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  • martimusross29 September 2023
    Polite Society

    The title gives no clue to the great comedy romp this movie turned out to be, it was great from start to finish with some great acting, great action sequences, stolen from crouching tiger hidden dragon and great characters.

    The school scenes were my favourite bits, clearly a very nice private girls school with the usual set of swats, bullies and disciplinarian teachers crushing dreams to left and right. My second favourite bit was a gym sequence it was inspired.

    I loved the music the camerawork and the crisp editing, it is very difficult to find many faults so I just won't,

    I'm giving this a firm 8 outta 10, it was so good I watched it twice.
  • Warning: Spoilers
    What can I say except this movie, Polite Society, was a very pleasant surprise.

    A bit of Mission Impossible, Jane Austen, Tarantino(the good QT), and, to a degree, Get Out.

    Basically girls meets boy, boy meets girl, boy's mom wants girl to be a carrier for her clone, sister and friends save the day.

    This one had some genuine laughs, and was a bit of absurd fun.

    I was expecting, to a point, this may have been an absurd fantasy by Ria Khan, as her sister, Lena is about to be married; especially given how, aftee one of their fights , the wounds are healed. Either this was an intentionally well done embrace of the cartoon nature of the picture, or massive continuity issues. I reckon the former, as I did embrace the fun of it.

    I give this a B+
  • Warning: Spoilers
    I just love this movie. I wish there were many more movies like this being made. A step in the right direction, this is!

    Yes, the sisterhood in films has progressed beyond whiny wives and clingy girlfriends, but not enough-not by a long shot.

    The thing I loved the most about this movie was the way these young women supported each other, plus-maybe especially-their disagreements, and reactions to them, aren't stereotypical of the way young females are portrayed in film and television.

    I would love to see more women depicted as strong, unstoppable, single-minded fighters... especially when it's in aid of rescuing your sister, literal or figurative.

    I hope these writers and filmmakers produce more... a lot more.

    The young women in Polite Society are going to have wonderful careers-they're all incredible! I especially love towards the end when Kovacs busts into the room upstairs to rescue Ria and her friends. Just. Fabulous!!
  • What a fun movie!

    Charismatic main character with an idiotic plan and then everything turns to circus.

    Production wise, everything works. Acting is solid, stunts are good.

    It's not the most impressive movie and it doesn't needs to be. It's fun enough, they did everything right. It needed a bit more to be really big, tho.

    But hey, I can bet they can make a sequel that's even better. And I hope they do, and make many more with the main characters, because this was fun and most movies today are not fun, even when they try to be.

    I was marginally interested in this movie but now I'm glad I watched it, so I can recommend it if you want some lighthearted fun.
  • ferguson-627 April 2023
    Greetings again from the darkness. If you have ever wondered what it might look like if Quentin Tarantino consulted on a modernized Pakistani version of Jane Austen ... well, writer-director Nida Manzoor shows us (with no actual assistance from QT), including stylized martial arts, class warfare, and an obsession with a stuntwoman career. It's Ms. Manzoor's first feature film (she created the TV series "We are Lady Parts") and she presents an extremely creative film with a balance of silly and dark themes that proves immensely entertaining.

    Relative newcomer Priya Kansara stars as Ria, a private school student highly determined to achieve her goal of becoming a working stuntwoman. She remains laser-focused on this despite her teacher and parents laughing off such nonsense and re-directing her towards becoming a doctor. Ria also adores her older sister Lena (Rita Arya), although worried about her since she recently dropped out of art school and seems to be rudderless in life.

    Things change quickly for everyone once rich mama's boy/doctor Salim (Akshay Khanna) begins courting Lena. Ria senses things aren't right with the relationship and is also convinced that Lena should resume her dreams of being artist, rather than being pursued by the handsome, rich, too-good-to-be-true suitor. Ria and her best friends Clara (Seraphina Beh) and Alba (Ella Bruccoleri) scheme to undercut the relationship, but they are no match for Salim's mother (a terrific Nimra Bucha), who sports the best evil Grinch grin you've ever seen.

