Blade Runner 2049 (2017)

R   |    |  Action, Drama, Mystery


Blade Runner 2049 (2017) Poster

Young Blade Runner K's discovery of a long-buried secret leads him to track down former Blade Runner Rick Deckard, who's been missing for thirty years.


8/10
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3 October 2017 | FabledGentleman
10
| One of the best sequels of all time
Denis Villeneuve, you magnificent world wonder, you did it again!

I have seen this film three times in the cinema, in 3D, 2D and 4DX.

And one of the things i have noticed with this film, is that it's not the time in the cinema that takes up my time, It's the hours upon hours in between spent thinking about the film, that is the real time consumer. This film left such a deep and profound impact, which i cannot escape. And I've gone back to the cinema twice to be "tortured", but it's worth it.

It's a dark, mysterious, grim, hopeless, sad and lonely film, set in a possible near future where the human race is hanging by their fingertips on the edge of doom. So it's quite depressing. But it's so brilliantly put together, the closest master of cinema i think of that has done something similar, is Stanley Kubrick.

Many Stanley Kubrick films were also "hated" by many when they first released. "2001: A Space Odyssey" for example, which had gorgeous visuals, but felt flat and hollow for many, even professional reviewers back then. But what Kubrick did best with his films, was to create afterthought. People left the cinema feeling confused and even depressed, but the movies planted a seed which then grew for years. The original Blade Runner also accomplished this. BR2049 is no exception, this movie will without doubt live on to be interpreted, analyzed and discussed for decades to come. The story continues from the original, but stands completely on it's own, it tells a new story that directly interlink with the original, but without trying to be a copy, it's a natural continuation in the same universe. You don't have to see the original Blade Runner first, though i do recommend it, see the final cut.

BR2049 has some of the most gorgeous visuals i have ever seen, and the cinematography is out of this world, there is literally no excuse not to give Roger Deakins the Oscar this time. After 13 nominations he has now knocked the ball out of the park and is this year in his own league entirely. It's confusing to look at something so gorgeous, whilst painting a picture of such a sad and lost world. It sort of collides with your senses, your eyes say it's beautiful, your mind say it's depressing. Which senses are you going to believe? What does it mean? At least don't confuse feeling depressed as a sign that this movie is bad, it's nothing wrong feeling depressed, take it in, embrace it. Then you will know how it feels to be a replicant that's trapped in a caged mind.

BR2049's story happens 30 years after the original, and there is three short films on Youtube i recommend you watch. These short films describes some of what happened in between 2019 and 2049. Watching them makes it slightly easier to understand some of the things going on. But the underlying theme is the same as it was in the original. What does it mean to be human? What does it mean to have memories? What is a soul? And so on.

The world has gone darker in 2049, climate is spinning out of control, almost all animals and plants have died. People are desperate and lost, law enforcement can barely keep anything together, and only a small spark can set of total disaster, which is looming just around every corner. Niander Wallace has taken over Tyrell Corp and has by the time 2049 takes place designed millions of obedient replicants that does exactly what he tells them to do. But there is one thing Wallace has not been able to perfect, and that's what the main story is all about, and Wallace will do anything in his power to get his hands on the "technology", which will result in him becoming many hundred times richer and more powerful, the sole ruler of the entire universe. He is so far gone in his mind by 2049 he actually believes he is god himself, and he calls his replicants angels.

And of course he also uses replicants to do his "dirty work". In 2049 we meet his right hand "girl" Luv (Brilliantly played by Sylvia Hoeks, if there is one actor in this movie that steal the show, it's her). Luv is a "handygirl" so to speak, that perform whatever task she is set to do, with no remorse. Or is that entirely true? I can't spoil anything, but look closely at Luv's character arc. All the other actors also do an outstanding job in this film, no bad performances, but i can't talk about all of them due to the word limit in these reviews.

Be prepared going to see this film, it's depressing and heavy on your mind, and it demands your full attention. It's one of those rare films who dares to challenge the audience, and by doing so, taking a huge risk, and a 155 million dollar risk at that. The film isn't perfect, but it's close, and it shows the tremendous skills of Denis Villeneuve. And those few mistakes this movie have, are probably just happy little accidents as Rob Ross would have put it. This film is very much like a painting, every stroke of the brush matters, and every little detail is carefully crafted, it takes monumental skills to pull it of.

I loved this film, it's the best film I've seen all year, It is a must see, a monumental triumph of a film that's just as good (possibly even better) as the original and one of the best sequels of all time!

9.7/10 - Masterpiece

And BTW Villeneuve's next movie might be Dune, imagine if he brings Deakins and the rest of this team to make that movie. Yeah, I'm going to leave you with that thought. This is basically porn.

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Did You Know?

Trivia

Composer Jóhann Jóhannsson, who had worked with Director Denis Villeneuve on Prisoners (2013), Sicario (2015), and Arrival (2016), was attached to compose the music for this movie. He had started work on a score that featured his unique signature, but in August 2017, he dropped out of the project because Villeneuve and the producers preferred a score that would more resemble Vangelis's music from Blade Runner (1982). Composer Hans Zimmer, along with Benjamin Wallfisch, was hired to replace Jóhannsson.


Quotes

'K': I hope you don't mind me taking the liberty. I was careful not to drag in... any dirt.


Goofs

(at around 3 mins) When Sapper Morton is in the pool checking on his grubs, it doesn't look like they could swim, so they'd all be on the bottom of the pool and he would be crushing them under his boots as he walked. It would be easy enough for the pool to have a metal grid, supported a few inches off the bottom, on which he could walk but reach through for the grubs.


Crazy Credits

There are no opening credits, and the title proper is not shown until the ending credits.


Alternate Versions

The IMAX print viewed by Turkish film critics at the movie's press screening in two days advance of its Turkish theatrical release censors nudity by digital zooming. Since the movie had not yet been classified by Turkish censors at the time of the press screening, this intervention appears to have been carried out by Sony Pictures for the Turkish market, as well as for some non-Western markets in general.


Soundtracks

Almost Human
(uncredited)
Written by
Lauren Daigle, Michael Hodges, Kayla Morrison, Gerald Trottman
Performed by Lauren Daigle

Storyline

Plot Summary


Synopsis (WARNING: Spoilers)


Genres

Action | Drama | Mystery | Sci-Fi | Thriller

Details

Release Date:

6 October 2017

Language

English, Finnish, Japanese, Hungarian, Russian, Somali, Spanish


Country of Origin

USA, UK, Hungary, Canada, Spain

Filming Locations

Korda Studios, Etyek, Hungary

Box Office

Budget:

$150,000,000 (estimated)

Opening Weekend USA:

$32,753,122 8 October 2017

Gross USA:

$92,054,159

Cumulative Worldwide Gross:

$259,239,658

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