Newlyweds

I really enjoyed this movie. I loved the scenes....the dialoque... Both sisters enraged me.... I thought Katie was beautiful and Buzzy was charming and sexy. I was wishing I was Katie many times throughout the movie. I will work for free if I can pretend to be married to a character played by Ed Burns. ;)I wanted to choke Linda, but I felt bad for her. I was excited for Marsha's new adventures... All the characters were awesome...they drew me in and made me feel their emotions. I didn't want it to end. I wanted more of these characters and more of the city. I thoroughly enjoyed all the scenes in the restaurants and on the city streets. I thought the movie was shot well. The sounds in the movie were rich. The movie was very raw to me...in a good way. I loved how the characters talked to the camera and said the things we were thinking. It relieved that feeling of frustration your normally get when watching movies and the characters are annoying you. Awesome! I enjoyed Kerry Bishe in this movie more than in NGJ. She stirred up my emotions more in this movie. She played the part of Linda very well. She was so pathetic and yet bitchy. Good stuff.

I would watch this again... I have seen Purple Violets several times, which is another Ed Burns film. That is a fantastic movie as well. I liked Newlyweds just as much as Purple Violets and I liked both of those a bit more than Nice Guy Johnny. That might give this review perspective.

Overall, a well made, interesting film that has left me wanting more of these characters. Perhaps a cable/web series to expound on these characters. Congrats EB!!!!

I like indie movies like this on small budgets. Minus his voice(kidding), I like, Edward Burns, his writer/director roles. This movie shows that one doesn't need big budgets and high priced music scores to invoke emotion. I felt for the couple who has to have their respective sisters' stay with them. The dialogue was real, authentic, so were situations some of us can relate to. It was a everyday sort of film then a Hollywood romantic comedy, or even a NY style comedy - you know the ones that are made in NY, with the characters live in expensive dwellings, five steps up from the pavement, have high paying jobs(in advertising), finds the girl/guy of their dreams(who is poor maybe),walk around a lot with music, throw in some unrealistic drama for good measure, and happy ending. This is not one of those movies. This is a story about a husband and wife on their second marriage and their respective sisters, and what happens over a period of a week. How they deal with their marriage. Sound boring. It isn't. I didn't like the documentary style interviews in between, but it seems to work here just right. The entire caste was great, job well done. Another thing I like was there was no drawn out scenes on landscape, nature, water etc, to set the mood for whats to come, or (piano) music to invoke emotion. The were no dull or boring moments of the camera panning or lingering. The ending was great. Happy or sad, how one takes it, but I loved it. All with US$9000 and a Canon SLR camera.

I have always been an avid fan of Edward Burns' movies because of the sharp and authentic narratives he constructs in his films, all based in New York. Sure sometimes it feels he is a disciple of Woody Allen; but in my opinion, never a carbon copy of Woody but more of a homage for the legendary spectacled writer-director that is W.A. So yes, there are some that are burned out on Burns' incessant telling of character-oriented movies based in New York; but why should he charter other narrative waters when his work has been so solid as a writer-director. So once again I was engaged to a Burns film. This time being his latest Burns' offering "Newlyweds". The movie stars Burns and Caitlin Fitzgerald as newlywed (ya!) New York couple Buzzy and Katie. They are both entrepreneurs, Buzzy owns a gym and Katie a restaurant. They both failed at marriage the first time around with other people, but this time decide to "walk the aisle" a little differently. Their matrimonial philosophy is not to be around one another too much; their work schedules help with that game plan as Buzzy works days and Katie works night. Katie's older sister Marsha despises Buzzy and that is more than the buzz. Marsha is longtime married to egotistical Max, who at times becomes a Mad Max due to Marsha's constant whining; o that Marsha Marsha Marsha. And another Max Factor why Max wants to get out of the marriage is that he wants to have sex with a younger woman. What rocks the boat in Buzzy and Katie's novice matrimony is the arrival of Buzzy's younger sister Linda, a slacker-type in her early 20's who travels from L.A. to New York so she can reunite with a past boyfriend that she unceremoniously dumped a few months before. Even though Linda is quite "linda", she still stirs up the pot in several ways due to her reckless behavior and puts a stop to the "forever hold your peace" part of Buzzy and Katie's marriage. Burns is a master of independent filmmaking as he astonishingly shot "Newlyweds" for just $9000; I think Paris Hilton's Chihuahua cost that much. Burns once again wrote a strong script that many can relate with the characters' dilemmas. None of the acting performances were in the "standout" category, but I would not exactly file for a thespian annulment with the cast of "Newlyweds". My favorites were Max Baker as Max and to a certain extent Kerry Bishe as Linda even though Kerry was a bit over-the-top at times. Burns was thespian Burnlike with his performance as Buzzy, and Caitlin Fitzgerald was more adorable than believable as Katie. This newlywed cinematic game might not be for everyone; but if you are into character-oriented independent movies, than I feel you will get a big "whoopee" with a "Newlywed" viewing. ***** Excellent

Despite treading in those dangerous waters of 'a newly married couple's love and trust being put to the test' Newlyweds is a surprisingly comfortable film to watch.