    Director Manzoor divides the film into five chapters: A tale of two sisters, EID Soiree, Operation Wife Hunter, Assault on Shah mansion, and The Wedding. Each chapter offers comedy and action, and a matching of Ria's wits and instincts against the plans and beliefs of others. Ms. Kansara impresses as an upstart female Jackie Chan with superior acting chops. She executes the physical martial arts sequences beautifully, yet also shows promise in the quieter, more intimate moments when emoting and dialogue matter. She is certainly one to watch ... as is filmmaker Nida Manzoor. Anyone who can entertain at this level deserves the opportunity to do so as frequently as possible.

    Opening in theaters on April 28, 2023.
  • The story here is quite rudimentary; calling it bizarre or far-fetched would not be an exaggeration, but the way it's been told and the manner in which its eccentricities are presented, or rather, celebrated, is a treat to watch. I was entertained for the whole duration; not once was I driven to distraction or felt an urge to look away from my television, a testimony to its engrossing narration and impressive screenwriting.

    Don't worry, I didn't forget the performances; it would be a crime not to say a few words for them. First of all, I want to say, What fantastic casting! Each member of the ensemble played their part with lots of passion and commitment.

    Nimra Bucha plays the antagonist, and she does an excellent job. So it was with Ritu Arya as Lena, who plays the gullible but fierce elder sister with grace. Then there's Priya Kansara, the undisputed star of the show. What an astonishing act! Priya commanded every frame she popped up in, and she did so with grace and elegance; it is one of my favourite performances of this year so far.

    I sense the makings of a cult classic.
  • SnoopyStyle15 September 2023
    Warning: Spoilers
    In London, British-Pakistani teenager Ria Khan (Priya Kansara) wants to be a stuntwoman. She is supported by her older sister and best friend Lena (Ritu Arya) who is an art school dropout. The girls don't fit the traditional mold expected by her parents and the larger community. While at an Eid Mubarak party, Lena and other girls are introduced to hot bachelor Salim Shah. To Ria's horror, Lena starts dating Salim and quickly gets engaged. It's up to Ria to break them up.

    It's lowkey fun for the most part with the fake kung fu fighting and the screwball capers. During the condom fiasco, I thought Salim should be the peacemaker or make some support for Lena's artistic side. It seems odd that he does neither and that speaks poorly of him. I like spa day while it's happening, but it doesn't make sense for Raheela to pull Ria into the house. When the lab happens, I thought that the girls were drugged and Lena was brainwashed. Something is off-putting. It has to be the graphics. I get the premise of reducing the girls to that part of them. It's just weird. The movie is fun, but there is a constant feel of amateurism. That's endearing to a certain extent.
  • Written and directed by Nida Manzoor, who created the brilliantly funny TV series We Are Lady Parts, Polite Society is a decidedly nutso film heavily influenced by nutso martial arts movies, among other things. The story is wild and the comedy is wacky, but it's also heartfelt, with relatable, emotionally believable characters.

    This movie takes place in a world of its own, in a genre of its own, and it moves through that world with a wonderful sense of style and confidence.

    I knew I wanted to see this movie when I saw who directed it, but I also knew I wanted to see this movie when I saw the trailer. The trailer is wild and funny and crazy and the movie completely lives up to it.

    Highly recommended.
  • A lot of original films are hitting theatres lately and I am not complaining. Polite Society is one that flew under the radar for me though, as I just heard about it about a month ago. I am happy I decided to try it because it was very enjoyable. I will ultimately recommend this film throughout my review, but I have to say up front that it still underwhelmed me upon reflection. Although not completely satisfying, here is why Polite Society deserves more attention.

