Overloaded with too many ideas, it does scant justice to the more interesting ones that crop up, while regularly diverting from any sort of central narrative to follow tenuous and ill-explained threads that end up in a foggy limbo. But just when it threatens to wholly frustrate, someone cracks an enjoyable inside-baseball meta movie-making joke and we're back on side for a bit.
Xan BrooksThe Guardian
The Congress contains tricks aplenty and ideas in abundance. The problem comes in herding these scattered, floating elements towards a satisfying whole.
Too much of Ari Folman’s half-animated science-fiction feature The Congress feels just a bit off—but every now and then, the concept, the performances, and Folman’s visual flair combine to produce something extraordinary.
A fascinating and visually impressive intellectual helter-skelter ride, but the lack of narrative coherence lets down its promising sci-fi concepts and satire.