Edward Burns is the Writer/Director/Actor/Tea & Sandwich Maker & etc. playing genial Buzzy. With his reedy voice and understated charm Burns reminds me of Gene Kelly - who he physically resembles but for an extra twelve inches in height. He's a regular guy working as a trainer at a gym. He has a prim, young and well-to-do wife, Katie (Caitlin Fitzgerald). We're informed early on that despite the fact they don't see much of each other the relationship thrives on this. We have to be told the fact because we don't actually see it in the 90 minute span of the film. Still, you have to bear it in mind as one of the questions the film poses is rather like that old joke: Should a married couple be Frank and Earnest? ("No, one of them should be a girl!" is the answer they give in Utah). For despite being newlyweds they are safe and contented. Their personalities and personal situations don't seem to allow for doubt and jealousy, drama and, perhaps, passion. And as neither is particularly big on self-analysis or inveterately curious about the other much has been left untouched and undiscovered. There is a lot of talk about 'telling the truth' and being 'honest' while wordlessly asking the question 'about what?' The major catalyst comes in the shape of Buzzy's sister Linda who has come to New York from the west coast to get an old boyfriend back (played by Kerry Bishé – who wins a gold star on her resume for a terrifically deft portrayal of a girl who's immature, unstable, provocative, self absorbed, heartbroken and a dozen more things I can't think of the words for). Throw in Katie's ex husband and her bickering sister and spouse and you have a tight ensemble cast who seem to be having a lot of fun with their characters and manage to present them in a way that allows us to criticize them but never come near to hating them.

Something I love about the film: Burns has developed the Annie Hall faux documentary interviews to a new level that follow relevant scenes to behave rather like the person's conscience speaking. I know Kurt Vonnegut had a gripe about writers telling us what a person thinks but I've never had a problem with it (if a writer can tell us what underwear someone is wearing they can sure as hell tell us what they're thinking). But how do you do it in film? Having every character doing voice-overs would be dumb. So while we might wonder what the real motives of characters are in some of the emotional exchanges the 'interviews' act as a clarifying narrative. OK, I'm assuming they are telling the truth as far as they see it. I'm assuming a lot. That's the way it came across to me. And this has an intriguing effect on the way you feel (I felt) about the outcome. You may not be sure how all of the plot lines are going to unfold but you don't dread a negative outcome due to these personality building blocks that give it all a sense of karma.

This is the most accomplished of Burns' films that I've seen. It has a grace and polish that makes me disbelieve stories of how quickly it was made. Surely there was a lot of workshop rehearsal work before shooting? Good film making just can't be this easy.

(7.5, rounded up)

Newlyweds is a tale of trashed boundaries, intertwined sloppiness, romantic yearning and object lessons among two couples, assorted relatives and exes in NYC, specifically Tribeca.

Buzzy (writer/director Ed Burns and Katie (Caitlyn FitzGerald) are newlyweds who learned from chaotic first marriages. They own small businesses and are more sunny and self-aware than their sisters, Buzzy's feral little sister Linda (Kerry Bishé), and Katie's bitter older sis Marsha (Marsha Dietlein).

Buzzy trains Marsha's husband Max at his gym. Sort of.; mainly Max comes to gripe about his wife and bemoan the sex he's not getting.

Max idolizes Buzzy, a fit, funny, guy's guy who curses warmly, and, unlike Max, has an even-keeled, gorgeous spouse who appreciates him.

Linda's drop-in from LA becomes the wrench in Katie and Buzzy's gears. Within 48 hours, Linda's passive-aggressive houseguest-from-hell havoc has Katie's teeth on edge and Buzzy backpedaling like a stranger in his own marriage.

Marsha, meanwhile, projects her misery on the stressed newlyweds and Buzzy in particular, who symbolizes all lying, doggish men in her eyes.

Linda chases down another newlywed: her ex Miles, whose weeks-old marriage she's flown in to destroy. Drunk, narcissistic and grabby...she's the younger, female mirror of Katie's actor ex Dara, another vain and irresponsible fantasist.

Meet your ghost of Christmas future, kid.

Marsha is threatened by Buzzy-who stole her sister, and dares to be cheerful. Linda envies Katie, who not only has her life together but can't be trumped on looks or style...oh, the humanity.

Whose denial about their obnoxious sister is deeper? Buzzy defends Linda with a distant oldest's guilt; Katie defends 'good person' Marsha with fierce, if myopic, devotion. Maybe hot loyalty about their sisters doth protest too much?

Which newlywed gets unrealistic first? Katie for insisting Buzzy tell her *absolutely everything*, down to Max's confidences and Linda's indiscretions...omitting what she holds back.

Or Buzzy, who chides Katie with a parallel about the 'anything goes' attitude of guy friends...the difference being, Katie and Linda are in-law strangers, not friends. Case in point, 'paranoid' Katie doesn't even try to tell Buzzy how rude and hostile Linda is when the two of them are alone.

Linda can apologize to Miles, but not Katie. Marsha treats Buzzy like riffraff, though he's gentleman enough to ignore her barrage of insults.

Kettles, meet pots. Everyone in Newlyweds has an object lesson, a nemesis and maybe even the inspiration they need, viewed in the right light.

I won't spoil the funny lines and fine messes of Newlyweds. The writing feels fresh and natural, the characters are just screwball enough, and I really wish Ed Burns had given us a sequel.