Nadunisi Naaygal

I was quite surprised to hear a number of negative reviews when the movie came out but I wanted to see for myself and decide. It proved a good decision as the movie delivered. It achieved exactly what it wanted to achieve. Gautham Menon has proved time and time again that he is a great story teller and an crisp screenplay writer. Child abuse is a tough subject to handle especially in Kollywood and he had handled it with great aplomb. The lead Veera comes out of this movie with huge credit. He has handled it so well and not to mention the bold career choice for his breakthrough movie. Manoj Paramahamsa deserves special credit for his cinematography and excellent many close ups . This movie turns in to a thriller after first half and keeps the audience at the edge of their seats. Everybody should pay full price to watch this movie. Kudos to Menon and the producers for their support to bring a controversial subject to Kollywood. It is kind of an awareness movie too and it delivers on all cylinders.

Its a daring attempt by GVM and it is well scripted thriller. It may be an inspiration or something else but this is fresh and its all the audience want. Don't know why many criticize this movie. Veera is amazing; backbone of the movie. Rest of them did complete justice to their role. If you don't like the genre, don't criticize the movie for it! as simple as that!! People need to have a broad mind in order to see this movie. If you appreciate Sigappu Rojaakal, then this movie is for you.

Dark cinematography scores well for the movie.

Note: Just wanna share the moments Tamizh audience missed. The epic one being Anbe Sivam.

It's a very interesting psychological thriller by genius Gautam Menon but it was not well received at that time

Can a thriller be made without background music and abrupt sounds. Yes it can be and with success, that's what Nadunisi Naaygal proves above all. Goodbye to songs, dances, overused themes, needless characters and Indian movie Cliché. Newcomer Veera, as a person with split personality disorder shines in enacting a suave man and doubling up as a savage serial killer. Dialogues are measured and helps in reflecting the brutality of a serial killer. Samar's dialog's accentuate his complete detachment from reality and social life. When the police inspector kills the dog Samar sets on him, Samar questions him "Are you so inhumane to kill a dog?".

With no help from adrenalin pumping audio, Manoj Paramahamsa's camera and Anthony's editing are the sole elements apart from the storyline to raise the viewer's anxiety. All these elements make the viewer's hearts race continuously for 90 minutes. Director Gautham Menon has also thrown light on two unexplored themes in Indian cinema. The child sexual abuse the life of the criminally insane. Nadunisi Naaygal, not for the faint hearted, but yes for the people, who want to witness Gautham Menon breaking a whole new ground in Indian cinema.

The major problem with this movie is once you start watching it, you are so tensed that you cannot stop it. You will just continue watching it until the end. But when the movie is finished, you will ask yourself. "Why did I see this?".

The movie by any means is not any worth to see, other than for wasting your time. The direction, camera and acting is so good that you will be just lost in the movie completely. But the movie as such is a real turn off. The psycho killer is so badly narrated. His character does not posses any consistency except that he behaves abnormal. I was really irritated when I finished the movie and my whole day was gone.

One question keep coming to me. Why was this movie made?