    Ria (Priya Kansara), a young woman who is aspiring to become a Hollywood stuntwoman, makes it her mission to stop her sister Lena's (Ritu Arya) marriage. She believes that Salim (Akshay Khanna), the man she will be marrying, is hiding some big family secrets. Told through a fun visual style, Polite Society feels like it is trying to be the next Scott Pilgrim vs. The World, but it definitely falls short of that. It's a simple story of a woman trying to prevent her sister from being married, but over-the-top fist fights and science labs are also a huge aspect of this film.

    As much as I loved these characters and the story at hand was well-told, the style the filmmakers were going for was not utilized enough in my opinion. For such a simple premise, the crazy sequences sprinkled throughout the film were clearly meant to be fun and overdone on purpose. Sadly, everything I saw in the trailers is pretty much all I got from the final product. It never takes this great style and amplifies it, which made it seem like they were too afraid to push it too far. I would have walked out absolutely loving this film if they decided to go all in on the over-the-top stuff.

    Polite Society is a great showcase for both Kansara and Khanna. I have not seen them perform much on-screen, but I will gladly watch any project they are attached to. Their chemistry with one another was infectious and their characters were also very well-written. I commend Nida Manzoor for both writing and directing this film, seeing as I believe the story and characters were very good, but I just wish she took bigger chances visually. Due to the fact that I believe this film did not reach its fullest potential, I will not say you have to rush out and see it in theatres, but I think it is more than good enough to eventually spend your time watching it once it is streaming. Polite Society is now playing in theatres.
  • harjitsohal-8307322 June 2023
    This movie really doesn't know what it wants to be. I get what they are trying to do but it ends up cliched, predictable and silly beyond what I was willing to accept because of poor execution. I see it copying styles from far better films like the Cornetto trilogy and Bend it like Beckham. Actors are fine. The lead is good and supported by two actors as her friends that add good comedic value. The rest of the cast is fine nothing special. But they all deserved better.

    I was having fun to start with, it's meant to be a silly fun comedy, but ended up annoyed about choices and lack of originality. I can't help but to think that somewhere there is a version of this that could have been very good.

    5 stars.
  • As a film enthusiast, I recently watched "Polite Society," and I must say, I was thoroughly impressed with the movie. From the very first scene, the film grabbed my attention and built up to the midsection. Although there were moments when the momentum slowed down, it managed to recapture my interest in the end.

    The film reminded me of a mix between "Bend It Like Beckham" and "Kill Bill" with its focus on a young woman pursuing her non-traditional dream and the women-led action scenes, albeit less violent. Despite the plot taking a backseat, the movie's main protagonist, Ria (Priya Kansara), stole my heart with her captivating performance. She managed to convey the struggles of a young woman trying to break free from societal expectations while remaining true to her culture and family.

    I found Ria's relationship with her friends Clara (Seraphina Beh) and Alba (Ella Bruccoleri) to be adorable, and their banter was refreshing to hear. The film's exploration of social class differences was one of its strong points, providing a fresh and insightful take on these issues.

    Overall, "Polite Society" is a sleeper hit of the summer that I would highly recommend. With its excellent cast, engaging storyline, and well-executed themes, it is a heartwarming and entertaining film that will resonate with audiences who enjoy stories of female empowerment and overcoming adversity.
  • A future beckons as a stuntwoman on the screen, you practice hard, you are determined and you're mean, enter stage left, an adversary, distracts your focus as he'll marry, your sister Lena, this is something unforeseen; as she had planned to be an artist and be free, an independent minded woman without decree, now Salim has left his mark, plus there's a feisty matriarch, stands in the way of the great futures, that could be; so you hatch a plan to sabotage the pairing, with assistance of two friends and lots of daring, making discoveries that alarm, that make you struggle to be calm, most of the time you feel especially despairing.

