contacted by John Pressman (Paul Rudd) to come and check out his somewhat fundamental and "earthy" school. Upon arrival John tells Portia that he thinks that one of the kids in his school is actually the child that she gave up for adoption when she was in college. Jeremiah (Nat Wolff) has been a slacker most of his life, but it turns out that he is a natural genius and was just bored in school most of the time. He gets very interested in attending Princeton and so the story begins. The film started out mildly comical, but as the story went along it became more and more serious. The two characters that did add a little light-heartedness to the film were Susannah (Lily Tomlin) who is Portia's mother and an eccentric soul. She is not much into relationships of any kind whether it is a mother/daughter or a romantic relationship. The other character that I really liked was Nelson (Travaris Meeks-Spear) who is John's adopted son who is just looking to be normal and to not go gallivanting around the globe all the time with his father. I think the cast as a whole did a really good job and the story was not boring, but I think that billing it as a comedy was the wrong way to go. The story was a lot more serious than I expected it to be, so I think that as word gets out, this film may not do as well as expected. It was not a bad film, but I am not sure that it is worth the price of a ticket. I am giving this film an amber light.
I love Tina Fey and Paul Rudd never gets old either (literally and metaphorically). The movie itself has quite a few flaws though. Never sure if it is a comedy or a drama. Walking that line was never going to be easy and it stumbles more than a few times. Tina and Paul do their best to keep it on tracks.
The kid actors are pretty decent, but don't have much to go through in their arks. Of course the movie is about lost love and about family in general. But even those things are not mixed in the right mixture. There is either too much of something or too little of another thing. A shame that the talent and the massive effort on Tinas part does not really get the movie it would deserve.
The kid actors are pretty decent, but don't have much to go through in their arks. Of course the movie is about lost love and about family in general. But even those things are not mixed in the right mixture. There is either too much of something or too little of another thing. A shame that the talent and the massive effort on Tinas part does not really get the movie it would deserve.
Did you know
- TriviaPortia's mother Susannah (played by Lily Tomlin), has an art piece on her wall showing a fish riding a bike. This is in reference to Irina Dunn's quote "A woman needs a man like a fish needs a bicycle", later popularized by Gloria Steinem. This is thrown in to show Susannah's feminist views. She also quotes Erica Jong at one point.
- GoofsWhen someone tells Jeremiah to tuck in his shirt he does, but it varies inconsistently between untucked and tucked-in in subsequent shots.
- ConnectionsFeatured in Maltin on Movies: Pacific Rim (2013)
- How long is Admission?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Solicitud de admisión
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $13,000,000 (estimated)
- Gross US & Canada
- $18,007,317
- Opening weekend US & Canada
- $6,154,984
- Mar 24, 2013
- Gross worldwide
- $18,637,201
- Runtime1 hour 47 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content
