In a way it’s a shame that film builds backwards, because while it adds layers of tricksy narrative intrigue, that trajectory somewhat simplifies the thematic texture as the movie wears on.
Brimstone is hampered somewhat by its ponderous, doom-laden pace, and resultant bloated running time, but remains an intriguing slant on the spaghetti western.
If, for all of its godawful men, “Brimstone” has a hard time sewing its feminist fervor into anything more than a thin shawl over its bleak spectacle, this disturbingly watchable religious Western makes a solid case that hell is a place on Earth.
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The Film Stage
The Film Stage
Director Martin Koolhoven shows the heaviest of hands in approaching the story.
The film has gruesomely effective moments, and one at times gets caught up in the gears of its big interlocked narrative, but it also has serious longueurs.