    Priya Kansara is outstanding as Ria as she attempts to scupper her sisters marital arrangement.
  • From the largely positive critical reviews, I hoped for much better, but this is maladroit to the point of tedium. Working Title Films, the production company, has a fine record in comedy and action films such as 4 Weddings to which I couldn't help comparing this while I watched it. But the clunkiest line in that rom-com ("Is it raining? I hadn't noticed") is Wildean compared to the best here. The lead character, Ria Khan (Priya Kansara) repeats the trailer's echoed line "I am the fury" on numerous occasions, none of them funny or effective. Strangely, her character - well educated in a private school - seems to think that training to enter her desired career in movie stunts requires nothing apart from learning one martial art.

    The plot is paper thin but confused, the humourless script is woefully underwritten - a rewrite by someone with expertise in this genre would have helped - and the direction is monotonous. Slow motion fight scenes are almost always dull and unimaginative, and here they force the energy out of the scene like a leaky balloon being squashed.

    Acting from the two leads and the supports is occasionally adequate, often glaringly wooden. Recasting Priya Kansara should have been obvious from the first day of shooting.

    The reaction from the audience when I viewed this was complete silence, not a laugh, gasp or giggle. What a shame.
  • I thought I knew what this movie was going to be about from the trailer but it has a nice twist to it that makes it like a sundae with a cherry on top.

    Most importantly its about two girls from a certain culture dealing with the obstacles of their world that may try to stop them from the path they wish to choose. How cool is that right!? Even cooler is one girl's awesomely chose to be a stunt woman. The filmmakers could have done a funny coming of age story and kept it at that, but they really added something to this that will make it stand out.

    It's a cliché jar of Kool Aide filled with a new flavor with a nice kick to it. Wonderful!
  • If you enjoy reading my Spoiler-Free thoughts, please follow my blog to read my full review :)

    "Polite Society looks straight out of a comic book. Endlessly energetic, witty humor, and packed with pretty great stunts. Nida Manzoor's quick edits, slow-motion, and stylistic title cards make this a distinctively fun feature debut. Not perfect, but the over-the-topness of it all brought it home for me.

    If the action doesn't really impress you or if the purposefully exaggerated tone is too much to handle, then this may not be for you. But if Manzoor's maximalist style conquers your full attention, then you'll hardly leave unsatisfied."

    Rating: B.
  • I didn't review this film on first watch. I wasn't sure if the feel good aspect of it tricked me into thinking it was better than it was. Then I find myself with an hour to kill before my next bus so thought I'd give it another watch. The result? I was right the first time - and more. It is an utter laugh out loud multi genre joy from start to finish. It is probably not for everyone - at times I was the only one laughing at the perhaps subtle humour. Is it a comedy? Is it a martial arts film? Is it a political drama? Is it a fantasy? Is it social realism? It is all of these - and it shouldn't work, but it does. Film of the year so far. 9 out of ten.
  • Polite Society starts off in a fairly standard way. Two sisters, very close, then one of them gets engaged to be married, which leaves the younger sister feeling a little deserted. So far, so normal. You can immediately see how the plot will develop. Younger sister tries to break up the couple, falls out with older sister, but then has an epiphany and discovers her future brother in law is a wonderful person and everyone hugs and lives happily ever after. Deception that's not what happens. It kind of does for a while, but gets progressively more and more surreal. Many will watch this movie and think it went totally off the rails. But I just found myself laughing - partly because it was, yes, silly, but mainly because it was fun. And we didn't really need another predictable "boy meets girl and other girl/boy gets upset" movie, did we?
  • Ria, an aspiring stuntwoman, brings a whirlwind of energy into her own life and the lives of those around her. The film showcases her journey as she fearlessly crashes through obstacles, determined to rescue her beloved older sister, Lena (portrayed brilliantly by Ritu Arya. The film dazzles with its extravagant martial arts sequences and inventive excess. Every scene surprises and delights, keeping viewers on the edge of their seats. The pinballing plot takes unexpected turns, ensuring that audiences are captivated from start to finish. But beyond the exhilarating action, the heart of the story lies in the celebration of sisterly bonds. Both Priya Kansara and Ritu Arya shine in their respective roles, bringing depth and authenticity to their characters. Their performances beautifully depict the power and resilience of sisterhood, making it a kick-ass celebration of the unbreakable bond between siblings. While the film may occasionally carry a touch of children's TV special naivety in its execution, it never fails to capture the essence of teenage emotions and the messy journey of self-discovery. It's a testament to the skillful storytelling and the commitment of the cast and crew that this film leaves a lasting impact. In summary, this genre-hopping action fantasy is a wild and exhilarating experience that immerses viewers in the chaotic world of Ria's teenage mind. With its surprising twists, stunning martial arts sequences, and heartfelt exploration of sisterhood, it is an absolute must-watch.
  • Nida Manzoor's debut feature film gives off strong Bend It Like Beckham vibes, yet it stays unique in how it chooses to tell the story. The sisters (played by Priya Kansara and Ritu Arya) are total showstealers and I enjoyed both their performances. People aren't wrong in saying Polite Society looks straight out of Edgar Wright's playbook - it features rich and opaque frames, the presence of absurd humour (there's an entire fight scene between the sisters in the house, and none of the wounds from it show in the subsequent scenes), quirky edits & slo-mos, some flashy typeface, and the effective use of music - the only thing missing was a Simon Pegg cameo.

    The reason why the writing works as much for men as it does for women is because it showcases the leading ladies (and their companions) thinking, reacting, and responding exactly how male characters would, in these overly cinematic situations. In some ways, it comes across as a sweet little 2000s throwback action-comedy, perceived through the quintessential feminist lens.
  • I saw the trailers and really wanted to enjot this movie. After less than 45 minutes I was ready to leave.

    It was unrealistic beyond what one could possibly accept with suspension of disbelief. There were good parts but they were few and far between

    I found it to be slightly reminiscent of Sean of the Dead. I couldn't tell if the protagonist was a poor fit for the role or if the role was poorly written.

    The dance scene was a joy to watch but does not make up for a pitiful plot. I have another 94 characters to use but have not much else to say.

    If I could go back in time, then I never would have watched this movie.
  • Polite Society is delightfully weird, cleverly positioning itself as a very generic rom com story early on before twisting and turning into something much more unique and special. Doing all of this whilst maintaining a clear focus on its central duo's sisterly bond and never backing down on celebrating stunt performers.

    Priya Kansara makes a terrific debut, she so funny and endearing and her chemistry with Ritu Arya is instant and infectious. Their bond is the heart of the film and seeing them just being happy is so heartwarming. Nimra Bucha is good at being just generically evil, a cartoon character in live action that she's plays perfectly.

    Nida Manzoor's direction is amazing, the fight scenes themselves may not have the best choreography but the film overall has plenty of style (chapters are always a plus). The music by Shez Manzoor and Tom Howe matches the film's irreverence, swapping genres throughout without ever feeling like a mess.
  • An ingenious, infectious & intoxicating fusion of Bollywood pep & British wit, Polite Society is a riotously fun & rollicking ride brimming with energy, passion & ingenuity from beginning to end that mashes sisterly affection, parental disappointment & vibrant action into a wild, whacky & wicked extravaganza that's furthermore elevated by a star-making turn from its leading lady.

    Written & directed by Nida Manzoor in her feature film debut, the story concerns a young desi teenager who embarks on an ambitious mission to save her older sister from her impending marriage. It's gripping from the get-go, thanks to its invigorating style, hits all the cultural beats that almost every desi kid can relate to, and unfolds with a chaotic fury that isn't without its warmth & wonder.

    The characters are bestowed with depth & personality plus the dynamic that plays out between the sisters, friends & family makes for some fascinating drama & hearty laughs. Acting from the entire cast is top-notch, with Priya Kansara impressing the most with a dynamite performance that's got a bit of everything to it. The rest also chip in with strong support but this is Kansara's show all the way.

    Overall, Polite Society is as unabashed & unapologetic as it is hilarious & heartfelt and is surely the cinematic surprise of the year for me. Flavoured to the max with desi spices, wholeheartedly embracing its moments of pure absurdity, and concluding with a downright bonkers yet extravagant finale, this action-comedy is an endearing, entertaining & effervescent delight that guarantees an amazing time & effortlessly delivers it.
  • What a delightful, fun movie POLITE SOCIETY is! It tells the story of two sisters, Ria (Priya Kansara) and Lena (Ritu Arya), who love martial arts and each other. Ria, a rebellious teenager, wants to become a stuntwoman and impress her professional stunt idol, Eunice. Lena, a talented artist, is about to marry Salim, a charming doctor who swept her off her feet. Ria thinks Lena is making a mistake and decides to stop the wedding with the help of her friends. Along the way, she learns more about herself, her sister, and what being part of a polite society means.

    The action is riotously funny, including comedy, martial arts, heist, and romance. The cinematography is crisp. The soundtrack is delightful, with old classic Bollywood tunes and modern numbers. Above all, the performances of Priya Kansara and Ritu Arya were brilliant. They capture the complexities of being sisters: their loyalty, affection, and rivalry; insecurities; need for approval; desire for independence; and yet still deeply loving each other at the end of the day.

    The principal theme is conformity versus rebellion in polite society. Both sisters struggle to express and reconcile their identities within the restraints dictated by familial expectations, patriarchal norms, and social etiquette. Ria's brashness serves as an attempt to break free from archetypal definitions of womanhood: her embrace of martial arts offers her physical strength and independence, while Lena's focus on art serves as a way for her to nurture her creativity. Both sisters must learn the importance of balance, acceptance and compromise to find true happiness.

    POLITE SOCIETY is the feature debut of Nida Manzoor, who, as director, has produced a lively, fun, romantic and witty film. The cross-cultural elements include insightful commentary on the limitations of cultural, generational, and gendered expectations. Manzoor is also a writer born in Pakistan, grew up in Singapore, and later moved to London, making her ideally suited to explore the themes in the movie.

    There are a few things that I wish had been better. Some of the characters and subplots could have been developed more. At times, there is a reliance on stereotypes such as the evil mother-in-law, the reluctant bride, the martial arts montage, and the heist plan, which can all be found in other movies and genres.

    All in all, though, I enjoyed POLITE SOCIETY. It is a modern story relevant to the recent Indian experience. Still, it doesn't exclude commentary on the broader global issues of conformity and rebellion, gender roles, and cultural boundaries. With its perfect balance of lightheartedness and seriousness, it speaks to us while keeping us entertained along the way. No wonder POLITE SOCIETY has become such a hit with audiences worldwide! In an age where more voices call for diversity in people and stories, this film provides a refreshing look into the cross-cultural experience between two countries (India and UK) and a thoughtful meditation on female agency and empowerment. Check it out!
  • rawly-9665217 May 2023
    Absolutely tediously embarrassing childish nonsense. I tried so terribly hard to enjoy this, worked through every tedious minute to find something, anything that could be considered redeeming. Perhaps the costume was worthy. It really didn't deserve my money or time, amateur poorly scripted filmed acted made nonsense. So thin in every aspect. Just really rubbish. Bend it like Beckham comparisons probably the most optimistic view point. Just a shockingly weak effort. The nonsense martial arts move that seemed to be the crux of the entire movie that no wonder is pulled of in the last scene ( what a suprise ) the ludicrous nature of this summed up the crass nonsense of this time wasting flic.
  • I was expecting a movie like 'everything everywhere' based on the trailer, but it's more like 'Bend it like Beckham'.

    Pro: the cinematography was great. The acting was also solid. This is the first feature role from the main actress and she did a good job caring the movie. I was familiar with 'the sister' from 'umbrella academy.

    Con: the script and storyline. There is nothing new there really. Also it was hard to show empathy toward the main character as she tries to stop her sister dating because there were not any reasons for her to do so and it was quite irritating to see her being so dramatic about it for 1h.

    Also the movie is very women oriented where men are just a burden with no emotion.
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